Yamaha O2R manual

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Table of contents for the manual

  • Page 1

    Y AMAHA CORPORA TION P .O. Box 1, Hamamatsu, Japan DIGITAL RECORDING CONSOLE E VZ50230 R0 1 IP 416 ° ° ° ° ° ° E DIGITAL RECORDING CONSOLE Version 2 97 07 5000 AP Pr inted in Japan[...]

  • Page 2

    NEDERLAND ● Dit ap par aat b ev at e e n lithi um batte rij vo or geheugen back- up . ● Raadplee g u w lev erancier ov er de v e rwijder ing v an de batter ij op he t mo ment dat u het apparaat ann het eind e van de lev e nsduur afdankt of de volg end e Y amaha S er v ice A fdeiing: Y amaha Music N ederland Service Afdeiing Kanaal w e g 18-G, 3[...]

  • Page 3

    Important Information i 02R Owner’s Manual Impor tant Inf ormation Please read the following befor e operating your 02R Digital Recording Console. Precautions Installing the 02R • The unit should be connected only to an AC receptacle of the type described in the owner ’s manual or as marked on the unit. • Be careful to pr event the 02R from[...]

  • Page 4

    ii Important Information 02R Owner’s Manual • Do not handle the power plug with wet hands. Otherwise, you may receive an electrical shock. • When you remove the power plug, be sur e to hold the plug. Never pull on the cord. Otherwise, the power cor d will become damaged, resulting in fir e or electrical shock. • When relocating the 02R, si[...]

  • Page 5

    Important Information iii 02R Owner’s Manual If an abnormality occurs while operating the 02, remove the plug from the AC outlet • If you notice any abnormality—such as smoke, odor , noise, etc—turn off the power to the 02R immediately , and remove the power plug from the AC outlet. Confirm that the abnormality is no longer present, then c[...]

  • Page 6

    iv Important Information 02R Owner’s Manual Influences on other electrical devices This equipment uses many digital circuits, which may cause noise to occur on nearby radio or TV . In this case, relocate the 02R away from those devices. 02R Exclusion of Certain Responsibility Manufacturer , importer , or dealer shall not be liable for any incide[...]

  • Page 7

    Getting Star ted Guide DIGITAL RECORDING CONSOLE Getting Star ted Guide[...]

  • Page 8

    Contents i 02R Getting Started Guide Contents 1 Introduction to the 02R . . . . . . . . . . . . . . . . . . . . . . 1 02R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 User Guides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Installation . .[...]

  • Page 9

    ii Contents 02R Getting Started Guide 5 Mixing and Automix . . . . . . . . . . . . . . . . . . . . . . . 67 What is 02R Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Real-time Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Editing Automix Events . . . . . . . . . . . . . . [...]

  • Page 10

    Introduction to the 02R 1 02R Getting Started Guide Intr oduction to the 02R In this chapter ... 02R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 User Guides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Installat[...]

  • Page 11

    2 Introduction to the 02R 02R Getting Started Guide 02R From the company that pioneer ed digital mixing consoles and leads the industry with its acclaimed DSP technology comes the 02R Digital mixing Console—the most advanced digital mixing console in the world. All of Y amaha’s experience and innovation has been applied to the 02R, to create a [...]

  • Page 12

    Introduction to the 02R 3 02R Getting Started Guide RISC Technology T o provide powerful system control and full dynamic automix, the 02R is driven by a RISC technology CPU. W ith all this power and sonic quality , the 02R will become the heart of your digital recor ding studio. User Guides The 02R is supplied with an Owner ’ s Manual that consis[...]

  • Page 13

    4 Introduction to the 02R 02R Getting Started Guide Top and Rear P anels INPUT A INPUT A INPUT A INPUT A INPUT A INPUT A INPUT A INPUT A INPUT B INSERT I/O INPUT B INSERT I/O INPUT B INSERT I/O INPUT B INSERT I/O INPUT B INSERT I/O INPUT B INSERT I/O INPUT B INSERT I/O INPUT B INSERT I/O 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 24 2[...]

  • Page 14

    Introduction to the 02R 5 02R Getting Started Guide Features Sonic Specifications • Linear 20-bit 64-times oversampling A/D convertors • Linear 20-bit 8-times oversampling D/A convertors • 105 dB dynamic range (typical) • 32-bit precision internal pr ocessing with a dynamic range of over 190 dB using Y amaha’s 32-bit pr oprietary audio DS[...]

  • Page 15

    6 Introduction to the 02R 02R Getting Started Guide • 2 analog stereo outputs • 6 analog auxiliary send outputs • Stereo studio and contr ol room outputs • 3 digital 2TR IN inputs • 2 digital stereo outputs • Industry standard AES/EBU or IEC958 Part2 (Consumer) digital inputs and outputs • 100 mm motorized faders • Fader and mute gr[...]

  • Page 16

    Introduction to the 02R 7 02R Getting Started Guide K ey F eatures This section looks at some of the key features of the 02R, what they mean to you, and some hints about how you can use them. Dynamic Automix One of the most demanding jobs of the recor ding engineer is taking all the raw material produced during a multitrack r ecording session and m[...]

  • Page 17

    8 Introduction to the 02R 02R Getting Started Guide Recalling the scene is even easier—just press the [RECALL] button. Y ou should be careful that your scene memories flow into each other smoothly . The instant recall means that you can have very abr upt level changes or the unexpected intrusion of a very loud channel. Large Graphical Display Th[...]

  • Page 18

    Introduction to the 02R 9 02R Getting Started Guide current channel. Y ou can customize your 02R to automatically select the corresponding display pages when you adjust a contr ol in these blocks. Motorized Faders In addition to the DISPLA Y ACCESS and SELECTED CHANNEL contr ols, each input channel and the stereo master channel utilizes a 100 mm mo[...]

  • Page 19

    10 Introduction to the 02R 02R Getting Started Guide domain. The dynamics program settings ar e stored in the dynamics library . There ar e 40 preset programs for you to r ecall and 88 user programs for you to store your own dynamics pr ograms Parametric EQ with Library The 02R contains a high-performance four-band, fully parametric EQ. Each input [...]

  • Page 20

    Introduction to the 02R 11 02R Getting Started Guide 02R Sonic Performance The 02R uses linear 20-bit 64-times oversampling analog-to-digital converters to provide a typical dynamic range of 105 dB. This means that an audio program’s dynamic range, fr om low to high levels, is processed intact. The 02R samples audio at 44.1 kHz or 48 kHz. It prov[...]

  • Page 21

    12 Introduction to the 02R 02R Getting Started Guide[...]

  • Page 22

    Getting Started 13 02R Getting Started Guide Getting Star ted In this chapter ... Basic Assumptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Making the Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Basic Setup . . . . . . . . . . . . . . . . . .[...]

  • Page 23

    14 Getting Started 02R Getting Started Guide Basic Assumptions The 02R was designed to be the perfect digital mixing console for a studio using the current generation of modular digital multitrack tape and disk recor ders. Although the 02R can also be used as a sound-r einforcement mixer , the typical user will own a project r ecording or post-pr o[...]

  • Page 24

    Getting Started 15 02R Getting Started Guide Basic Setup The following illustration shows how to set up a minimal system that will allow you to perform the following tutorials. Amplifier Sound Source Multitrac k recorder[...]

  • Page 25

    16 Getting Started 02R Getting Started Guide Po wer ON/OFF This section explains how to power the 02R on and off. Power ON It is always important to observe the correct or der for powering up equipment in a studio. Always start with the multitrack and mastering recor ders and the signal processors, then the 02R, and finally the monitoring amplifi[...]

  • Page 26

    Getting Started 17 02R Getting Started Guide Recall Scene Memor y 0 Before you start the tutorials, you should set the 02R to its initial mixer settings. 1. Use the SCENE MEMORY increment or decrement buttons to select scene memor y 0 “0 Initial Data”. 2. Press the [REC ALL] button. This is a read-only scene memory that contains the default set[...]

  • Page 27

    18 Getting Started 02R Getting Started Guide[...]

  • Page 28

    Introductory Recording Tutorial 19 02R Getting Started Guide Intr oductor y Recording T utor ial In this chapter ... Setting the Input Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Applying EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Using t[...]

  • Page 29

    20 Introductory Recording Tutorial 02R Getting Started Guide Setting the Input Le vel Assuming that the 02R is powered ON and your music sour ce is playing, the very first thing you need to do is set up a basic control r oom monitor mix. When you recall Scene Memory 0 “0 Initial Data”, all the channel faders are set to the 0 dB mark. Setting F[...]

  • Page 30

    Introductory Recording Tutorial 21 02R Getting Started Guide Setting the GAIN 1. Use the [METER] button to locate the METER 1/3 page. The MIC/LINE 1 signal is metered. 2. If the sound is distorted, the PEAK indicator is illuminated, or the lev el is going up to CLIP , press the 20 dB (pad) switch to attenuate the input signal for MIC/LINE 1. Y ou u[...]

  • Page 31

    22 Introductory Recording Tutorial 02R Getting Started Guide Back off the GAIN contr ol a little until the PEAK indicator illuminates very occasionally . The GAIN control should be set with some car e. If it is set too low , the signal-to-noise performance will suffer , and if it is set too high, signal clipping and distortion may occur . ∅ /ATT [...]

  • Page 32

    Introductory Recording Tutorial 23 02R Getting Started Guide The peak level is indicated by an empty square box. Peak Hold is very useful for level checking before r ecording. Y ou can leave a mix to play through unattended while Peak Hold watches out for signal peaks. If any levels reach CLIP , back off the r elevant GAIN control or use the ∅ /A[...]

  • Page 33

    24 Introductory Recording Tutorial 02R Getting Started Guide Applying EQ The next step is to apply EQ to MIC/LINE 1. Each 02R channel features a four -band fully parametric EQ, with variable bandwidth (Q), frequency (F), and gain (G). The power of the 02R user interface means that there ar e two ways of adjusting the EQ for MIC/LINE 1. One method i[...]

  • Page 34

    Introductory Recording Tutorial 25 02R Getting Started Guide The EQ 1/2 page appears, showing the EQ curve and settings for MIC/LINE 1. 3. Use the CURSOR buttons to select the EQ ON icon. If the EQ is ON, the icon will be highlighted. The LED inset in the [EQ ON] button of the SELECTED CHANNEL—EQUALIZER block controls will also be illuminated. 4.[...]

  • Page 35

    26 Introductory Recording Tutorial 02R Getting Started Guide The gain increases in 0.5 dB steps and the EQ curve on the EQ page changes to reflect this. 3. Rotate the encoder wheel countercloc kwise to reduce the g ain. The gain decreases in 0.5 dB steps. Alternatively , you could use the EQUALIZER G control. 4. Use the CURSOR buttons to select th[...]

  • Page 36

    Introductory Recording Tutorial 27 02R Getting Started Guide Setting the Frequency 1. Select the frequency (F) icon f or the LOW band using the CURSOR buttons. 2. Use the encoder wheel to sweep thr ough the frequency range. Alternatively , you could use the EQUALIZER F control. All four bands of the 02R parametric EQ cover virtually the entire audi[...]

  • Page 37

    28 Introductory Recording Tutorial 02R Getting Started Guide Setting the Bandwidth The L-MID and H-MID bands are peaking type EQs. The LOW and HIGH bands are initially configur ed as shelving type EQs, however , they can also be configured as peaking type EQs. The LOW band can also be configur ed as a HPF (high-pass filter) and the HIGH band as[...]

  • Page 38

    Introductory Recording Tutorial 29 02R Getting Started Guide Resetting the EQ 1. Press and hold the [LOW/HPF] button and then press the [HIGH/LPF] button of the SELECTED CHANNEL—EQU ALIZER controls. All EQ values will be reset to their initial values. LOW/HPF L-MID H-MID HIGH/LPF Q LOW SHELF Peak – 0.7 Peak – 0.7 HIGH SHELF F 125 Hz 1.00 kHz [...]

  • Page 39

    30 Introductory Recording Tutorial 02R Getting Started Guide Using the EQ Librar y The EQ Library is used to access and store EQ settings—stor ed as programs. Ther e are 32 preset pr ograms (1 to 32) for you to recall and 96 user programs (33 to 128 plus UNDO) for you to stor e your own EQ settings. First you need to know how to recall EQ pr ogra[...]

  • Page 40

    Introductory Recording Tutorial 31 02R Getting Started Guide The EQ program is r ecalled. The EQ curve for MIC/LINE 1 is set accordingly . The EQ curve at the top of the display is updated. Y our sound source is modified by the program you r ecalled. If the sound doesn’t change, check if you have left the EQ ON switch turned OFF on the EQ 1/2 pa[...]

  • Page 41

    32 Introductory Recording Tutorial 02R Getting Started Guide Storing an EQ Program 1. Use the [EQ] button to locate the EQ 2/2 page shown belo w . 2. Select the STORE icon with the CURSOR buttons. In order to scr oll through the list of EQ programs, the cursor must be on the STORE, RECALL, CLEAR, COPY , or P ASTE icons. 3. Use the encoder wheel to [...]

  • Page 42

    Introductory Recording Tutorial 33 02R Getting Started Guide 5. Select the individual character positions with the CURSOR buttons and rotate the encoder wheel to select the characters. Y ou can create a name of up to 16 characters long. It can contain any of the following characters: Y ou can select the “INS.” icon to insert a space (blank) at [...]

  • Page 43

    34 Introductory Recording Tutorial 02R Getting Started Guide CANCEL is the default. T o cancel the STORE operation, either pr ess the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled. T o store your settings, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button. The EQ pr [...]

  • Page 44

    Introductory Recording Tutorial 35 02R Getting Started Guide Routing This tutorial assumes you have a multitrack recor der and you have connected it to your 02R—after having one or more of the optional input/output cards installed: • Alesis ADA T (CD8-A T)—This single slot card supports an 8-channel ADA T compatible modular digital multitrack[...]

  • Page 45

    36 Introductory Recording Tutorial 02R Getting Started Guide Using the ROUTING Display Function There ar e two ways to operate the Routing function. One method is to use the ROUTING 1/2 page. The more convenient method is to use the buttons of the ROUTING block of the SELECTED CHANNEL controls. Note: Y ou can customize the 02R so that when you pres[...]

  • Page 46

    Introductory Recording Tutorial 37 02R Getting Started Guide Selecting the Routing 1. Use the [ROUTING] button to locate the R OUTING 1/2 page shown below . 2. Use the ROUTING buttons of the SELECTED CHANNEL controls to route the MIC/LINE 1 channel. As you press the ROUTING buttons, the LED inset in the button illuminates and the corresponding icon[...]

  • Page 47

    38 Introductory Recording Tutorial 02R Getting Started Guide Panning There ar e two ways to use the Pan function. One method is to use the P AN 1/1 page. The more convenient method is to use the buttons and contr ols of the P AN block of the SELECTED CHANNEL controls. Adjusting the Pan 1. Press the [P AN] button. The P AN 1/1 page shown below appea[...]

  • Page 48

    Introductory Recording Tutorial 39 02R Getting Started Guide Ganging Pans Y ou can gang the pan controls of two adjacent channels for simultaneous pan adjustment 1. Press the [SEL] button for MIC/LINE 1. Y ou can also select the MIC/LINE 1 icon using the CURSOR buttons. 2. Press the [ENTER] button to connect the channels together . Y ou can also ga[...]

  • Page 49

    40 Introductory Recording Tutorial 02R Getting Started Guide[...]

  • Page 50

    Secondary Recording Tutorial 41 02R Getting Started Guide Secondar y Recording T utor ial In this chapter ... Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Setting the Aux Send Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Creating a Moni[...]

  • Page 51

    42 Secondary Recording Tutorial 02R Getting Started Guide Aux Sends The 02R has eight aux sends. AUX 7 and AUX 8 are used to feed the internal effects pr ocessors, with the signal remaining entir ely in the digital domain. The other auxiliary sends—AUX 1 through AUX 6—can be used to feed external signal processors and ef fects units, foldback a[...]

  • Page 52

    Secondary Recording Tutorial 43 02R Getting Started Guide Setting the Aux Send Le vel In this tutorial, MIC/LINE 1 channel is sent to AUX 1. 1. Press the [A UX 1] button. The AUX 1 1/1 page shown below appears. The faders change from channel level contr ols to aux send level controls. T o indicate the change, the AUX LED of the F ADER ST A TUS indi[...]

