Tangent Pearlbox manual

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30

Go to page of

A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of Tangent Pearlbox, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

What is an instruction?

The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Tangent Pearlbox one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of Tangent Pearlbox. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of Tangent Pearlbox should contain:
- informations concerning technical data of Tangent Pearlbox
- name of the manufacturer and a year of construction of the Tangent Pearlbox item
- rules of operation, control and maintenance of the Tangent Pearlbox item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Tangent Pearlbox alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Tangent Pearlbox, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Tangent service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Tangent Pearlbox.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Tangent Pearlbox item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    iPho ne/ iP od doc k in g and A UX Co nt ro lo r em ot o 1 .F a i x a : S k i p / s e a r c h p a r a t r á s , p l a y / p a u s e e s k i p / s e a r c h p a r a a f r e n t e . 2 .Á u d i o : A u m e n t a r v o l u m e , d i m i n u i r v o l u m e e r e t i r a r v o l u m e . 3 . M e n u : P a r a n a v e g a r p e l o m e n u d o i P h o n[...]

  • Page 2

    UK – U SER MANU AL .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... . 3 FR – M ANU EL D' UTI LI SA TI ON .... .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. .. ... .. .. 7 DE – B EDI EN UN GS ANL EI TU NG ... .. .. .. ... .. .. ... .. .. .. ... .. .. .. ... .. .. ... .. .. [...]

  • Page 3

    Imp or tan t i nfo rm ati on U K - U S E R M A N U A L C o n g r a t u l a t i o n s o n y o u r n e w d o c k i n g s t a t i o n . P l e a s e r e a d t h i s m a n u a l c a r e f u l l y t o a v o i d m a l f u n c t i o n a n d d a m a g e t o t h e d o c k i n g s t a t i o n a n d t o e n s u r e t h a t t h e d o c k i n g s t a t i o n w i[...]

  • Page 4

    Re mo te c on tr ol 1 .T r a c k : S k i p / s e a r c h b a c k w a r d s , p l a y / p a u s e a n d s k i p / s e a r c h f o r w a r d . 2 .A u d i o : V o l u m e u p , v o l u m e d o w n a n d M u t e . 3 .M e n u : To n a v i g a t e t h e i P h o n e / i P o d 4 . S c r o l l / E n t e r . Spe ci fic at ion s S p e a k e r : 3 ” d u a l [...]

  • Page 5

    So mm air e. .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .9 FR - MAN UEL D'U TI LI SA T ION .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. .10 Vue avan t. .. ... .. .. ... .. .. .. ... .. .. ... .. .. ..[...]

  • Page 6

    In for mat io ns i mp ort an tes F R - M A N U E L D ' U T I L I S A T I O N F é l i c i t a t i o n s p o u r v o t r e n o u v e l l e s t a t i o n d ' a c c u e i l p o u r i P o d / i P h o n e . Ve u i l l e z l i r e a t t e n t i v e m e n t c e m a n u e l a f i n d ' é v i t e r u n d y s f o n c t i o n n e m e n t e t l[...]

  • Page 7

    Té lé co mm and e 1 .P i s t e : S k i p / s e a r c h e n a r r i è r e , p l a y / p a u s e e t s k i p / s e a r c h v e r s l ' a v a n t . 2 .A u d i o : p o u r m o n t e r o u b a i s s e r l e v o l u m e e t d é s a c t i v e r l e s o n . 3 .M e n u : p o u r n a v i g u e r d a n s l ' i P h o n e / i P o d . 4 . S c r o l[...]

  • Page 8

    Ln ha lt sv er ze ic hn is . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . .. .. .. .. .. .. .. .. .. .. .. .. .. .1 5 DE - BE DI EN U NG SA NL E IT UN G. .. . .. .. .. .. .. . .. .. .. .. . .. .. .. .. . .. .. .. .. . .. .. .. .. .. . .. .. .. 16 Fr ont pl at te. ... .. .. .. ... .. .. ... .. .. .. ... .. ..[...]

  • Page 9

    1 2 Wic ht ig e In fo rm at io nen D E - B E D I E N U N G S A N L E I T U N G H e r z l i c h e n G l ü c k w u n s c h z u I h r e r n e u e n D o c k i n g s t a t i o n . L e s e n S i e b i t t e d i e s e A n l e i t u n g s o r g f ä l t i g d u r c h , u m F e h l f u n k t i o n e n u n d S c h ä d e n a n d e r D o c k i n g s t a t i [...]

