Yamaha E580 manuel d'utilisation

DSP PRO LOGIC TAPE MONITOR PROGRAM EFFECT NATURAL SOUND DIGITAL SOUND FIELD PROCESSOR / AMPLIFIER DSP-E580 D D S S P P - - E E 5 5 8 8 0 0 CONTENTS PRECAUTIONS & SAFETY INSTRUCTIONS ....................Inside Front Cover SETUP & ADJUSTMENT .................................................................................. 3 1-1. GETTING STAR[...]

1 Read Instructions – All the safety and operating instructions should be read before the unit is operated. 2 Retain Instructions – The safety and operating instructions should be retained for future reference. 3 Heed Warnings – All warnings on the unit and in the operating instructions should be adhered to. 4 Follow Instructions – All oper[...]

1 1 To ensure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2 Install your unit in a cool, dry, clean place – away from windows, heat sources, and too much vibration, dust, moisture or cold. Avoid sources of hum (transformers, motors). To prevent fire or electrical shock, do not expose to[...]

2 Congratulations! Y ou are the pr oud owner of a Y amaha Digital Sound Field Processing (DSP) System—an extremely sophisticated audio component. The DSP system takes full advantage of Y amaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this[...]

1-1. GETTING ST AR TED Unpac king If you ha v en’t already done so , carefully remo v e this unit and its accessories from the box and wr apping material. Y ou should find the unit itself and the f ollo wing accessories. Installing the Remote Contr ol Unit Batteries Since the remote control unit will be used f or man y of this unit’ s control o[...]

● When you notice that remote control oper ation has become erratic , or the distance from which the remote control will function has decreased, it’ s time to replace the batteries. Alw a ys replace all batteries at the same time. ● This remote control uses an adv anced, highly directional infr ared beam. Be sure to aim the remote control dir[...]

Dolb y Pro Logic Surr ound The Dolby Pro Logic Surround Decoder prog r am lets y ou e xperience the dramatic realism and impact of Dolb y Surround mo vie theater sound in y our own home . Dolb y Pro Logic gets its name from its prof essional-g rade steering logic circuitr y , which provides g reater eff ectiv e channel separ ation f or a much highe[...]

Setting Up Y our Speaker System This unit has been designed to provide the best sound field quality with a full fiv e-speak er system setup , using one e xtra pairs of eff ect speak ers to gener ate the sound field plus one center speak er f or dialog, when using Dolb y Pro Logic Surround decoding. W e theref ore recommend that y ou use a fiv e-spe[...]

Speakers and Speaker Placement Y our full fiv e-speaker system will require tw o speak er pairs: the MAIN SPEAKERS (y our normal stereo speakers) and the REAR EFFECT SPEAKERS , plus the CENTER SPEAKER. Y ou ma y also be using a subwoof er . Y ou will probably use y our present stereo speak ers as the MAIN SPEAKER pair . The rear eff ect do not need[...]

8 1-2. SETUP Bef ore you star t making connections make sure all related electronic components are turned OFF . REAR P ANEL SINGLE DUAL DUAL INPUT TAPE OUTPUT SINGLE AB 10dB 0dB - To AC outlet 15 7 9 D 2 3 4 6 8 0 A C B (General Model)[...]

1 Main Le v el Switch Nor mally set to “0 dB”. If desired, y ou can decrease the main- channel line output le v el at the MAIN OUTPUT jac ks b y 10 dB b y setting this s witch to “–10 dB”. 2 Main Output Jac ks Main-channel line output. Connected to input jac ks of e xter nal stereo pow er amplifier (MAIN IN or A UX or T APE PLA Y jacks of[...]

C Video NTSC/P AL Switch (General Model only) Set this s witch to the position corresponding to the standard that your video equipment emplo ys . D V oltage Selector (General Model only) Be sure to set to the line v oltage in your area bef ore applying pow er . Consult your dealer if unsure of the correct setting. NO TE: Ev en if an e xternal power[...]

CONNECTING AN INTEGRA TED STEREO AMPLIFIER OR STEREO RECEIVER T O THIS UNIT Using an Integrated Amplifier or Stereo Receiver with PRE OUT and MAIN IN T erminals Some integrated amplifiers and stereo receiv ers ha v e PRE OUT and MAIN IN jacks which permit the preamplifier and power amplifier sections to function independently . If your integrated a[...]