  • Page 53

    44 Secondary Recording Tutorial 02R Getting Started Guide 4. T o change the signal lev el, adjust the fader f or MIC/LINE 1 until the desired v alue is obtained. Y ou can use the rotary encoders for the tape returns or pr ess the [FLIP] button. Then the tape return channels can be operated by the faders. The effect r eturns can only be adjusted wit[...]

  • Page 54

    Secondary Recording Tutorial 45 02R Getting Started Guide Creating a Monitor Mix The 02R has two differ ent monitoring outputs—the control room outputs and the studio outputs—plus, of course, the PHONES output (which is a duplicate of the control r oom output). During a multitrack recor ding session, what you want to listen to in the control r [...]

  • Page 55

    46 Secondary Recording Tutorial 02R Getting Started Guide Applying Ef fects The 02R features two internal multi-ef fects stereo processors: Ef fect 1 and Effect 2. These are fed by AUX 7 and AUX 8, and the processed signals ar e returned via EFF 1 R TN and EFF 2 RTN, r espectively . When you use the internal effects, the signal gets pr ocessed with[...]

  • Page 56

    Secondary Recording Tutorial 47 02R Getting Started Guide Sends to the effects ar e usually post fader . This means the signal level feed into the effects pr ocessor follows the “dry” channel level. 4. Adjust the fader f or MIC/LINE 1 until the desired signal lev el is obtained. Adjusting the Effect Return The effect r eturn channel is similar [...]

  • Page 57

    48 Secondary Recording Tutorial 02R Getting Started Guide By default (assuming you are still working with Scene Memory 0 “0 Initial Data”) the effect r eturn channel is routed to the stereo bus. 5. Select the EQ graph with the CURSOR buttons and press the [ENTER] button. The 02R will automatically switch to the EQ 1/2 page. Follow the steps det[...]

  • Page 58

    Secondary Recording Tutorial 49 02R Getting Started Guide Recalling and Editing Ef fects Once you have applied effects to MIC/LINE 1, you need to know how to recall ef fects programs from the ef fects library and to adjust their parameters in order to cr eate your own effect programs. Recalling Effects Programs 1. Use the [A UX 7] button to locate [...]

  • Page 59

    50 Secondary Recording Tutorial 02R Getting Started Guide 3. Use the CURSOR buttons to select the REC ALL icon. Rotate the encoder wheel to select an effects pr ogram. The 02R will scroll thr ough the available effects programs. The pr ogram that is highlighted is the program that will be r ecalled when you press the [ENTER] button. 4. Press the [E[...]

  • Page 60

    Secondary Recording Tutorial 51 02R Getting Started Guide 2. Select the v arious parameter s with the CURSOR buttons , and adjust the v alue with the encoder wheel. As you adjust the parameters, you should listen carefully to the r esults. Some of the parameters of some of the effects ar e very subtle in their effect, others are quite obvious. Afte[...]

  • Page 61

    52 Secondary Recording Tutorial 02R Getting Started Guide 2. Use the CURSOR buttons to select the TITLE EDIT bo x, as shown below . 3. Select the individual character positions with the CURSOR buttons. Use the encoder wheel to select the characters . Y ou can create a name of up to 16 characters long. It can contain any of the following characters:[...]

  • Page 62

    Secondary Recording Tutorial 53 02R Getting Started Guide Y ou can select the “INS.” icon to insert a space (blank) at the cursor position in the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The “DEL.” icon is used to delete the character at the cursor position. 4. Use the CURSOR buttons to select th[...]

  • Page 63

    54 Secondary Recording Tutorial 02R Getting Started Guide P a tching in a Dynamics Processor The 02R features compr ehensive dynamics processors for all the channel inputs, tape returns, and ster eo and bus outputs. These processors allow you to compress, expand, compr ess/expand (compand), gate, or duck the signals passing through the mixer . The [...]

  • Page 64

    Secondary Recording Tutorial 55 02R Getting Started Guide Compressing the Stereo Output Y ou can apply dynamics to the input channels, for example, the channel you have used throughout these tutorials—MIC/LINE 1. The selection of dynamics program would depend on the input material: a gate for a noisy guitar amp, a compressor for an unpr edictable[...]

  • Page 65

    56 Secondary Recording Tutorial 02R Getting Started Guide 3. Use the CURSOR buttons to select the D YNAMICS OFF icon and press the [ENTER] button to turn the processor on. The icon is highlighted with the text changed to ON. Being able to easily turn the dynamics processor on and of f allows you to perform quick A-B listening tests. 4. Select the K[...]

  • Page 66

    Secondary Recording Tutorial 57 02R Getting Started Guide Using the Dynamics Librar y Once you have applied a dynamics processor to the ster eo bus, you need to know how to recall dynamics pr ograms from the library and to adjust the parameters to create your own dynamics pr ograms. Recalling Dynamics Programs 1. Use the [D YNAMICS] button to locat[...]

  • Page 67

    58 Secondary Recording Tutorial 02R Getting Started Guide Editing Dynamics Programs Y ou can edit the preset dynamics programs and then stor e them as user programs. The 02R has 40 pr eset programs (1 through 40). Each pr ogram is a variation on the six basic dynamics processors available: • Compressor (CMP) • Gate (GA T) • Expander (EXP) •[...]

  • Page 68

    Secondary Recording Tutorial 59 02R Getting Started Guide Storing a User Dynamics Program The 02R has 88 user dynamics program locations (41 thr ough 128) for you to store your own settings. Y ou can store your dynamics pr ogram in the Dynamics Library , or you can just rely on the 02R scene memory to r ecall your settings. The following instructio[...]

  • Page 69

    60 Secondary Recording Tutorial 02R Getting Started Guide Y ou can select the “INS.” icon to insert a space (blank) at the current cursor position in the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The “DEL.” icon is used to delete the character at the cursor position. 4. Use the CURSOR buttons to s[...]

  • Page 70

    Secondary Recording Tutorial 61 02R Getting Started Guide CANCEL is the default. T o cancel the STORE operation, either pr ess the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled. T o store your settings, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button. The dynamics [...]

  • Page 71

    62 Secondary Recording Tutorial 02R Getting Started Guide Scene Memor ies The 02R scene memories are a snapshot of all the digital parameters of the mixer . The 02R has 96 mix scene memory locations. Each can be named for easy identification. There ar e two special scene memories. “0 Initial Data” is a read-only scene memory that resets the 02[...]

  • Page 72

    Secondary Recording Tutorial 63 02R Getting Started Guide CANCEL is the default. T o cancel the STORE operation, either pr ess the [ENTER] button or wait about 10 seconds—the STORE operation will be automatically cancelled. T o store your settings, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button. The scene mem[...]

  • Page 73

    64 Secondary Recording Tutorial 02R Getting Started Guide 5. Select the individual character positions with the CURSOR buttons. Use the encoder wheel to select the characters . Y ou can create a name of up to 16 characters long. It can contain any of the following characters: Y ou can select the “INSERT” icon to insert a space (blank) at the cu[...]

  • Page 74

    Secondary Recording Tutorial 65 02R Getting Started Guide Recalling a Scene Memory Scene memories are r ecalled using the [RECALL] button. They can also be recalled using the automix or by using MIDI Pr ogram Change Messages. 1. Use the SCENE MEMORY increment or decrement buttons to select the desired scene memor y . When you select a differ ent sc[...]

  • Page 75

    66 Secondary Recording Tutorial 02R Getting Started Guide[...]

  • Page 76

    Mixing and Automix 67 02R Getting Started Guide Mixing and Automix In this chapter ... What is 02R Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Real-time Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Editing Automix Events . . . . . . . . . .[...]

  • Page 77

    68 Mixing and Automix 02R Getting Started Guide What is 02R Automix? There ar e three basic steps to making a multitrack recor ding: • Setup and initial tracks • Overdubbing • Mixdown Each step is vital in order to pr oduce a satisfactory recording, but the most difficult one for most engineers is the mixdown. The musicians have finished th[...]

  • Page 78

    Mixing and Automix 69 02R Getting Started Guide Real-time A utomix These tutorials have assumed you are using your 02R with one or mor e of the optional I/O cards installed and a multitrack r ecorder connected. In this section, you will be synchronizing your multitrack r ecorder to the 02R. There ar e three basic ways of doing this: • If your mul[...]

  • Page 79

    70 Mixing and Automix 02R Getting Started Guide • 30D—29.97 frames per second (30 drop frame). • 25—25 frames per second. • 24—24 frames per second. These frame rates apply to the SMPTE, MTC, and INT time refer ences. 4. Select the “Time Reference” with the CURSOR buttons and press the [ENTER] button. Select the time refer ence from[...]

  • Page 80

    Mixing and Automix 71 02R Getting Started Guide If you want to keep the contents of the current automix, stor e them into an available memory location before pr oceeding. 1. Use the [A UTOMIX] button to locate the A UTOMIX 2/7 page. 2. Use the SCENE MEMORY increment or decrement buttons to select y our starting scene memor y and press the [REC ALL][...]

  • Page 81

    72 Mixing and Automix 02R Getting Started Guide CANCEL is the default. T o cancel the NEW operation, either press the [ENTER] button or wait about 10 seconds—the NEW operation will be automatically cancelled. T o create the new automix, use the CURSOR buttons to select the “EXECUTE” icon and press the [ENTER] button. The last scene memory tha[...]

  • Page 82

    Mixing and Automix 73 02R Getting Started Guide Recording the First Session 1. Use the [A UTOMIX] button to locate the A UTOMIX 1/7 page. 2. Select the “REC” (record) icon with the CURSOR buttons and press the [ENTER] button. The “REC” icon will flash, indicating AUTOMIX RECORD READY status: 3. Press the [SEL] buttons for the tape return c[...]

  • Page 83

    74 Mixing and Automix 02R Getting Started Guide begin. The timecode will be displayed in real-time in the “T ime Code” field of the “Automix Main” page. 5. While monitoring the recording, operate the fader s and other controls f or the selected channels . When you are r ecording the automix events, you can only operate the controls, speci?[...]

  • Page 84

    Mixing and Automix 75 02R Getting Started Guide 6. When y ou have completed recor ding the automix session, use the CURSOR buttons to select the “STOP” icon and press the [ENTER] button. Y ou may find it faster and more convenient to stop the automix recor ding session by stopping the device that is providing the timecode. In this case, the ef[...]

  • Page 85

    76 Mixing and Automix 02R Getting Started Guide Editing A utomix Ev ents Overwriting Events Y ou can overwrite the events that have been recorded into the curr ent automix. Y ou can alter events on an already r ecorded channel or you can recor d new events onto another channel. For example, you may first record the faders for the rhythm section to[...]

  • Page 86

    Mixing and Automix 77 02R Getting Started Guide 6. While monitoring the recording, adjust the parameter s you w ant to o verwrite. 7. When y ou have completed the automix o verwriting session, use the CURSOR buttons to select the “STOP” icon and press the [ENTER] button. Y ou may find it faster and more convenient to stop the automix recor din[...]

  • Page 87

    78 Mixing and Automix 02R Getting Started Guide 5. Monitor the recording. At the punch-in location, press the [SEL] buttons for the tape return channels you w ant to fix. Recording will begin fr om the location where you pressed the [SEL] button. 6. While monitoring the recording, adjust the parameter s you w ant to fix. 7. When y ou have finish[...]

  • Page 88

    Mixing and Automix 79 02R Getting Started Guide 3. Use the [A UTOMIX] button to locate the A UTOMIX 3/7 page. This display allows you to watch the fader movements as dynamic bargraphs. Several featur es make this display convenient to use while you perform detailed fader/encoder edits. 4. Use the CURSOR buttons to select “Fader Edit Out—RET” [...]

  • Page 89

    80 Mixing and Automix 02R Getting Started Guide direction the fader has to be moved to r eturn to the previously recor ded position: 9. When y ou have finished adjusting the f ader , press the [SEL] button again. The 02R will return to AUTOMIX RECORD READY status. 10. Use the CURSOR buttons to select the “STOP” icon and press the [ENTER] butto[...]

  • Page 90

    Mixing and Automix 81 02R Getting Started Guide Of f-line Automix Editing Editing Scene and Library Recall Events The Event Edit (Scene/Lib.) page, shown below , allows you to duplicate and delete mix scene and library recall events, and insert new events. T imecode addresses can be captur ed on-the-fly , and new events inserted at the captured po[...]

  • Page 91

    82 Mixing and Automix 02R Getting Started Guide • EF .Lib.—effect library recall. The number indicates the ef fect library number (from 1 to 128). • CH.Lib.—channel library recall. The number indicates the channel library number (from 1 to 64). • Channel—the channel that the recall applies to. For scene memory recall, this field is bla[...]

  • Page 92

    Mixing and Automix 83 02R Getting Started Guide Editing Channel On, Pan, & Fader events The Event Edit (CH ON, P AN, F ADER) page, shown below , allows you edit channel on/off, pan, and fader events, and duplicate, delete, and insert new events. T imecode addresses can be captur ed on-the-fly , and new events inserted at the captured points. T[...]

  • Page 93

    84 Mixing and Automix 02R Getting Started Guide When the INSER T icon is pressed, a new event is inserted at the captured timecode address. The type of event depends on which of the CH ON, P AN, F ADER check boxes is checked. The new event can be edited as requir ed.[...]

  • Page 94

    Mixing and Automix 85 02R Getting Started Guide Erasing Events The Event Copy page, shown below , allows you to copy , move, erase and trim the level of automix events. In this tutorial just the Erase function is used. See “Event Copy” on page 153 of the User ’ s Guide for information about the other functions. 1. Use the [A UTOMIX] button to[...]

  • Page 95

    86 Mixing and Automix 02R Getting Started Guide 4. Use the CURSOR buttons and encoder wheel to set the In Time. 5. Use the CURSOR buttons and encoder wheel to set the Out Time. The Extract function allows you to delete the selected parameters from the selected channels between the In T ime and Out T ime points. 6. Use the CURSOR buttons to select t[...]

  • Page 96

    Mixing and Automix 87 02R Getting Started Guide Using the Automix Librar y Storing an Automix An automix can be stored in one of the 16 automix memories available on the Memory Management page shown below . 1. Use the [A UTOMIX] button to locate the A UTOMIX 2/7 page. 2. Use the CURSOR buttons to select the TITLE EDIT bo x. 3. Use the CURSOR button[...]

  • Page 97

    88 Mixing and Automix 02R Getting Started Guide 4. Use the CURSOR buttons to select the STORE icon. Use the encoder wheel to select an automix and press the [ENTER] button. The 02R will display a popup confirmation request message asking if you want to store your settings in the selected automix pr ogram. The popup has two icons: “CANCEL” and [...]

  • Page 98

    Mixing and Automix 89 02R Getting Started Guide Recalling an Automix 1. Use the [A UTOMIX] button to locate the A UTOMIX 2/7 page. 2. Use the CURSOR buttons to select the REC ALL icon. Use the encoder wheel to select an automix. The 02R will scroll thr ough the available automixes. The program that is highlighted will be recalled when you pr ess th[...]

  • Page 99

    90 Index 02R Getting Started Guide Inde x A Attenuation 22 Audio quality 2 Automix about 7 editing 76 editing faders and encoders 78 editing scene and library recalls 81 extracting events 85 frame rate 69 making new automixes 70 memories 68 memory expansion 88 off-line editing 81 overwriting 76 punch-in 77 real-time operation 69 recalling automixes[...]

  • Page 100

    Index 91 02R Getting Started Guide N Naming See Titling. Noise gate 54 O Off-line editing 81 ON buttons 23 On/off event editing 83 Options 6 Overwriting automix events 76 P Pad 21 Pan about 38 editing events 83 ganging 39 setting 38 Parametric EQ, about 10 Peak hold 22 Phase 22 Powering on/off 16 Programs dynamics 57 effects 49 EQ 30 Punch-in, auto[...]

  • Page 101

    92 Index 02R Getting Started Guide[...]

  • Page 102

    User’ s Guide User’ s Guide DIGITAL RECORDING CONSOLE[...]

  • Page 103

    Contents at a Glance i 02R User ’ s Guide Contents at a Glance 1 Controls and Connections. . . . . . . . . . . . . . . . . . . 1 2 User Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 3 Mixing and Monitoring . . . . . . . . . . . . . . . . . . . . . 25 4 MIXING Display Functions . . . . . . . . . . . . . . . . . . 31 5 Surrou[...]

  • Page 104

    ii Contents at a Glance 02R User ’ s Guide[...]

  • Page 105

    Contents iii 02R User ’ s Guide Contents 1 Controls and Connections. . . . . . . . . . . . . . . . . . . 1 Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Block Diagram . . . . . . . .[...]

