AOC L15X421, L20S421, L20W421 manual

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First and foremost, an user manual of AOC L15X421, L20S421, L20W421 should contain:
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Table of contents for the manual

  • Page 1

    L15X421 L20S421 L20W421 Q41T2001673 3A User's Manual LCD TV[...]

  • Page 2

    0 U S E R ’S M A N U A L TA B L E O F C O N TE N TS IM P O R T A N T S A FE T Y IN S T R U C T IO N S --- ---- -- ---- -- ---- -- ---- -- ---- ---- -- 2 P R E P A R A T IO N - ---- -- ---- -- ---- -- ---- -- ---- ---- -- ---- -- ---- -- ---- -- ---- -- ---- -- ---- - 4 M OU N T IN G T H E T V B A S E··· ······ ······ ······ ?[...]

  • Page 3

    1 G lo s sa ry -- ---- -- ---- -- ---- -- ---- -- ---- ---- -- ---- -- ---- -- ---- -- ---- -- ---- -- ---- -- - 2 5 T h a n k yo u v e ry m uc h fo r c h o os in g th e L C D T V . We re co m me n d th a t y o u ta k e a fe w min u te s to re a d c a re fu lly th ro ug h th is ma n u a l b e fo re in s ta llin g a n d sw itc h in g o n th e T V . [...]

  • Page 4

    2 R e a d b efo re o p e r a tin g e q u ip me n t 1 . R e a d th e s e in str u c tio n s . 2 . K e e p th e se in s tru c tio n s . 3 . H e e d a ll w a rn in g s . 4 . F o llo w a ll in str u c tio n s. 5 . D o n o t u se th is a p p a ra tu s n e a r w a te r. 6 . C le a n o n ly w ith a d ry c lo th . 7 . D o n o t blo ck an y o f th e v e n t[...]

  • Page 5

    3 1 3 . T h e T V s h o uld be op e ra te d on ly fro m th e typ e of p o w e r so u rc e ind ic a te d o n the lab e l. If yo u a re n o t s u re o f th e ty p e o f p o w e r s u p p lie d to yo u r h o me , c o n su lt y ou r d e a le r o r lo ca l p ow e r co m p a n y. 1 4 . U n p lu g th is a p p a ra tu s d u rin g lig h tn in g s to rm s o [...]

  • Page 6

    4 E X A M P L E O F A N TE N N A G R O U N D IN G A S P E R N A T IO N A L E LE C T R IC A L C O D E N o te to th e C A T V s ys te m in sta lle r: T his r e m in d e r is p ro v id e d to c a ll t h e C A TV s ys te m in sta lle r’ s a tte n tio n to A rtic le 8 2 0 -4 0 o f th e N E C th a t p ro vid e s g u id e lin e s fo r p ro p e r g ro u [...]

  • Page 7

    5 1 . P la c e t h e T V o n a s olid s u rfa c e. E n s u re th a t th e T V is p la c e d in a p os itio n to a llo w fr e e flo w o f a ir. D o n o t c o ve r th e v e n tila tio n o pe n in g s o n th e b a c k c ov e r. T o p re v e n t a n y u n s a fe s itu a tio ns , n o n ak e d fla me s ou rc e s , s u c h a s lig h te d c a n d le s, s h[...]

  • Page 8

    6 T h e T V b a s e w ill b e s e p ara te d w ith th e T V u n it. Y o u s h ou ld In sta ll th e b a s e b e fo re y o u u s e th e T V un it.  P la ce th e T V o n its fa ce o n a s o ft b la n k e t.  In sta ll th e b a s e sta nd w ith th re e s c re w s .  P la ce th e T V o n th e ta b le . N o te : L 1 5 X 4 2 1 d o e s n o t n e e[...]

  • Page 9

    7 3 . R e m o te c o n tr o l: R e mo v e th e c o v e r o f th e b a tte ry co m p a rtm e n t. In s e rt th e 2 b atte rie s s u p plie d (T yp e A A A 1 .5V ). 4 . P o w er : In s e rt th e p ow e r c ord in th e w a ll s o c k e t h a v in g a n A C p o w e r s u p ply . 5 . T u rn th e T V o n : T u rn th e ma in p ow e r sw itc h o n th e r i[...]