Using an Integrated Amplifier or Stereo Receiver that Does Not Have PRE OUT and MAIN IN T erminals If your integ rated amplifier is NO T equipped with PRE OUT and MAIN IN jac ks, this unit must be connected to the amplifier or receiv er T APE jacks . This unit provides additional T APE PB and REC OUT jacks so y ou will still hav e a place to connec[...]

CONNECTING A COMPONENT PREAMPLIFIER T O THIS UNIT Connect the PRE OUT jac ks of the preamplifier (control amplifier) to this unit’ s INPUT jac ks with a stereo pin cab le . Mak e sure that the “L ” output from the preamplifier is connected to the “L ” input on this unit, and that the “R” output from the preamplifier is connected to th[...]

CONNECTING T O VIDEO SIGNAL J A CKS If your integ r ated amplifier or similar component is equipped with a video output jac k, connect it to this unit’ s VIDEO IN jack, and connect this unit’ s VIDEO OUT jac k to the video input of y our monitor . * If your integ r ated amplifier or similar component is not equipped with any video output jac k,[...]

CONNECTING SPEAKER SYSTEMS Connect the SPEAKERS ter minals to your speak ers with wire of the proper gauge, cut as shor t as possible . If the connections are f aulty , no sound will be heard from the speakers . Mak e sure that the polarity of the speaker wires is correct, that is , + and – markings are obser ved. If these wires are re v ersed, t[...]

16 CONNECTING THE CENTER SPEAKER(S) T O THIS UNIT Connect the CENTER speak er to the CENTER SPEAKERS ter minals. One or tw o CENTER speak ers can be connected to this unit. F or the respectiv e connections, f ollow the methods figured below . If , ho we v er , you will not be using a CENTER speak er , be sure to set the Center Mode to “PHNTM” ([...]

ADDING A SUBW OOFER Y ou ma y wish to add a subwoof er to reinf orce the bass frequencies. This unit provides a line-le v el subw oof er output, which contains only the frequencies under 200 Hz from the main and center channels. Connect the LO W P ASS jack to the INPUT jack of the subwoof er amplifier , and connect the speak er terminals of the sub[...]

18 1-3. CONTR OLS & ADJUSTMENTS FR ONT P ANEL NATURAL SOUND DIGITAL SOUND FIELD PROCESSOR / AMPLIFIER DSP-E580 TAPE MONITOR PROGRAM EFFECT DSP PRO LOGIC 12 3 4 5 6 9 7 8 (General Model)[...]

1 P o wer Switch * ST ANDBY Mode (Europe model only) While the pow er is on, pressing the PO WER k ey on the remote control unit s witches the unit to the ST ANDBY mode. (In this mode, the indicator is half illuminated.) 2 Remote control sensor Signals from the remote control unit are receiv ed here. 3 Displa y P anel Shows prog ram names , par ame[...]

REMO TE CONTR OL UNIT 1 P o wer K ey T ur ns this unit on and off . * (Europe model only): T ur ns the POWER on mode to the ST ANDBY mode and vice versa. 2 Program Select K eys (1 through 16) Select DSP programs 1 through 16. 3 T est Switch When pressed, sends a signal to the main left, center , main right, and rear effect speak ers in tur n for ea[...]

PREP ARA TION 1. Set all v olume controls—on the main amp (preamp) and eff ect pow er amplifiers—to their MINIMUM positions . 2. T ur n on the power to all system components . This unit is turned on by pressing the PO WER s witch on the front panel or the PO WER ke y on the remote control unit. 3. Use the MASTER V OLUME control on the front pan[...]

MAIN/CENTER/REAR EFFECT SPEAKER LEVEL B ALANCE ADJUSTMENT This operation uses an internal test-tone generator f or balancing the le v els of the main, center and rear eff ect speakers. All speak ers should be adjusted to the same apparent sound le v el f or proper Dolby Pro Logic decoding. 1. Depress the TEST s witch on the remote control to enter [...]

O THER IMPOR T ANT SETTINGS AND ADJUSTMENTS IN THE “SET MENU” MODE The f ollo wing three types of settings and adjustments should be done bef ore enjo ying audio and video sources . Note that these settings and adjustments cannot be done without monitoring the displa y inf or mation (or the inf ormation displa y ed on the monitor screen). CENTE[...]