  • Page 106

    iv Contents 02R User ’ s Guide Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Channel Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 EQ[...]

  • Page 107

    Contents v 02R User ’ s Guide 8 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . 103 About Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Preset Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 AUX 7 and AUX 8 . . . . . . . . . . . . . . . .[...]

  • Page 108

    vi Contents 02R User ’ s Guide 12 Groups and Pairs . . . . . . . . . . . . . . . . . . . . . . . . 181 Grouping Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182 Grouping Mutes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 Pairing Channels . . . . . . . . . . . . . . . . .[...]

  • Page 109

    Contents vii 02R User ’ s Guide Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248 Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249 Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250 Error Mes[...]

  • Page 110

    viii Contents 02R User ’ s Guide[...]

  • Page 111

    Controls and Connections 1 02R User ’ s Guide Contr ols and Connections In this chapter ... Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1 Block Diagram .[...]

  • Page 112

    2 Controls and Connections 02R User ’ s Guide Front P anel Analog input controls Display screen and related controls SELECTED CHANNEL controls Analog output controls Monitor controls Scene memory controls Display controls Faders DISPLAY ACCESS controls[...]

  • Page 113

    Controls and Connections 3 02R User ’ s Guide Analog input controls 1. Phantom switches (channels 1 to 8) These switches turn the +48 V DC phantom power ON and OFF for the XLR-3-31 connectors. 2. A/B switches (channels 1 to 8) These switches select between the XLR-3-31 connectors and the phone connectors. 3. 20 dB (pad) switches (channels 1 to 16[...]

  • Page 114

    4 Controls and Connections 02R User ’ s Guide Analog output controls 7. T/B LEVEL control and micr ophone This control sets the volume level of the built-in talkback microphone. 8. STUDIO LEVEL control This control sets the level of the signal sent to the STUDIO MONITOR OUTPUT connectors. 9. PHONES LEVEL control and connector This control sets th[...]

  • Page 115

    Controls and Connections 5 02R User ’ s Guide 11. MIXING buttons These buttons access the corresponding Display function. 12. A UX buttons These buttons access the corresponding Display function. Button Description ∅ /ATT Set phase and attenuation. DELAY Set the channel delay. PAN Set the pan position. ROUTING Set the channel routing. METER Met[...]

  • Page 116

    6 Controls and Connections 02R User ’ s Guide Display and related controls 13. SCENE MEMORY indicator This 2-digit (7-segment) LED shows the currently selected Scene Memory program. It also contains the Edit Indicator , which will start flashing when the current mix scene is first adjusted. 14. F ADER STA TUS indicators These LED indicators sho[...]

  • Page 117

    Controls and Connections 7 02R User ’ s Guide SELECTED CHANNEL controls 19. R OUTING buttons These buttons set the routing for the curr ently selected channel. 20. A UX buttons and controls These buttons and controls set the auxiliary send channel and level for the currently selected channel. 21. P AN buttons and controls These buttons and contro[...]

  • Page 118

    8 Controls and Connections 02R User ’ s Guide Monitor controls 23. STUDIO buttons These buttons select the monitor signal sent to the STUDIO MONITOR OUTPUT connectors. 24. CONTR OL R OOM buttons These buttons select the monitor signal sent to the C-R MONITOR OUT connectors. 25. T ALKBA CK buttons These buttons allow the control r oom to talk to t[...]

  • Page 119

    Controls and Connections 9 02R User ’ s Guide Faders 28. T a pe and Effect return controls These continuously rotary contr ols set the level of the tape and effect r eturns. The current level of a return channel is shown by the corresponding icon at the bottom of the display . 29. SEL buttons These buttons select the individual channels. When you[...]

  • Page 120

    10 Controls and Connections 02R User ’ s Guide 31. FLIP button This button interchanges the functions of MIC/LINE channels 1 to 16 and T APE RETURN channels 1 to 16. This allows you to set the tape return levels with the Faders rather than the T ape Return controls. Holding down the FLIP button for one second activates the MIDI Remote function. S[...]

  • Page 121

    Controls and Connections 11 02R User ’ s Guide Display controls 37. Encoder wheel This control adjusts the value of the curr ently selected parameter . Rotate it clockwise to increase the value, and counter clockwise to decrease the value. 38. CURSOR buttons These buttons select the parameters and options on the display pages. 39. ENTER button Th[...]

  • Page 122

    12 Controls and Connections 02R User ’ s Guide 3. C-R MONITOR OUT connectors These are balanced 1/4” phone connectors with a +4 dB nominal output level. They are wir ed TRS. They output the signal selected by the CONTROL ROOM buttons. 4. STEREO OUT ANALOG (1 and 2) connectors STEREO OUT (1) are balanced XLR-3-32 type connectors with a +4 dB nom[...]

  • Page 123

    Controls and Connections 13 02R User ’ s Guide INSER T I/O (1 to 8) are unbalanced phone jack connectors. Both the nominal output and input levels are +0 dB. W iring is sleeve–ground, tip–out, and ring–in. Connect external dynamic processors and other analog devices her e. 9. POWER switch This is a push-type power switch. It is recessed to [...]

  • Page 124

    14 Controls and Connections 02R User ’ s Guide 16. 2TR IN DIGIT AL (1 to 3) connectors 2TR IN DIGIT AL (1) is an XLR-3-32 type connector . The input format is IEC958 Part 3 (AES/EBU - Professional). 2TR IN DIGIT AL (2 and 3) are phono jacks. The input format is IEC958 Part 2 (S/PDIF - Consumer). Signals input here ar e fed through to the CONTROL [...]

  • Page 125

    Block Diagram DC CUT Same as ST IN EFF1 can not be assigned to AUX7 EFF2 can not be assigned to AUX8 T/B C-R EFF1,2 RTN1,2 De-EMP Selector AUX 6 AUX 5 2TR-D1 2TR-D3 2TR-D2 ST 2TR-A2 2TR-A1 EFFECTOR INSERT I/O +0dB PHASE PHASE 4BAND Gain Meter Re- duction Meter Meter ATT ATT Reduction Meter Gain Meter Meter Gain Reduction SIGNAL PEAK PHASE AUX 6 AUX[...]

  • Page 126

    16 Controls and Connections 02R User ’ s Guide[...]

  • Page 127

    User Interface 17 02R User ’ s Guide User Interf ace In this chapter ... About the User Interface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 DISPLA Y ACCESS Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Display . . . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

  • Page 128

    18 User Interface 02R User ’ s Guide About the User Interface The 02R user interface is powerful but very intuitive. There ar e two main methods of working with the 02R: • Use the DISPLA Y ACCESS controls to modify one parameter at a time across the entir e recording console. • Use the SELECTED CHANNEL controls to modify all of the parameters[...]

  • Page 129

    User Interface 19 02R User ’ s Guide • The [DIGIT AL I/O] button is used to select the wor d clock source, define the digital input/output connectors, control the cascade configuration, and set the word dither . • The [SETUP] button is used to control the solo function and defines system prefer ences. • The [UTILITY] button is used to se[...]

  • Page 130

    20 User Interface 02R User ’ s Guide these two sends are r outed to the internal effects unit. Therefor e, the buttons also allow you to select and set the effects parameters. Display The large backlit 320 × 240 pixel graphical display provides clear indication of mix settings and operating status. As well as showing parameter values numerically[...]

  • Page 131

    User Interface 21 02R User ’ s Guide CURSOR Buttons The CURSOR buttons are used to select parameters and options on the display . The selected parameter or option usually appears highlighted. The CURSOR buttons are also used to position the cursor in a name when naming automix mixes, scene memories, EQ programs, ef fects programs, dynamics progra[...]

  • Page 132

    22 User Interface 02R User ’ s Guide Display Functions The following table lists all the 02R display functions and briefly explains what they do. Display Function Description SCENE Store and recall mix scenes. DIGITAL I/O Sets digital I/O parameters and selects word clock. SETUP Sets the solo parameters and system prefer- ences. UTILITY Controls[...]

  • Page 133

    User Interface 23 02R User ’ s Guide SELECTED CHANNEL Controls These controls ar e very similar in setup to the controls of an analog mixer . Y ou may find working with the buttons and controls of this section of the 02R is much faster and more intuitive than working thr ough the pages of the DISPLA Y ACCESS functions. ROUTING buttons The routin[...]

  • Page 134

    24 User Interface 02R User ’ s Guide PAN controls These controls allow you to set the pan position of the selected channel. The [L/ODD] and [R/EVEN] buttons select the left/odd and right/even channels. Use the rotary encoder to adjust the pan position. The curr ent position is indicated on the adjacent LED bargraph. EQUALIZER controls These contr[...]

  • Page 135

    Mixing and Monitoring 25 02R User ’ s Guide Mixing and Monitor ing In this chapter ... Analog Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Phantom Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Pad . . . . . . . . . . . . . .[...]

  • Page 136

    26 Mixing and Monitoring 02R User ’ s Guide Analog Inputs The 02R is equipped with 24 analog input connectors. The first sixteen channels, 1 through 16, ar e mono input channels designed for microphone to line level signal inputs. The last eight channels, 17 through 24, ar e stereo channels designed for line level signals only . In addition, the[...]

  • Page 137

    Mixing and Monitoring 27 02R User ’ s Guide Pa d The Pad function attenuates input signals by 20 dB. This is useful when inputting high level signals that would otherwise overload the input preamplifier . By increasing the effective range of the GAIN contr ol, high-level signals can be adjusted accurately . Pad can be set individually for the mo[...]

  • Page 138

    28 Mixing and Monitoring 02R User ’ s Guide ON Buttons The [ON] buttons are used to turn channels on and of f. The input channel, tape return channel, ef fect return channel, and stereo output [ON] buttons turn their respective channels on and of f. When a channel is turned on, the LED set in the corresponding button lights up. When it is turned [...]

  • Page 139

    Mixing and Monitoring 29 02R User ’ s Guide Analog Outputs The 02R is equipped with a pair of analog stereo out connectors, one pair XLR-type for connecting to professional equipment, the other phono jacks. There ar e also two pairs of phone jacks to provide a stereo output to your control r oom and studio monitoring systems. Monitor Selector Swi[...]

  • Page 140

    30 Mixing and Monitoring 02R User ’ s Guide SOLO Button Y ou can monitor input channels in isolation by pressing the [SOLO] button. The LEDs in the center of the selected channel [ON] buttons are extinguished. Y ou select the channel(s) you want to solo by pressing the corresponding [ON] button. When you pr ess the [SOLO] button again, the origin[...]

  • Page 141

    MIXING Display Functions 31 02R User ’ s Guide MIXING Display Functions In this chapter ... Phase and Attenuation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Pan and Balance . . . . [...]

  • Page 142

    32 MIXING Display Functions 02R User ’ s Guide Phase and Attenuation Phase The Phase function reverses the phase of an input signal by 180 degr ees. The phase can be set for MIC/LINE inputs 1 to 24, T APE inputs 1 to 16, and the effects r eturns. Phase reversal can be used to compensate for incorrectly wired balanced cables and micr ophones. When[...]

  • Page 143

    MIXING Display Functions 33 02R User ’ s Guide Phase & Attenuation Pages There ar e two pages to the ∅/ΑΤΤ 1/1 function. The first page, shown below , contains the Phase and Attenuation contr ols for MIC/LINE channels 1 to 24, and appears when one of these channels is selected. The second page, shown below , contains the Phase and Atten[...]

  • Page 144

    34 MIXING Display Functions 02R User ’ s Guide Delay The DELA Y display function is used to apply a small amount of delay to input or return signals to compensate for situations such as line or cabling delays or the gap between the recor d and playback heads (or circuitry) of your multitrack recor der . Y ou can delay a signal from 0 to 2,600 sam[...]

  • Page 145

    MIXING Display Functions 35 02R User ’ s Guide The second page, shown below , contains the Delay controls for T APE channels 1 to 16 and effects r eturns (EFF 1 and EFF 2), and appears when one of these channels is selected. Fine-Tuning the Delay Y ou can adjust the delay , either samples [Smpl] or milliseconds [mSEC] with coarse or fine precisi[...]

  • Page 146

    36 MIXING Display Functions 02R User ’ s Guide P an and Balance The P AN display function is used to pan and balance signals. The input channels, including the stereo input channels, and the tape and ef fect returns can be panned, and the ster eo output can be balanced. Pan Pages There ar e two pages to the P AN 1/1 function. The first page, sho[...]

  • Page 147

    MIXING Display Functions 37 02R User ’ s Guide Pan Positions P an Gang When channels are configur ed as a stereo pair , pan controls r emain independent. Using the Gang function pan controls of adjacent channels can be ganged together , indicated by dotted lines between the two controls, as shown below . T o cancel the Gang function, press the [[...]

  • Page 148

    38 MIXING Display Functions 02R User ’ s Guide Switching to Gang mode allows you to reposition the ster eo signal within the stereo field. For example, you could set L5 and R10 befor e you Gang the channels. After you press [ENTER], adjusting either channel moves the other a corresponding amount. If you set the left channel to L7, the right chan[...]

  • Page 149

    MIXING Display Functions 39 02R User ’ s Guide Routing The ROUTING display function is used to select the bus routing of the input channels and tape and effect r eturn signals. The first 16 input channels, 1 through 16, can also be r outed to the direct outputs. By default, all channels are r outed to the stereo bus. Input channels configured a[...]

  • Page 150

    40 MIXING Display Functions 02R User ’ s Guide The second page, shown below , contains the Routing controls for T APE channels 1 to 16 and effects r eturns (EFF 1 and EFF 2), and appears when one of these channels is selected. R OUTING buttons Y ou can also set the routing for the selected channel with the ROUTING buttons in the SELECTED CHANNEL [...]

  • Page 151

    MIXING Display Functions 41 02R User ’ s Guide Meter ing The 02R features compr ehensive signal level metering. The mono and stereo input channels, the tape and ef fect returns, and the auxiliary sends and buses are all meter ed using the METER display function. The control room output is meter ed using the dedicated 21-segment LED meters. Peak h[...]

  • Page 152

    42 MIXING Display Functions 02R User ’ s Guide The third METER page contains the meters for the bus outs, aux sends, and the stereo output, plus the master faders for the bus outs and aux sends, and appears when one of these channels is selected. Peak Hold The Peak Hold function can be turned on and off fr om any page of the METER display functio[...]

  • Page 153

    MIXING Display Functions 43 02R User ’ s Guide By changing the meter source points, you can easily observe the ef fect of changing the EQ or channel fader levels on the signal. Optional Meter Bridge—MB02 If your 02R is equipped with the optional Meter Bridge—MB02, the METER display function controls both the selection of the meter points for [...]

  • Page 154

    44 MIXING Display Functions 02R User ’ s Guide Vi ew The VIEW display function allows you to see all the parameters of an individual channel at a glance and adjust any parameter that you feel requir es a change. Y ou can view the input channels (MIC/LINE 1 through 16, LINE 17/18 through 23/24) and the tape and ef fect return channels (T APE 1 thr[...]

  • Page 155

    MIXING Display Functions 45 02R User ’ s Guide When you press the [ENTER] button, the channel will be linked with its adjacent channel in GANG mode. Dotted lines will indicate the connection to the corresponding channel. Pr ess the [ENTER] button again to switch back to INDIVIDUAL mode. See “Pan and Balance” on page 36 and “Pan Gang” on p[...]

  • Page 156

    46 MIXING Display Functions 02R User ’ s Guide Groups and Channel ON Use the CURSOR buttons to select the fader and mute group icons. Each time you press the [ENTER] button, the selected gr oup will alternately be set or cancelled. Remember that a channel can only belong to one fader group and one mute gr oup. See “Grouping Faders” on page 18[...]

  • Page 157

    MIXING Display Functions 47 02R User ’ s Guide If the selected channel is one of the effect r eturn channels, dynamics is replaced by the EFFECT TYPE display . It shows the name of the current effects pr ogram for the channel. Use the CURSOR buttons to select the effects pr ogram name and press the [ENTER] button. The 02R will switch to the EFFEC[...]

  • Page 158

    48 MIXING Display Functions 02R User ’ s Guide Channel Librar y The Channel Library is used to access and store channel settings—stor ed as programs. Ther e are 64 user programs (plus an UNDO buf fer) for you to store your channel settings. Y ou can access the channel library from the VIEW 1/2 page by selecting the LIB icon with the CURSOR butt[...]