  • Page 10

    8 U S E O F T H E R E M O T E C O N T R O L ME N U P re ss re p e a te dl y to d is p la y O S D m e nu . V -C H IP P re ss th i s b ut to n t o se tu p p a r e n t a l co n tr o l . S W A P N o t S u p p o r te d . S IZ E P re ss th i s b ut to n t o tu r n A u to ,N o rm a l, E x p a n d , C o m p r e ss , A m a ro na p . P O W E R P re ss to t u[...]

  • Page 11

    9 TO U S E T H E M E N U S 1 . P re s s th e M E N U b u tto n to d isp la y o r c lo s e ma in m e n u . 2 . U s e th e c u rs o r u p/d ow n to s e le c t a m e n u ite m. 3 . U s e th e c u rs o r le ft/ rig h t to e n te r a s u b me n u o r e na b le /d is a b le th e fu n c tio n . 4 . P re s s th e M E N U b u tto n to e x it t h e m e nu . [...]

  • Page 12

    1 0 Wh e n th e in p u t so u rc e is T V m o d e , the S o u nd S e tu p , P ic tu re S e tu p , C h ild L o c k S e tu p, Fu n c tio n S e tu p a n d T V S e tu p c an b e s e le cte d ; sh o w n in th e fig u re b e lo w : S o u n d S e tu p (S a me a s in P C , T V , A V 1 , S -V id e o a n d C o mp o n e n ts m o d e s ) 1 . T h e r a n g e o [...]

  • Page 13

    1 1 P ic tu re S e tt in g Wh e n th e in p u t s o u rc e is in P C mo d e , y o u c a n s e le c t B rig h tn e s s , C on tr a s t, P o s itio n , V ide o n o is e , S h arp n e s s , A u to A dju st, In fo , C olo u r T e m p ., R e d , G re e n , B lue a n d R e s e t t o d e fa u lt; sh o w n in th e fig u re b e lo w : 1 . B rig htn e s s a [...]

  • Page 14

    1 2 Wh e n th e in p u t s o u rc e is in T V /A V 1 /S -V id e o / m od e , y o u ca n s e le c t B rig htn e s s, C o n tra s t, C o lo u r, S h arp n e s s , T in t, D y n . s kin to n e , C o lo ur T e mp ., P u b lic , Z o o m a n d R e se t to d e fa u lt re sp e ctiv e ly ; s h o w n in th e fig ure b e low : Wh e n th e in p u t so u rc e i[...]

  • Page 15

    1 3 4 . T in t: Th e ra n g e ca n be a d ju ste d fr o m -5 0 ~ + 5 0 ; u s e th is op tio n to a d ju st th e co lo u r o f p ic tu re . 5 . D y n . S kin to ne : Wh e n th e D y n a mic s k in to n e is O N , th e s kin to ne o f p e rs o n in th e p ic tu re b e co m e s m o re v iv id . 6 . C o lo u r T e mp .: T h e re a re th re e o p tio n [...]

  • Page 16

    1 4 4 . S le e p T im e r: S e t th e sle e p in g tim e r a n d th e a le rt fu n c tio n w h ic h in d ic a te s th e time le ft. 5 . C lo s e d C a p tio n (C C ) s e ttin g : S e le c t C C 1 ~ C C 4 , T X T 1 ~ T X T 4 o r O F F . 6 . R e se t: It is u s e d to r e s e t th e O S D s e ttin g s. Wh e n th e in p u t s o u rc e is in P C o r C [...]

  • Page 17

    1 5 Y o u c a n e nte r th e C hild L o c k s e ttin g to s e t u p th e V -C h ip le ve l w h e n y ou e n te r th e c o rre c t p a s sw o rd : 1 . A g e : it m a y b e s e t t o C h ild , T e e na g e r, Y ou th , A d u lt, C u sto m o r O F F ; w h e n yo u s e le c t C u sto m, it c an b e s e t ac c o rd in g to y o u p re fe re nc e . 2 . M [...]

