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Roland SI-24 manuel d'utilisation

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Un bon manuel d’utilisation

Les règles imposent au revendeur l'obligation de fournir à l'acheteur, avec des marchandises, le manuel d’utilisation Roland SI-24. Le manque du manuel d’utilisation ou les informations incorrectes fournies au consommateur sont à la base d'une plainte pour non-conformité du dispositif avec le contrat. Conformément à la loi, l’inclusion du manuel d’utilisation sous une forme autre que le papier est autorisée, ce qui est souvent utilisé récemment, en incluant la forme graphique ou électronique du manuel Roland SI-24 ou les vidéos d'instruction pour les utilisateurs. La condition est son caractère lisible et compréhensible.

Qu'est ce que le manuel d’utilisation?

Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Roland SI-24 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Roland SI-24 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Roland SI-24
- nom du fabricant et année de fabrication Roland SI-24
- instructions d'utilisation, de réglage et d’entretien de l'équipement Roland SI-24
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

Pourquoi nous ne lisons pas les manuels d’utilisation?

Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Roland SI-24 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Roland SI-24 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Roland en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Roland SI-24, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Roland SI-24, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Roland SI-24. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    Owner’s Manual Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (Owner’s Manual p. 2), “USING THE UNIT SAFELY” (Owner’s Manual p. 3), and “IMPORTANT NOTES” (Owner’s Manual p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in[...]

  • Page 2

    2 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to al[...]

  • Page 3

    3 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. .......................................................................................................... 002a • Do not open or perform any internal modifica- tions on the unit. .............................................[...]

  • Page 4

    4 016 • Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page. .......................................................................................................... 101a • The unit should be located so that its [...]

  • Page 5

    5 IMPORTANT NOTES 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3–4, please read and observe the following: Power Supply 301 • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lightin[...]

  • Page 6

    6 204 * Microsoft and Windows are registered trademarks of Microsoft Corporation. 206c * Windows® 98 is known officially as: “Microsoft® Windows® 98 operating system.” 206f * Windows® 2000 is known officially as: “Microsoft® Windows® 2000 operating system.” 206g * Windows® Me is known officially as: “Microsoft® Windows® Millenniu[...]

  • Page 7

    7 Contents USING THE UNIT SAFELY...................................................................................................................... 3 IMPORTANT NOTES ................................................................................................................................ 5 Before you begin .................................[...]

  • Page 8

    8 Before you begin Check the contents of the package ❑ SI-24 ❑ Owner’s manual (this document) ❑ Power supply cable ❑ Pro Tools mode labels (*) Main features of the SI-24 The SI-24 supports R-BUS. When R-BUS is used to connect the SI-24 to a computer in which an RPC-1 is installed, you can transfer eight channels (IN/OUT) of digital audio,[...]

  • Page 9

    9 Panel Description Panel Description Top panel Input/output section fig.** INPUT jacks 1–8/XLR type Devices with XLR type plugs can be connected to these jacks. The audio that is input to INPUT 1–8 of the SI-24 will be sent to “R-Bus In 1–8” of the RPC-1. Phantom power can be supplied to each jack. ➔ For details, refer to “Using phan[...]

  • Page 10

    10 Panel Description Control section fig.** Faders These move the on-screen faders to adjust the volume level of the channels. When you use the mouse to move the on-screen faders, the faders of the SI-24 will move in tandem. STATUS buttons STATUS MODE The function of [STATUS] will change according to the selected STATUS MODE . Pressing [STATUS] rep[...]

  • Page 11

    11 Panel Description Panel Description EQ/SEND (Equalizer/Send) button When [EQ/SEND] is on (lit), you can use PAN knobs 1–12 to adjust the equalizer or the bus send level. For details, refer to “Controlling the equalizer” (p. 34 or “Controlling the bus send levels” (p. 35). PLUG-IN button When [PLUG-IN] is on (lit), you can adjust variou[...]

  • Page 12

    12 Panel Description MARKER button When [MARKER] is on (lit), [0] will function as the Marker Request button. Markers will be registered (stored) to [1] – [9] . For details, refer to “Registering a song location—Marker Create” (p. 36). SHORTCUT button When [SHORTCUT] is on (lit), [0] – [9] will function as command execution buttons. For d[...]

  • Page 13

    13 Panel Description Panel Description Panel Description Rear panel Power switch Turns the power on/off. Earth Connector Connect the ground cable here. In some cases, depending on the environment in which the unit is installed, the surface of the panel may sometimes feel rough and grainy. This is due to an infinitesimal electrical charge, which is [...]

