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Activision Transformers: War for Cybertron manual

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Table of contents for the manual

  • Page 1

    [...]

  • Page 2

    WARNING: PHO TOSENSITIVITY/EPILEPSY/SEIZURES A very small percentage of individuals may experience epileptic seizures or blackouts when exposed to certain light patterns or flashing lights. Exposure to certain patterns or backgrounds on a television screen or when playing video games may trigger epileptic seizures or blackouts in these individuals.[...]

  • Page 3

    1 CONTENTS Getting Started ...........................................................................2 Game Controls ............................................................................3 Story ..........................................................................................6 Heads-Up Display .......................................[...]

  • Page 4

    2 PlayStation ® 3 system GET TING ST ARTE D Starting a game: Before use, carefully read the instructions supplied with the PS3 ™ computer entertainment system. The documentation contains information on setting up and using your system as well as important safety information. Check that the MAIN POWER switch (located on the system rear) is turned[...]

  • Page 5

    3 GAME CONTROL S Dir e ct ion al bu t to ns å ß ≥ ÷ Left st ick Pr es s f or L 3 ≈ Rig ht s ti ck Pr es s f or R3 Ω √ ç ∂ ƒ ROBOT CONTROL S CONTROL FUNCTION Left stick Move Player Right stick Move Camera/Aim ≈ button Jump (Press twice for double jump) Ω button Throw Grenade √ button Reload (Hold to pick up weapon)/Action ç butto[...]

  • Page 6

    4 FLIGHT CONTROL S CONTROL FUNCTION Left stick Movement Right stick Move Camera/Steer ≈ button Ascend Ω button Descend √ button Reload ç button Switch Weapon å Boost ß N/ A ∂ Fire Weapon ƒ Barrel Roll L3 button Change Form R3 button N/ A[...]

  • Page 7

    5 T ANK/CAR/TRUCK CONTROL S CONTROL FUNCTION Left stick Movement Right stick Move Camera/ Steer ≈ button Jump Ω button N / A √ button Reload ç button N / A å Boost ß N/ A ∂ Fire Weapon ƒ 180-turn (T ank)/Dash While Hovering/ Ram While Boosting (T ruck) ƒ + Left stick Dash While Hovering (Car)/Flip While Boosting (Car) L3 button Change F[...]

  • Page 8

    6 STORY Fo r man y ye ar s th e her oic A U TO BO T S ™ and t he e vil D ECE P TI CO NS ™ hav e wag ed w ar upo n t heir h ome p lane t of C Y BER T RO N ™ . It is n ow, wit h ne w and d eadl y t hr eat s in plac e th at t he b alan ce of p ow er be gins t o tip a nd v ict or y is w it hin sig ht.. .but f or w h om ? It is a t ime o f war , a[...]

  • Page 9

    7 MUL TIPLA YER T a ke t he b at tl e fo r CY B ER TR ON ™ onli ne ! T R AN SF ORM ERS ™ : WAR FO R CY BERTRON ™ co nt ains a v ari et y of c omp et it ive M ult iplay er mo des f or b ot h indi vid uals an d tea ms. Mult iplay er mo des in clud e: • Deathmatch – Fr ee -f or -all. • T eam Deathmatch – This is a t ea m- bas ed ve rsi o[...]

  • Page 10

    8 CLASSES T her e ar e 4 cla sses t ha t pla yer s ca n ch oos e fr o m wh en cr ea ti ng a ch ara ct er f o r multipl ayer matches: Leade r – T he L eade r mo ves t he lin es o f th e bat t lefi eld by bo ost ing h is te amm at es’ attribute s . Scientist – T he S cie nt ist em plo ys t he hig hly -pr iz ed jet f o rm, all ow ing him t o br[...]

  • Page 11

    9 CREDITS Game Director Matt Tieger Lead Pr oducer Ch uck Yage r Lead Progra mmer And rew Zafer aki s Lead Desi gner Matt K rystek Lead Artist Ivan Power Le ad A udi o Rober t Burns Lead Conce pt Jim Daly Direct or of T echnolog y Sean H oughton Dir ec t or o f An ima ti on Se an Mille r Direct or of Cinematics Dave Cravens Senior T echnical Produc[...]

  • Page 12

    10 Au dio D esi gne rs Mike Nieder quell Ian Mika Mark Loperfi do John Dreli ck Audi o Prog rammer Ch ris tia n Sa ka nai Cinematic T eam Ly Ha Ch ung Anna Pacheco George Castro Neil Car ter Ja y T o rc ed o Jas on K ey Eduard Marinov Scott Benefi el Cin em at ic Su ppo rt Ken Bi sho p Dustin Adair Engine Programmer s Frederic My Martin Ecker Mat[...]

  • Page 13

    11 CINEMATIC AUDIO Int r o Cin ema ti c Sc or e by K lau s Bad elt Introducti on Cin ematic Mix b y Ti m Ged em er of Source Sou nd, Inc . Cin em at ic So und Producti on by T ech nic olo r Int er ac t iv e Services BL UR S T UDIO Dir ec t or and A ni ma tio n Superv isor Le o Sa nt os CG Su pervisor Co re y Bu tl er Creative Director Ti m Miller P[...]

  • Page 14

    12 Co nce pt D esi gn John Park Ch uck Wo jt ki ew ic z Ma tt e P ain te r Jai me Ja sso Produ ction Assis tant Ama nda Powe ll Tools a nd Sc ri pt s Karl Gol ds hmi dt Eric Hulser Jen t ze n Moo ne y T oma s Pu lma no Pr og ra mmin g and Systems Administration Dua ne P ow ell Jer e my Do na hue Pa ul Hu ang Matt Newell ZOIC S T UDIOS Creative Dire[...]

