Lexicon MC-12 manual

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Bom manual de uso

As regras impõem ao revendedor a obrigação de fornecer ao comprador o manual com o produto Lexicon MC-12. A falta de manual ou informações incorretas fornecidas ao consumidor são a base de uma queixa por não conformidade do produto com o contrato. De acordo com a lei, pode anexar o manual em uma outra forma de que em papel, o que é frequentemente utilizado, anexando uma forma gráfica ou manual electrónicoLexicon MC-12 vídeos instrutivos para os usuários. A condição é uma forma legível e compreensível.

O que é a instrução?

A palavra vem do latim "Instructio" ou instruir. Portanto, no manual Lexicon MC-12 você pode encontrar uma descrição das fases do processo. O objetivo do manual é instruir, facilitar o arranque, a utilização do equipamento ou a execução de determinadas tarefas. O manual é uma coleção de informações sobre o objeto / serviço, um guia.

Infelizmente, pequenos usuários tomam o tempo para ler o manual Lexicon MC-12, e um bom manual não só permite conhecer uma série de funcionalidades adicionais do dispositivo, mas evita a formação da maioria das falhas.

Então, o que deve conter o manual perfeito?

Primeiro, o manual Lexicon MC-12 deve conte:
- dados técnicos do dispositivo Lexicon MC-12
- nome do fabricante e ano de fabricação do dispositivo Lexicon MC-12
- instruções de utilização, regulação e manutenção do dispositivo Lexicon MC-12
- sinais de segurança e certificados que comprovam a conformidade com as normas pertinentes

Por que você não ler manuais?

Normalmente, isso é devido à falta de tempo e à certeza quanto à funcionalidade específica do dispositivo adquirido. Infelizmente, a mesma ligação e o arranque Lexicon MC-12 não são suficientes. O manual contém uma série de orientações sobre funcionalidades específicas, a segurança, os métodos de manutenção (mesmo sobre produtos que devem ser usados), possíveis defeitos Lexicon MC-12 e formas de resolver problemas comuns durante o uso. No final, no manual podemos encontrar as coordenadas do serviço Lexicon na ausência da eficácia das soluções propostas. Atualmente, muito apreciados são manuais na forma de animações interessantes e vídeos de instrução que de uma forma melhor do que o o folheto falam ao usuário. Este tipo de manual é a chance que o usuário percorrer todo o vídeo instrutivo, sem ignorar especificações e descrições técnicas complicadas Lexicon MC-12, como para a versão papel.

Por que ler manuais?

Primeiro de tudo, contem a resposta sobre a construção, as possibilidades do dispositivo Lexicon MC-12, uso dos acessórios individuais e uma gama de informações para desfrutar plenamente todos os recursos e facilidades.

Após a compra bem sucedida de um equipamento / dispositivo, é bom ter um momento para se familiarizar com cada parte do manual Lexicon MC-12. Atualmente, são cuidadosamente preparados e traduzidos para sejam não só compreensíveis para os usuários, mas para cumprir a sua função básica de informação

Índice do manual

  • Página 1

    MC-12 Digital Controller User Guide[...]

  • Página 2

    IMPORTANT SAFETY INSTRUCTIONS 1 . Read these instructions. 2. Keep these instructions. 3. Heed all warnings . 4. Follow all inst ructions. 5. Do not use this app aratus near water . 6. Clean only with a dry cloth. 7. Do not bloc k any ventilatio n openings. Install in accordance with the manufacturer’ s instructions. 8. Do not install near any he[...]

  • Página 3

    Lexicon Inc. 3 Oak Park Bedford, MA 01730-1413 USA T el 781-280 -0300 Fax 781-2 80-0490 www .harmanspecialtygroup.com Customer Service T elephon e: 781-280- 0300 Sales Fax: 781-280- 0495 Service Fax: 781-280-04 99 Part No. 070-14773 | Rev 4 | 05/05 Manufactured under l icense from Dolby La boratories. “ Dolby , Pr o Logic’” and the double-D s[...]

  • Página 4

    Introduction Lexicon ii DOCUMENTATION CONVENTIONS This document contains ge neral safety , ins tallation and operation in structions for the MC -12 and MC-12 Balanced Digital Control lers. It is important to read this use r guide before attempt ing to use the prod uct. Pay particular attentio n to safety instructions. The following symbols are used[...]

  • Página 5

    MC-12 Introduction iii Table of Contents Documentation Conventions ......................... .......................... ..... ii Important Safety Instructions.................... ............................... ..... v Wichtige Sicherheitshinweise......................................... ............... v Instrucciones De Seguridad Im portantes....[...]

  • Página 6

    Introduction Lexicon iv Audio Controls Audio Controls ............................................... .......................... . 4-2 Mode Adjust Mode Adjust ................................... ........................... ................ 5-2 Listening Mode Activation ......... .......................... ...................... 5-2 Preferred Listen[...]

  • Página 7

    MC-12 Introduction v ENGLISH IMPORTANT SAFETY INSTRUCTIONS 1 Save th ese instructions for la ter use. 2 Follow all instructions and warnings mar ked on the unit . 3 Follow all instructions and warnings mar ked on the unit . 4 Alwa ys use with the correct line v oltage . Refer to the manufacturer’ s operating instructions for po wer requirements. [...]

  • Página 8

    Introduction Lexicon vi ESP AÑOL INSTRUCCIONES DE SEGU RIDAD IMPORTANTES 1 Guarde estas instrucciones para futuras referencias. 2 Siga todas las instrucciones y tenga en cuenta las advertencias que apare cen en la unidad y en l as instruccio nes de funcionamien to. 3 Utilice siempre la tensión de línea corr ecta. Consulte las instrucciones del f[...]

  • Página 9

    MC-12 Introduction vii IT ALIANO IMPORTANTI NORME DI SICUREZZA 1 Conservare le presenti norme p er l’utilizzo futuro. 2 Seguire semp re tutte le istruzio ni e gli avvertimenti segnat i sull’unità e nell e istruz- ioni operati ve. 3 Utilizzare sempre la corretta t ensione di alimentaz ione. Fare rif erimento al manu ale del costruttore per le c[...]

  • Página 10

    Introduction Lexicon viii DANSK VIGTIG INFORMATIO N OM SIKKERHED 1 Gem denne vejledning t il senere brug. 2 Følg alle an visninger og advar sler på apparatet. 3 Apparatet skal altid tilsluttes den korrekt e spænding . Der hen vises til brugsa nvi s- ningen, der indehol der specifikationer for st rømf orsynin g. Der gøres opmærk som på, at ve[...]

  • Página 11

    MC-12 Introduction ix NORSK VIKTIG INFORMASJON OM SIKKERHET 1 T a vare på denne veiledningen f or senere bruk. 2 Følg alle an visningene og adv arslene som er angi tt på apparatet. 3 Apparatet skal alltid an vendes med korr ekt spenning. Produkt beskr ivelsen inne- holder spesifikasjoner f or st rømkrav . Vær oppmerksom på at det ved ulike dr[...]

  • Página 12

    Introduction Lexicon x Unpacking an d Inspection After unpacking the unit , save all packing materials in case the unit ever needs to be shipped. Thor oughly inspect the modules and packing materials for signs of da mage. Report any damage to the carrier at once; report equipm ent malfunction to the dealer . Auspacken und Überprüfung Bewahren Sie[...]

  • Página 13

    1 Getting Started About The MC-12 ............ ................................ ................. ......... 1-2 Highlights ..................... .......................... .......................... ....................... 1-4 Product Registration ...... ................. ................................ ............ 1-5 Installation Consideration [...]

  • Página 14

    Getting Started Lexicon 1-2 ABOUT THE MC-12 Thank you for p urchasing the MC-12 Digital Controller , a reference-quality , 12-c hannel audio and vide o control center with independent zone mo nitoring to provide con trol of input sour ce selection in three zones at the same tim e. As flexible as it is powerful, the MC-12 includes 12 configurable in[...]

  • Página 15

    MC-12 Getting Started 1-3 High-precision 24-bit/96kHz A/ D conv erters can be used to convert stereo and 5.1 analog audio in put signals to digital signals, allowing the MC- 12 to provide th e benefits of prec ise digital signal processing without sacrificing sign al integrity . Alternatively , stereo and 5.1 analog signals can bypa ss A/D conversi[...]

  • Página 16

    Getting Started Lexicon 1-4 HIGHLIGHTS • 12 channels • 12 configurable inputs • 3 independent zones • 13 digital audio input connectors, including 6 S/PDIF coaxial, 6 S/PDIF optical, and 1 AES/EBU • 5.1-channel analog audio input connector • Analog bypass option for stereo and 5.1-channel analog audio input connectors • Auto switching[...]

  • Página 17

    MC-12 Getting Started 1-5 PRODUCT REGISTRATION Please register th e MC-12 Digita l Controller within 15 days of purchase. Register on li ne at www .lexicon.c om or complete and return the product registration ca rd attached to the back cover of this user guide. Retain the sa les receipt as proof of warranty coverage. INSTALLATION CONSIDERATIONS The[...]

  • Página 18

    Getting Started Lexicon 1-6 REMOTE CONTROL BATTERY INSTALLAT ION The remote control requires two AA batteries. Th e batteries should be replaced as needed. Alkaline batteries, which last longer without leaking, are recommended. When bat tery power is low , the remote contr ol en ters a low-voltage condition, preventing i t from operatin g the MC -1[...]

  • Página 19

    2 Basic Operation Front-Panel Overview ... ................. ................................ ............ 2-2 Rear-Panel Overview ..... ................. ................................ ............ 2-6 Remote Control Overview .................. ................ .............. ....... 2-10 Operation Considerations ................................[...]

  • Página 20

    Basic Operation Lexicon 2-2 FRONT-PANEL OVERVIEW The MC-12 is shown below . T he MC-12 Balanced is shown on page 2- 4. The front panels are iden tica l, but the MC-12 Balanced has a l arger chassis. 1. Standby Button 2. Front Pane l Display 3. IR Rec eiver 4. V olume Knob 5. Mute Butt on 6. Mode  and  Buttons 7. Main Zone Input Selection Butt[...]

  • Página 21

    MC-12 Basic Operation 2-3 1 STANDBY BUTTON Use the Standby but ton to activa te or deactivate standby mode. The Standby button performs no function when the MC-12 rear panel power sw itch is pow ere d off. When standby mode is activated, all MC-12 zones that were active during the la st session are reactivated. The red LED in the standby button lig[...]

  • Página 22

    Basic Operation Lexicon 2-4 FRONT-PANEL OVER VIEW (continued) The MC-12 Balanced, shown below , has a la rger chassis than the MC-12, shown on pa ge 2-2 . Otherwise, they a re identical . 5 MUTE BUTTON Press the Mute button to mute the MC-12 Main Zone volume; "MUTE ON" appears in the on-screen and front-p anel displays. Press the Mute but[...]