  • Page 10

    Fe rn be die nu ng 1 . Tr a c k : S k i p / s e a r c h z u r ü c k , p l a y / p a u s e u n d s k i p / s e a r c h v o r w ä r t s . 2 .A u d i o : L a u t s t ä r k e e r h ö h e n u n d v e r r i n g e r n s o w i e S t u m m s c h a l t u n g . 3 .M e n u : N a v i g a t i o n d e s i P h o n e / i P o d . 4 . S c r o l l / E n t e r T ec[...]

  • Page 11

    In hou d. .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. .. .21 NL -G e br uik saa nw ij z in g .. .. .. . .. .. . .. .. .. . .. .. . .. .. .. . .. .. .. . .. .. . .. .. .. . .. .. . .. .. .. . .. .. .. . .. .. . .. .2 2 V o or aa nz ic ht. .. .. .. .. [...]

  • Page 12

    Be lan gr ijk e i nfo rma ti e N L - G e b r u i k s a a n w i j z i n g G e f e l i c i t e e r d m e t u w n i e u w e d o c k i n g - s t a t i o n . L e e s t u d e z e h a n d l e i d i n g z o r g v u l d i g d o o r o m s t o r i n g e n e n s c h a d e a a n d e d o c k i n g - s t a t i o n t e v o o r k o m e n e n o m e r v o o r t e z o[...]

  • Page 13

    Af st an ds bed ie ni ng 1 . S p o o r : S k i p / s e a r c h A c h t e r u i t , p l a y / p a u s e e n s k i p / s e a r c h v o o r u i t . 2 .A u d i o : V o l u m e o m h o o g , v o l u m e o m l a a g e n g e l u i d u i t s c h a k e l e n ( m u t e ) . 3 . M e n u : O m n a a r d e i P h o n e / i P o d t e n a v i g e r e n . 4 . S c r [...]

  • Page 14

    In dh old . .. ... .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .. ... .. .. 27 DK - B RUG ER MA NU AL...... ...... ...... ...... ...... ...... ...... ...... ...... ...... ...... ...... .2 8 Se t fo rf ra. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. ..[...]

  • Page 15

    Vigtig info rm atio n D K - B R U G E R M A N U A L Ti l l y k k e m e d d i n n y e d o c k i n g s t a t i o n . L æ s v e n l i g s t d e n n e m a n u a l o m h y g g e l i g t f o r a t u n d g å f u n k t i o n s f e j l o g s k a d e p å d o c k i n g s t a t i o n e n , o g f o r a t s i k r e , a t d o c k i n g s t a t i o n e n v i l [...]

  • Page 16

    Fj er nb etj en in g 1 . S p o r : S k i p / s e a r c h b a g l æ n s , p l a y / p a u s e o g s k i p / s e a r c h f r e m a d . 2 .L y d : Ly d s t y r k e o p , l y d s t y r k e n e d o g s l å l y d e n f r a . 3 . M e n u : Ti l a t s t y r e i P h o n e / i P o d . 4 . S c r o l l / E n t e r Spe ci fik at ion er S p e a k e r : 3 ” d[...]

  • Page 17

    In ne hå ll. .. .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. .. .. ... .. .. .. 33 SE - BR UKS AN VI SN ING .. .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... 34 Fr ams id es vy .. .. .. .. ... .. .. ... .. .. .. .[...]

  • Page 18

    Vikt ig inf or mat io n S E - B R U K S A N V I S N I N G G r a t u l e r a r t i l l d i n n y a d o c k n i n g s s t a t i o n . L ä s b r u k s a n v i s n i n g e n n o g a f ö r a t t u n d v i k a u p p k o m s t e n a v s k a d o r o c h f e l p å d o c k n i n g s s t a t i o n e n o c h f ö r a t t f ö r s ä k r a d i g o m a t t d [...]

  • Page 19

    Fj är rk on tro ll 1 . S p å r : S k i p / s e a r c h b a k å t , p l a y / p a u s e o c h s k i p / s e a r c h f r a m å t . 2 .L j u d : H ö j v o l y m , s ä n k v o l y m o c h t y s t . 3 . M e n u : F ö r a t t n a v i g e r a d i n i P h o n e / i P o d . 4 . S c r o l l / E n t e r Spe ci fik at ion er Spe ak er : 3” du al v oi [...]