  • Page 18

    1 6 1 . C h a n n e l n r: S ho w s th e c u rr e n t c h a n n e l n u m b e r. 2 . T u n in g mo d e : S e le c t t he m o de o f T V sig n a l - C a b le H R C C ab le IR C C a b le B ro a d c a st. 3 . S y s te m s ta n d a rd : N T S C -M , A u to . 4 . A u to s e arc h: S e le c t "A uto S e a rc h " to s e a rc h a ll s ig n a [...]

  • Page 19

    1 7 F R O N T P A N E L C O N TR O L K N O B S P o w e r K ey ? : P re s s to tu rn o n o r o ff th e T V . ME N U K e y ? : P re s s to sh ow th e O S D m e n u a n d e x it O S D m e n u a t th e T V . D o w n / U p K e y ? ? : S e le ct t h e in te n d e d fu nc tio n b y p re s sin g th e s e tw o k e y s , o r sw itc h th e c h a n n e ls in t[...]

  • Page 20

    1 8 P R E P A R A T IO N R e mo v e th e b a c k p la te a t th e b ac k o f th e T V a s s h o w n o n th e illu s tr atio n o p p o site . L a y th e L C D T V w ith th e s c re e n d o w n o n a ta b le , a s it w ill b e e a s ie r to c o n n e c t y o u r p e rip h e ra l e qu ip m e n t. P le as e ta k e p re c a u tio n n o t to d a ma g e t[...]

  • Page 21

    1 9 V ID E O R E C O R D E R H o w to c o nn ec t 1 . C o n n e c t th e s u p plie d a n te nn a c a b le to th e R F IN p ort o f y o u r V C R . 2 . C o n n e c t a n o th e r F R ca b le fro m th e p o rt o f y o u r V C R to th e a nte n n a p o rt o f y o u T V s e t. If yo u h av e co n n e cte d th e v ide o /a u d io c a b le to th e v id [...]

  • Page 22

    2 0 D V D P L A Y E R H o w to c o nn ec t 1 . C o n n e c t 3 se p a ra te co m p o n e n ts s ig n a l c a b le s to t h e Y , P b a n d P r p o rts o f th e c o mp o n e n t s ign a l o f t h e D V D p lay e r, a n d th e Y , P b a nd P r p o rt s o f th e co m p o n e n t s ig n a l o f t h e T V s e t. 2 . C o n ne c t th e a u dio c a b le to[...]

  • Page 23

    2 1 D IG IT A L S E T T O P B OX C o n n e ct t h e to p b o x to th e in p u t p o rt o f t h e c o m p o n e n t s ig n a l. H o w to c o nn ec t 1 . C o n n e c t 3 se p a ra te co m p o n e n t s ig n a l c a b le s to th e Y , P b a n d P r p o rts o f th e c o mp o n e n t s ign a l o f t h e D ig ita l T V / T o p B o x , a nd th e Y , P b a[...]

  • Page 24

    2 2 TI P S C a r e o f th e s c re e n D o n o t r u b o r s tr ik e th e s cre e n w ith a n y th in g h a rd a s th is m a y s cra tch , m a r, o r d a m a g e th e s c re e n p e rm a n e ntly . U n p lu g th e p o w e r s o c ke t b e fore c le a nin g th e s c re e n . D us t t h e T V b y w ip in g th e sc re e n a n d th e c a b in e t w ith[...]

  • Page 25

    2 3 F u n c ti o n 15 " S cr e e n (L 1 5 X 42 1 ) Ite m S p ec S c re e n S iz e 1 5 ” T F T -L C D P a n e l A s p e c t R a tio 4 : 3 R e so lu tio n 10 2 4 * 7 68 ( X GA ) D is p la y A re a (o p e n in g ) H x V 3 0 4 .1 2 8 (H ) × 2 2 8 .0 9 6 (V ) P ix e l P itc h 0 .2 9 7 mm x 0 .2 97 m m D is p la y C lo rs 1 6 .2 m illio n L a mp [...]