  • Página 23

    MC-12 Basic Operation 2-5 Mute can be activated automaticall y or manually . For example, t he MC-12 briefly activates mute wh en changing input sources or listening modes. The amber LE D in the Mute button lights whenever mute is activate d. 6 MODE  AND  BUTTONS Use the Mode buttons to scroll to the previous and next available listening mode[...]

  • Página 24

    Basic Operation Lexicon 2-6 REAR-PANEL OVER VIEW The MC-12 is shown below . The MC-12 Balanced , shown on page 2-8 , includes balanced audio conne ctors for the Main Zone and Zone 2. Otherw ise both models are identical. The n umbers in the re a r-panel illustrations correspond with the numbered items. 1. Power Switch 2. AC Input Adaptor 3. Digital[...]

  • Página 25

    MC-12 Basic Operation 2-7 Caution! Never make or break connections to the MC-12 u nless the MC-12 and all associated components are powe red off. 1 POWER SWITCH Use the Power switch to power the MC-12 on or off. The I and O positions represent "on" and "off" status resp ectively . When the MC- 12 is powered on, the front- panel [...]

  • Página 26

    Basic Operation Lexicon 2-8 REAR-PANEL OVER VIEW (c ontinued ) The MC-12 is shown on page 2-4. The MC-12 Bala nced, shown below , includes balanced audio connectors for the Main Zone and Zone 2. Otherwise both models are identical. Caution! Never make or break connections to the MC-12 unless th e MC-12 and all associated c omponents are powered o f[...]

  • Página 27

    MC-12 Basic Operation 2-9 7 RECORD ZONE AUDIO OUTPUT CONNECTORS Provide analog and digital audio output in the Record Zone. T wo stereo connectors labeled Audio L/ R are available for analog audio output. The connector labeled Fi x passes audio at fixed output levels. The connector labeled V ar passes audio at variable output levels and includes a [...]

  • Página 28

    Basic Operation Lexicon 2-10 REAR-PANEL OVER VIEW (c ontinued ) 13 T RIGGER OUTPUT CONNECTORS Provide 12V DC output to cont rol connected components. Three trigger output connec tors are available on a removab le terminal block. The PWR connector – the power tri gger output connector – is not configurable. It is activated when the MC-12 is acti[...]

  • Página 29

    MC-12 Basic Operation 2-11 MAIN MENU The MAIN MENU represents the beginning of the menu structure . Use the MA IN MENU to open the three main menu branches: MODE ADJUST , AUDIO CONTROLS, and SETUP . MENU NAVIGATION Use the remote control Menu and arrow buttons to navigate the extensive menu structure shown in t he Appendix. The table below indicate[...]

  • Página 30

    Basic Operation Lexicon 2-12 MENU OPTIONS Selecting a menu option opens another menu within the menu structure. For e xample, selecting SETUP from the MAIN MENU opens the SETUP m e n u . MENU PARAMETERS Selecting a menu parameter opens a drop-down menu or horizontal bar graph that is used to select the desired setting. PARAMETER DROP-DOWN MENUS Sel[...]

  • Página 31

    MC-12 Basic Operation 2-13 COMMAND BANK ACTIVATION Remote control buttons perform different commands depending on whether the Main Zone, Zo ne 2, Record Zone, or Shift command bank is activated. Pressing and releasing a remote cont rol command bank selection button – MAIN, ZONE, REC, or SHIF T – activates the corresponding command bank. The sel[...]

  • Página 32

    Basic Operation Lexicon 2-14 COMMAND MATRIX The command matrix describes the commands remote control buttons perform when each command bank is active. Button Main Zone Zone 2 Record Zone Shift 1 Activates and deactivates standby mode when the MC- 12 rear panel pow er switch is in the on posi tion. When standby mode is activated, pressing the standb[...]

  • Página 33

    MC-12 Basic Operation 2-15 Button Main Zone Zone 2 Record Zone Shift 4 Selects the SA T input fo r the Main Zone. Selects the SA T input for Zone 2. Selects the SA T input for the Record Zone. Sets the AUDIO CONTROLS menu LOUDNESS parameter to OFF . Selects t he VCR in put for the Main Zone. Selects the VCR input for Zone 2. Selects the VCR input f[...]

  • Página 34

    Basic Operation Lexicon 2-16 9 7 10 6 5 8 Button Main Zone Zone 2 Record Zone Shift 5 T oggles the FRONT P ANEL DISPLAY menu ST A TUS parameter between ALW AYS OFF and the current setting. Sets Zone 2 volume level to -15dB Sets Recor d Zone volume level to -15dB Se ts M a i n Z o n e v o l u m e level to -15dB. 6 T oggles the ON SCREEN DISPLA Y men[...]

  • Página 35

    MC-12 Basic Operation 2-17 15 12 13 14 13 11 Button Main Zone Zone 1 Rec ord Zo ne Shift 11 Displays the Main Zone two - line status for 2 seconds. Displays the Zone 2 two - line status for 2 seconds. Displays the Record Zone two - line status for 2 seconds. Opens and closes the status menu for the current input sourc e. 12 When a menu is open, pre[...]

  • Página 36

    Basic Operation Lexicon 2-18 Button Main Zone Zone 1 Record Zone Shift 16 Selects the THX mode family for the current input s ource. Reserved for possible future expansion. Reserved for possible future expansion. Activates the 5.1 THX UL TRA2, 5.1 THX SurEX, or 5.1 THX listening mode when a 5.1 - channel Dolby Digital so urce i s present. Selects t[...]

  • Página 37

    MC-12 Basic Operation 2-19 ABOUT THE ZONES The MC-12 features three zones of operation: t he Main Zone, Zon e 2, and the Record Zone. The Main Zone controls audio and video sources in the primary listening space. Zone 2 controls audio sources in the secondary listening space. The Record Zone controls audio and video sources sent to recording device[...]

  • Página 38

    Basic Operation Lexicon 2-20 RECORD ZONE T WO-LINE STATUS Opens on the on- screen and front panel displays whenever the MC- 12 detects a Record Zone status change. The Record Zone two- line status indicates the current input, input source, and volume lev el selected in the Record Zone . The ON-SCREEN DISPLAY menu ST A T US parameter ca n cont rol t[...]

  • Página 39

    MC-12 Basic Operation 2-21 STATUS MENU DESCRIPTIONS The table beneath ea ch description lists th e default and possible settings for each parameter . 2CH ST A TUS Provides information about 2-channel input sources. Features L and R level meters. See “Status Menu Parameter Descriptions” on page 2-25 for detailed inform ation. D ST A TUS Provides[...]

  • Página 40

    Basic Operation Lexicon 2-22 ST A TUS Provides information about DTS-ES input sources. Includes L, C, R, SL, SR, SB and LFE level meters. See “Status Menu Parameter Descriptions” on page 2-25 for detailed inform ation. 5.1 ANALOG ST A TUS Provides information ab out 5.1-chan nel analog sources. Includes L, C, R, SL, and LFE level meters. Note: [...]

  • Página 41

    MC-12 Basic Operation 2-23 5.1a BYP ASS ST A TUS Provides information about 5.1- ch annel analog input sources when the MAIN ADV menu ANALOG BYP A SS parameter is set to ON. See “Status Menu Parameter Descriptions” on page 2-25 for detailed inform ation. 2CH BYP ASS ST A TUS Provides inf ormation about 2- channel anal og input sour ces when the[...]

  • Página 42

    Basic Operation Lexicon 2-24 DIGIT AL ST A TUS Provides information ab out digital input sour ces for which a sample rate is detected, but no audio is p resent in the input signal. See “Status Menu Parameter Descriptions” on page 2-25 for detailed inform ation. LIVE! ST A TUS Provides information a bout LIVE! input sources. See “Status Menu P[...]

  • Página 43

    MC-12 Basic Operation 2-25 STATUS MENU PARAMETER DESCRIPTIONS 2.0 ENCODING MA TRIX, NONE Indicates whether or not a matrix- encoded source is detected. When the parameter se tt ing is MA TRIX, a matrix-encoded source is detected. When the parameter setting is NONE, a matrix-enco ded source is not detected. The MC- 12 cannot automatically detect mat[...]

  • Página 44

    Basic Operation Lexicon 2-26 INPUT Indicates the se lected input (f or example, DVD1). INPUT TYPE ANLG, BYP , PCM, MIC, --- Indicates the input sou rce that is present. When th e parameter setting is ANLG, a 2-channel analog audio source is present and the A DV AN CE D m en u 2 - C H A NL G B YP pa ra me t er i s s e t t o O FF . W he n the paramet[...]

  • Página 45

    3 Setup Setup .............. ................................ ................ ................. ..........3-2 Input Setup .................. .............. ............. .............. ............. ........3-4 Changing Input Names ...................................... .......................... ............ 3-5 Assigning Audio & Video Input [...]

  • Página 46

    Setup Lexicon 3-2 SETUP Selecting SETUP fro m the MAIN MENU ope ns the SETUP menu. INPUTS Prompts for a n input selection (e.g., DVD1), and opens the corre- sponding INPUT SETUP menu. When the menu is open, yo u can change input names, a ssign audio and video input connectors, select preferred listening modes, and configure Main Zone, Zone 2 and Re[...]

  • Página 47

    MC-12 Setup 3-3 LOCK OPTIONS Opens the LOCK OPTIONS menu, to protect MODE ADJUST , AUDIO CONTROLS and SETUP menu branch se ttings from accidental changes. See “LOCK OPTIONS” on page 3-70 for more information . LIVE! CALIBRA TION Opens the LIVE! CALIBRA T ION menu, to per form the necessary calibration before usin g the LIVE! modes. See “LIVE![...]

  • Página 48

    Setup Lexicon 3-4 INPUT SETUP Selecting the SETUP menu INPUTS option pr ompts the selection of a desi red input (e.g., DVD1). Select ing an input opens the corr esponding INPUT SETUP menu, which changes input name s, assigns audio and video inpu t connectors, selects prefe rred listening modes, and c onfigures advanced Main Zone , Zone 2, and Recor[...]

  • Página 49

    MC-12 Setup 3-5 CHANGING INPUT NAMES Selecting the INPUT SETUP menu NAME paramete r opens the INPUT NAME menu, to customize or restore the factor y-default name of th e selected input. Factory-default input names correspond to front-p anel and remote control in put selection button labels. EDIT INPUT NAME Opens the EDIT INPUT NAME edit ing menu, to[...]

  • Página 50

    Setup Lexicon 3-6 CHANGING INPUT NAMES (continued) Note: Pressing the  arrow button cl oses the menu and returns to the INPU T NAME menu. 4. Re peat step 3 to enter all characte rs in the new nam e. When th e input name you want is disp layed, press the  arrow button to close the menu and return to the INPUT NAME menu. The custom input name a[...]