  • Page 14

    14 Preparing to use the SI-24 Connecting peripheral equipment Make connections correctly, as shown in the diagram below. fig.02-** DAT Recorder, VS series, etc. DAT Recorder, VS series, etc. Audio Set etc. Power amp Mic PC To Power Outlet Stereo Headphones Keyboard etc. Mic Electric Guitar Electric Bass MIDI Sound Module etc. RPC-1 Effect etc.[...]

  • Page 15

    15 Preparing to use the SI-24 Preparing to use the SI-24 • Do not connect plugs to both the XLR type and phone type INPUT jack of the same number. • You cannot use the GUITAR jack and the INPUT 8 jack (phone type/XLR type) simultaneously. If devices are connected to both jacks, the GUITAR jack input will take priority. If you want to use the in[...]

  • Page 16

    16 Preparing to use the SI-24 Turning the power on/off ■ Turning the power on 1. Use the rear panel POWER switch to turn on the power of the SI-24. When the power is turned on, the power indicator will light. 2. Turn on the power of your audio system. 3. Raise the volume of your audio system to an appropriate level. ■ Turning the power off 1. T[...]

  • Page 17

    17 Preparing to use the SI-24 Preparing to use the SI-24 Adjusting the input sensitivity Use the INPUT sensitivity knobs to adjust the input sensitivity. You can adjust the input sensitivity over a range from line level (+4 dB) to mic level (-50 dB). The peak indicators will light at a level below the point at which the sound distorts. When you inp[...]

  • Page 18

    18 Preparing to use the SI-24 Using the digital input The output of a digital audio device (e.g., electronic musical instrument, DAT recorder, or the Roland VS series) connected to the SI-24 can be input to RPC-1 while still in digital form. If you want to use the DIGITAL IN input, use the following procedure to change the settings. 1. Connect the [...]

  • Page 19

    19 Overall signal flow Overall signal flow SI-24 OUTPUT OUTPUT OUTPUT 2 OUTPUT 1 OUTPUT 8 OUTPUT 7 RECORDER RECORDER TR 2 TR 1 TR 24 TR 23 INPUT MIXER INPUT MIXER INPUT 2 INPUT 1 Logic RPC Pro RPC-1 INPUT OUTPUT[...]

  • Page 20

    20 Monitoring the SI-24’s inputs The SI-24 does not provide mixing functionality. For this reason, if you want to use the master output or headphones to monitor the sounds that are being sent to the SI-24’s inputs, the sounds that are being input to the SI-24 must be sent back from the computer to the SI-24. Broadly speaking, there are three wa[...]

  • Page 21

    21 Monitoring the SI-24’s inputs Monitoring the SI-24’s inputs Using the RPC-1’s mixer to return the input sound This allows latency-free monitoring (i.e., monitoring with no delay). Also, you will be able to monitor the input sound at any time, unless you change the settings. 1. Open the RPC-1 control panel. 2. Click the “Monitor Mixer” [...]

  • Page 22

    22 Monitoring the SI-24’s inputs 8. Click the “Hardware Settings” tab. 9. ● Windows 98/ME Check “Disable audio app use of Monitor Mixer and Patchbay/Router.” fig.M05 ● Windows 2000/XP Check “Disable Control of the Monitor Mixer and Patchbay/Router by Audio Applications.” fig.M05 10. Click , assign a name to your settings, and clic[...]

  • Page 23

    23 Monitoring the SI-24’s inputs Monitoring the SI-24’s inputs Using the RPC-1’s direct monitoring function to return the input sound This allows latency-free monitoring only for the input sounds in your application software. 1. Open the RPC-1 control panel. 2. Click the “Hardware Settings” tab. 3. ● Windows 98/ME Uncheck “Disable aud[...]

  • Page 24

    24 Monitoring the SI-24’s inputs Returning the input sound from your application software This allows monitoring only for the input sounds that are set to record mode in your application software. The sound will be delayed by the latency specified in the RPC-1 control panel, but you will be able to monitor the sound processed by the software effe[...]

  • Page 25

    25 Making system settings Making system settings Making settings appropriate for your application Selecting the protocol In order to use the SI-24 to control your application, you must select the appropriate protocol. 1. Hold down [SYSTEM] and press the mode button [1] – [5] for the settings you want to use. The button you pressed will light, and[...]

  • Page 26

    26 Making system settings Setting/registering user mode settings You can assign different MIDI events of your choice to the buttons and knobs of the SI-24, and register these settings to [4] (USR 1) or [5] (USR 2) . The settings you register will be remembered even when the power is turned off. ■ Assigning MIDI events to buttons and faders (Send)[...]

  • Page 27

    27 Making system settings Making system settings ■ Assigning MIDI events to LEDs and faders (Return) As an example, here’s how to make user mode settings for [4] (USR 1) . 1. Hold down [SYSTEM] and press [4] (USR 1) to select the button for which you want to register settings. [SYSTEM] and [4] (USR 1) will light, and user mode 1 will be selecte[...]