  • Page 159

    MIXING Display Functions 49 02R User ’ s Guide When you confirm a STORE operation, any existing data in the selected program location will be overwritten. YOU SHOULD AL W A YS BE CAREFUL WHEN THE 02R DISPLA YS A CONFIRMA TION DIALOG BOX! • RECALL —This icon is used to recall a pr ogram from the library . Select the icon with the CURSOR butto[...]

  • Page 160

    50 MIXING Display Functions 02R User ’ s Guide rotate the encoder wheel until the UNDO buf fer is the current program, and press the [ENTER] button. The pr evious settings are restor ed. Program Name Channel program names can be up to 16 characters long and can contain any of the following characters: ! “ # $ % & '() * + ,-. / 01234567[...]

  • Page 161

    MIXING Display Functions 51 02R User ’ s Guide EQ The 02R is equipped with a four-band, fully parametric EQ, with variable bandwidth, center frequency , gain, and ON/OFF parameters. EQ can be applied to the input channels (MIC/LINE 1 through 16, LINE 17/18 through 23/24), the tape and ef fect return channels (T APE 1 through 16, EFF1 and EFF2), a[...]

  • Page 162

    52 MIXING Display Functions 02R User ’ s Guide This control duplicate Attenuation function. See “Phase and Attenuation” on page 32 of the User ’ s Guide . • EQ ON icon —Indicates the status of the EQ, on or off. The text “ON” is highlighted when the EQ is on. • Rotary icons —There is an icon for bandwidth (Q), center fr equency [...]

  • Page 163

    MIXING Display Functions 53 02R User ’ s Guide EQ controls Y ou can also adjust the equalization for the selected channel with the EQUALIZER controls in the SELECTED CHANNEL group. These controls allow you to adjust the equalization of the selected channel. Select the band you want to adjust with one the buttons in the top row: [LOW/HPF], [L-MID][...]

  • Page 164

    54 MIXING Display Functions 02R User ’ s Guide EQ Programs These are the pr eset EQ programs. No Program Name No Program Name 1 Bass Drum 1 21 A.G.Stroke 2 2 Bass Drum 2 22 A.G.Arpeggio 1 3 Snare Drum 1 23 A.G.Arpeggio 2 4 Snare Drum 2 24 Brass Section 5 Tom-tom 1 25 Male Vocal 1 6 Cymbal 26 Male Vocal 2 7 High Hat 27 Female Vocal 1 8 Percussion [...]

  • Page 165

    MIXING Display Functions 55 02R User ’ s Guide EQ Librar y The EQ Library is used to access and store EQ settings—stor ed as programs. Ther e are 40 preset pr ograms (1 to 40) for you to recall and 88 user programs (41 to 128 plus UNDO) for you to stor e your own EQ settings. Y ou can access the EQ library from the EQ 1/2 page by selecting the [...]

  • Page 166

    56 MIXING Display Functions 02R User ’ s Guide select a program and pr ess the [ENTER] button. The 02R displays a confirmation dialog box asking if you want to store your settings in the selected program. The box has two icons: “CANCEL” and “EXECUTE”. CANCEL is the default. T o cancel the STORE operation, either pr ess the [ENTER] button[...]

  • Page 167

    MIXING Display Functions 57 02R User ’ s Guide • INS. —This icon is used to insert blank characters into the TITLE EDIT box at the current cursor location. Select the icon with the CURSOR buttons and press the [ENTER] button. • DEL. —This icon is used to delete characters from the TITLE EDIT box at the current cursor location. Select the [...]

  • Page 168

    58 MIXING Display Functions 02R User ’ s Guide MIXING Display Functions Preset EQ Program P arameter s No Name Parameter Description LOW L-MID H-MID HIGH 1 Bass Drum 1 PEAKING PEAKING PEAKING H.SHELF Emphasizes the low range of the bass drum and the attack created by the beater. Q 1.2 10 0.9 F 99Hz 265Hz 1.05kHz 5.33kHz G +3.5dB –3.5dB 0.0dB +4[...]

  • Page 169

    MIXING Display Functions 59 02R User ’ s Guide 10 E.Bass 2 PEAKING PEAKING PEAKING H.SHELF Unlike program 9, this emphasizes the low range of the electric bass. Q 0.1 5 6.3 F 111Hz 111Hz 2.24kHz 4.00kHz G +3.0dB 0.0dB +2.5dB +0.5dB 11 Syn.Bass 1 PEAKING PEAKING PEAKING H.SHELF Use on a synth bass with emphasized low range. Q 0.1 8 4.5 F 83Hz 944H[...]

  • Page 170

    60 MIXING Display Functions 02R User ’ s Guide 20 A.G.Stroke 1 PEAKING PEAKING PEAKING H.SHELF Emphasizes the bright tones of an acoustic guitar. Q 0.9 4.5 3.5 F 105Hz 1.00kHz 1.88kHz 5.33kHz G –2.0dB 0.0dB +1.0dB +4.0dB 21 A.G.Stroke 2 L.SHELF PEAKING PEAKING H.SHELF This is a variation on program 20. You can also use it for the electric gut g[...]

  • Page 171

    MIXING Display Functions 61 02R User ’ s Guide 30 Total EQ 1 PEAKING PEAKING PEAKING H.SHELF Use on the STEREO bus during mixdown. For more effect, try it with a compressor. Q 7 2.2 5.6 F 94Hz 944Hz 2.11kHz 16.0kHz G –0.5dB 0.0dB +3.0dB +6.5dB 31 Total EQ 2 PEAKING PEAKING PEAKING H.SHELF This is a variation on program 30. Q 7 2.8 5.6 F 94Hz 74[...]

  • Page 172

    62 MIXING Display Functions 02R User ’ s Guide 38 Piano High PEAKING PEAKING PEAKING PEAKING Use for the high range of the piano sound when it is recorded in stereo. Use with program 37. Q 10 6.3 2.2 0.1 F 187Hz 397Hz 6.72kHz 5.65kHz G –5.5dB +1.5dB +5.0dB +3.0dB 39 Fine-EQ(Cass) L.SHELF PEAKING PEAKING H.SHELF Use for recording to or from cass[...]

  • Page 173

    Surround Pan 63 02R User ’ s Guide Surr ound P an In this chapter ... About Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Selecting a Surround Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 Panning Sounds Freely . . . . . . . . . . . . . . . . . . . . .[...]

  • Page 174

    64 Surround Pan 02R User ’ s Guide About Surround P an The 02R Surround Pan function supports 2+2, 3+1, and 3+2+1 surr ound modes, making it ideal for sophisticated surround sound pr oduction. Sounds can be moved freely ar ound a two-dimensional sound space, or along preset cir cle, ellipse, semicircle, or diagonal trajectories. Surround channels[...]

  • Page 175

    Surround Pan 65 02R User ’ s Guide Selecting a Surround Mode Surround pan modes ar e selected on the ROUTING 2/2 page—Surround On/Off. When the Surr ound function is active, there are four ROUTING pages. 2+2 Surround Mode Four-channel surr ound sound consisting of front left (FL), front right (FR), rear left (RL), and r ear right (RR) channels.[...]

  • Page 176

    66 Surround Pan 02R User ’ s Guide 3+1 Surround Mode Four-channel surr ound sound consisting of left (L), center (C), right (R), and surround (S) channels. Ideal for Dolby Surr ound authoring. 3+2+1 Surround Mode Six-channel surround sound consisting of fr ont left (FL), front center (FC), front right (FR), r ear left (RL), rear right (RR), and s[...]

  • Page 177

    Surround Pan 67 02R User ’ s Guide P anning Sounds Freely This section explains how to position sounds using the ROUTING 3/4 page. Sounds can also be moved along preset cir cle, ellipse, semicircle, or diagonal trajectories on the ROUTING 4/4 page. The ROUTING 3/4 page consists of three parts: MIC, LINE, and T APE, and the three icons at the top [...]

  • Page 178

    68 Surround Pan 02R User ’ s Guide The T APE page, shown below , contains surround pan contr ols for T APE inputs 1 to 16.[...]

  • Page 179

    Surround Pan 69 02R User ’ s Guide P anning Sounds Using the T rajector ies This section explains how to move sounds along preset cir cle, ellipse, semicircle, or diagonal trajectories using the ROUTING 4/4 page. The preset trajectories can be fine-tuned using the W idth, Depth, and Offset parameters. The ROUTING 4/4 page, shown below , can be l[...]

  • Page 180

    70 Surround Pan 02R User ’ s Guide Trajectories The following surround pan trajectories ar e available. Left to right —The sound moves from left to right. The following illustrations show some typical left to right trajectories. Front to rear —The sound moves from fr ont to back. The following illustrations show some typical front to r ear tr[...]

  • Page 181

    Surround Pan 71 02R User ’ s Guide Left to right semicircle —The sound moves from left to right on a semicircular trajectory . Use the width and depth parameters to set the size and shape of the semicircle. The shape can be adjusted from a semicir cle to a narrow oval. Use the offset parameters to offset the trajectory to the left, right, fr on[...]

  • Page 182

    72 Surround Pan 02R User ’ s Guide Linking Channels f or Surround P an For stereo input channels (17 to 24), or mono input channels configur ed as a stereo pair , you can select one of eight patterns and move both sounds together . The following illustration shows how the two channels are panned with the various patterns and trajectories. By def[...]

  • Page 183

    Surround Pan 73 02R User ’ s Guide CSR (Center:Side Ratio) For the 3+1 and 3+2+1 surround modes that use a center speaker , the CSR (Center:Side Ratio) control can be used to set the amount of fr ont-center sound heard thr ough the center and left and right front speakers. Surround Pan Notes Surround pan settings can be stor ed and recalled using[...]

  • Page 184

    74 Surround Pan 02R User ’ s Guide[...]

  • Page 185

    Dynamics 75 02R User ’ s Guide Dynamics In this chapter ... Dynamics Processors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Preset Dynamics Pr ograms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Compressor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

  • Page 186

    76 Dynamics 02R User ’ s Guide Dynamics Processors Dynamics processors ar e generally used to correct or control signal levels. However , you can also use them creatively to shape the volume envelope of a sound. The 02R features compr ehensive dynamics processors for all the input channels, tape returns, and the bus and ster eo outputs. These pro[...]

  • Page 187

    Dynamics 77 02R User ’ s Guide Compressor A compressor pr ovides a form of automatic level control. By attenuating high levels, thus effectively r educing the dynamic range, the compressor makes it much easier to control signals and set appr opriate fader levels. Reducing the dynamic range also means that recor ding levels can be set higher , the[...]

  • Page 188

    78 Dynamics 02R User ’ s Guide Knee sets the transition of the signal at the threshold. W ith a hard knee, the transition between uncompressed and compr essed signal is immediate. W ith the softest knee, knee5, the transition starts before the signal r eaches the threshold and gradually ends above the thr eshold. Release determines how soon the c[...]

  • Page 189

    Dynamics 79 02R User ’ s Guide Expander An expander is another form of automatic level control. By attenuating the signal below the threshold, the expander r educes low-level noise and effectively incr eases the dynamic range of the recorded material. Expander (EXP) parameters: Threshold determines the level of input signal r equired to trigger t[...]

  • Page 190

    80 Dynamics 02R User ’ s Guide Compander A compander is a compressor -expander—a combination of signal compression and expansion. The compander attenuates the input signal above the threshold as well as the level below the width. For very dynamic material, this program allows you to r etain the dynamic range without having to be concerned with [...]

  • Page 191

    Dynamics 81 02R User ’ s Guide Gate and Ducking A gate, or noise gate is an audio switch used to mute signals below a set threshold level. It can be used to suppr ess background noise and hiss from valve (tube) amps, effects pedals, and micr ophones. Ducking is used to automatically reduce the levels of one signal when the level of a source signa[...]

  • Page 192

    82 Dynamics 02R User ’ s Guide For ducking, this controls how soon the signal is ducked once the duck has been triggered. W ith a fast attack time, the signal is ducked almost immediately . W ith a slow attack time, ducking fades the signal. T oo fast an attack time may sound abrupt. Hold sets how long the gate stays open or the ducking remains a[...]

  • Page 193

    Dynamics 83 02R User ’ s Guide D YNAMICS Display Function Dynamics can be applied to the input channels (MIC/LINE 1 through 16, LINE 17/18 through 23/24), the tape r eturn channels (T APE 1 through 16), the internal bus outputs (BUS 1 through 8), and the ster eo output. For stereo and pair ed channels, the dynamics processor is applied equally to[...]

  • Page 194

    84 Dynamics 02R User ’ s Guide P a tching in a Processor DYNAMICS Icon The DYNAMICS ON/OFF icon is used to turn the dynamics processor on or off for the selected channel. Control Prompts The main control pr ompts are used to patch a dynamics processor into a channel or stereo pair: KEY IN selects the pr ocessor trigger source—the signal that tr[...]

  • Page 195

    Dynamics 85 02R User ’ s Guide Dynamics Processor Meters The amount of processor gain r eduction (GR) and the output signal levels are shown on the DYNAMICS 1/2 and 2/2 pages, as shown below . Gain reduction is the amount by which a signal’s level is r educed. The output signal levels are conventional level meters which work fr om bottom-to-top[...]

  • Page 196

    86 Dynamics 02R User ’ s Guide KEY IN and LINK Indicator s The channel KEY IN settings and LINK settings are shown below . The settings can be changed with the CURSOR buttons, and the encoder wheel, or the [ENTER] button. The following table shows the meaning of the KEY IN icons: The KEY IN icons duplicate the KEY IN pr ompt, giving you a faster [...]

  • Page 197

    Dynamics 87 02R User ’ s Guide Dynamics Librar y The Dynamics Library is used to access and store dynamics pr ograms. There ar e 40 preset programs (1 to 40) for you to r ecall and 88 user programs (41 to 128 plus UNDO) for you to stor e your own dynamics programs. Y ou can access this page from the DYNAMICS 1/2 page by selecting the LIB icon wit[...]

  • Page 198

    88 Dynamics 02R User ’ s Guide Icons • STORE —This icon is used to store the curr ent program to the library . Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and pr ess the [ENTER] button. The 02R displays a confirmation dialog box asking if you want to store your settings in the selected program. The dial[...]

  • Page 199

    Dynamics 89 02R User ’ s Guide • P ASTE— This icon is used to paste a program name pr eviously selected with the COPY operation into the TITLE EDIT box. Select the icon with the CURSOR buttons and press the [ENTER] button. The program name is pasted fr om the edit buffer into the TITLE EDIT box for subsequent editing. • INS. —This icon is[...]

  • Page 200

    90 Dynamics 02R User ’ s Guide Dynamics Preset Dynamics Program P arameter s The “Release”, “Hold”, and “Decay” values shown in the following table are valid when the 02R is set at a sampling frequency of 44.1 kHz. No. Name Type Parameter Value Description 1 A.Dr.BD "CMP Compressor Threshold (dB) –24 Compressor that gives the b[...]

  • Page 201

    Dynamics 91 02R User ’ s Guide 7 A.Dr.SN "GAT Gate Threshold (dB) –8 Gate for the same purpose as program 5. Range (dB) –23 Attack (ms) 1 Hold (ms) 0.63 Decay (ms) 238 8 A.Dr.SN "CPS CompanderS Threshold (dB) –8 Soft compander for the same purpose as program 5. Ratio ( :1) 1.7 Attack (ms) 11 Outgain (dB) 0.0 Width (dB) 10 Release [...]

  • Page 202

    92 Dynamics 02R User ’ s Guide 14 Piano1 "CMP Compressor Threshold (dB) –9 Compressor to brighten the tonal color of a piano. Ratio ( :1) 2.5 Attack (ms) 17 Outgain (dB) 1.0 Knee hard Release (ms) 238 15 Piano2 "CMP Compressor Threshold (dB) –18 A variation on program 14, adjusting the attack and entire level using a deeper threshol[...]

  • Page 203

    Dynamics 93 02R User ’ s Guide 21 BrassSection "CMP Compressor Threshold (dB) –18 Compressor intended for brass sounds with fast and strong attack. Ratio ( :1) 1.7 Attack (ms) 18 Outgain (dB) 4.0 Knee 1 Release (ms) 226 22 Syn.Pad "CMP Compressor Threshold (dB) –13 Compressor for synth pad, intended to prevent diffusion of the sound[...]

  • Page 204

    94 Dynamics 02R User ’ s Guide 28 Solo Vocal2 "CMP Compressor Threshold (dB) –8 A variation on program 27. Ratio ( :1) 2.5 Attack (ms) 26 Outgain (dB) 1.5 Knee 3 Release (ms) 331 29 Chorus "CMP Compressor Threshold (dB) –9 A variation on program 27, intended for chorus vocals. Ratio ( :1) 1.7 Attack (ms) 39 Outgain (dB) 2.5 Knee 2 R[...]