24 2-1. PLA YING A SOURCE 1. Set the MASTER V OLUME control to minim um. 2. T ur n the power on. 3. Select a source using the input selector on the integr ated amplifier etc. * T o select a tape deck connected to this unit’ s T APE ter minals, tur n the T APE MONIT OR switch on so that the indicator o v er the s witch on the front panel lights up[...]

2-2. DIGIT AL SOUND FIELD PROGRAMS This unit has 16 progr ams f or digital sound field processing, 4 from actual acoustic en vironments from around the world, and 12 programs f or A udio/Video sources including sources encoded with Dolby Pro Logic surround. Man y of the prog r ams contain v arious parameters that can be adjusted to the listener’ [...]

26 2-6. DESCRIPTIONS OF THE SOUND FIELD PR OGRAMS The f ollo wing list giv es brief descriptions of the sound fields produced by each of the DSP prog r ams. K eep in mind that most of these are precise digital recreations of actual acoustic en vironments . The data f or them was recorded at the locations described using so phisticated sound field m[...]

5. CONCER T VIDEO: This program produces an enthusiastic atmosphere and lets y ou f eel that y ou are in the midst of the action, as if attending an actual jazz or roc k concer t. The indirect sound constituent spreads on the surround side of the sound field b y the use of data of a large round hall f or the surround side, so the image space around[...]

9. TV THEA TER: The data of the sound field of a relativ ely narro w space is used f or the front presence side. A moder ately siz ed spatial sound field without e xcessiv e sound e xtension and re v erber ations giv es reality to the characters in a dr ama. The data of the sound field of an opera house is used f or the rear surround side. In a ste[...]

29 13. 70 mm MO VIE THEA TER 1: This program is ideal f or precisely reproducing the sound design of the new est mo vies . The sound field is made according to the design of the new est mo vie theaters , so the re v erberations of the sound field itself are restrained as m uch as possib le . The three dimensional f eeling of the sound field is emph[...]

30 3-1. SELECTING AND EDITING PR OGRAM P ARAMETERS WHA T IS A SOUND FIELD? In order to e xplain the impressiv e functions of the DSP system, we need to first understand what a sound field really is . What really creates the rich, full tones of a live instrument are the multiple reflections from the w alls of the room. In addition to making the soun[...]

Each sound field progr am has a set of parameters that allo w y ou to change the characteristics of the acoustic environment to create precisely the eff ect y ou w ant. These par ameters correspond to the many natur al acoustic f actors that create the sound field y ou e xperience in an actual concer t hall or other listening environment. The size [...]

32 3-2. DESCRIPTIONS OF THE DIGIT AL SOUND FIELD P ARAMETERS Not all of the f ollo wing par ameters are f ound in e v ery program. ● INIT DL Y (Initial Delay) How it Aff ects the Sound: Changes the apparent distance from the source sound. Since the distance between a sound source and a reflectiv e surf ace determines the delay betw een the direct[...]

33 ● REV . TIME (Reverberation Time) How it Aff ects the Sound: The natural re v erberation time of a room depends primarily on its size and the char acteristics of its inner surf aces . This parameter , theref ore , changes the apparent siz e of the acoustic en vironment ov er an e xtremely wide r ange . What it Does: Adjusts the amount of time [...]

34 PROBLEM POSSIBLE CAUSE WHAT TO DO Power does not come on. AC cord not properly plugged in. Carefully plug AC plug into outlet. Hum. Bad cable connection. Firmly plug in all connection cables. No sound. Bad or incorrect input connection. Check connections. Incorrect input source selection. Check A/V selector, receiver or amplifier switch settings[...]

35 Minimum RMS Output Power Per Channel Center (1 kHz 0.03% THD 8 Ω ) ...................................................................... 25W Rear Effect (1 kHz 0.03% THD 8 Ω ) ..................................................... 25W+25W Input Sensitivity/Impedance (1V) INPUT/TAPE PB .........................................................[...]

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-2084 RELLINGEN BEI HAMBURG, F.R. OF GERMANY YAMAHA ELECTRONIQUE FRANCE S.A. 17 RUE DES CAMPANULES, LOGNES 77321 MARNE LA VA[...]