  • Page 28

    28 Making system settings Saving user mode settings on your computer—Dump You can save user mode settings on your computer or sequencer. This provides a convenient way to back up the settings you register to [4] (USR 1) or [5] (USR 2) , or allows you to prepare several sets of user mode settings. As an example, here’s how to save [4] (USR 1) se[...]

  • Page 29

    29 Making system settings Making system settings Using the MIDI connectors to transmit/receive control data—MIDI Control Mode With the factory settings, the SI-24 will transmit and receive control data via R-BUS. If you are controlling a MIDI device or a computer that does not have R-BUS, set the SI-24 to MIDI Control Mode so it will use the MIDI[...]

  • Page 30

    30 Making system settings Outputting the RPC-1’s R-Bus Out 7/8 from the SI-24 With the factory settings, the RPC-1’s “R-Bus Out 7/8” will not be output from the SI-24. If you want “R-Bus Out 7/8” to be output from the SI-24, change the setting as follows. 1. Hold down [SYSTEM] and press [7] (7/8>D.OUT) to turn it on (lit). If [7] (7/[...]

  • Page 31

    31 Controlling Logic RPC Pro Controlling Logic RPC Pro You can remotely control Logic RPC Pro from the SI-24. * The software upgrade of Logic RPC Pro may make the operation process different or may include additional functions. Making the SI-24 settings Use the following procedure to switch the settings of the SI-24. 1. Hold down [SYSTEM] and press[...]

  • Page 32

    32 Controlling Logic RPC Pro Selecting channels 1. Use CH ASSIGN to select the Logic RPC Pro mixer section that you want to control. The selected button will light. [INPUT/INST] : Select this when you want to control INPUT. If you want to control instruments, hold down [SHIFT] and press [INPUT/INST] . [OUTPUT]: Select this when you want to control [...]

  • Page 33

    33 Controlling Logic RPC Pro Controlling Logic RPC Pro Switching the status of a channel The function of [STATUS] will change depending on the STATUS MODE . 1. As described in the preceding section “Selecting channels,” select the Logic RPC Pro mixer section that you want to control. 2. Select STATUS MODE, and press [STATUS] to switch the statu[...]

  • Page 34

    34 Controlling Logic RPC Pro Controlling the equalizer The buttons and knobs of the SI-24 correspond to the Logic RPC Pro equalizer parameters as follows. fig.4-01 PAN knobs 1–8 will operate the equalizer (EQ GAIN 1–4, EQ FREQ 1–4). Knob 1 ➔ EQ1 GAIN Knob 2 ➔ EQ1 FREQ Knob 3 ➔ EQ2 GAIN Knob 4 ➔ EQ2 FREQ Knob 5 ➔ EQ3 GAIN Knob 6 ➔ [...]

  • Page 35

    35 Controlling Logic RPC Pro Controlling Logic RPC Pro Controlling the bus send levels The send levels to four buses can be controlled from the SI-24. PAN knobs 9–12 will control the send levels to the buses. Knob 9 ➔ SEND 1 Knob 10 ➔ SEND 2 Knob 11 ➔ SEND 3 Knob 12 ➔ SEND 4 Use the following procedure to control the send levels. 1. Press[...]

  • Page 36

    36 Controlling Logic RPC Pro Registering a song location—Marker Create Logic RPC Pro has a Marker Create function that lets you assign a marker at the desired location in a song. Here’s how to control Logic RPC Pro’s Marker Create function from the SI-24. ■ Assigning a marker 1. Press [MARKER] to turn it on (lit). 2. Move to the location th[...]

  • Page 37

    37 Controlling Logic RPC Pro Controlling Logic RPC Pro Recalling screens assigned to the numeric keys —Screen Sets Logic RPC Pro lets you register various configurations of windows (“screen sets”) to numeric keys 1–9 of the keyboard, and recall these screen sets by pressing a numeric key. Here’s how screen sets assigned to the numeric key[...]

  • Page 38

    38 Controlling Pro Tools (version 4.1 or later) Digidesign Pro Tools can be remotely controlled from the SI-24. ■ Putting Pro Tools mode labels When controlling Pro Tools, the button and knob functions will differ in some ways from the panel. You will find it convenient to affix the included Pro Tools mode labels when using the SI-24 with Pro Too[...]

  • Page 39

    39 Controlling Pro Tools (version 4.1 or later) Controlling Pro Tools Making Pro Tools settings Use the following procedure to make settings in Pro Tools. 1. Start up Pro Tools. 2. From the Setups menu, choose Peripherals. The Peripherals window will open. fig.P1 2-1. Click . 2-2. In MIDI Controllers #1, set Type to “HUI.” Also set the Receive [...]