  • Page 26

    2 4 S p e ak e r (b u ilt- in ): T w o 2 w a tt s p e a k e rs A u d io o u tp u t A u dio ou tp ut: L / R H e a d ph o n e M ini-ja ck fo r s te re o ( 3.5 ø ) O S D L a n g u a g e E n g lis h . F re n c h . G e rm a n . S p an is h . P o rtu g u e s e . T ra d itio n a l C h in e s e T a b le S ta n d Y e s Wa ll M o u n t V E S A 1 0 0 x 1 0 0[...]

  • Page 27

    2 5 F u n c ti o n 20 " S cr e e n ( L2 0S 42 1 ) Ite m S p ec S c re e n S iz e 2 0 ” T F T -L C D P a n e l A s p e c t R a tio 4 : 3 R e so lu tio n 6 4 0 x 4 8 0 (V G A ) D is p la y A re a (o p e n in g ) H x V 4 0 8 mm x 3 0 6 m m P ix e l P itc h 0 .2 1 mm x 0.6 3m m D is p la y C o lo rs 1 6 .2 m illio n L a mp T yp e /L ife 5 0 [...]

  • Page 28

    2 6 S p e ak e r (b u ilt- in ): T w o 3 w a tt s p e a k e rs A u d io o u tp u t A u dio ou tp ut: L / R H e a d ph o n e M ini-ja ck fo r s te re o ( 3.5 ø ) O S D L a n g u a g e E n g lis h . F re n c h . G e rm a n . S p an is h . P o rtu g u e s e . T ra d itio n a l C h in e s e T a b le S ta n d Y e s Wa ll M o u n t V E S A 1 0 0 x 1 0 0[...]

  • Page 29

    2 7 F u n c ti o n 20 " S cr e e n ( L2 0W 4 2 1 ) Ite m S p ec S c re e n S iz e 2 0 ” T F T -L C D P a n e l A s p e c t R a tio 1 6 : 9 R e so lu tio n 13 6 6 x 7 6 8 (WX G A ) D is p la y A re a (o p e n in g ) H x V 4 4 4 .6 3 3 mm x 2 4 9 .9 8 4 m m P ix e l P itc h 1 0 8 .5 u m x 3 2 5.5 um D is p la y C lo rs 1 6 .2 m illio n L a[...]

  • Page 30

    2 8 S p e ak e r (b u ilt- in ): T w o 3 w a tt s p e a k e rs A u d io o u tp u t A u dio ou tp ut: L / R H e a d ph o n e M ini-ja ck fo r s te re o ( 3.5 ø ) O S D L a n g u a g e E n g lis h . F re n c h . G e rm a n . S p an is h . P o rtu g u e s e . T ra d itio n a l C h in e s e T a b le S ta n d Y e s Wa ll M o u n t V E S A 1 0 0 x 1 0 0[...]

  • Page 31

    2 9 U s in g a h ig h ly d ire c tio n a l a n te n n a m a y in p ro v e th e p ic tu re . N o p o w e r *C h e c k th a t th e T V ’ s A C p o w e r co rd is p lu g ge d in to th e ma in s s o c k e t. *U n p lu g th e T V , w a it f o r 6 0 s e co n d s . T h e n r e - in s e rt p lu g in to th e ma in s s o c ke t a n d tu rn o n th e T V a g[...]

  • Page 32

    3 0 G L O S S A R Y A u d io / V id eo In p u ts L o c ate d o n th e re a r a n d th e fro n t o f t h e r e c e ive r th e se c o n n e c to rs ( R C A p h o n o ty p e p lu g ) a re u se d fo r th e in p u t o f a u d io a n d v id e o s ig n a ls . D e s ig n e d fo r us e w ith V C R s ( o r o th e r a c c e s s o rie s ) in o rd e r to re c e[...]