  • Página 51

    MC-12 Setup 3-7 ASSIGNING AUDIO & V I DEO INPUT CONNECTORS The MC-12 has 12 inputs, each of which can be assigned to any (depending on compatib ility) of its 13 digital audio, 8 analog au dio, 5 composite video, 8 S-video, or 4 componen t video input connecto rs. The table below indicates the INPUT SETUP menu parameters that can be used to assi[...]

  • Página 52

    Setup Lexicon 3-8 ASSIGNING AUDIO & V I DEO INPUT CONNECTORS (continued) ANALOG IN ANALOG-1 TO 8, 5.1 ANLG (6-8), LIVE!, NONE O pe ns th e A NA L O G I N m en u, to a s si gn an an al og a ud io in pu t con nec tor for the sel ect ed in pu t. An analog audio input connector must be assigned if no digital audio input connector is assigned. The a[...]

  • Página 53

    MC-12 Setup 3-9 ANLG IN L VL AUTO, -18 to +12 dB Opens the ANLG IN L VL menu, to adjust the 2-channel (and 5.1- chan nel when the MAIN ADV ANCED  ANALOG BYP ASS parameter is set to OFF) analog audio input levels for the selected input. Analog audio sources ha ve a wide range of levels. T o compensate, t he MC-12 allow s in dependent input level [...]

  • Página 54

    Setup Lexicon 3-10 ASSIGNING AUDIO & V I DEO INPUT CONNECTORS (continued) MANUAL -18 to +12 dB Provides manual adjustment of 2-channel (and 5.1-channel when the MAIN ADVANCED  ANALOG BYP ASS parameter is set to OFF) analog audio input levels. Lower levels cause more noise, while higher levels pose a risk of overloa d distortion. When manual [...]

  • Página 55

    MC-12 Setup 3-11 VIDEO IN COMPOSITE- 1 TO 5, S-VIDEO-1 TO 8, NONE Opens the VIDEO IN menu, to assign a composite or S-video inpu t connector for the selected input. Note: • Composite video output connecto rs are available only when a composite video source is present. • S-video output connectors are av ailable when an S-video or Com- posite sou[...]

  • Página 56

    Setup Lexicon 3-12 SELECTING PREFERRED LISTENING MODES The MC-12 allows the selection of five preferred li sten ing modes for each Main Zon e input: o ne listening m ode each for 2 -channel, Dolby Digital, DTS(-ES), 5.1-c hannel analog, and MIC (LIVE! ) sources. The table below indica tes the INPUT SETUP menu param- eters that can be used to se lec[...]

  • Página 57

    MC-12 Setup 3-13 2-CH Opens the 2-CH MOD E menu, which selects a preferred lis tening mode for 2-channel input sources. The MC-12 activates the preferred listening mo de whenever a new input is se lected or a ne w 2-channel source is present. When set to USE LAST , the MC-12 automatically uses the listening mode that was activated the last time a 2[...]

  • Página 58

    Setup Lexicon 3-14 SELECTING PREFERRED LISTENING MODES (continued) Opens the DTS(-ES) MODE menu , which s elects a preferred listening mode for DTS(-ES) in put sources. The MC-12 automati- cally activates the prefer red listening mode whenever a new input is selected or a new DTS(-ES) sour ce is present. When the DTS(-ES) parameter is set to USE LA[...]

  • Página 59

    MC-12 Setup 3-15 CONFIGURING ADVANCED INPUT SETTINGS The MC-12 allows the assignment of one digital and one analog audio input connector for each inpu t. Th e table below indicates the INPUT SETUP menu parameters that can be used to control the interaction of these connectors, as well as ot her advanced Main Zone, Zone 2, and Reco rd Zone input set[...]

  • Página 60

    Setup Lexicon 3-16 CONFIGURING ADV ANCED ZONE SETTINGS (continued) INPUT SELECT DIGIT AL, ANALOG, AUTO Controls the interaction of the digital and analog audio input connectors assigned to the curren t Main Zone input. The table on the next page describes INPU T SELECT parameter settings. Note: When the Shift button activates the shift command ba n[...]

  • Página 61

    MC-12 Setup 3-17 INPUT SELECT PA RAMETER SETTINGS DIGIT AL ANALOG AUTO The MC-12 sends the digital audio from the assigned input to the Main Zone audio output connectors. The a ssigned analog audio input connector is ignored. The digital audio input connectors are compatible with PCM (44.1, 48, 88.2, and 96kHz), Dolby Digital, and DTS(-ES) sources.[...]

  • Página 62

    Setup Lexicon 3-18 CONFIGURING ADV ANCED ZONE SETTINGS (continued) S-VIDEO OSD 4:3 ON, OFF Controls the on-screen display aspe ct ratio when the display device is connected to a Main Zon e S-Vide o output connector . Aspect ratio refers to the size of the pi cture or the display device scree n. A 4:3 aspect ratio is almost square. A 16 :9 aspect ra[...]

  • Página 63

    MC-12 Setup 3-19 ZONE2 & RECORD IN PARAMETER SETTINGS DIGIT AL ANLG (Analog) DMIX (Downmix) The MC-12 passes digital audio from the the assigned input to the Zone 2 or Record Zone audio output connectors. The assigned analog audio input i s i g no r e d . Zones can be inde pendently monitored. Note the following: • The MC -12 passes digital s[...]

  • Página 64

    Setup Lexicon 3-20 CONFIGURING ADV ANCED ZONE SETTINGS (continued) RECORD ADVANCED Opens the RECO RD ADV menu, wh ich config ures advanced Record Zone input settings. The parameters on the left side of the RECORD ADV menu are identical regardless of the selected input. The parameter settings on the right side are adjustable. Th e RECORD ADV menu sh[...]

  • Página 65

    MC-12 Setup 3-21 DIG OUT RATE INPUT , 44.1kHz, 48kHz, 88.2kHz, 96kHz Controls the sample rate of digital and analog input signals sent to the Record Zone digital audio ou tput connectors. When INPUT is selected, the sample rate of input signals is not converted. Therefore, the original sample ra te is maintained from the input connectors through to[...]

  • Página 66

    Setup Lexicon 3-22 SPEAKER SETUP Selecting the SETU P menu SPEAKERS optio n opens the SPEAKER SETUP menu, which co nfigures the Main Zone audio output connectors for the desired speaker setup. The Main Zone incl udes 10 unbalanced audio outp ut connec tors labeled Front L/R, Center , LFE, Subwoofer L/R, Side L/R, and Rear L/R. T wo additional audio[...]

  • Página 67

    MC-12 Setup 3-23 CUSTOM SPEAKER SETUPS Selecting the CROSSOVER S ETUP menu CUSTOM SETUP option opens the CUSTOM SETUP menu, which assigns independent crossover points for each Main Zon e audio output connector . Crossover points can be selected in 10Hz increments wi thin a 30 to 120Hz range. The graphs shown on the next page indicate the frequency [...]

  • Página 68

    Setup Lexicon 3-24 SETTING CROSSOVER POINTS (continued) Low-pass filters attenuate high frequ encies at 24dB per octave. The curves in the graph above indicate the frequ ency response of each crossover setting. From left to right, the curves represent crossover settings from 30Hz to 120Hz. High-pass filters attenuate low frequencies at 24dB per oct[...]

  • Página 69

    MC-12 Setup 3-25 THX SPEAKER SETUPS Selecting CROSSOVER SETUP  THX SE TUP opens the THX SPEAKER SETUP screen, which indicates that pressing the  arrow button will automatically configure th e Main Zone au dio output conn ectors for a THX speaker setup. Y ou should use THX-cert ified speakers in a THX speaker se tup. When the THX SPEAKER SETUP[...]

  • Página 70

    Setup Lexicon 3-26 SPEAKER SETUP PARAMETERS The table below i ndicates the spea ker setup parameters for config- uring the Main Zone audio outp ut connectors for the desired speaker setup. These parameters a re availabl e on the CUSTOM SETUP and THX SETU P menus. Speaker setup parameters perform the same function regardless of the selected spea ker[...]

  • Página 71

    MC-12 Setup 3-27 FRONT L/R FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz Assigns a crossover point for the Main Zone audio output connectors labeled FRONT L/R when a custom speaker setup is selected. Opens the FRONT L/R SPEAKERS menu to select a crossover point fo r the FRONT L/R output con nectors. • Select FULL to send a full-range signal to the fr[...]

  • Página 72

    Setup Lexicon 3-28 SETTING CROSSOVER POINTS (continue d) When a THX speaker setup is sele cted, a THX 80Hz crossover point is applied to the FRONT L/R output connec tors, and the FRONT L/R parameter cannot be adjusted. CENTER FULL, FULL + SUB, 30Hz to 12 0Hz, THX 80Hz, NONE Assigns a crossover point for the Ma in Zone audio output connector labeled[...]

  • Página 73

    MC-12 Setup 3-29 REAR L/R FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz, NONE Assigns a crossover point for the Ma in Zone audio output connector labeled REAR L/R when a custom speaker setu p is selected. Op ens the REAR L/R SPEAKERS menu to select a crossover point for the REAR L/R output connecto rs. •S e l e c t FULL to send a full-range sign al t[...]

  • Página 74

    Setup Lexicon 3-30 SETTING CROSSOVER POINTS (continued) SUB L/R MONO, STEREO, NONE Configures the Main Zone audio output connectors labeled SUBWOOFER L /R f or a s pea ke r s et up tha t i nc lu de s on e, tw o, o r n o subwoofer(s). When a custom speaker setup is selected, the SUB L/R parameter opens the SUBW OOFERS L/R menu, to sele ct a configur[...]

  • Página 75

    MC-12 Setup 3-31 When a THX speaker setup is selected, the LFE information is redi rected to the SUBWOOFER L/R output connect ors, and the LFE parameter cannot be adjusted. THX UL TRA2 SUB ON, OFF Enables boundary gain compen sation (BGC) for THX Ultra2- certified subwoofers. •S e l e c t ON if the subwoofer using the Main Zone audio output conne[...]

  • Página 76

    Setup Lexicon 3-32 BGC (BOUNDARY G AIN COMPENSATION) ON, OFF Adjusts boundary gain compensation wh en the THX ULTRA2 SUB parameter is set to ON. •S e l e c t ON to apply a highpass 55Hz filter to all Main Zone audio output connectors and liste ning modes. •S e l e c t OFF , and no filtering is applied to t he Main Zon e audio output connectors [...]

  • Página 77

    MC-12 Setup 3-33 CALIBRATING SPEAKER DISTANCES & OUTPUT LEVELS The MC-12 offers both automatic and manual calibration of speake r distances and output levels. Calibration helps to ensure accu rate output signal arrival time and level at the primary listening position. However , it is not a substitute for pro per speaker placement. Before calibr[...]