  • Page 205

    Dynamics 95 02R User ’ s Guide 35 BGM Ducking "DUK Ducking Threshold (dB) –19 Ducking background music for voiceovers, typically keyed from the announcer’s channel. Range (dB) –22 Attack (ms) 93 Hold (ms) 1.20 S Decay (ms) 6.32 S 36 Limiter1 "CMP CompanderS Threshold (dB) –8 A template for a limiter using the soft compander prog[...]

  • Page 206

    96 Dynamics 02R User ’ s Guide[...]

  • Page 207

    Auxiliary Channels 97 02R User ’ s Guide A uxiliar y Channels In this chapter ... About the 02R Auxiliaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 The AUX Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 Stereo Input Channels . . . . . . . . . . . . [...]

  • Page 208

    98 Auxiliary Channels 02R User ’ s Guide About the 02R Auxiliaries The 02R has eight auxiliary sends: AUX 1, AUX 2, AUX 3, AUX 4, AUX 5, AUX 6, AUX 7, and AUX 8. The auxiliary sends can be configur ed pre-fader or post-fader . AUX 7 and AUX 8 are used to feed the internal effects pr ocessors: Effect 1 and Effect 2. EFF 1 RTN and EFF 2 R TN are u[...]

  • Page 209

    Auxiliary Channels 99 02R User ’ s Guide The A UX Buttons The AUX functions for AUX 1 through AUX 6 set the channel send levels to each of the auxiliary buses. W ith this function, you can select an auxiliary bus and then set the levels of a group of input channels simultaneously . Y ou can also select whether to send the signal pre or post fader[...]

  • Page 210

    100 Auxiliary Channels 02R User ’ s Guide Select a channel with the [SEL] buttons. Select the auxiliary bus with the [AUX 1] through [AUX 8/EFF 2] buttons. T urn the send on or off with the [ON] button. Adjust the send level with the SEND LEVEL encoder . AUX Pages The channel aux send level controls for each aux send ar e displayed on two pages. [...]

  • Page 211

    Auxiliary Channels 101 02R User ’ s Guide Stereo Input Channels Input channels 1 through 16 ar e mono inputs. The stereo input channels 17 through 24 ar e paired together and handle two signals: left and right. Before feeding a ster eo input signal to the auxiliary level controls, the left and right signals are summed to form a mono L+R mix. A UX[...]

  • Page 212

    102 Auxiliary Channels 02R User ’ s Guide POST —the auxiliary send signal is sourced after the channel fader . This means that the signal is controlled by the channel fader as well as the send level. In order to send a signal to the auxiliary bus, you must have that fader raised as well. This enables the channel-to-mix and channel-to-effects si[...]

  • Page 213

    Internal Effects 103 02R User ’ s Guide Inter nal Ef fects In this chapter ... About Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Preset Ef fects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 AUX 7 and AUX 8 . . . . . . . . . . . . . . [...]

  • Page 214

    104 Internal Effects 02R User ’ s Guide About Ef fects The 02R features two internal multi-ef fects stereo processors: Ef fect 1 and Effect 2. These are fed by AUX 7 and AUX 8, and the processed signals ar e returned via EFF 1 R TN and EFF 2 RTN, r espectively . The auxiliary sends can be configured pr e-fader or post-fader . Effects can be appl[...]

  • Page 215

    Internal Effects 105 02R User ’ s Guide Preset Ef fects Pr ograms These are the pr eset effects programs: No Program Name No Program Name 1 REVERB HALL1 21 REVERSE GATE 2 REVERB HALL2 22 DELAY->EARLY REF 3 REVERB ROOM1 23 DELAY L-C-R 1 4 REVERB ROOM2 24 DELAY L-C-R 2 5 REVERB STAGE 25 CHORUS->DLY LCR 6 REVERB PLATE 26 MONODLY->CHORUS 7 R[...]

  • Page 216

    106 Internal Effects 02R User ’ s Guide A UX 7 and A UX 8 The AUX functions for AUX 7 and AUX 8 set the channel send levels to either of these effects buses. Similar to the functions for AUX 1 through AUX 6, you select an effect bus and then set the levels of a group of input channels. Y ou can also select whether to send the signals pre or post [...]

  • Page 217

    Internal Effects 107 02R User ’ s Guide AUX Pages The channel aux send level controls for each aux send ar e displayed on two pages. The first page, shown below , shows aux controls for MIC/LINE channels 1 to 24. Select this page using a MIC/LINE [SEL] button. The second page shows aux controls for T APE channels 1 to 16 and a single effects r e[...]

  • Page 218

    108 Internal Effects 02R User ’ s Guide Ef fects The 02R is equipped with two internal multi-effects ster eo processors. These processors have a startling range of special ef fects available to apply to your mix—shimmering reverbs, clean, pr ecise delays, flanging and chorus, and a myriad of other ef fects are available. Shown below is the AUX[...]

  • Page 219

    Internal Effects 109 02R User ’ s Guide Ef fects Librar y The Effects Library is used to access and stor e effects programs. Ther e are 40 preset ef fects programs (1 through 40) and 88 user ef fects programs (41 through 128 plus an UNDO buf fer) for you to store your own settings. Y ou can access this page from the EFFECT 2/3 page by selecting t[...]

  • Page 220

    110 Internal Effects 02R User ’ s Guide Exiting the Library Selecting the LIB icon and pressing the [ENTER] button switches back to the EFFECT 2/3 page. Icons • STORE —This icon is used to store the curr ent program to the library . Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and pr ess the [ENTER] butto[...]

  • Page 221

    Internal Effects 111 02R User ’ s Guide • COPY —This icon is used to copy the name of a library program. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and pr ess the [ENTER] button. The program name is copied into an edit buffer . • P ASTE —This icon is used to paste a program name pr eviously selected[...]

  • Page 222

    112 Internal Effects 02R User ’ s Guide Internal Effects Preset Ef fects Pr ogram P arameter s Program 1 — REVERB HALL1 This simulates the reverberation in a lar ger concert hall, and adds spread to sounds such as strings and brass. Parameter Setting Range Description Rev.Time 2.8s 0.3–30.0s Reverb time. Hi.Ratio 0.8 0.1–1.0 High frequency [...]

  • Page 223

    Internal Effects 113 02R User ’ s Guide Program 4 — REVERB ROOM2 This is a variation on program 3. Parameter Setting Range Description Rev.Time 1.8s Same as program 1 Same as program 1 Hi.Ratio 0.6 Diff. 6 Ini.Dly 17.0ms Density 3 LPF 9.0kHz HPF 80Hz Rev.Dly 4.0ms Rev.Bal 50% Program 5 — REVERB STAGE This has a slightly brighter effect than t[...]

  • Page 224

    114 Internal Effects 02R User ’ s Guide Program 7 — REV AMBIENCE1 This creates space (a smaller space than cr eated by the REVERB ROOM programs) around instruments. A small amount of these effects is ef fective on vocal and chorus, as well as percussion instruments. Parameter Setting Range Description Rev.Time 1.2s Same as program 1 Same as pro[...]

  • Page 225

    Internal Effects 115 02R User ’ s Guide Program 10 — REV LIVE ROOM2 This is a variation on program 9. Parameter Setting Range Description Rev.Time 2.2s Same as program 1 Same as program 1 Hi.Ratio 0.5 Diff. 6 Ini.Dly 12.0ms Density 3 LPF 4.0kHz HPF THRU Rev.Dly 3.0ms Rev.Bal 50% Program 11 — REVERB VOCAL1 This is useful for vocal and chorus. [...]

  • Page 226

    116 Internal Effects 02R User ’ s Guide Program 13 — REV SN.ROOM This is a reverb variation to enhance the sound of a snar e drum. Parameter Setting Range Description Rev.Time 1.3s Same as program 1 Same as program 1 Hi.Ratio 0.9 Diff. 8 Ini.Dly 26.0ms Density 1 LPF 10.0KHz HPF 180Hz Rev.Dly 4.0ms Rev.Bal 90% Program 14 — REV SN.PLATE This is[...]

  • Page 227

    Internal Effects 117 02R User ’ s Guide Program 16 — FLANGE–>REVERB1 Flange effect followed by r everb. This effect is more appropriate to emphasize modulation ef fects than the CHORUS–>REVERB program. Use the r everb Depth parameter to adjust the amount of reverberation. Parameter Setting Range Description Freq. 2.4Hz 0.1–40.0Hz Fl[...]

  • Page 228

    118 Internal Effects 02R User ’ s Guide Program 19 — EARLY REF.2 This is a variation on program 18. It pr oduces a thicker sound. Parameter Setting Range Description Type S-Hall Same as program 18 Same as program 18 RoomSize 2.0 Liveness 7 Diff. 7 Ini.Dly 4.8ms ER Num. 15 Hi.Ratio 0.8 FB.Gain 0% LPF 11.0kHz HPF THRU Program 20 — GATE REVERB S[...]

  • Page 229

    Internal Effects 119 02R User ’ s Guide Program 22 — DELAY–>EARLY REF This effect cr eates early reflection sound after a delay . Parameter Setting Range Description Delay 256.0ms 0.1–320.0ms Delay time. FB.Gain +43% –99 to +99% Feedback gain. The amount of signal returned to the effect. Hi.Ratio 0.3 0.1–1.0 High frequency decay rat[...]

  • Page 230

    120 Internal Effects 02R User ’ s Guide Program 25 — CHORUS–>DLY LCR Chorus effect is followed by a thr ee-part delay (L-C-R) with feedback. Parameter Setting Range Description Freq. 0.8Hz 0.1–40.0Hz Chorus modulation frequency. Depth 24% 0–100% Chorus depth. The amount of modulation. Mod.Dly 5.9ms 0.0–255.0ms Chorus delay. The delay[...]

  • Page 231

    Internal Effects 121 02R User ’ s Guide Program 28 — ECHO This is a common echo effect. Parameter Setting Range Description Dly(L) 220.0ms 0.1–500.0ms Left channel delay time. FB.G(L) +44% –99 to +99% Left channel feedback gain. Dly(R) 180.0ms 0.1–500.0ms Right channel delay time. FB.G(R) –55% –99 to +99% Right channel feedback gain. [...]

  • Page 232

    122 Internal Effects 02R User ’ s Guide Program 31 — CHORUS1 A stereo chorus. Cr eates a rich, thickening effect. Parameter Setting Range Description Freq. 0.6Hz 0.1–40.0Hz Modulation frequency. AM Depth 49% 0–100% Amplitude modulation depth. PM Depth 35% 0–100% Pitch modulation depth. LSF F 220Hz 32Hz–1.0kHz Low shelving filter frequen[...]

  • Page 233

    Internal Effects 123 02R User ’ s Guide Program 34 — FLANGE Stereo flanger . Creates a rich, swirling effect, full of harmonics. Parameter Setting Range Description Freq. 1.2Hz 0.1–40.0Hz Modulation frequency. Depth 25% 0–100% Modulation depth. FB.Gain +45% –99 to +99% Feedback gain. The amount of signal returned to the effect. LSF F 63H[...]

  • Page 234

    124 Internal Effects 02R User ’ s Guide Program 37 — AUTO PAN This effect performs automatic panning acr oss the stereo image. Parameter Setting Range Description Freq. 0.5Hz 0.1–40.0Hz Modulation frequency. LR Depth 98% 0–100% Left to right pan depth. FR Depth 15% 0–100% Front to rear pan depth. LSF F 140Hz 32Hz–1.0kHz Low shelving fil[...]

  • Page 235

    Internal Effects 125 02R User ’ s Guide Program 40 — VOCAL DOUBLER This is a thin harmonizing effect obtained by setting a longer delay . Parameter Setting Range Description Pitch 0 Same as program 39 Same as program 39 Fine(1) +5 Fine(2) –10 Out(1) +100 Out(2) +100 Pan(1) L6 Pan(2) R6 FB.G(1) +10% FB.G(2) –10% Delay 60.0ms[...]

  • Page 236

    126 Internal Effects 02R User ’ s Guide[...]

  • Page 237

    Scene Memories 127 02R User ’ s Guide Scene Memor ies In this chapter ... What are Scene Memories? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 What is Stored in a Scene Memory? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 What is the Edit Buffer? . . . . . . . . . . . . . . . . . . . . . . . . [...]

  • Page 238

    128 Scene Memories 02R User ’ s Guide What are Scene Memor ies? Scene memories are a snapshot of all the 02R mixer setting. Ther e are 96 mix scene memory locations. Each can be titled for easy identification. They can be stored and r ecalled manually using the [STORE] and [RECALL] buttons. They can also be recalled by the automix (AUT OMIX) sys[...]

  • Page 239

    Scene Memories 129 02R User ’ s Guide What is Stored in a Scene Memor y? V irtually all 02R mix settings are stor ed in a scene memory . Settings that are not stored consist mainly of analog contr ols and switches. They are: +48V phantom switches, A/B input switches, 20 dB (pad) switches, GAIN controls, T/B LEVEL control, STUDIO LEVEL control, PH[...]

  • Page 240

    130 Scene Memories 02R User ’ s Guide Stor ing Mix Scenes The 02R has 96 scene memory locations. Y ou can save additional scenes to a MIDI data filer . Scene memories can be titled for easy identification. When you are about to stor e a scene memory , make sure there ar e no settings in the Edit Buffer that you do not want to stor e. Maybe some[...]

  • Page 241

    Scene Memories 131 02R User ’ s Guide Naming a Scene Memor y Scene memories can be titled on the SCENE 1/5 page shown below . Scene memories can be named before being stor ed or after . In the latter case, you must first recall the scene memory , name it, and then store it. The left side of the page shows a list of the scene memories. The name o[...]

  • Page 242

    132 Scene Memories 02R User ’ s Guide Character Set A scene memory name can be up to 16 characters long and can contain any of the following characters: Icons • INSER T —This icon is used to insert blank characters into the title edit box at the current cursor location. Select the icon with the CURSOR buttons and press the [ENTER] button. •[...]

  • Page 243

    Scene Memories 133 02R User ’ s Guide If you change your mind, the cleared mix scene can be r etrieved by recalling the Undo scene memory (U).[...]

  • Page 244

    134 Scene Memories 02R User ’ s Guide Protecting Scene Memories Y ou can protect stored mix scenes against accidental overwriting using this Memory Protect function. This is useful when you’ve set up many mix scenes for repeated use, or when inexperienced users operate 02R. When the Memory Protect is checked, mix settings cannot be stor ed usin[...]

  • Page 245

    Scene Memories 135 02R User ’ s Guide F ader Recall Safe The 02R has two methods of protecting the system fr om sudden volume level changes when a scene memory is recalled. Y ou can select individual channels to safety . When the scene memory is recalled, the fader level will not change from the level it was set to in the pr evious mix. Shown bel[...]

  • Page 246

    136 Scene Memories 02R User ’ s Guide F ade Time The second method of protecting the system fr om sudden volume level changes is to set the fade time for each channel. When the scene memory is recalled, the fader level will change fr om its previous level to the new level of the recalled memory . Y ou can control the duration of the change. Shown[...]

  • Page 247

    Automix 137 02R User ’ s Guide A utomix In this chapter ... What is the Automix Function? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138 What is T imecode? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Automix Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . [...]

  • Page 248

    138 Automix 02R User ’ s Guide What is the Automix Function? One of the most demanding jobs of the recor ding engineer is taking all the raw material produced during a multitrack r ecording session and mixing it all together into an artistically satisfying master recor ding. The ability to setup portions of the mix and then have them playback aut[...]

  • Page 249

    Automix 139 02R User ’ s Guide • REMOTE 1–4 —MIDI Remote events • SURR —Surround pan events (SURROUND overwrite check box) • EQLIB —EQ library program r ecall events • CHLIB —Channel library program r ecall events • DYLIB —Dynamics library program r ecall events • EFLIB —Effects library pr ogram recall events T o record [...]

  • Page 250

    140 Automix 02R User ’ s Guide What is Timecode? T imecode is a signal that contains a chronological r ecord of the absolute time in a recor ding. It is used for synchronizing differ ent recorders. It can be used for electronic editing. T imecode was initially invented for the motion picture business, as a method of synchr onizing the pictures re[...]

  • Page 251

    Automix 141 02R User ’ s Guide Connections If the connected device can directly output SMPTE timecode, use an audio cable to connect the output to the TIME CODE INPUT—SMPTE connector on the back of the 02R. If the connected device does not have a dedicated SMPTE output connector , recor d the timecode onto a spare track (in the case of a multit[...]