  • Page 40

    40 Controlling Pro Tools (version 4.1 or later) How the SI-24’s controls will function The explanation in this section will use the button names corresponding to the included Pro Tools mode labels. ■ Faders 1–8 These control the faders of the area enclosed in blue within the Pro Tools Mix window. The target of control can be selected with [ ][...]

  • Page 41

    41 Controlling Pro Tools (version 4.1 or later) Controlling Pro Tools ■ EQ/SEND (Equalizer/Send) buttons You can press [EQ/SEND] to turn it on (lit), and use SEND 1–4 (PAN 9–12) to control the send levels of the channel you selected in [CH SELECT] . ■ PLUG-IN button When you press [PLUG-IN] to turn it on (lit), you will be able to control p[...]

  • Page 42

    42 Controlling Cubase VST (version 5.0 or later) The SI-24 can remotely control Steinberg Corporation’s Cubase series programs. Cautions when controlling Cubase ● When the selected protocol (p. 25) is “Cubase mode,” the following buttons and knobs cannot be used. • STATUS MODE [REC/PLAY] and [AUTOMIX] • Joystick • SURROUND PAN [ON] ?[...]

  • Page 43

    43 Controlling Cubase VST (version 5.0 or later) Controlling Cubase VST Making Cubase settings Use the following procedure to make Cubase settings. 1. Start up Cubase. 2. From Remote Setup on the Option menu, choose Setup. The VST Remote window will appear. fig.C1 3. Make Remote, Input, and Output settings as follows. Remote: Generic Remote Input: [...]

  • Page 44

    44 Controlling Cubase VST (version 5.0 or later) How the SI-24 controls will function ■ Faders 1–12 These will control the Cubase faders. The CH ASSIGN (Channel Assign) settings correspond as follows to the faders that will be controlled. [INPUT]: VST instrument mixer [OUTPUT]: VST master mixer [BUS]: VST channel mixer 2 (group mixer 1–8) [Tr[...]

  • Page 45

    45 Controlling Cubase VST (version 5.0 or later) Controlling Cubase VST ■ MARKER button When you press [MARKER] to turn it on (lit), the [0] – [9] buttons will function as locator buttons. [1]: Set left locator [2]: Set right locator [3] : Set locator 1 [4] : Set locator 2 [5] : Set locator 3 [6]: Move to left locator [7]: Move to right locator[...]

  • Page 46

    46 Glossary Condenser microphone A type of microphone that applies the principle of a condenser. It has excellent high-frequency response, and allows more subtle nuances of sound to be captured. This type of microphone requires external, phantom power unless it has its own battery power. Dynamic microphone A type of microphone that uses the same pr[...]

  • Page 47

    47 Block Diagram Block Diagram GAIN PHANT OM PEAK TRS XLR GUIT AR INPUT 8 ONL Y ANALOG INPUT 1 - 8 to AD DIGIT AL IN ON ON 7/8 D .OUT OUT 1/2 OUT 3/4 OUT 5/6 OUT 7/8 R-BUS MIDI IN MIDI OUT IN 1/2 IN 3/4 IN 5/6 IN 7/8 OFF OFF 1/2 1/2 3/4 3/4 5/6 5/6 7/8 7/8 DIGIT AL IN MIDI IN MIDI OUT INPUT 1 INPUT 2 AD INPUT 3 INPUT 4 AD INPUT 5 INPUT 6 AD INPUT 7[...]

  • Page 48

    48 Specifications SI-24: SUDIO INTERFACE ■ Sample Rate 22.05 kHz, 32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz ■ Frequency Response 96 kHz: 0 Hz–40 kHz (+0/-3 dB) 48 kHz: 20 Hz–22 kHz (+0/-3 dB) 44.1 kHz: 20 Hz–20 kHz (+0/-3 dB) ■ Nominal Input Level (variable) INPUT 1–8 (XLR, TRS): +4 dBu– -50 dBu GUITAR (Hi-Z): +4 dBu– -50 dBu ■[...]

  • Page 49

    49 ...MEMO...[...]

  • Page 50

    Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of December 1, 2002 (Roland) ARGENTINA Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700 BRAZIL Roland Brasil Ltda Rua San Jose, 780 Sala B Parque Industr[...]

  • Page 51

    This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouill[...]

  • Page 52

    03010945 ’03-1-A2-41KS 984 *A separate publication titled “MIDI Implementation” is also available. It provides complete details concerning the way MIDI has been implemented on this unit. If you should require this publication (such as when you intend to carry out byte-level programming), please contact the nearest Roland Service Center or aut[...]