  • Página 78

    Setup Lexicon 3-34 UNITS FEET, METERS Determines the unit of mea surement in which sp eaker distances are calcula ted on ALL speaker distan ce menus. When FEET is select ed, the MC-12 calculates speaker distances in fe et. When METERS is selected, th e MC-12 calculates speake r distances in meters. When the UNITS parameter setting is adjusted, the [...]

  • Página 79

    MC-12 Setup 3-35 AUTOMATIC CALIBRATION The MC-12 offers automatic calibration of speaker distances, ou tput levels, or both. The table below indicates available automa tic calibration options. A successful microphone check is required be fore automatic calibration can be performed. Automatic Options Details MICROPHONE CHECK • Confirms that the mi[...]

  • Página 80

    Setup Lexicon 3-36 CONNECTING THE MICROPHONES CAUTION! • The microphones included in the Lexicon Microphone Kit require careful handling. Dropping or otherwise physically abusing the micropho nes might cause errors duri ng use or irreparable damage to the microphon e. • The microphone wires also require careful handling. Do not sharply bend the[...]

  • Página 81

    MC-12 Setup 3-37 POSITIONING THE MICROPHONES FOR THE MICROPHONE CHECK Refer to the microphone place ment examples that begin be low to position t he microphones for the micropho ne check. During the microphone check, position the microphones: 3 As close together as possible 3 Relatively centered be tween and equ idistant from the front left and rig[...]

  • Página 82

    Setup Lexicon 3-38 During the microphone check, do not: 7 Separate the microphones 7 Scatter the mi crophones th roughout the listen ing space 7 Obstruct the line-of-sight path between the micro- phones and the speakers 7 Position the microphones on the fl oor , on seat cushions, or in locations ob structed by furniture and other fixtures, whe re e[...]

  • Página 83

    MC-12 Setup 3-39 CHECKING THE MICROPHONES Note the following: • The MC-12 outputs cal ibration noise signals between 55 and 95dB, beginning with 55dB and increasing in 5dB increments until the microphones detect the required level. If the calibra- tion noise signal becomes too loud, press the  arrow button to cancel the microphone check. • A[...]

  • Página 84

    Setup Lexicon 3-40 CHECKING THE MICROPHONES (co ntinued) level. If the signal be comes too loud, press the  arrow button to cancel the mi crophone check. The MC-12 uses the calibration noise signal to eliminate micro- phones that register the signal at a level that is too low or too high. Then, the MC-12 determines the appropriate output level f[...]

  • Página 85

    MC-12 Setup 3-41 POSITIONING THE MICROPHONES FOR AUTOMA TIC CALIBRA TION Proper microphone placement is es sential to achieving the desired automatic calibration results. Microphone placement determines whether the MC-12 calibrates opti mal speaker dist ances and output levels for a single listening positi on, several listening positions in a singl[...]

  • Página 86

    Setup Lexicon 3-42 POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION (conti nued) When calibrating for a single listening position, place the microphones: 3 As close together as possi ble in a single listening position (t he primary listeni ng position) 3 At the approx imate spot where th e listener’ s head will be during listening 3 In a cle[...]

  • Página 87

    MC-12 Setup 3-43 When calibrating fo r multiple listening positions in a single row , position the microphones: 3 At the approximate spot where the listen er’ s head will be during listening 3 In a clear line-of-sigh t path with the speakers 3 In a location unobstructed by furniture and other fixtures, where echoes will not obscure calibration no[...]

  • Página 88

    Setup Lexicon 3-44 POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION (continu ed) When calibrating for multiple listening positions in multiple rows, position the microphones: 3 At the approx imate spot where th e listener’ s head will be during listening 3 In a clear line-of-sigh t path with the speakers 3 In a location unobstru c ted by fur[...]

  • Página 89

    MC-12 Setup 3-45 During the automatic calibration, do no t: 7 Arrange the micro phones along the perimeter of the listening positions or space 7 Position the microphones in spots where the listeners’ heads will not be during li stening 7 Obstruct the line-o f-sight path betw een the microphones a nd the speakers 7 Position the microphones on the [...]

  • Página 90

    Setup Lexicon 3-46 POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION (continu ed) During the automatic calibration, do no t: 7 Arrange the micro phones along the perimeter of the listening positions or space 7 Position the microphones at spots where the listeners’ heads will not be during li stening 7 Obstruct the line-o f-sight path betw een[...]

  • Página 91

    MC-12 Setup 3-47 PERFORMING AUTO MATIC CALIBRATION Follow the procedures in the appropriate table colu mn for the desired type of automatic calibration. STEP DIST ANCES DISTANCES & LEVELS LEVELS 1 2 AUTO SPEAKER SETUP SPEAKER SETUP SET CROSSOVERS CHECK MICROPHONES AUTOMA TIC MANUAL CUSTOM SETUP 40 Hz 60 Hz 60 Hz 60 Hz 40 Hz OFF N/A APAR T AUTO [...]

  • Página 92

    Setup Lexicon 3-48 PERFORMING AUTO MATIC CALIBRATION (continued) STEP DIST ANCES DISTANCES & LEVELS LEVELS 3 This step does not occur when the AUTO SPEAKER SETUP menu L EVELS option is selected. 4 T h i s s t e p d o e s n o t o c c u r w h e n t h e A U T O S P E A K E R SETUP menu DIST ANCES option is selected. CUSTOM SETUP SETTING DIST ANCES[...]

  • Página 93

    MC-12 Setup 3-49 STEP DIST ANCES DISTANCES & LEVELS LEVELS 5 FRONT LEFT OK Refer to the tabl e on page 3-51 for infor mation a bout all possible speaker calibra- tion messages. FRONT LEF T OK Refer to the table on page 3-51 for information about all possible speaker calibra- tion messages. When the MC-12 is finished calibrating speaker distance[...]

  • Página 94

    Setup Lexicon 3-50 PERFORMING AUTO MATIC CALIBRATION (continued) STEP DIST ANCES DISTANCES & LEVELS LEVELS 6 SET DIST ANCES AUTO DIST ANCES* Use the SET DIST ANCES menu to select the desired speaker distances. 1 Press the  arrow button to return to the SET DIST ANCES menu. 2 Press the  or  arrow button to tog- gle between c alibrated s[...]

  • Página 95

    MC-12 Setup 3-51 Message Description Tr o u b l e s h o o t i n g The MC-12 successfully calibrated the value for the selected speaker without error . •N / A The selected speak er is not present in the speaker setup • Set the correspondin g CUSTOM or THX SETU P menu parameter to include the selected speaker in the speak er setup. (The MC-12 onl[...]

  • Página 96

    Setup Lexicon 3-52 MANUAL CALIBRATION Selecting the SPEAKER SETUP menu MANUAL option displays the MANU AL SPEAKER SETUP menu, to manual ly calibrate speaker distances and output levels. The table below indicate s available manual calibration options. Manual Options DetailsB SPEAKER DIST ANCES Provides manual calibration and individu al adjustment o[...]

  • Página 97

    MC-12 Setup 3-53 PERFORMING MANUAL SPEA KER DIST ANCE CALIBRA TION Selecting the MANUAL SPEAKER SE TUP menu SPEAKER D IST ANCES option displays the SP EAKER DIST ANCES menu, to m anually calibrate speaker distances. T o manually calibrate speaker distances: 1. Follow the menu path shown above to select SPEAKER DIST ANCES. The SPEAKER DIST ANCES men[...]

  • Página 98

    Setup Lexicon 3-54 PERFORMING MANUAL OUTPUT LEVEL CALIBRATION Selecting the MANUAL SPEAKER SETUP m enu LEVELS CALIBRA TION opti on displays the LEV ELS CALIBRA TION menu to m anually calibrate output levels. Note the following: • Y ou should use a Sound Pressure Level (SPL) meter to manually calibrate output levels. An SPL meter is a device that [...]

  • Página 99

    MC-12 Setup 3-55 INTERNAL NOISE TEST Opens the INTERNAL NOISE message shown on the previous page, which indicates that the internal noise test generates loud calibration noise signals. When the INTERNAL NOISE message opens: •P r e s s t h e  arrow button to open the SPEAKER LEVEL ADJUST menu shown on the previous p age. When the SPEAKER LEVEL [...]

  • Página 100

    Setup Lexicon 3-56 EXTERNAL NOISE TEST Selecting the LEVELS CALIBRA T ION menu EX TERNAL NOISE TEST option opens the SPEAKER LEVEL ADJUST menu sho wn on page 3-54, which manually ca librates output levels. The external noise test requires an exter nal calibration sour ce such as an audio calibrati on disc. When the external noise test is conducted,[...]

  • Página 101

    MC-12 Setup 3-57 SETTING BASS PEAK LIMITERS T h e B A S S P E A K L I M I T E R S o p t i o n d i s p l a y s t h e B A S S PE A K L I M I T ER S m e n u t o s e t a m p l i tu de l i m i t s o n l o w f r e q u e nc y s i g n a l s s e n t t o t he Main Zone audio output Subwoofer L/R and LFE connectors. This menu also sets amplitude limi ts on lo[...]

  • Página 102

    Setup Lexicon 3-58 CAL NOISE ON, OFF Determines whether bass peak limite rs are set with an internal or external calibration source. T o set the CAL NOISE parameter: •S e l e c t ON to activate an internal calibration noise signal to set bass peak limiters. •S e l e c t OFF to deactivate the internal calibration noise signal. Setting bass peak [...]

  • Página 103

    MC-12 Setup 3-59 LFE LIMITER ADJ 75 to 120dB Specifies the output level restriction the MC-12 applies to the LFE output connector . T o set the LFE LI MIT ADJ parameter: 1. Select the LFE LIMIT ADJ paramet er . The paramete r initally s ets to 75dB. 2. Press the  an d  arrow button s to ch ange the parameter value. The selected outp ut level [...]

  • Página 104

    Setup Lexicon 3-60 5 STEREO & 5.1 ANLG Select the 5 STEREO & 5.1 ANLG option to configure the analog audio input connectors as five stereo and one 5.1-channel connectors. When 5 STEREO & 5. 1 ANLG is selected: • The 5.1-channel connector should only be used with 5.1-channel analog sources such as DVD-As and SACDs. • The analog audio[...]

  • Página 105

    MC-12 Setup 3-61 DISPLAY SETUP The DISPLA YS option displays the DISPLA Y SETUP menu, to customize the on-screen and front-panel displays, res tore audio/video s ynchroni- zation, and create and acti vate a custom unit name. A/V SYNC DELA Y OFF , 1 to 60m s Restores audio/video synchronization when the MC-12 is c o nn ec te d t o c om po ne n t s s[...]

  • Página 106

    Setup Lexicon 3-62 DISPLA Y SETUP (continued) EDIT CUSTOM NAME Opens the EDIT CUSTOM NAME drop-do wn menu shown above, which can be used to create a custom unit name. The factory default unit name is MC-12. T o create a custom unit name: 1. Follow the EDIT CUSTOM NAME menu path show n above to open the EDIT CUSTOM NAME drop-down menu. 2 . W he n t [...]