  • Page 252

    142 Automix 02R User ’ s Guide MIDI IN jack, any MTC arriving at the MTC jack is ignored, and vice versa. Using MIDI Clock Automix can be refer enced to an external MIDI Clock, and supports T iming Clock (F8H), Start (F AH), Continue (FBH), Stop (FCH), and Song Position Pointers (F3H, **H, **H). Use MIDI Clock when you want to synchronize an auto[...]

  • Page 253

    Automix 143 02R User ’ s Guide A utomix Function The Automix function consists of six pages. 1/7 Automix Main The Automix Main page controls the recor d and playback operations. Select the timecode frame rate, and the timecode input. Set the initial start time and enable the editing operations. 2/7 Memory Management The Memory Management page is [...]

  • Page 254

    144 Automix 02R User ’ s Guide A utomix Main Basic automix functions are contr olled using the Automix Main page shown below . The top row of this page consists of the timecode counter , the current free memory size, shown in a bargraph, kilobytes, and per centage, and the size of the current memory buf fer and the undo buffer . The second row ha[...]

  • Page 255

    Automix 145 02R User ’ s Guide Time Code Counter The timecode counter displays the incoming timecode. For the SMPTE, MTC, and INT time refer ences, timecode is displayed in hours, minutes, seconds, and frames. If you select INT (internal) timecode, the timecode counters starts straightaway . For MIDI Clock, timecode is displayed in bars, beats, a[...]

  • Page 256

    146 Automix 02R User ’ s Guide Overwrite Mode The Overwrite check boxes can be used to select certain parameters for automix recor ding. These are: F ADER, CH ON, P AN, EQ or SURROUND. The F ADER check box includes rotary encoders and AUX send levels. The following parameters are not af fected by the Overwrite check boxes and can be recor ded at [...]

  • Page 257

    Automix 147 02R User ’ s Guide Transport Controls The following five operations have been made as icons: AUTOREC, REC, PLA Y , ST OP , ABOR T . Use the CURSOR buttons to select the desired operation and press the [ENTER] button. AUTOREC —Selecting this icon will start AUTOMIX recor ding when the 02R receives timecode, even if it is not in REC [...]

  • Page 258

    148 Automix 02R User ’ s Guide Memor y Management The Memory Management page, shown below , is used to store, recall, title, and clear automixes. Some of the functions from the Automix Main page also appear on this page. The top left of the display shows a scrolling list of the 16 AUTOMIX memories. The top right of the display is the T itle Edit [...]

  • Page 259

    Automix 149 02R User ’ s Guide AUTOMIX Name Edit Functions AUTOMIX memory names can be up to 16 characters long and can contain any of the following characters: • COPY —This icon is used to copy the name of an AUTOMIX program. Select the icon with the CURSOR buttons. Use the encoder wheel to select a program and pr ess the [ENTER] button. The[...]

  • Page 260

    150 Automix 02R User ’ s Guide • RECALL —This icon is used to recall an AUTOMIX pr ogram from the library . Select the icon with the CURSOR buttons. Use the encoder wheel to select an AUTOMIX program and pr ess the [ENTER] button. The 02R displays a confirmation dialog box asking if you want to recall the selected program. The box has two ic[...]

  • Page 261

    Automix 151 02R User ’ s Guide F ader Edit The Fader Edit page displays fader positions relative to pr eviously recor ded data, and is convenient for real-time fader edits. The top half of the display shows the current fader positions graphically for the input channels (MIC/LINE 1 through 16, LINE 17/18 thr ough 23/24), the tape and effect r etur[...]

  • Page 262

    152 Automix 02R User ’ s Guide ABSOLUTE —In Absolute mode, real-time fader edits are r ecorded as is (i.e., the new fader movements overwrite the existing events). RET (Return) —W ith the RET option on, the fader returns to the position previously r ecorded at the point recor ding stops. Y ou can specify the return time fr om 0.0 to 3.0 secon[...]

  • Page 263

    Automix 153 02R User ’ s Guide Ev ent Copy The Event Copy page, shown below , allows you to copy , move, extract and trim the level of automix events. The channel icons are used to select the channels whose automix data is to be edited, and the following channels can be selected: MIC/LINE 1 to 24, T APE 1 to 16, effects r eturns (E1, E2), and the[...]

  • Page 264

    154 Automix 02R User ’ s Guide The In T ime and Out T ime parameters are used to select the range of automix data for editing. The Copy T o parameter is used with the Copy and Move/Merge function. When the Sour ce parameter is set to Current, data from the curr ent automix between the In T ime and Out T ime parameters can be copied or moved to a [...]

  • Page 265

    Automix 155 02R User ’ s Guide Ev ent Edit (Scene/Lib.) The Event Edit (Scene/Lib.) page, shown below , allows you to duplicate and delete mix scene and library recall events, and insert new events. T imecode addresses can be captur ed on-the-fly , and new events inserted at the captured points. The Locate function pr ovides a speedy way to loca[...]

  • Page 266

    156 Automix 02R User ’ s Guide Ev ent Edit (CH ON, P AN, F ADER) The Event Edit (CH ON, P AN, F ADER) page, shown below , allows you edit channel on/off, pan, and fader events, and duplicate, delete, and insert new events. T imecode addresses can be captur ed on-the-fly , and new events inserted at the captured points. The Locate function pr ovi[...]

  • Page 267

    MIDI 157 02R User ’ s Guide MIDI In this chapter ... MIDI and the 02R. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 Program Change Assign . . . . . . . . . . . . . . . . . . . .[...]

  • Page 268

    158 MIDI 02R User ’ s Guide MIDI and the 02R The 02R supports the following MIDI messages: • Program Changes for mix scene r ecalls (page 160) • Control Changes for r emote control of 02R mix parameters (page 164) • System Exclusive for mix parameter control (page 262) • Bulk Dump for data backup and transfer between 02Rs (page 161) • M[...]

  • Page 269

    MIDI 159 02R User ’ s Guide Setup The MIDI Setup page is used to configure basic 02R MIDI parameters, such as MIDI transmit and receive channels, OMNI on/of f, and echo on/off. Shown below is the MIDI 1/5 page—MIDI Setup. Receive Channel Use these parameters to set the Receive Channel, and select whether the 02R will receive Pr ogram Change, P[...]

  • Page 270

    160 MIDI 02R User ’ s Guide Program Change Assign MIDI Program Change messages ar e used to recall scene memories. Shown below is the MIDI 2/5 page—MIDI Program Change Assign. The default Program Change Assign table consists of a mapping of Program Change numbers 1 thr ough 96 to Scene Memories 1 through 96. Program Change numbers 98 thr ough 1[...]

  • Page 271

    MIDI 161 02R User ’ s Guide Bulk Dump/Request The 02R uses MIDI Bulk Dump and Request messages to store or r ecall scene memories, automix memories, system setup and program change tables, and effects, dynamics, EQ, and channel library pr ograms. Shown below is the MIDI 3/5 page—MIDI Bulk Dump & Request. Type This function allows you to sel[...]

  • Page 272

    162 MIDI 02R User ’ s Guide • BULK DUMP —the data of the selected type and number will be output to the connected MIDI device. • BULK REQUEST —the 02R will request the selected type and number from the connected MIDI device. • DUMP ALL —all the programs or memories of the selected data type will be transmitted to the connected MIDI de[...]

  • Page 273

    MIDI 163 02R User ’ s Guide F ader Star t When the Fader Start prefer ence is checked (“Preferences” on page 198), a MIDI Note On message (velocity 127) is transmitted when a fader is raised from infinity (oo). When the fader is moved back to infinity , a corresponding MIDI Note Of f message (velocity 0) is transmitted. This can be used in [...]

  • Page 274

    164 MIDI 02R User ’ s Guide MIDI Control Change Assign The MIDI Control Assign page is used to assign 02R parameters to MIDI Control Changes, which can be used to contr ol 02R mix settings in real time. 02R mix settings can be controlled by transmitting Contr ol Changes from other MIDI devices. A synthesizer with assignable sliders, for example. [...]

  • Page 275

    MIDI 165 02R User ’ s Guide MIDI Remote The MIDI Remote function allows you to control other MIDI equipment from the 02R. Connection is made using the MIDI IN and OUT connections. Remote equipment can be controlled using the 02R faders, rotary encoders, [ON] buttons, CURSOR buttons, and encoder wheel. MIDI Remote operations are r ecorded by the a[...]

  • Page 276

    166 MIDI 02R User ’ s Guide Configuring Remotes MIDI Remote operations take place on the MIDI 5/5 page shown below . Up to four remotes can be active at the same time, each operating on a differ ent MIDI Channel. The REMOTE 1 to 4 icons are used to select the remotes. On the page shown below , the Programmable Mixer 01 configuration has been sel[...]

  • Page 277

    MIDI 167 02R User ’ s Guide BUS/AUX Master The Bus/Aux Master page is not really a MIDI Remote page because it controls the bus out, aux send, and ster eo master levels of the 02R itself. Although similar to the METER 3/3 page, this page allows you to use the 02R faders instead of the encoder wheel to set the levels. While the BUS/AUX Master page[...]

  • Page 278

    168 MIDI 02R User ’ s Guide MIDI Machine Control 02R controls can be used to r emotely control the following parameters of a a device that supports MMC (MIDI Machine Control), such as a r ecorder . T ransport functions on MMC supporting device can be controlled from the 02R using MIC [ON] buttons 1 to 6. Up to eight locate points can be set using[...]

  • Page 279

    MIDI 169 02R User ’ s Guide Yamaha Programmable Mixer 01 02R controls can be used to r emotely control the following parameters of a Y amaha Programmable Mixer 01. Programmable Mixer 01 Setup On the Programmable Mixer 01’s MIDI SETUP page, set the PROGRAM, CONTROL, and BULK parameters as shown below . Set the Tx Ch and Rx Ch parameters to match[...]

  • Page 280

    170 MIDI 02R User ’ s Guide There ar e two pages for Programmable Mixer 01 remote contr ol. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, operating fader 16 displays the first page, while operating fader 17/18 displays the second page. When the 02R or Programma[...]

  • Page 281

    MIDI 171 02R User ’ s Guide Yamaha 02R Digital Mixing Console 02R controls can be used to r emotely control the following parameters of a Y amaha 02R Digital Mixing Console. Remote 02R Setup On the MIDI 1/5 page of the remote 02R, set the Pr ogram Change and Parameter Change parameters as shown below . Set the MIDI Receive and T ransmit Channels [...]

  • Page 282

    172 MIDI 02R User ’ s Guide There ar e two pages for 02R remote control. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, operating fader 16 displays the first page, while operating fader 17/18 displays the second page. When the 02Rs are first connected, or turne[...]

  • Page 283

    MIDI 173 02R User ’ s Guide Yamaha 03D Digital Mixing Console 02R controls can be used to r emotely control the following parameters of a Y amaha 03D Digital Mixing Console. 03D Setup On the MIDI Setup page of the 03D, set the various MIDI parameters as shown below . Set the MIDI Receive and T ransmit Channels to match those of the 02R 02R Contro[...]

  • Page 284

    174 MIDI 02R User ’ s Guide There ar e two pages for 03D remote control. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, operating fader 16 displays the first page, while operating fader 17/18 displays the second page. When the 02R or 03D is first connected, or [...]

  • Page 285

    MIDI 175 02R User ’ s Guide General MIDI Tone Generator 02R controls can be used to r emotely control the following parameters of a General MIDI-compatible tone generator . There is one page for General MIDI tone generator r emote control. The T APE 1–16 rotary encoders can be assigned to various MIDI Contr ol Changes using the CONTROLLER ASSIG[...]

  • Page 286

    176 MIDI 02R User ’ s Guide XG Tone Generator 02R controls can be used to r emotely control the following parameters of an XG-compatible tone generator . There ar e two pages for XG tone generator remote control. Pages can be selected using the page icon at the right hand side of each page, or by operating a control on that page. For example, ope[...]

  • Page 287

    MIDI 177 02R User ’ s Guide the XG tone generator . When the CONNECT function is used, the settings from the XG tone generator ar e copied to the 02R. If you use this page to control an XG MIDI sequencer , for example, the Y amaha QY700, on the MIDI 1/5 page of the 02R disable the Program Change and Control Change parameters.[...]

  • Page 288

    178 MIDI 02R User ’ s Guide ProR3 & REV500 02R controls can be used to r emotely control the following parameters of a Y amaha ProR3 & REV500. REV500 Setup On the REV500, use the UTILITY button to locate the MIDI Channel page, and set to the same MIDI Channel as that of the REV500 MIDI Remote page (CH). Press the UTILITY button again to l[...]

  • Page 289

    MIDI 179 02R User ’ s Guide When the 02R or ProR3/REV500 is first connected, or turned on, use the CONNECT function to update the 02R controls so that they match those of the ProR3/REV500. When the CONNECT function is used, the settings from the Pr oR3/REV500 are copied to the 02R.[...]

  • Page 290

    180 MIDI 02R User ’ s Guide Pro Tools 02R controls can be used to r emotely control the following parameters of a Pro T ools system. Pro Tools Setup Pro T ools 4.0x —In the MIDI Controller ar ea of the Peripheral dialog box, set the MIDI Controller type to either MM16 or DC16. Select 16 as the number of channels. Set the “Receive From” and [...]

  • Page 291

    Groups and Pairs 181 02R User ’ s Guide Gr oups and P air s In this chapter ... Grouping Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182 Grouping Mutes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 Pairing Channels . . . . . . . . . . . . . [...]

  • Page 292

    182 Groups and Pairs 02R User ’ s Guide Grouping F ader s The 02R allows you to group the faders for multiple fader contr ol using only one fader . This makes it easy to control several faders simultaneously . The input channel and the tape and effect r eturns can be grouped. There are four gr oups available: A, B, C, and D. Shown below is the GR[...]

  • Page 293

    Groups and Pairs 183 02R User ’ s Guide Grouping Mutes The 02R also allows you to group channel status contr ols for multiple channel control using only one channel ON button. The channels in a group can be on or of f depending on their status when they were grouped. Pressing a channel ON button toggles the status of all the channels in the group[...]

  • Page 294

    184 Groups and Pairs 02R User ’ s Guide P air ing Channels Adjacent channels can be paired for ster eo operation. This makes it easy to work with stereo signals, because you only have to adjust one channel to control both left and right signals. The 02R allows you to pair MIC/LINE channels, T APE channels, aux sends, or bus outs. There ar e two p[...]

  • Page 295

    Groups and Pairs 185 02R User ’ s Guide The second P AIR page, shown below , contains pair hearts for the aux sends and bus outs. The following functions are linked when aux channels ar e paired: • Input channel aux send level (depends on input channel pan) • Aux master levels • Aux master on/off and pr e/post The following functions are li[...]

  • Page 296

    186 Groups and Pairs 02R User ’ s Guide MS Decoding A djacent MIC/LINE or T APE channels co nfigured as a ster eo pair can be used to decode signals derived using MS micr ophone techniques. MS signals are contr olled using the channel faders and pan co ntrols. Other channel co ntrols work as normal. Shown below is the P AIR 1/2 page—Pair . Whe[...]

  • Page 297

    Digital I/O, Setup, and Utilities 187 02R User ’ s Guide Dig ital I/O , Setup, and Utilities In this chapter ... W ord Clock Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188 Input Signal Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 Cascade [...]

  • Page 298

    188 Digital I/O, Setup, and Utilities 02R User ’ s Guide W ord Cloc k Select The 02R processes audio data at 44.1 kHz or 48 kHz using its internal clock, and can run at any fr equency from 32 kHz –6% to 48 kHz +6% when an external wordclock is applied. Wordclock When you connect a number of digital audio devices together , all the devices shoul[...]

  • Page 299

    Digital I/O, Setup, and Utilities 189 02R User ’ s Guide The left side of the display is a list of the cards in the four option slots of the 02R. The indication varies depending on the type of optional card being used: • Cascade (CD8-CS) • ADA T (CD8-A T) • TDIF-1 (CD8-TDII) • AES/EBU (CD8-AE/CD8-AE-S) • Y AMAHA (CD8-Y) • Analog AD/DA[...]

  • Page 300

    190 Digital I/O, Setup, and Utilities 02R User ’ s Guide Input Signal Select The 02R has 24 built-in analog input connectors; the individual input channels (MIC/LINE 1 through 16) and the ster eo input channels (LINE 17/18 through 23/24). Y ou can route two of the 2-track digital inputs to the stereo input channels (2TR IN D1 to LINE 17/18 and 2T[...]