  • Page 15

    13 CENTR AL DESIGN Sr. Dir ec to r of Game Desi gn Carl Schn urr Sr. Mgr, Cen tr al Us er Test ing Ray K o wal ew sk i Ce nt ral G am e De sign er s De re k Dan iels T hom as Wells Mic hae l St ou t Ga me De sig n An al ys t Je f f Che n User-T est ing Associate Al ess and ra B ro phy User-T esting Supervisor Ph il Ke ck Cr ea ti ve C on sul ta nt [...]

  • Page 16

    14 Eog ha n Ga f f ney A r th ur Gr ee n Pa dr aic Halli nan St e f fe n Hige l T o ny K ell y John Kirk Lance Laursen Damien Marshall Cr aig Mc inn es Ian M cL eo d Rua idh rí P ow er Til man Schaefer Go rd on S ch neid er A my Sm it h Em man uel S t one Stef an Tjarks Ch arli e Von Me t zr ad t Jas on “ Hag ao” Wei Ch ris to ph er Wer ne r P[...]

  • Page 17

    15 Ac ti vi sio n Sp eci al T han ks Bo bby K o tic k Mike Grif fi th Da ve S t ohl St e ve A ck ri ch St e ve P ear c e T hom as T ippl Br ian H odo us Br ian Wa rd La ir d Mala med Jim Mc Gin nis Maryanne Lat aif Su za n Rud e St e ve Young Raj S ain Jas on D albo t te n T om Ru den ko Er ic Glin oga Ad ria n Go mez Mica Ross Da n Win t er s Bob[...]

  • Page 18

    16 Sh ane M and ich Steve n M itch el l Sung Dong Y oo T abari Jeffries Q A Test er s, Ni ght sh if t Benjami n Deutsch Gu y Se lga Jr . Ja mes B ur zelic Jennifer Kalinowski Jua n A ria s Juliu s Hipo lit o Le ve t t Washi ng to n QA Se n io r Pr oj ec t Le ad, D ay sh if t Thom Denick QA Se n io r Pr oj ec t Le ad, N igh ts hif t Frank So Q A Ma [...]

  • Page 19

    17 Q A MP L Ac tin g Test er s Matt hew Brannon Jo hn Ge t t y Nic olas G ra m Bo bby J on es Br ian L ay Richard Sa lmon QA COMPA TIBI LIT Y LAB Q A- CL L ab P r oje ct L ea ds Au st in K ien zle Fa rid K a zimi Q A- CL L ab Tes te rs Al ber t L ee Willi am W hale y QA A U DI O VIS UAL L AB Q A AV L ab Se nio r Pr oj ec t Le ad Vi ct or D ur ling [...]

  • Page 20

    18 PRODUCTION SERV ICES – EUROPE Direct or of Production Se rv ic es – E ur ope Ba rr y K eh oe Lo ca liz at io n Man age r Fiona Ebbs Lo ca liz at io n Pr oj ect Manager Mary Ket tle Localiza tion Coordinator To m a s M a t o u s e k Lo ca liz at io n Q A Man age r David Hickey Local ization Q A As sis t ant M ana ger Yvonn e Cost ello Local i[...]

  • Page 21

    19 VO Product ion Manager Valer ie A r em Recording Facilit ies P CB P ro du ct ion s – Lo s An gel es, CA VOICE T A LENT Op tim us P rim e Peter Cu ll en Bumblebee Jo hnn y Yong Bo sch Star scre am Sa m Riege l Omega Supreme / MEGATR ON ™ / Ra tc he t / TRYPTICON ™ Fred T a tasciore Soundwave/ CYBERT RON ™ Isaa c C. Sin glet o n Jr . Sides[...]

  • Page 22

    20 Use s Sc ale fo rm G Fx © 20 0 8 Sc alef o rm C or po ra ti on. A ll rig ht s r ese rv ed. Use s “F mod E x S oun d Sy st e m” and “ Fir elig ht Techn olo gies”. Use s Bink V id eo Co py ri ght © 1997– 2010 by Rad G am e T o ols, In c N vidi a and P hy sx, b ot h s ty liz ed an d no n- st y lize d, ar e tr ad ema rk s or r eg ist er [...]

  • Page 23

    21 CUSTOMER SUPPORT Note: Pleas e do no t cont act C usto mer S uppo rt for h ints/ cod es / c heat s; only tech nica l iss ues. Int erne t : ht tp :/ /www . a ct iv i si on . co m / s u p p o rt Ou r supp or t s ect ion o f th e Web ha s th e mos t up -t o- da te i nf or ma tio n av ailable. We upd at e t he su ppo r t pag es dail y , so pl eas e [...]

  • Page 24

    SOFTWARE LICENSE AGREEMENT IM PO RTA NT - R E AD C A RE FU LLY: U SE O F TH IS P RO GR A M IS S UB JE CT T O TH E SO F TW AR E LI CE NS E TE RM S SE T F OR TH B ELO W. “PR OG R AM ” IN CL UD ES T H E SOFTWARE INC LUDED WITH THIS AGREEME NT , THE ASSOCIA TED ME DIA, ANY PRINTED MA TERIA LS, AND ANY ON-LINE OR E LECTRONIC DOCUMENT ATION , AND AN [...]