  • Página 107

    MC-12 Setup 3-63 ON-SCREEN DISPLAY The ON-SCREEN DISPLA Y option opens the ON-S CREEN DISPLA Y menu, to customize the on-screen di splay . ST A TUS ALW A YS ON, 2 SECONDS, ALW AYS OFF Controls the act ivation of the on -screen display when the display device is connected to a Main Zone video output connector . When AL W AYS ON is selected, the on-s[...]

  • Página 108

    Setup Lexicon 3-64 the two-line status appe ars center ed on the display device screen. When BOTTOM is selected, the tw o-line status appears near the bottom of the disp lay device screen. FORMA T SECAM, P AL, NTSC Controls the compatib ility betw een the composit e and S-video output connectors, the video switcher , and the display device. Select [...]

  • Página 109

    MC-12 Setup 3-65 FRONT-PANEL DISPLAY Opens the FRONT P ANEL DISPLAY menu, to customize the front panel display . DISPLA Y DISPLA YS SETUP ST A TUS ALW A YS ON, 2 SECONDS, ALW AYS OFF Controls the activa tion of the fron t-panel display . When ALW AYS ON is selected, the front-panel display rem ains activated at all times. When 2 SECONDS is selected[...]

  • Página 110

    Setup Lexicon 3-66 VO L U M E - C O N T R O L S E T U P Opens the VOLUME CONTROL SETUP men u, to configure the M ain Zone, Zone 2, and Reco rd Zone volume levels. VOLUME CONTROLS SETUP MAIN PWR ON LAST L VL, -80 to +12dB Selects the volume leve l at wh ich th e M ain Zo ne a ct iv ate s. W he n a value is selected, the MC-12 automatically sets Main[...]

  • Página 111

    MC-12 Setup 3-67 volume level to the last volume le vel that was selected in the Record Zone during the previous operating session. MAX VOLUME -80 to +12dB Selects the maximum volume leve l for the Main Zone. When a value is selected, the MC-12 automatically sets Main Zone volum e level to the se lected value. SETUP VOLUME CONTROLS MAX VOLUME[...]

  • Página 112

    Setup Lexicon 3-68 TR I G G E R S E T U P The TRIGGERS option prompts you to select trigger output connector 1 or 2. The MC-12 includes three 12V DC trigger output connectors labeled PWR (power), 1, and 2. The PWR connector cannot be configured because its trigger output connector is activated and deactivated when the MC-12 is activated and deactiv[...]

  • Página 113

    MC-12 Setup 3-69 T RIGGER SETUP ( continued ) REMOTE ONL Y ON, OFF Configures the selec ted trigge r ou tput connector for remote operation. Select the ON setting to configure the selected connector for remote op eration. Se lect the OF F setting to con figure the selected connector for program operation. Refer to the Program Operation Parameter de[...]

  • Página 114

    Setup Lexicon 3-70 LOCK OPTIONS Displays the LOCK OPTIONS menu, which pr otects MODE ADJUST , AUDIO CONTROLS, and SETUP menu branch parameter settings from accidental changes. MODES LOCKED, UNLOCKED Protects MODE ADJUST menu bra nch se ttings from accidental changes. When LOCKED is sele cted, MODE ADJUST menu branch settings – including all liste[...]

  • Página 115

    MC-12 Setup 3-71 LIVE! CALIBRATION LIVE! (Lexicon Intelligent V a riable Environment) is a proprietary mode designed to transform the way your li stening room sounds. LIVE! use s a combination of microphones and di gital si gnal processing (DSP ) to enhance the room acoustics and create the illusion of a larger , more reverberant listening space. U[...]

  • Página 116

    Setup Lexicon 3-72 POSITIONING THE MICROPHONES FOR LIVE! Refer to the micro phone placement examples below to posi tion the microphones for LIVE! Front Left Center Subwoofer Front Ri g ht Side Right Rear Right Rear Left Side Left Microphone Position the microphones: 3 On or near opposite side walls 3 Approximately halfw ay between the front and sid[...]

  • Página 117

    MC-12 Setup 3-73 Front Left Center Subwoofer Front Right Side Right Rear Right Rear Left Side Left Microphone When positioning the microphones, do not: 7 Place the microphones on the front or rear walls 7 Place the microphone s near the floor or ceiling 7 Obstruct the microphones with furniture or other fixtures 7 Place the microphones within 2 fee[...]

  • Página 118

    Setup Lexicon 3-74 PERFORMING LIVE! CALIBRATION Select SE TUP  LIVE! CALIBRA TION as shown above. • T he !CAUTION ! HIGH AU DIO LEVELS message indicates that the MC- 12 generates loud calibration noise si gnals during LIVE! calibration. If the signals become too loud, press the  arrow button to cancel LIVE! calibration. Press the  arrow [...]

  • Página 119

    4 Audio Contr ols Audio Controls ......... ................................ .............. ............. ........4-2[...]

  • Página 120

    Audio Controls Lexicon 4-2 AUDIO CONTROLS Selecting the MAIN MENU AUDIO CONTROLS option opens th e AUDIO CONTROLS me nu, to customize the Main Zone, Zone 2, and Record Zone audio output connectors. • The BASS, TREBLE, TIL T EQ, LOUDNESS, BALANCE, and FADER parameters affect the Main Zone audio output connectors. This includes all Main Zone inputs[...]

  • Página 121

    MC-12 Audio Controls 4-3 BASS -6.0dB to +6. 0dB Controls the amount of lo w-frequency boo st or cut applie d to the Main Zone a udio output conn ectors labeled Front L/R, Center , LFE, and Subwoofer L/R. The graph to the right indic ates the frequency response of all BASS parameter settings. T o control the bass from the remote cont rol: Press the [...]

  • Página 122

    Audio Controls Lexicon 4-4 TREBLE -6.0dB to +6.0dB Controls th e amount of boost or cut applied to the Ma in Zone audio output connectors labele d Front L/R and Center . The graph shown at the right indic ates the frequen cy response of all TREBLE parameter settings. T o control the treble from the remote control: Press the Shift button: •P r e s[...]

  • Página 123

    MC-12 Audio Controls 4-5 TIL T EQ -3.0 to +3.0 Controls th e amount of t ilt equa lization applied to the Main Zone audio output connectors lab eled Front L/R, Center , LF E, and Subwoofer L/R. This pa rameter setting affects the entire frequency spectrum with a hinge point at 1kHz. As the se tting increases, frequencies high er than 1kHz are boost[...]

  • Página 124

    Audio Controls Lexicon 4-6 LOUDNESS ON, OFF Controls the amo unt of low-freq uency boost that is auto matically applied to the M ain Zone audio outpu t connectors lab eled Front L/R, Center , LFE, and Subwoofe r L/R. When ON is selected, loudness compensation is automati cally applied based on volume level. As volume level increases, the amount of [...]

  • Página 125

    MC-12 Audio Controls 4-7 BALANCE L< <|> >R Controls the left-to-right balanc e of the Main Zone a udio output connectors labeled Front L/R. T o control the balance from the remote control: Press the Shift button: •P r e s s t h e MENU button to center the Main Zone balance. •P r e s s t h e  or  arrow buttons to adjust the Mai[...]

  • Página 126

    [...]

  • Página 127

    5 Mode Adjust Mode Adjust ......... ................ ................. ................ ............. ........5-2 Listening Mode Activation ................................ ................. ..........5-2 Preferred Listening Mode Selection Parameters ............................ ............ 5-3 Mode Buttons ........................................[...]

  • Página 128

    Mode Adjust Lexicon 5-2 MODE ADJUST Selecting MAIN MENU  MODE ADJUST displays the MODE ADJUST menu, to select a listening mode. Se lecting a l istening mode opens the corresponding listen ing mode me nu, to customize the selected listening mode. These adjustments are applied when the liste ning mode is next acti vated. All listening mode menus a[...]

  • Página 129

    MC-12 Mode Adjust 5-3 PREFERRED LISTENING MODE SELECTION PARAMETERS Y ou can select five preferred listening modes for each Main Zone input, including one listening mode each for 2- channel, Dolby Digital, DTS-ES, 5.1-channel anal og, and mic rophone sources. The table below indicates the INPUT SE TUP menu parameters that can be used to select pr e[...]

  • Página 130

    Mode Adjust Lexicon 5-4 MODE BUTTONS Use the front pane l and remote co ntrol Mode buttons to audition listening modes with the current Ma in Zone input source. Press the Mode + or – button to scroll up or down through the available listening modes for the current Main Zone input source. For example, if a 2-channel source is present in the Main Z[...]

  • Página 131

    MC-12 Mode Adjust 5-5 LISTENING MODE DESCRIPTIONS The MC-12 offers an assortment of listenin g modes for 2-channel, Dolby Digital, DTS-ES , analog, and microphone sour ces. Listeni ng mode descriptions begin below and cont inue in the order shown on the MODE ADJUST menu . The table included wi th each description indi cates the corresponding listen[...]

  • Página 132

    Mode Adjust Lexicon 5-6 MUSIC This listening mode is designed for playback of 2-cha nnel stereo or matrix-encoded music sources. LOGIC 7 MUSIC is a proprietary Lexicon listening mode based on the LOGIC 7 FILM listeni ng mode, but spec ifically tail ored for music sources. . See “Listening Mode Menu Option & Parame ter Descriptions” on page [...]

  • Página 133

    MC-12 Mode Adjust 5-7 PLIIx + & PLII + The Dolby PLIIx + THX and Dolby PLII + THX lis tening modes are designed to playback 7.1 or 5. 1 discrete channels decoded from 2- ch an ne l D olb y Surround-encoded sources. T he sev en o r f ive mai n channels are full frequency . The .1 channel, often referred to as LFE information, has a limited frequ[...]

  • Página 134

    Mode Adjust Lexicon 5-8 PLIIx MUS & PLII MUSIC The Dolby PLIIx MUS (MUSIC) and Do lby PLII MUSIC listening m odes are designed to playback 7.1 or 5.1 discrete channels decoded from 2- channel m us i c so u rc es . The seven or five main channels are full frequency . The .1 channel, often referred to as LFE information, has a limited frequency r[...]

  • Página 135

    MC-12 Mode Adjust 5-9 PRO LOGIC The Dolby PRO LOGIC mode is designed for playback of Dolby Surround-encoded sour ces. It deco des four channels from Dolby Surround- encoded sources, and uses a mono surround channel with a high-frequency rolloff above 7kHz. This mode is useful for comparison purposes, particularl y with the L7 FILM, Dolby PLIIx MOVI[...]

  • Página 136

    Mode Adjust Lexicon 5-10 CIN & MUSIC These modes are designed for playback of matrix-encoded digital stereo film or music sources. DT S Neo:6 derives six channels when both side and rear speakers are present (rear channels wil l be in parallel). It derives five channels when only side or rear speak ers are present. The LFE ch annel is gene rate[...]