  • Page 301

    Digital I/O, Setup, and Utilities 191 02R User ’ s Guide Cascade Configuration Just like the modular digital multitrack recor ders it is intended to work with, the 02R was designed to be easily expandable from a basic 16-track (40 input) system up to a 64-track (160 input) system. It uses Cascade Digital I/O card kits (CD8-CS) to accomplish this[...]

  • Page 302

    192 Digital I/O, Setup, and Utilities 02R User ’ s Guide Cascade Aux Bus Assign The Cascade Digital I/O card kit (CD8-CS) has two pair ed auxiliary buses: AUX A and AUX B. Y ou can assign these buses to any pair of the 02R’s internal auxiliary buses—but not to the same pairs. If a cascade card is not inserted in the 02R, this display is graye[...]

  • Page 303

    Digital I/O, Setup, and Utilities 193 02R User ’ s Guide Dither When you connect a number of digital audio devices together , you may find their digital word size is dif ferent. For example, the 02R uses a 20-bit word size for input and output and a 32-bit wor d size for internal processing. Pr ofessional digital equipment uses a 24-bit wordsize[...]

  • Page 304

    194 Digital I/O, Setup, and Utilities 02R User ’ s Guide Slot Output Select The Slot Output Select function allows y ou to individually select bus outs, aux sends, channel direct outs, and the left and right channels of the stereo output for I/O car d outputs. Shown below is the DIGIT AL I/O 3/5 page—Slot Output Select. For each output you can [...]

  • Page 305

    Digital I/O, Setup, and Utilities 195 02R User ’ s Guide[...]

  • Page 306

    196 Digital I/O, Setup, and Utilities 02R User ’ s Guide Solo Shown below is the SETUP 1/4 page—Solo. Solo Functions • Status— This command determines which bus will be used when you press the [SOLO] button. If you select “Recor ding”, the Solo bus will be used. If you select “Mixdown”, the signals selected by the combination of the[...]

  • Page 307

    Digital I/O, Setup, and Utilities 197 02R User ’ s Guide • Solo Safe—T ape, Mic, Line, and Effects —These functions disable solo On/Off selection. If you set a channel to Solo Safe while it was set to Solo ON, the channel remains unconditionally ON in “Mixdown Mode” when you select Solo. This function has no effect in “Recor ding Mode[...]

  • Page 308

    198 Digital I/O, Setup, and Utilities 02R User ’ s Guide Preferences The 02R is a very flexible mixer . Y ou can customize its behavior to suit your needs using the prefer ences, which are divided into two pages: SETUP 3/4 and SETUP 4/4. Shown below is the SETUP 3/4 page—Pr eferences 1. Preferences 1 Options • Auto EQ Display —W ith this o[...]

  • Page 309

    Digital I/O, Setup, and Utilities 199 02R User ’ s Guide When you confirm a STORE or CLEAR operation, any existing data in the selected program location will be overwritten or cleared. YOU SHOULD AL W A YS BE CAREFUL WHEN THE 02R DISPLA YS A CONFIRMA TION DIALOG BOX! • Recall Confirmation —W ith this option checked, the 02R will request you[...]

  • Page 310

    200 Digital I/O, Setup, and Utilities 02R User ’ s Guide detects an error in the digital input or output, your r ecorded data may be compromised. However , some modular digital multitrack recorders will cause this error while performing synchr onization during start-up. • MIDI W arning OFF —W ith this option checked, the 02R will not report a[...]

  • Page 311

    Digital I/O, Setup, and Utilities 201 02R User ’ s Guide Preferences 2 Shown below is the SETUP 4/4 page—Pr eferences 2. • MIX Update Confirmation —W ith this option checked, a confirmation dialog box appears after performing an automix edit asking whether or not you want to keep the new edit, thereby updating the automix. • REC Recall [...]

  • Page 312

    202 Digital I/O, Setup, and Utilities 02R User ’ s Guide • Surround SWF Edit —W ith this option checked, surround pan SWF (subwoofer level) movements can be recor ded in an automix. The Extract, Copy , and Move functions on the AUTOMIX 4/7 page only affect the SWF data when this box is checked. • Link Surround Master —W ith this option ch[...]

  • Page 313

    Digital I/O, Setup, and Utilities 203 02R User ’ s Guide Preferences 2—Factory Settings A ux Output Select U sing the Aux Output Select function , bus outputs can be assigned to the analog aux send outputs, providing analog bus outputs. Bus signals 1 to 6 can be assigned individually to aux send outputs 1 to 6. Shown below is the SETUP 2/4 page[...]

  • Page 314

    204 Digital I/O, Setup, and Utilities 02R User ’ s Guide 24-bit Recording Using two recor der tracks per channel, high-resolution digital audio can be recor ded at the maximum wordlength of 24 bits. Recorder tracks 1 to 4 ar e used for the upper 16 bits, while tracks 5 to 8 are used for the lower 8 bits. In 24-bit Recording mode, a single slot ca[...]

  • Page 315

    Digital I/O, Setup, and Utilities 205 02R User ’ s Guide Shown below is the SCENE 5/5 page—24bit Recording Mode. If you attempt to set 24bit MODE when the Input Patch for a slot is assigned one or more buses, the confirmation dialog box shown here appears. Choose EXECUTE to cancel the Input Patching and activate 24bit MODE.[...]

  • Page 316

    206 Digital I/O, Setup, and Utilities 02R User ’ s Guide Input P a tching The Input Patching function allows you to select the signal sources for MIC/LINE channels 1 to 24 and T APE channels 1 to 16. The same source can be selected for several channels. Bus outs can be patched through to the T APE channels for bus out monitoring and subgrouping. [...]

  • Page 317

    Digital I/O, Setup, and Utilities 207 02R User ’ s Guide Likewise, if a slot is configured for 24bit MODE, all buses are assigned to the car d inputs, and you attempt to select a card input, the confirmation dialog box shown here appears. Choose EXECUTE to cancel all the bus assignments. Shown below is the MIC 1–8 page of SCENE 4/5. On this p[...]

  • Page 318

    208 Digital I/O, Setup, and Utilities 02R User ’ s Guide Shown below is the LINE 17–24 page of SCENE 4/5. On this page you can select internal input (LINE), bus, or 2TR IN (17/18, 19/20 only). These parameters also appear on the DIGIT AL I/O 2/5 (Input Signal Select) page.[...]

  • Page 319

    Digital I/O, Setup, and Utilities 209 02R User ’ s Guide Oscillator Before starting a r ecording session, many engineers like to recor d a few seconds of sine wave tones. These tones are used to compar e the performance of multitrack recor ders when you take the master tapes from one studio to another . This is especially important when the multi[...]

  • Page 320

    210 Digital I/O, Setup, and Utilities 02R User ’ s Guide Emphasis Monitor This function allows you to monitor the emphasis information of the digital inputs. If an input digital signal was recor ded with emphasis—a technique used in early digital recor dings to compensate for the deficiencies of the hardwar e of the period, similar to Dolby® [...]

  • Page 321

    Digital I/O, Setup, and Utilities 211 02R User ’ s Guide Channel Status Monitor This function shows the channel status information of digital audio signal. Channel status information is only present in IEC958 digital audio signals. Shown below is the UTILITY 3/4 page—Channel Status Monitor . This page allows you to monitor the channel status in[...]

  • Page 322

    212 Digital I/O, Setup, and Utilities 02R User ’ s Guide Magnetic —Magnetic tape device and magnetic disk device D. Broadcast —Digital broadcast r eception Instruments —Musical instruments, micr ophones and the sources that generate the original signal A/D Conv —A/D Converter (W ithout copyright information) A/D Conv with (C) —A/D Conve[...]

  • Page 323

    Digital I/O, Setup, and Utilities 213 02R User ’ s Guide Batter y Check This function allows you to check the status of the 02R’s backup battery . Shown below is the UTILITY 4/4 page—Battery Check. If there is enough battery capacity , the battery says “Y es, I’m fine!” If the battery needs to be changed, it says, “I’m exhausted...[...]

  • Page 324

    214 Digital I/O, Setup, and Utilities 02R User ’ s Guide Comm unication Speed The Communications Speed section of the UTILITY 4/4 page allows you to monitor the TO HOST port speed, and is for use with computer softwar e such as Project Manager or V isualizer . The controlling host computer automatically configures the communication speed, so you[...]

  • Page 325

    Digital I/O, Setup, and Utilities 215 02R User ’ s Guide 02R System Initialization This operation allows you to reset the 02R to its initial settings. This operation deletes all scene memories, automix programs, and clears all user library programs fr om the channel, dynamics, effect, and EQ libraries. Initialization consists of: • Clearing all[...]

  • Page 326

    216 Digital I/O, Setup, and Utilities 02R User ’ s Guide[...]

  • Page 327

    Installing Options 217 02R User ’ s Guide Installing Options In this chapter ... 02R Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218 Installing 02R Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221 Analog I/O Card—AD/DA (CD8-AD) . . . . .[...]

  • Page 328

    218 Installing Options 02R User ’ s Guide 02R Options There ar e a number of options you can add to your 02R. Some of these options add to the convenience and appearance of the 02R, such as the peak meter bridge (MB02) or the wooden side panels (W02SP). There is also a memory expansion kit (ME4M) which allows you to add up to 2 MB of additional m[...]

  • Page 329

    Installing Options 219 02R User ’ s Guide The I/O cards fall into thr ee groups: • Digital I/O Cards—These car ds provide 8 tracks of digital input and output. They are used to connect the 02R to a digital multitrack recor der—either tape or disk based. Cards supporting ADA T , TDIF-1, Y AMAHA, and AES/EBU formats ar e available. Except for[...]

  • Page 330

    220 Installing Options 02R User ’ s Guide Memory Expansion Kit The memory expansion kit (ME4M) expands the 02R automix system memory from the standar d 512K to either 1.5 MB or 2.5 MB. Wooden Side Panels These W ooden Side Panels (W02SP) attach to either side of the 02R to give it an attractive appearance. Note: T ake the 02R to your Y AMAHA deal[...]

  • Page 331

    Installing Options 221 02R User ’ s Guide Installing 02R Options Single Slot Cards 1. T ur n off the 02R. TO PREVENT ELECTRIC AL SHOCK, ENSURE THE 02R IS TURNED OFF BEFORE YOU OPEN ANY OF THE SLOT CO VERS! 2. Remo ve the co ver plate fr om the slot in which you intend to insert the optional card. 3. Insert the optional card as shown belo w . When[...]

  • Page 332

    222 Installing Options 02R User ’ s Guide Double Slot Cards 1. T ur n off the 02R. TO PREVENT ELECTRIC AL SHOCK, ENSURE THE 02R IS TURNED OFF BEFORE YOU OPEN ANY OF THE SLOT CO VERS! 2. Remo ve the co ver plate fr om the slot in which you intend to insert the optional card as w ell as the slot o ver top The double slot cards can only be installed[...]

  • Page 333

    Installing Options 223 02R User ’ s Guide Peak Meter Bridge and Wooden Side Panels 1. T ur n off the 02R. TO PREVENT ELECTRIC AL SHOCK, ENSURE THE 02R IS TURNED OFF BEFORE YOU F ASTEN ANY CONNECTORS OR UNDO ANY SCREWS! 2. Install the Peak Meter Bridge and/or W ooden Side Panels as shown in the f ollowing diagram: 3. T ur n on the 02R. V erify tha[...]

  • Page 334

    224 Installing Options 02R User ’ s Guide Analog I/O Card—AD/D A (CD8-AD) The CD8-AD is used to connect an analog multitrack recor der or other analog devices to the 02R. Installing the CD8-AD The CD8-AD is a double slot card. For installation instr uctions, see “Double Slot Cards” on page 222 of the User’ s Guide . Before you install the[...]

  • Page 335

    Installing Options 225 02R User ’ s Guide Dig ital I/O Card—AES/EBU (CD8-AE/CD8-AE-S) The AES/EBU digital I/O cards (CD8-AE/CD8-AE-S) are used to connect AES/EBU compatible multitrack digital recor ders or other similar digital devices to the 02R. Installing the CD8-AE/CD8-AE-S The CD8-AE card is a double slot car d (see “Double Slot Cards”[...]

  • Page 336

    226 Installing Options 02R User ’ s Guide Wordclock Selection 1. T ur n on y our AES/EBU compatible m ultitrack dig ital recorder and then the 02R. It is always important to observe the correct or der for turning on equipment in a studio. Start with the AES/EBU compatible multitrack and mastering recor ders and the signal processors, then the 02R[...]

  • Page 337

    Installing Options 227 02R User ’ s Guide Dig ital I/O Card—AD A T (CD8-AT) The ADA T digital I/O card (CD8-A T) is used to connect Alesis ADA T compatible modular digital multitrack recor ders to the 02R. Installing the CD8-AT The ADA T digital I/O card (CD8-A T) is a single slot card. For installation instructions, see “Single Slot Car ds?[...]

  • Page 338

    228 Installing Options 02R User ’ s Guide Wordclock Selection 1. Po wer on y our AD AT modular digital multitrack recor der and then the 02R. It is always important to observe the correct or der for powering up equipment in a studio. Start with the ADA T and mastering recor ders and the signal processors, then the 02R, and finally the monitoring[...]

  • Page 339

    Installing Options 229 02R User ’ s Guide Dig ital Cascade Kit (CD8-CS) The digital cascade kit (CD8-CS) is used to connect two or more 02Rs together . The kit consists of two cascade I/O cards and a special cable. When two or more 02Rs ar e connected together , they share the output buses 1 through 8, four auxiliary buses (two pair ed buses, AUX[...]

  • Page 340

    230 Installing Options 02R User ’ s Guide 3. Use a BNC cable to plug the WORD CLOCK—OUT connector on the back of the first 02R into the W ORD CLOCK—IN connector on the second 02R. The 02R that is the cascade master should be receiving a wor dclock signal from a wor dclock master device, such as a modular digital multitrack recor der or other[...]

  • Page 341

    Installing Options 231 02R User ’ s Guide If your multitrack digital recor der has a dedicated wordclock output connector , use the CURSOR buttons to select the W .CLK IN box and press the [ENTER] button. Otherwise, select a box fr om the appropriate I/O slot row and pr ess the [ENTER] button. The current wor dclock source is indicated by a highl[...]

  • Page 342

    232 Installing Options 02R User ’ s Guide MIDI Link When several 02Rs are cascaded together , the master 02R can control a number of functions, listed below , of the slave 02Rs via MIDI. Master and slave 02Rs should be connected as shown below . On the master 02R, the Tx 02R Link Message prefer ence should be turned on. On the slave 02Rs, the Rx [...]

  • Page 343

    Installing Options 233 02R User ’ s Guide Solo function When two or more 02R units ar e cascaded together , only the [SOLO] button on the cascade master continues to function. When you press the [SOLO] button on the cascade master , however , you can solo individual channels on the cascade slaves. 1. On the 02R cascade master , use the [SETUP] bu[...]

  • Page 344

    234 Installing Options 02R User ’ s Guide Dig ital I/O Card—TDIF-1 (CD8-TDII) The TDIF-1 digital I/O card (CD8-TDII) is used to connect T ASCAM TDIF-1 modular digital multitrack recor ders such as the DA-88 to the 02R. Installing the CD8-TDII The TDIF-1 digital I/O card (CD8-TDII) is a single slot car d. For installation instructions, see “Si[...]

  • Page 345

    Installing Options 235 02R User ’ s Guide Wordclock Selection 1. Po wer on y our D A-88 modular dig ital multitrac k recorder and then the 02R. It is always important to observe the correct or der for powering up equipment in a studio. Start with the DA-88 and mastering recor ders and the signal processors, then the 02R, and finally the monitori[...]

  • Page 346

    236 Installing Options 02R User ’ s Guide P eak Meter Br idge (MB02) The Peak Meter Bridge (MB02) allows you to quickly and easily check the levels of the input channels, the tape and effect r eturns, the output buses 1 through 8, the auxiliary buses 1 thr ough 8, and the stereo bus. Using the MB02 1. Lev el meter s These peak level meters show t[...]

  • Page 347

    Installing Options 237 02R User ’ s Guide 4. PEAK HOLD button This button is used to enable or cancel the Peak Hold function. 5. STEREO-BUS-A UX Indicator s These indicators show the meter source points for the channels being monitored. • PRE F ADER —When this LED is illuminated, the bus signal before the fader is being displayed. • POST F [...]

