Spirit FOLIO SX mixer manual

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32

Ir para a página of

Bom manual de uso

As regras impõem ao revendedor a obrigação de fornecer ao comprador o manual com o produto Spirit FOLIO SX mixer. A falta de manual ou informações incorretas fornecidas ao consumidor são a base de uma queixa por não conformidade do produto com o contrato. De acordo com a lei, pode anexar o manual em uma outra forma de que em papel, o que é frequentemente utilizado, anexando uma forma gráfica ou manual electrónicoSpirit FOLIO SX mixer vídeos instrutivos para os usuários. A condição é uma forma legível e compreensível.

O que é a instrução?

A palavra vem do latim "Instructio" ou instruir. Portanto, no manual Spirit FOLIO SX mixer você pode encontrar uma descrição das fases do processo. O objetivo do manual é instruir, facilitar o arranque, a utilização do equipamento ou a execução de determinadas tarefas. O manual é uma coleção de informações sobre o objeto / serviço, um guia.

Infelizmente, pequenos usuários tomam o tempo para ler o manual Spirit FOLIO SX mixer, e um bom manual não só permite conhecer uma série de funcionalidades adicionais do dispositivo, mas evita a formação da maioria das falhas.

Então, o que deve conter o manual perfeito?

Primeiro, o manual Spirit FOLIO SX mixer deve conte:
- dados técnicos do dispositivo Spirit FOLIO SX mixer
- nome do fabricante e ano de fabricação do dispositivo Spirit FOLIO SX mixer
- instruções de utilização, regulação e manutenção do dispositivo Spirit FOLIO SX mixer
- sinais de segurança e certificados que comprovam a conformidade com as normas pertinentes

Por que você não ler manuais?

Normalmente, isso é devido à falta de tempo e à certeza quanto à funcionalidade específica do dispositivo adquirido. Infelizmente, a mesma ligação e o arranque Spirit FOLIO SX mixer não são suficientes. O manual contém uma série de orientações sobre funcionalidades específicas, a segurança, os métodos de manutenção (mesmo sobre produtos que devem ser usados), possíveis defeitos Spirit FOLIO SX mixer e formas de resolver problemas comuns durante o uso. No final, no manual podemos encontrar as coordenadas do serviço Spirit na ausência da eficácia das soluções propostas. Atualmente, muito apreciados são manuais na forma de animações interessantes e vídeos de instrução que de uma forma melhor do que o o folheto falam ao usuário. Este tipo de manual é a chance que o usuário percorrer todo o vídeo instrutivo, sem ignorar especificações e descrições técnicas complicadas Spirit FOLIO SX mixer, como para a versão papel.

Por que ler manuais?

Primeiro de tudo, contem a resposta sobre a construção, as possibilidades do dispositivo Spirit FOLIO SX mixer, uso dos acessórios individuais e uma gama de informações para desfrutar plenamente todos os recursos e facilidades.

Após a compra bem sucedida de um equipamento / dispositivo, é bom ter um momento para se familiarizar com cada parte do manual Spirit FOLIO SX mixer. Atualmente, são cuidadosamente preparados e traduzidos para sejam não só compreensíveis para os usuários, mas para cumprir a sua função básica de informação

Índice do manual

  • Página 1

    A Harman International Company[...]

  • Página 2

    Page 1 P AGE 9/12 P AGE 10 P AGE 10 P AGE 1 1 P AGE 14 P AGE 15 P AGE 15 P AGE 15 P AGE 9 P AGE 10 P AGE 9 P AGE 9[...]

  • Página 3

    Page 2 P AGE 1 1 P AGE 14 P AGE 15 P AGE 14[...]

  • Página 4

    Page 3 INTRODUCTION Thank you for purchasing a SPIRIT FOLIO SX mixer, brought to you with pride by the SPIRIT team of Andy, Colin, Chris, James, Simon, Mukesh, Graham, Martin, Paul, Matt and Peter, with the support of many others - we hope you will have as much fun using it! Owning a SPIRIT console brings you the expertise and support of one of the[...]

  • Página 5

    Page 4 CONNECTING IT UP[...]

  • Página 6

    Page 5 WIRING UP Please refer to pages 27/28 for additional wiring details. MIC INPUT The mic input accepts XLR-type connectors and is designed to suit a wide range of BALANCED or UNBALANCED low-level signals, whether from delicate vocals requiring the best low-noise performance or close-miked drum kits needing maximum headroom. Professional dynami[...]