  • Página 137

    MC-12 Mode Adjust 5-11 CONCERT HALL The CONCERT HALL mode generates early reflections and sends them to th e front, sid e and rea r channel s to simul ate large l istenin g spaces. The CONCERT HALL mode is a superior room simulation listening mode because it uses a proprietary reverb algorithm inherited from Lexicon professi onal products. See “L[...]

  • Página 138

    Mode Adjust Lexicon 5-12 CA T HEDRAL The CA THEDRAL mode is similar to the CHURCH listening mode. It uses a reverb algorithm to emphas ize the rich, sm ooth, reverberant decay characteristic of large list ening spaces with long reverber- ation time rela tive to thei r size, such as cathedrals. The CA THEDRAL mode is a superi or room simulation list[...]

  • Página 139

    MC-12 Mode Adjust 5-13 P ANORAMA CALIBRA TION Select P ANORAMA  CALI BRA TION to open the P ANORAMA CALIBRA TION menu shown to the left, to calibrate the P ANORAMA listening mode. This listeni ng mode must be calibrated to take full advantage of its effects. For best results, you should center the primary listen ing position betw een the fron t [...]

  • Página 140

    Mode Adjust Lexicon 5-14 T o calibrate the P ANORAMA listening mode: 1. Remove all obstructions betwee n the speakers and the primary listening position. 2. Make sure the dist ances betwee n the speake rs and the prima ry listening posit ion are properly measured. T o do this, select one of the following options. • Select the AUTO SPEAKER SETUP m[...]

  • Página 141

    MC-12 Mode Adjust 5-15 2-CH SURROUND This mode, designed for playback of stereo sources, sends the left channel to Front, Side, and Rear Le ft channels and the right channel to Front, Side and Rear Right chan nels, and sums the Left and Right for the center . It is reco mmended for background music. See “Listening Mode M enu Option & Paramete[...]

  • Página 142

    Mode Adjust Lexicon 5-16 MONO SURROUND This mode, designed for playback of mono sources, sends the mono source to all channels. See “Listening Mode Menu Option & Parame ter Descriptions” on page 5-37 for detailed descriptions . MONO This mode, designed for playback of mono sources, sends mono sources to the center channel. See “Listening [...]

  • Página 143

    MC-12 Mode Adjust 5-17 5.1 TV This proprietary Lexicon listening mode is designed for playback of 5.1-channel Dolby Digita l-encoded broadcast sources. Based on the 5.1 L7 FILM listening mode, 5.1 L7 TV derives seven channels from 5.1-channel input sources with enhanced front steering. See “Listening Mode Menu Option & Parame ter Descriptions[...]

  • Página 144

    Mode Adjust Lexicon 5-18 , UL2Cin & SurEX These modes are designed for 7-ch annel playback of 5.1-channel Dolby Digital film sources that do not have THX Surround EX encoding. Th ey apply TH X re- equaliz ation to simulat e high-frequency rolloffs that occur in movie theaters. Most films are mixed for movie theate rs, and might sound to o brigh[...]

  • Página 145

    MC-12 Mode Adjust 5-19 • ASA processing is applied to si gnals sent to the rear speakers. Refer to the ASA pa ra meter description on page 3-32 for more information . When THX Surround EX decoding is active: Matrix decoding is applied to de rive three surround channels from 5.1-channel Dolby Digital sour ces. See “Listening Mode Menu Option &am[...]

  • Página 146

    Mode Adjust Lexicon 5-20 5.1 PLIIx MOV The 5.1 PLIIx M OV (MOVIE) listen in g mode is designed to playback 7.1 discrete chan nels decoded fr om 5.1- channel Do lby Digital film s ou r c es . ( Th e 5. 1 P L II x M OV IE li st e ni ng mo de ca n a l so be use d w it h other types of Do lby Digital source s with mixed results.) The seven main channel[...]

  • Página 147

    MC-12 Mode Adjust 5-21 DIGIT AL & DIGIT AL EX These liste ning modes are designed to decode and playback 5.1 discrete channels from 5.1- channe l Dolby Digital sour ces. The five main channels are full frequency . The .1 channel, often referred to as LFE information, has a limited frequency range of 120Hz. The mode name differs depending on the[...]

  • Página 148

    Mode Adjust Lexicon 5-22 DIGIT AL & DIGIT AL EX (continued) See “Listening Mode Menu Option & Parame ter Descriptions” on page 5-37 for detailed descriptions . 5.1 2-CHANNEL This mode, recommended for recordi ng purposes, is designed for converting 5.1- channel Dolby Digital-encoded input sour ces into 2-channel Logic 7- enco ded output[...]

  • Página 149

    MC-12 Mode Adjust 5-23 5.1 MONO LOGIC This listening mode, design ed for play back of Dolby Digital- encoded mono so urces, uses proprietary Lexicon reverb algorithms to realistically expand mono sources to use all channels. This dramatically increases the pe r ceived width and sense of envel- opment of the listening spac e. Note that: • When a 1[...]

  • Página 150

    Mode Adjust Lexicon 5-24 DECODING The DTS and DTS- ES listening modes are designed for , at a minimum, playback of 5.1- ch annel DTS, 5.1- channel matrix encoded DTS- ES, and 6.1- channel discrete- encoded DTS- ES sources. DTS and DTS- ES listening mode names differ de pendin g on the encoding present in the input sour ce, the DECODING parameter se[...]

  • Página 151

    MC-12 Mode Adjust 5-25 FILM & FILM The se propriet ary Lexicon list eni ng m ode s us e an adv anc ed ma tr ix to decode seven chan nels from 5.1 and 6. 1-channel fi lm sources with enhanced front steering. When bo th side and rear speakers are present, the DTS- ES L7 FILM lis tening mode also increases the perceived length and sense of envelop[...]

  • Página 152

    Mode Adjust Lexicon 5-26 & UL2Cin T he DTS THX UL2Cin (ULTRA2 CINEMA) and DTS- ES THX l is te n in g m od e s a ll ow 7- channel playback of 5.1- channel DTS sources that l a c k D T S - E S e n c o d i n g . T h e y are des igned for playback of 5 . 1 - c h a n n e l DTS, 5.1-channel m atrix encod ed DTS-ES, or 6.1-channel DTS-ES discrete- enc[...]

  • Página 153

    MC-12 Mode Adjust 5-27 MUSIC The DTS THX MUSIC listening mode is designed for playback of 5.1- channel DTS music sour ces when the side and rear speakers are present. ASA processing is applied to signals sent to the rear speakers. Refer to the ASA parameter description on page 3-32 for more information. Th is mode is recommended for home theaters w[...]

  • Página 154

    Mode Adjust Lexicon 5-28 2-CHAN & 2-CHAN These modes, recommended for recording purposes, send downmixed 5.1-channel or 6.1- chan nel DTS-ES input signals to the front speakers and subwoofer as 2-channel Logic 7- encoded outpu t signals. See “Listening Mode Menu Option & Parame ter Descriptions” on page 5-37 for detailed descriptions . [...]

  • Página 155

    MC-12 Mode Adjust 5-29 5.1a MUSIC The 5.1a LOGIC 7 MUSIC liste ning mode is similiar to the 5.1a LOGIC 7 FILM list ening mode, but specifically tailored for music sources. This mode is designed and recommended for playback of 5.1-channel analog music sour ces. See “Listening Mode Menu Option & Parame ter Descriptions” on page 5-37 for detai[...]

  • Página 156

    Mode Adjust Lexicon 5-30 5.1a UL2Cin, 5.1a SurEX, & 5.1a (continued) The 5.1a THX UL2Cin listening mode The 5.1a THX UL2Cin listening mode is available when bo th s ide and rear speakers are present and TH X U l t ra 2 d e co d i ng i s a ct i v e. T H X Ultra2 decoding is activated wh en the SURROUND EX parameter is set to OFF . When THX Ultra[...]

  • Página 157

    MC-12 Mode Adjust 5-31 5.1a MUSIC The 5.1a THX MUSIC listening m ode is designed for playback of 5.1-channel analog music sour ces. It cannot be activated unless side and rear speakers are present. Th is mode performs best in home theaters where the re ar speakers are placed clo se together . ASA processing is applied to signal s s ent to the rear [...]

  • Página 158

    Mode Adjust Lexicon 5-32 5.1a 2-CHANNEL This mode downmixes 5.1- chan nel analog input signals into 2-channel Logic 7-encoded output si gnals. It s ends these signals to the front speakers and the subwoofer . It is recommended for recording purposes, particularly for recording from a DVD- A or multi- channel SACD player to a CD- R or another 2- cha[...]

  • Página 159

    MC-12 Mode Adjust 5-33 2CH BYP ASS This listening mode sends 2- channel analog audio input signals to the Main Zone audio output connectors labeled Front L/R with no internal processing. The 2CH BYP ASS listening mode is aut omatically activated whenever a 2-channel analog source is present and the MAIN ADV menu ANALOG BYP ASS parameter is set to O[...]

  • Página 160

    Mode Adjust Lexicon 5-34 LIVE! SMALL, LIVE! MED & LIVE! LARGE (continue d) See “Listening Mode Menu Op tion & Parameter Descriptions” on p age 5-37 for detailed descriptions . LIVE! SMALL ADV ANCED parameter sett ings: Parameter Default Setting Possible Settings REVERB L VL +0dB -80dB to +0dB EARL Y RFLX L VL -13dB -80dB to +12dB BASS X[...]

  • Página 161

    MC-12 Mode Adjust 5-35 OUTPUT LEVELS Opens the OUTP UT LEVELS menu, which is used to adjust output levels for the Main Zone audio outp ut connectors labeled Center , Subwoofer L/R, LF E, Si d e L /R , a nd Rear L/R. The OUTPUT LEVELS option does not appear on listening mode menus when the select ed listen ing mode does not accommodate multi-channel[...]

  • Página 162

    Mode Adjust Lexicon 5-36 2 . W h e n t h e C U S T O M V S P R E S E T o p t i o n d r o p - d o w n m e n u i s open, press the remote control  and  arrow buttons to toggle between the PRESET (factor y- default) and CUSTOM versions of the sele cted listening mode. 3. When finished, press the  arrow button to clo se the CUSTOM VS PRESET dr[...]

  • Página 163

    MC-12 Mode Adjust 5-37 LISTENING MODE MENU OPTION & PARAMETER DESCRIPTIONS 5 SPKR ENHANCE ON, OFF Simulates 7-channel playback in 5-channel speaker configurations. When set to ON, the MC- 12 provides an incr eased sense of spaciousness and envelo pment through the surround speakers. This enhancement is most noticeable when th e surround speaker[...]