  • Page 20

    Sis ä lly slu e tt elo .. .. .. .. .. .. .. .. .. .... .. .. .. .. .. .. .. .. .. .. .. .. .... .. .. .. .. .. .. .. .. .. .. .. .... .. .. .. .. .. .. .. .3 9 FI-K Ä Y TT Ö OP AS ............. ............. ............. ............. ............. ............. ......4 0 Etu n äky mä .. .. .. .... .. .. .. .. .. .. .. .. .... .. .. .. .. .. [...]

  • Page 21

    Tä rke ää tie to a F I - K Ä Y T T Ö O P A S O n n i t t e l u t u u d e s t a t e l a k o i n t i a s e m a s t a s i . L u e t ä m ä k ä y t t ö o h j e k i r j a h u o l e l l i s e s t i , j o t t a v ä l t ä t h ä i r i ö t s e k ä t e l a k o i n t i a s e m a n v a h i n g o i t t u m i s e n j a v a r m i s t a t , e t t ä t [...]

  • Page 22

    Ka uk o- ohj ai n 1 .R a i t a : S k i p / s e a r c h t a a k s e p ä i n , p l a y / p a u s e j a s k i p / s e a r c h e t e e n p ä i n . 2 .Ä ä n i : Ä ä n e n v o i m a k k u u s y l ö s , ä ä n e n v o i m a k k u u s a l a s j a m y k i s t y s . 3 . M e n u : S e l a a i P h o n e / i P o d - l a i t e t t a . 4 . S c r o l l / E[...]

  • Page 23

    In dic e .. .. ... .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. 45 IT – M AN UA LE UT EN TE .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .4 6 Vist a fr on tale . .. .. ... .. .. ... .. .. .. [...]

  • Page 24

    In fo rm az ion i im po rt an ti I T – M A N U A L E U T E N T E C o n g r a t u l a z i o n i p e r l ' a c q u i s t o d e l l a v o s t r a n u o v a d o c k i n g s t a t i o n . L e g g e r e a t t e n t a m e n t e q u e s t o m a n u a l e o n d e e v i t a r e i l m a l f u n z i o n a m e n t o e i l d a n n e g g i a m e n t o d e [...]

  • Page 25

    T e le co ma nd o 1 .T r a c c i a : S k i p / s e a r c h i n d i e t r o , p l a y / p a u s e e s k i p / s e a r c h a v a n t i . 2 .A u d i o : V o u m e s u , v o l u m e g i ù e M u t o . 3 . M e n u : P e r n a v i g a r e c o n l ' i P h o n e / i P o d . 4 . S c r o l l / E n t e r Spe ci fic he S p e a k e r : 3 ” d u a l v o i [...]

  • Page 26

    Co nte ni do .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .5 1 ES – M ANU AL DE L USU AR IO .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. .. 52 Vist a f ro nt al. .. .. .. ... .. .. ... .. .. .. ... .. .[...]

  • Page 27

    In fo rm ac ión im por ta nt e E S – M A N U A L D E L U S U A R I O F e l i c i d a d e s p o r l a a d q u i s i c i ó n d e s u n u e v a e s t a c i ó n d e c o n e x i ó n . L e a a t e n t a m e n t e e s t e m a n u a l p a r a e v i t a r u n f u n c i o n a m i e n t o d e f e c t u o s o y d a ñ o s a l a e s t a c i ó n d e c o n[...]

  • Page 28

    Ma nd o a di st an ci a 1 . P i s t a : S k i p / s e a r c h h a c i a a t r á s , p l a y / p a u s e y s k i p / s e a r c h h a c i a a d e l a n t e . 2 .A u d i o : S u b i r e l v o l u m e n , b a j a r e l v o l u m e n y M o d o s i l e n c i o s o . 3 . M e n u : P a r a n a v e g a r p o r e l i P h o n e / i P o d . 4 . S c r o l l / [...]

  • Page 29

    Ín dic e. .. .. .. ... .. .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. .. 57 PT - MA NU AL DO UT IL IZ AD OR. .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .. ... .. .. .. ... .. .5 8 Vist a F ro nt al. .. .. .. ... .. .. ... .. .. .. ... .. .. .[...]

  • Page 30

    In fo rm aç ão i mp ort an te P T - M A N U A L D O U T I L I Z A D O R P a r a b é n s p e l a c o m p r a d a s u a n o v a b a s e . L e i a e s t e m a n u a l c u i d a d o s a m e n t e , p a r a e v i t a r d a n o s e a v a r i a s à b a s e e g a r a n t i r q u e o a p a r e l h o s e r á u m a f o n t e d e e x c e l e n t e p r a z[...]