  • Página 7

    Page 6 STEREO INPUTS 13/14 & 17/18 These accept RCA phono jacks to allow easy connection to hi-fi equipment or DAT players. The input is unbalanced, and ideal for pre-show music sources or signals that do not require any EQ or effects. STEREO INPUTS 15/16 & 19/20 These accept 3-pole `A gauge jacks, or 2-pole mono jacks which will automat[...]

  • Página 8

    Page 7 AUX OUTPUTS The Aux outputs are on 3-pole A gauge jack sockets, wired as shown on the left, and incorporate impedance balancing, allowing long cable runs to balanced amplifiers and other equipment. CHANNEL DIRECT OUTPUTS The Direct outputs are on 3-pole A gauge jack sockets, wired as shown on the left, and are unbalanced. HEADPHO[...]

  • Página 9

    Page 8 Faul t Finding Guide Repairing a sound mixing console requires specialist skills, but basic Fault Finding is within the scope of any user if a few basic rules are followed. l Get to know the Block Diagram of your console (see page 29). l Get to know what each component in the system is supposed to do. l Learn where to look for common trouble[...]

  • Página 10

    Page 9 GETTING TO KNO W YOUR CONSOLE Mono Input Channel 1 DIRECT OUTPUT The first eight channels have a dedicated Direct Output which allows direct connec- tion to external devices, for example to feed Tape Machines or effects units. See the Advanced Features section on page 18 for a full explanation of these outputs. 2 MIC INPUT The mic inpu[...]

  • Página 11

    Page 10 5 SENS This knob sets how much of the source signal is sent to the rest of the mixer. Too high, and the signal will distort as it overloads the channel. Too low, and the level of any background hiss will be more noticeable and you may not be able to get enough signal level to the output of the mixer. Setting the knob to the `U mark gives[...]

  • Página 12

    Page 11 AUX SEND 2 This is normally POST-FADE, and would typically be used as an effects send, but may be switched globally to PRE-FADE using the POST/PRE switch on the Master section, providing a second foldback or monitor send if required. AUX SEND 3 This is always POST-FADE for effects sends, external submix (or for Centre Voice cluster or mono [...]

  • Página 13

    Page 12 STEREO INPUT CHANNEL Each stereo input channel comprises two pairs of inputs per channel strip: 1 INPUTS 13/14 & 17/18 These inputs are unbalanced on RCA phono connectors, and are intended for use with CD players, DAT machines or Hi-Fi equipment. Alternatively they may be used as simple effects returns or stereo instrument inputs. 2 LEV[...]

  • Página 14

    Page 13 1 4 2 3 5 8 9 10 11 12 6 7 AUX SEND 2 This is normally POST-FADE, and would typically be used as an effects send, but may be switched globally to PRE-FADE using the POST/PRE switch on the Master section, pro- viding a second foldback or monitor send if required. AUX SEND 3 This is always POST-FADE. 8 BALANCE This control sets the amount of [...]

  • Página 15

    Page 14 Master Section 1 PHANTOM PO WER Many professional condenser mics need PHANTOM POWER, which is a method of sending a powering voltage down the same wires as the mic signal. Press the switch to enable the +48V power to all of the MIC inputs. The adjacent LED illuminates when the power is active. TAKE CARE when using unbalanced mics which may [...]

  • Página 16

    Page 15 2 1 3 7 11 8 4 5 6 9 10 AUX AFL s Just like the PFL switches on the channels, you can monitor each AUX out- put by pressing the AFL switch. This routes the AUX output signal to the MONITOR or PHONES, replacing any existing signal (normally the Monitor receives either MIX, SUB or 2TK, see above). The METERS also switch from the selected sour[...]

  • Página 17

    Page 16 USING YOUR FOLIO SX CONSOLE T he final sound from your P.A. system can only ever be as good as the weakest link in the chain, and especially important is the quality of the source signal because this is the starting point of the chain. Just as you need to become familiar with the control functions of your mixer, so you must recognise the im[...]

  • Página 18

    Page 17 l Repeat this procedure on other channels as required. As more channels are added to the mix, the meters may move into the red section. Adjust the overall level using the Master Faders if necessary. l Listen carefully for the characteristic sound of `feedback. If you cannot achieve satis- factory input level setting without feedback, che[...]

  • Página 19

    Page 18 Advanced Fea tures 1 DIRECT OUTPUT The Direct outputs on the first eight channels allow you to record signals direct to a multitrack tape machine. Normally they are set POST-FADER but can be changed to PRE-FADER by moving the internal PRE/POST switch (13) accessible through an aper- ture covered by a grommet beside the fader on channel 1 (s[...]