  • Página 164

    Mode Adjust Lexicon 5-38 LISTENING MODE MENU OPTION & P ARAMETER DESCRIPTIONS (continued) CENTER OFF , -30 to +12dB Controls the output level of the a u dio output connector labeled Center . Available in all except 2 CH modes (2- CHANNEL, 2 CH BYP ASS, DTS(-ES) 2-CHAN, 5.1 2-CHANNE L, 5.1a 2-CHANNEL), MO NO, 5.1 MONO, and LIVE! modes. CENTER DE[...]

  • Página 165

    MC-12 Mode Adjust 5-39 EARL Y RFLX LVL -80dB to +12 dB, OFF Controls the amount of additional e ar l y re f l ec t i on s . Available in all LIVE! modes. EFFECT LVL -12 to +6dB Adjusts the amount of effect applie d to the listening mode. A va ila ble in NIGHTCLUB, CONCERT HALL, CHURCH, CA THEDRAL, P ANORAMA, MONO LOGIC, and 5.1 MONO LOGIC modes. ES[...]

  • Página 166

    Mode Adjust Lexicon 5-40 LISTENING MODE MENU OPTION & P ARAMETER DESCRIPTIONS (continued) Note the following: • Dolby Digital Surround EX deco ding cannot be engaged unless both side and rear speakers are present. This parameter is avai lable in 5.1 PLIIx MOV , 5.1 PLIIx MUS, DO LBY DIGIT AL EX, and DOLBY D IGIT AL modes. • When the Shif t [...]

  • Página 167

    MC-12 Mode Adjust 5-41 Note: The LISTENER POS parameter r ange might extend past the location of the front left and right speakers. LIVENESS 30ms to 20.2s Depends on the SIZE parameter setting. The LIVENESS p arameter adjusts the amount of effect reci rculation. Highe r settings mim ic more reflective surfaces and increase decay time. A vai lab le [...]

  • Página 168

    Mode Adjust Lexicon 5-42 LISTENING MODE MENU OPTION & P ARAMETER DESCRIPTIONS (continued) RE-EQUALIZER ON, OFF Simulates high-frequency rolloffs that occur in movie theaters. When set to O N, the MC-12 applies a high-freq uency filter . When set to OFF , the M C-12 does not apply a high-frequency filter . It is recommended that you set t his pa[...]

  • Página 169

    MC-12 Mode Adjust 5-43 SOUND ST AGE FRONT , NEUTRAL, REAR Dynamically controls the relative balanc e of the audio output connectors. When se t to FRONT , Si de L /R and Rear L/R output levels are attenuated by 6dB, shifting the perceived balance of the sound field to the front of the listening space. When set to NEUTRAL, Side L/R and Rear L/R outpu[...]

  • Página 170

    Mode Adjust Lexicon 5-44 LISTENING MODE MENU OPTION & P ARAMETER DESCRIPTIONS (continued) SURROUND DL Y 0 to 15ms Increases the per ceived depth of the listenin g space by delaying the arrival time of signals from the si de and rear speakers. It is recom- mended that you increase the se tting when a greater sen se of depth is desired in the lis[...]

  • Página 171

    MC-12 Mode Adjust 5-45 TREB CUT RT 500Hz to 20kHz Sets the frequency above which high frequencies are rolled off in the reverberated signal , causing reverberated signals to grow progressively darker . This results in a more natural sound because it simulates the effect of air absorption in a real hall. Setting this parameter to a low frequency dam[...]

  • Página 172

    Mode Adjust Lexicon 5-46 CENTER DEPTH NIGHTCLUB, CONC ERT HALL, CHURCH, CA THEDRAL CENTER MIX 5.1 2-CHANNEL, DTS (ES) 2-CHAN, 5.1 a 2-CHANNEL CNTR DL Y SAMPLES 5.1 2-CHANNEL, DTS (ES) 2-CHAN, 5.1a 2-CHA NNEL COMPRESSION All Dolby Digital modes CTR WIDTH DPLII MUSIC and DPLIIx MUSIC CUSTOM All modes CUSTOM VS PRESET All modes DIFFUSION All LIVE! mod[...]

  • Página 173

    MC-12 Mode Adjust 5-47 LIVENESS NIGHTCLUB, CONCERT HALL LOW FREQ WIDTH P ANORAMA MASTER LEVEL 5.1 2-CHANNEL, DTS (ES) 2- CHAN, 5.1a 2-CHANNEL MID RT CHURCH, CA THEDRAL, and all LIVE! modes OUTPUT LEVELS All except 2-CHANNEL, MONO, 5.1 2-CHANNEL, 5.1 MONO, DTS (ES) 2-CHAN, 5.1a 2-CHANNEL, 2CH BYP ASS, and LIVE! modes P ANORAMA DPLII MUSIC and DPLIIx[...]

  • Página 174

    Mode Adjust Lexicon 5-48 SOURCE P ANORAMA CALIBRA TION SPEAKER ANGLE P ANORAMA CALIBRA TION SPEECH DETECT NIGHTCLUB, CONCERT HALL, CHURCH, and CA THEDRAL SPREAD All LIVE! modes SUB L/R & SUB L/R L VL All except LIVE! modes SURR ROLLOFF All L7 modes SURROUND DL Y DPLII MUSIC an d DPLIIx MUSIC SURROUND EX THX ULT RA2, THX SurEX, THX SURROUND MIX [...]

  • Página 175

    6 T r oubleshooting & Maintenance Troubleshooting ............ .............. ............. .............. ............. ........6-2 Routine Maintenance ....... ................................ ................. ..........6-3 Restoring Factory-default Settings ............ .............. ............. ........6-4[...]

  • Página 176

    Troubleshooting & Maintenance Lexicon 6-2 T ROUBLESHOOTING The MC-12 does not po wer on. 1. Make sure the rear panel power switch is set to the I (“on”) position. 2. Attempt to power on the MC-12 wit h the front panel Standby button and remote control On button. 3. Examine the power cord to ensu re a good connection between the rear panel A[...]

  • Página 177

    MC-12 Troubleshooting & Maintenance 6-3 The MC-12 is powered on, but there is no video. 1. Examine the video cables – part icularly the S-video cables – to ensure a good connection to the associated componen t. 2. Check the INPUT SETUP menu VIDEO IN and COMPONENT IN parameters to ensu re the appropriate video connector is assigned to the se[...]

  • Página 178

    Troubleshooting & Maintenance Lexicon 6-4 RESTORING FACTORY-DEFAULT SETTINGS When factor y-default settings ar e restored, all parameters and user-defined values are restored to t heir factory- default settings. Before restoring factory-default settings, you should record all user-defined settings. T o restore factory-default settings: 1. Selec[...]

  • Página 179

    A Appendix Specifications ........ ................ .............................. .............. ......... A-2 Declaration of Conformi ty .............. ................................ ............ A-4 Menu Tree ............ ................ .............................. .............. ......... A-5 Installation Worksheet .. ................. ..[...]

  • Página 180

    Appendix Lexicon A-2 SPECIFICATIONS Audio Input & Output Connectors Analog Audio Inputs • 8 s tere o (RC A) or 5 stereo and one 5.1-channel connectors Digital Audio Inputs • 6 S/PDIF coaxial (RCA), 6 S/PDIF optical (5 T osLink and 1 optical mini jack), and 1 AES/EBU (XLR) connectors • Coaxial and optical input connectors conform to IEC- 9[...]

  • Página 181

    MC-12 Appendix A-3 Specifications are subject to change without notice. Microphone Input Connectors Inputs • 4 3.5 miniature phone jacks Input Sensitivity • 10mV rms (400m V maximum input level) Input Impedence • 20k Ω (accepts balanced or unbalanced input signals) Other T rigger Outputs • 1 power on/off and 1 programmable connec tor on d[...]

  • Página 182

    Appendix Lexicon A-4 DECLARATION OF CONFORMITY Application of Council Directive(s): 89/336/EEC and 93/ 68/EEC Standard(s) to Which Conformity is Declared: EN55022:1998, E N55024:1998, E N61000-3-2: 200 0, EN61000-3-3:2000 , and EN60065: 1998 Manufacturer: Harman Specialty Grou p 3 Oak Park Bedford, MA 01730-141 3 USA The equipmen t identified h ere[...]

  • Página 183

    MC-12 Appendix A-5 MENU T REE ON OFF LOCKED UNLOCKED AL WA YS ON 2 SECONDS FRONT PANEL DISPLA Y ST ATUS BRIGHTNESS AL WA YS O N 100% AL WA YS OFF 100% 75% 50% 25% MAIN MENU MODE ADJUST AUDIO CONTROLS SETUP REAR PANEL CONFIG 8 STEREO INPUTS OR 5 STEREO & 5.1 ANLG VOLUME CONTROL SETUP MAIN POWER ON MUTE LEVEL -30dB -30dB LAST L VL, -80 to +12dB L[...]

  • Página 184

    Appendix Lexicon A-6 MENU T REE (conti nued) MAIN MEN U MODE ADJ UST AUDIO CONTROLS SETUP INPUT SETUP DVD1 DVD2 LD TV SA T VCR CD Selecting SETUP  INPUTS prompts the selection o f the desired input (for exa mple, DVD1). Sele cting an inpu t opens the corresponding INPUT SETUP menu shown below . The parameters on the le ft side of the INPUT SETUP[...]

  • Página 185

    MC-12 Appendix A-7 5.1 a MUSIC MAIN MENU MODE ADJUST AUDIO CONTROLS SETUP Selecting an INPUT SETUP menu item opens the corresponding menu show n below . These menus are identical regardless of which input is select ed. The MAIN ADV and RECORD ADV menus shown on the next page indicate f actory-default parame- ter settings for each input. EDIT INPUT [...]

  • Página 186

    Appendix Lexicon A-8 MENU T REE (conti nued) ANLG IN L VL DIGIT AL BYP ASS DIG OUT RA TE RECORD +OdB OFF 44.1kHz ENABLED TV RECORD ADV ANLG IN L VL DIGIT AL BYP ASS DIG OUT RA TE RECORD +OdB OFF 44.1kHz ENABLED LD RECORD ADV ANLG IN L VL DIGIT AL BYP ASS DIG OUT RA TE RECORD +OdB OFF 44.1kHz ENABLED The MAIN ADV and RECORD ADV menus indicate factor[...]

  • Página 187

    MC-12 Appendix A-9 SPEAKER SETUP SET CROSSOVERS CHECK MICROPHONES AUTOM A TIC MANUAL MAIN MENU MODE ADJUST AUDIO CONTROLS SETUP SETUP INPUTS SPEAKERS REAR P ANEL CONFIG DISPLA YS VOLUME CONTROLS TRIGGERS LOCK OPTIONS CUSTOM SETUP 40 Hz 60 Hz 60 Hz 60 Hz 40 Hz OFF N/A APAR T CROSSOVER SETUP CUSTOM SETUP THX SETUP C R SR RR L SL RL M SUB 80Hz 80Hz 80[...]

  • Página 188

    Appendix Lexicon A-10 MENU T REE (conti nued) SPEAKER SETUP SET CROSSOVERS CHECK MICROPHONES AUTOMA TIC MANUAL MAIN MENU MODE ADJUST AUDIO CONTROLS SETUP SETUP INPUTS SPEAKERS REAR P ANEL CONFIG DISPLA YS VOLUME CONTROLS TRIGGERS LOCK OPTIONS SET CROSSOVERS BEFORE CALIBRA TING (MICROPHONE) OK (MICROPHONE) NOT DETECTED (MICROPHONE) SIGNAL TOO LOW (M[...]

  • Página 189

    MC-12 Appendix A-11 AUTO LEVELS FRONT LEF T CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEF T SIDE LEF T SUB (MONO) SUB RIGHT LFE ERROR +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB N/A N/A AUTO DIST ANCES FOR AUTO CALIBRA TION SPEAKER SETUP SET CROSSOVERS CHECK MICROPHONES AUTOMA TIC MANUAL MAIN MENU MODE ADJUST AUDIO CONTROLS SETUP SETUP INP[...]

  • Página 190

    Appendix Lexicon A-12 MENU T REE (continu ed) AUTO SPEAKER SETUP AUTO LEVELS FRONT LEF T CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEF T SIDE LEF T SUB (MONO) SUB RIGHT LFE ERROR +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB N/A N/A AUTO DIST ANCES FOR AUTO CALIBRA TION SPEAKER SETUP SET CROSSOVERS CHECK MICROPHONES AUTOMA TIC MANUAL MAIN ME[...]

  • Página 191

    MC-12 Appendix A-13 75 to 120dB ON OFF SPEAKER LEVEL ADJUST FRONT LEF T CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEF T SIDE LEF T SUB (MONO) +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB MAIN MENU MODE ADJUST AUDIO CONTROLS SETUP SETUP INPUTS SPEAKERS REAR P ANEL CONFIG DISPLA YS VOLUME CONTROLS TRIGGERS LOCK OPTION S MANUAL SPEAKER [...]

  • Página 192

    Appendix Lexicon A-14 MENU T REE (continu ed) MAIN MENU MODE ADJUST AUDIO CONTROLS SETUP SETUP INPUTS SPEAKERS REAR P ANEL CONFIG DISPLA YS VOLUME CONTROLS TRIGGERS LOCK OPTIONS !CAUTION! HIGH AUDIO LEVELS YOU WILL HA VE 10 SEC LIVE! CALIBRA TION LIVE! CALIBRA TION PRESS TO CONTINUE CALIBRA TION DONE LIVE! CALIBRA TION TO LEA VE THE ROOM OR SIT QUI[...]

  • Página 193

    MC-12 Appendix A-15 MAIN MENU MODE ADJUST AUDIO CONTROLS SETUP MODE ADJUST FILM TV MUSIC MUSIC SURR PLIIx + PLIIx MOV PLIIx MUS PLII + PLII MOVIE PLII MUSIC PL + PRO LOGIC + CIN MUSIC NIGHTCLUB CONCERT HALL CHURCH CA THEDRAL P ANORAMA 2-CH SURROUND 2-CHANNEL MONO LOGIC MONO SURROUND MONO 5.1 FILM 5.1 TV 5.1 MUSIC * MUSIC 5.1 PLIIx MOV 5.1 PLIIx MUS[...]

  • Página 194

    Appendix Lexicon A-16 MENU T REE (conti nued) 5.1 MONO SUB L/R L VL +0d B CUSTOM 5.1 MONO SURR OUTPUT LEVELS CUSTOM 5.1 MONO LOGIC EFFECT L VL SURR ROLLOFF CUSTOM OUTPUT LEVELS -9dB 3.1kHz ACADEMY FIL TER ON 5.1 2-CHANNEL CENTER MIX CNTR DL Y SAMPLES COMPRESSION MASTER LEVEL +0dB +0 SURROUND MIX +0dB LFE MIX SUB L/R L VL CUSTOM +0dB OFF +0.0dB +0dB[...]

  • Página 195

    MC-12 Appendix A-17 Selecting the listening mode menu CALIBRA TION, OUTPUT LEVELS, or CUSTOM option opens the cor respo nding menu path shown below . T he CALIBRA TIO N option is available for the P ANORAMA listening mode. The OUTPUT LEVELS and CUSTOM o ptions are available for most listening modes. These menus are i dentical rega rdless of which l[...]

  • Página 196

    Appendix Lexicon A-18 MENU T REE (conti nued) 2CH ST AT US INPUT MODE INPUT TYPE SAMPLE RATE dB 0 -6 -15 -30 -45 R L D ST A TUS INPUT MODE CHANNELS BIT RA TE dB 0 -6 -15 -30 -45 R L EX ENCODING PG1 CS L SR LFE ST A TUS INPUT MODE CHANNELS BIT RATE dB 0 -6 -15 -30 -45 R L ENCODING PG1 CS L SR LFE ST ATUS WORD LENGTH SAMPLE RA TE PG2 5.1a BYPASS STA [...]

  • Página 197

    MC-12 Appendix A-19 OFF , 1 to 100m s PRE-DELA Y OFF , 1 to 30ms 10 to 90deg - 2 0 . 0 o r - 1 0 . 0 to +0.0dB OFF , -30 to 12dB 4 to 20 or 30ms 30ms to 20.2s -25 to +25 -5 to +5dB 24ms to 24.3s 500Hz to 20.0kHz, OFF REAR L/R SIZE CENTER MIX SPEAKER ANGLE VOCAL ENHANCE LFE MIX INPUT BALANCE +6.0dB +3.0dB +0.0dB SOURCE RIGHT LEF T & RIGHT LEF T [...]

  • Página 198

    Appendix Lexicon A-20 INSTALLATION W ORKSHEET INPUT SETUP DVD1 DVD2 LD TV SA T VCR CD PV R GAME TA P E TUNER AUX NAME DIGIT AL IN ANALOG IN ANLG IN L VL VIDEO IN COMPONENT IN 2 - CH D 5.1a MIC MAIN ADV ANCED INPUT SELECT ANALOG BYP ASS S-VIDEO 16:9 S-VIDEO 4:3 OS D COMPONENT OSD ZONE2 IN RECORD IN RECORD ADV ANCED ANLG IN L V L DIGIT AL BYP ASS DIG[...]

  • Página 199

    MC-12 Appendix A-21 SPEAKER SETU P CUSTOM SETUP THX SETUP SPEAKER DIST ANCES LEVELS CAL IBRA TIONS FRONT LEF T/RIGHT THX 80Hz CENTER THX 80Hz SIDE LEF T/RIGHT THX 80Hz REAR LEF T/RIGHT SUB LEF T/RIGHT MONO SUB XOVER THX 80Hz LFE OFF UL TRA2SUB BGC ASA UNITS BASS PEAK LIMITERS CAL NOISE L/R LIMITER L/R LIMIT ADJ LFE LIMITER LFE LIMIT ADJ REAR P ANEL[...]

  • Página 200

    Appendix Lexicon A-22 INSTALLATION WORKSHEET (continued) DISPLA Y SETUP TRIGGER 1 SETUP TRIGGER 2 SETUP ON - SCREEN DISPLA Y Circle all para meters set to ON. Circle all param eters set to ON. ST A TUS REMOTE ONL Y DVD1 DVD2 LD TV SA T VCR CD PVR GAME TA P E TUNER AUX ZONE2 INPUTS RECORD INPUTS FILM TV MUSIC MUSIC SURR PLIIx + PLIIx MOV PLIIx MUS P[...]

  • Página 201

    Numerics 2.0 ENCODING parame ter, 2-25 2CH status menu, 2-21 2CH button, 2-17 2CH BYPASS status menu, 2-23 2CH BYPASS listening mode , 5-33 2-CH parameter, 3- 12 – 3-13, 5-3, A- 20 2-CH SURROU ND list ening mod e, 5-15 2-CHANNEL listening mod e, 5-15 5 SPKR ENHANCE parame ter, 5-5 – 5-6, 5-16 – 5-17, 5-25, 5-28 – 5-29, 5-37 , A-21 5 STEREO [...]

  • Página 202

    Index Lexicon I-2 C (continued) CENTER parameter, 3-26, 3-28, 3-34, 5-35, 5-38 changing input names, 3-5 CHANNELS parameter, 2-25 CHECK MICROPHONES option, 3-35, 3-39 CHURCH listening mode, 5-12 CNTR DLY SAMPLES parameter, 5- 22, 5-28, 5-3 2, 5-38 COMPONENT IN menu, 3-11 COMPONENT IN parameter, 3-7 COMPONENT OSD paramete r, 3-15, 3-18 , A-20 COMPRE[...]

  • Página 203

    MC-12 Index I-3 I (continue d) installation worksheet, A-20 Internal Noise Test, 3- 52 IR input connector, 2-10 IR receiver, 2-3 L L/R LIMIT ADJ para meter, 3-57 – 3-58, A-21 L/R LIMITER para meter, 3-57 – 3-58, A-21 L7 button, 5-4 L7 FILM listening mode, 2-18, 3-12, 5-5 L7 MUSIC listening mode, 5-4, 5-6 L7 MUSIC SURR listening mode, 5-6 L7 TV [...]

  • Página 204

    Index Lexicon I-4 P (continued) PLIIx MOV listening mode, 5-20 PLIIx MUS listening mode, 5-2 0 POSITION par ameter, 3-63 power switch, 2-7 PRE-DELAY para meter, 5-10, 5-1 2, 5-41 program operation pa rameters, 3-68 – 3-69 R REAR DLY OFFSET parameter, 5-5 – 5-6, 5-12, 5- 16 – 5-17, 5-2 5, 5-28 – 5-29, 5-42 REAR L/R parameter, 3-26, 3-28 – [...]

  • Página 205

    MC-12 Index I-5 T (continued) Record Zone, 2-20 Zone 2, 2-19 U UNITS parameter, 3-34 USE LAST setting, 3-13 V VIDEO IN menu, 3-11 video input connectors component BNC, 2-9 component RCA, 2-9 composite, 2-9 S-video, 2-9 video output connectors, 2-9 component, 2-9 composite, 2-9 record zone, 2-9 S-video, 2-9 VOCAL ENHANCE pa rameter, 5-5 – 5-6, 5-1[...]

  • Página 206

    [...]

  • Página 207

    PRODUCT REGISTRATION Please register this product within 15 days of purchase. To do so, complet e and return this card or register onlin e at www.lexicon.com. Retain the sales receipt for proof of coverage. Mr . Mr s. M s. Mi ss S ing le Ma r ri ed Di vor ced Wi do we d First Name Last Name Company Title Mailing Address City State Zip Telephone Num[...]

  • Página 208

    A Har man Inter national Company Part No. 070-1 4773 | Rev 4 | 0 5 /05[...]