  • Página 20

    Page 19 USING THE FOLIO SX ON LOCA TION The FOLIO SX may be powered from a DC source of 11-18V using the optional Portapower unit, for applications where a source of mains power is unavailable. Contact your dealer for further details, quoting Spirit Part No ZZ2849.[...]

  • Página 21

    Page 20 Applica tion 1 - LIVE SOUND REINFORCEMENT This drawing shows a typical configuration for sound reinforcement with the main PA fed from Mix L & R, plus an addi- tional centre fill fed from the Mono output. The Aux sends are used for foldback and effects, and Sub L & R are used to feed a recorder. In this case all channels would be ro[...]

  • Página 22

    Page 21 APPLICA TION 3 - PLACES OF WORSHIP This mono configuration uses the Mono output to drive the main speaker system and an induction loop for the hard of hearing. Aux sends are used for monitors and effects and Mix L & R feed a cassette or DAT machine to record the occa- sion if required. APPLICA TION 2 - MUL TISPEAKER APPLICA TIONS This c[...]

  • Página 23

    APPLICA TION 4 - RECORDING The direct outputs on channels 1-8 may be used to feed a multitrack recorder as shown. The direct outputs should be set to PRE, so that they are unaffected by fader position. The Mix outputs are used for a preliminary stereo mix on a DAT recorder. Page 22 Applica tion 5 - LINKING TWO FOLIO SX CONSOLES Two or more FOLIO SX[...]

  • Página 24

    Page 23 CARE OF YOUR MIXER General Precautions l Avoid storing or using the mixer in conditions of excessive heat or cold, or in positions where it is likely to be subject to vibration, dust or moisture. l Keep the mixer clean using a soft dry brush, and an occasional wipe with a damp cloth or ethyl alcohol. Do not use any other solvents which may [...]

  • Página 25

    Page 24 (sub) group an output into which a group of signals can be mixed. headroom the available signal range above the nominal level before clipping occurs. highpass filter a filter that rejects low frequencies. impedance balancing a technique used on unbalanced outputs to minimise the effect of hum and interference when connecting to external bal[...]

  • Página 26

    Page 25 TYPICAL SPECIFICA TIONS NOISE Measured RMS, 20Hz to 20kHz Bandwidth Line inputs selected at unity gain and terminated 150R AUX, MIX, SUB O/Ps 16 Inputs routed, faders & pots down <85 dBu E.I.N. Microphone Input, Maximum Gain, terminated 150R -129 dBu CROSSTALK 1kHz 10kHz Channel mute <95 dB <85 dB Fader cutoff (rel to 0 mark) &[...]

  • Página 27

    Page 26 51 1.5 (20.14") 443.5 (17.46") 10U 33.0 (1.29") 80.0 (3.15") 60.0 (2.36") 40.0 (1.57") 479.0 (18.86") 440.0 (17.32") 440.0 (17.32") 483.0 (19") inc. conns inc. knobs DIMENSIONS All dimensions are in millimetres (inches in brackets). Rack Mount Option FITTING THE Rack MounT OPTION The FOLIO S[...]

  • Página 28

    Page 27 APPENDIX 1 - TYPICAL CONNECTING LEADS Balanced - Line, Mix L & R, Sub L & R, Aux, Stereo Inputs Unbalanced - Direct Output, Control Room L & R, Stereo Inputs Insert Leads - Mono Inserts, Mix L & R Inserts[...]

  • Página 29

    Page 28 ’Y’ Leads (Unbalanced) ’Y’ Leads (Balanced) Headphone Splitter Headphone Separator[...]

  • Página 30

    Page 29 3 1 2 +48V +48V +48V MIC INPUT LINE INPUT DIRECT OUTPUT POWER MIX / SUB 2 TRK MIC/LINE GAIN AUX1 AUX1 AUX2 AUX2 AUX3 AUX3 PA N FADER PFL / ENABLE ON PRE POST DIRECT PRE / POST CH. 1 - 8 ONL Y MIX / SUB MIX / SUB EQ ▲ ▲ INSERT HIGH P ASS FIL TER 100Hz AUX BUSSES MIX LEFT BUS MIX RIGHT BUS SUB LEFT BUS SUB RIGHT BUS PFL/AFL BUS MIX RIGHT [...]

  • Página 31

    Page 30[...]

  • Página 32

    A Harman International Company[...]