  • Page 348

    238 Installing Options 02R User ’ s Guide[...]

  • Page 349

    Specifications 239 02R User ’ s Guide Specifications In this chapter ... General Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240 Input Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246 Output Specifications . . . . . . . . . . . . .[...]

  • Page 350

    240 Specifications 02R User ’ s Guide Specifications General Specifications * Hum & Noise are measured with a 6 dB/octave filter @12.7 kHz; equivalent to a 20 kHz filter with an infinite dB/oc- tave attenuation. * Sampling Frequency: Internal 48 kHz Number of scene memories 96 Sampling frequency Internal 44.1 kHz, 48 kHz External (32 kHz ?[...]

  • Page 351

    Specifications 241 02R User ’ s Guide Inputs Input channel (MIC/LINE 1 through 24) Phantom switch MIC/LINE 1 to 8 Select switch A (XLR) / B (phone) MIC/LINE 1 through 8 Gain trim 44 dB (–60 to –16) MIC/LINE 1 through 16 44 dB (–40 to +4) LINE 17/18 through 23/24 Peak indicator LED (red) illuminates when post HA level reaches 3 dB below clip[...]

  • Page 352

    242 Specifications 02R User ’ s Guide Dynamics Compressor / Expander Threshold –54 dB to 0 dB (1 dB steps) Ratio 1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, ∞ (16 points) Out gain 0 dB to +18 dB (0.5 dB steps) Knee hard , 1 , 2 , 3 , 4 , 5 (6 steps) Attack 0 ms to 120 ms (1 ms steps) Release 5 ms to 42.3 sec (@48 kHz), 6 ms to [...]

  • Page 353

    Specifications 243 02R User ’ s Guide Pan 33 positions (L = 16 to 1, C, R = 16 to 1 ) Routing BUS 1 through 8. ST. DIRECT Solo ON/OFF Pre fader / After pan Meter Peakhold: ON/OFF 12 points displays of the pre-EQ / post-EQ / post-fader levels of all channel input are displayed on the screen. Tape Input channel (TAPE 1 through 16) I/O option ANALOG[...]

  • Page 354

    244 Specifications 02R User ’ s Guide Outputs Routing BUS 1 through 8. ST Solo ON/OFF Pre fader / After pan Meter Peakhold: ON/OFF 12 points displays of the pre-EQ / post-EQ / post-fader levels of all channel input are displayed on the screen. STEREO OUT Dynamics (parameters are the same as MIC/LINE input dynamics.) 4 band parametric equalizer (p[...]

  • Page 355

    Specifications 245 02R User ’ s Guide Libraries STUDIO MONITOR OUT Select switch AUX5 / AUX6 / C-R / ST_ D/A converter 18bit linear / 8 times oversampling Level control TALKBACK Talkback ON/OFF Slate ON/OFF Level control A/D converter 16 bit linear / 64 times oversampling Internal Digital Effector (EFFECT 1, 2) Number of factory presets 40 Number[...]

  • Page 356

    246 Specifications 02R User ’ s Guide Input Specifications *1 Sensitivity is the lowest level that will produce an output of +4 dB (1.23V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are maximum position.) *2 XLR type connectors are balanced. (1=GND, 2=HOT, 3=COLD) *3 MIC/LINE INPUT and LINE I[...]

  • Page 357

    Specifications 247 02R User ’ s Guide Output Specifications Dig ital Input and Output Specifications *1 INSERT OUTPUT phone jacks are balanced. (Tip=OUT, Ring=IN, Sleeve=GND) ✳ In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 volts RMS. ✳ In these specifications, when dBV represents are specific [...]

  • Page 358

    248 Specifications 02R User ’ s Guide Dimensions Specifications and external appearance are subject to change without notice. W : 672 H : 211.5 196.5 183.8 15 D : 685[...]

  • Page 359

    Specifications 249 02R User ’ s Guide Options AD/DA I/O Card Specifications Analog Input Analog Output Digital I/O Card Specifications Digital Input/Output *1 Sensitivity is the lowest level that will produce an output of +4 dB (1.23V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are maximum pos[...]

  • Page 360

    250 Specifications 02R User ’ s Guide T roubleshooting If there is any tr ouble, check the situation and follow the corrective actions described below . The power is not turned on. • Did you plug the power cord to a corr ect AC outlet? • Is the POWER switch ON? No sound is produced. • Is the signal coming in from the external device? • Is[...]

  • Page 361

    Specifications 251 02R User ’ s Guide Error Messages Follow the corrective actions described below when the err or messages are shown on the display: Error Message Corrective Action 2TR-D1 No Input! Correct digital signal is not input to 2TR-D1. (C-R monitoring is not available.) 2TR-D2 Cascade Disabled 2TR-D2 cannot be routed to STEREO BUS. (Inc[...]

  • Page 362

    252 Specifications 02R User ’ s Guide Fixed Fragmentation! The automix memory has been corrected. Abnormal data may be generated in the memory if you turn off the power during recording or if incomplete bulk data is received. Frame Drop Out!(#) Time code frame is dropping out. (The count in the parenthesis shows the number of dropping frames.) Fr[...]

  • Page 363

    Specifications 253 02R User ’ s Guide SUB SCI0 Party Err. Consult the nearest YAMAHA service center. SUB SCI0 RxBuf. Full MIDI data being transmitted is too large. SUB SCI0 TxBuf. Full MIDI data being received is too large. SUB SCI1 Framing Err. Check the MIDI connection. SUB SCI1 OverRun Err. Check the MIDI connection. SUB SCI1 Party Err. Check [...]

  • Page 364

    254 Specifications 02R User ’ s Guide[...]

  • Page 365

    Appendix: MIDI 255 02R User ’ s Guide Appendix: MIDI Scene Memory to Program Change Table Program Change # Initial Scene # User Scene # Program Change # Initial Scene # User Scene # Program Change# Initial Scene # User Scene # 1 1 44 44 87 87 2 2 45 45 88 88 3 3 46 46 89 89 4 4 47 47 90 90 5 5 48 48 91 91 6 6 49 49 92 92 7 7 50 50 93 93 8 8 51 51[...]

  • Page 366

    256 Appendix: MIDI 02R User ’ s Guide Parameter to Control Change Table (02R & User Maps) Control Change # Parameter 02R Map User Map 0 NO ASSIGN 1 F ADER CHANNEL MIC 1 2 F ADER CHANNEL MIC 2 3 F ADER CHANNEL MIC 3 4 F ADER CHANNEL MIC 4 5 F ADER CHANNEL MIC 5 6 F ADER CHANNEL MIC 6 7 F ADER CHANNEL MIC 7 8 F ADER CHANNEL MIC 8 9 F ADER CHANN[...]

  • Page 367

    Appendix: MIDI 257 02R User ’ s Guide Control Change # Parameter 02R Map User Ma p 38 F ADER CHANNEL BUS 6 39 F ADER CHANNEL BUS 7 40 F ADER CHANNEL BUS 8 41 ON CHANNEL MIC 1 42 ON CHANNEL MIC 2 43 ON CHANNEL MIC 3 44 ON CHANNEL MIC 4 45 ON CHANNEL MIC 5 46 ON CHANNEL MIC 6 47 ON CHANNEL MIC 7 48 ON CHANNEL MIC 8 49 ON CHANNEL MIC 9 50 ON CHANNEL[...]

  • Page 368

    258 Appendix: MIDI 02R User ’ s Guide Control Change # Parameter 02R Map User Ma p 80 P ANPOT CHANNEL LINE 17 81 P ANPOT CHANNEL LINE 18 82 P ANPOT CHANNEL LINE 19 83 P ANPOT CHANNEL LINE 20 84 P ANPOT CHANNEL LINE 21 85 P ANPOT CHANNEL LINE 22 86 P ANPOT CHANNEL LINE 23 87 P ANPOT CHANNEL LINE 24 88 P ANPOT CHANNEL EFF 1 Lch 89 P ANPOT CHANNEL E[...]

  • Page 369

    Appendix: MIDI 259 02R User ’ s Guide Parameter to Control Change Table (03D & Programmable Mixer 01 Maps) Control Change # Parameter 03D Map Programmable Mix er 01 Map 0 NO ASSIGN F ADER CHANNEL MIC 1 1 F ADER CHANNEL MIC 1 F ADER CHANNEL MIC 2 2 F ADER CHANNEL MIC 2 F ADER CHANNEL MIC 3 3 F ADER CHANNEL MIC 3 F ADER CHANNEL MIC 4 4 F ADER C[...]

  • Page 370

    260 Appendix: MIDI 02R User ’ s Guide Control Change # Parameter 03D Map Programmable Mixer 01 Map 38 P ANPOT CHANNEL MIC 1 ON CHANNEL LINE 17/18 39 P ANPOT CHANNEL MIC 2 ON CHANNEL EFF 1 40 P ANPOT CHANNEL MIC 3 ON CHANNEL EFF 2 41 P ANPOT CHANNEL MIC 4 NO ASSIGN 42 P ANPOT CHANNEL MIC 5 NO ASSIGN 43 P ANPOT CHANNEL MIC 6 ON CHANNEL ST MASTER 44[...]

  • Page 371

    Appendix: MIDI 261 02R User ’ s Guide Control Change # Parameter 03D Map Programmable Mix er 01 Map 80 F ADER CHANNEL LINE 17/18 F ADER A UX 7 SEND MIC 13 81 NO ASSIGN F ADER AUX 7 SEND MIC 14 82 F ADER CHANNEL LINE 19/20 F ADER A UX 7 SEND MIC 15 83 NO ASSIGN F ADER AUX 7 SEND MIC 16 84 F ADER CHANNEL LINE 21/22 F ADER A UX 7 SEND LINE 17/18 85 [...]

  • Page 372

    262 Appendix: MIDI 02R User ’ s Guide MIDI Data Format 1. General remarks 1-1 This section describes the MIDI functionality of the 02R. 1-2 Electrical characteristics and message formats are in compliance with MIDI standar d 1.0. 2. Messages transmitted and received 2-1. Program change T ransmission/reception can be turned ON or OFF using the “[...]

  • Page 373

    Appendix: MIDI 263 02R User ’ s Guide If parameter change reception is ON and a parameter r equest is received on the specified MIDI channel, the contents of the corresponding parameter will be transmitted on the specified MIDI channel r egardless of whether transmission is ON or OFF . If parameter change reception is ON and a parameter change [...]

  • Page 374

    264 Appendix: MIDI 02R User ’ s Guide 5. Receive Condition MIDI CH? MIDI IN MTC IN PARAM R × ON $CnH PROGRAM CHANGE SYSTEM EXCLUSIVE $F0H,$43H,$1nH PARAMETER CHANGE $F0H,$43H,$3nH PARAMETER REQUEST SYSTEM EXCLUSIVE $F0H, $43H, $0nH BULK DUMP $F0H, $43H, $2nH BULK REQUEST $F1H, $ ∗∗ H, MIDI QUARTER FRAME MESSAGE PGM ECHO ON PGM OMNI ON $CnH M[...]

  • Page 375

    Appendix: MIDI 265 02R User ’ s Guide Appendix: MIDI P arameter Change and Request For mat type number: 0 edit buffer( used byte or bit operation format) 1 setup( used byte operation format, request and response for request only) 2 backup( used byte operation format, request and response for request only) 24 recall/store( parameter change only) 2[...]

  • Page 376

    266 Appendix: MIDI 02R User ’ s Guide You can modify two or more continuous bytes by increasing pairs of "data( H)" and "data(L)". You can modify two or more bits in same address data. PARAMETER CHANGE (byte operation for type number 0:edit buffer, 1:setup, 2:backup) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 [...]

  • Page 377

    Appendix: MIDI 267 02R User ’ s Guide instruction number channel 0x00 scene recall 0-96 (memory 0-96) 0 Tx only 0x7e (undo) 0 Tx only 0x01 eq lib recall 0-127 (library 1-128) 0-15(mic1-16) 16-31(tape1-16) 32-35(line) 36,37(eff1,eff2) 38(st mas) 0 64-79(undo mic) Tx only 80-95(undo tape) Tx only 96-99(undo line) Tx only 100,101(undo eff) Tx only 1[...]

  • Page 378

    268 Appendix: MIDI 02R User ’ s Guide PARAMETER CHANGE (key remote) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0001nnnn 1n n=0-15(Tx/Rx Channel No.1-16) MODEL ID 00111101 3d MODEL ID (02R) PARAM TYPE 00011001 19 key remote (type number) DATA 0ddddddd dd0 key No.( H) high 7 bits 0dd[...]

  • Page 379

    Appendix: MIDI 269 02R User ’ s Guide bus send level control ( receive only) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0001nnnn 1n n=0-15(Tx/Rx Channel No.1-16) MODEL ID 00111101 3d MODEL ID (02R) PARAM TYPE 00011001 1A fader remote (type number) DATA 0ddddddd dd0 33 ( bus send le[...]

  • Page 380

    270 Appendix: MIDI 02R User ’ s Guide 00llllll L4 bus8 EOX 11110111 F7 End Of Exclusive surround x,y ( receive only) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0001nnnn 1n n=0-15(Tx/Rx Channel No.1-16) MODEL ID 00111101 3d MODEL ID (02R) PARAM TYPE 00011001 1A fader remote (type nu[...]

  • Page 381

    Appendix: MIDI 271 02R User ’ s Guide ** Scene Memory recall ** DATA 00000000 00 scene memory recall 0mmmmmmm mm mm=0-96(Scene Memory No.0-96,0x7e) ** Scene Memory store ** DATA 00000001 01 scene memory store 0mmmmmmm mm mm=0-96(Scene Memory No.0-96,0x7e) 0ttttttt tt0 memory title #0 0ttttttt tt1 : #1 : 0ttttttt tt16 : #16 ** Automix Memory recal[...]

  • Page 382

    272 Appendix: MIDI 02R User ’ s Guide ** Automix new ** DATA 00010100 14 automix new ** Automix undo ** DATA 00010101 15 automix undo ** automix transport - AUTO-RECORD ** DATA 00011000 18 automix transport(AUTO-RECORD) ** automix transport - RECORD ** DATA 00011001 19 automix transport(RECORD) ** automix transport - PLAY ** DATA 00011010 1A auto[...]

  • Page 383

    Appendix: MIDI 273 02R User ’ s Guide Appendix: MIDI Bulk Dump and Request Format The data format is as following. For example, Internal data: ds,d1,d2,...dx,...de( dx is 1byte data). dxH = (dx / 16) AND 0Fh, dxL = dx AND 0Fh T o calculate the check sum: add the data from BYTE COUNT(LOW) to just before the CHECK SUM, multiplying –1( 2's co[...]

  • Page 384

    274 Appendix: MIDI 02R User ’ s Guide Scene Memory(Extended Data) STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0000nnnn 1n n=0-15(Tx/Rx Channel No.1-16) FORMAT NO. 01111110 7E Universal Bulk Dump BYTE COUNT(H) 00001100 0C Total 1546(768*2+10) BYTE COUNT(L) 00001010 0A 01001100 4C &ap[...]

  • Page 385

    Appendix: MIDI 275 02R User ’ s Guide 00110110 36 '6' 00110111 37 '7' DATA NAME 01000011 43 'C' 00100000 20 DATA 0ddddddd dsH Control Change Assign Table(228*2 byte) 0ddddddd dsL : 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusi[...]

  • Page 386

    276 Appendix: MIDI 02R User ’ s Guide Scene memory transmission from the 02R is possible for programs 1–96 only. Scene Memory Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID (YAMAHA) SUB STATUS 0010nnnn 2n n=0–15(Tx/Rx Channel No.1–16) FORMAT No. 01111110 7E Universal Bulk Dump [...]

  • Page 387

    Appendix: MIDI 277 02R User ’ s Guide DATA 0ddddddd dsH Program Change Table(128x2bytes) 0ddddddd dsL : : 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Program Change Assignment Table Bulk Dump Request Format STATUS 11110000 F0 System Exclusive M[...]

  • Page 388

    278 Appendix: MIDI 02R User ’ s Guide 01001100 4C 'L' 01001101 4D 'M' 00100000 20 ' ' 00100000 20 ' ' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' DATA NAME 01010011 53 'S' 00100000 20 ' ' DATA 0ddddddd dsH Setup Memory(128x2byte[...]

  • Page 389

    Appendix: MIDI 279 02R User ’ s Guide 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Setup Memory Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID (YAMAHA) SUB STATUS 0010nnnn 2n n=0–15(Tx/Rx[...]

  • Page 390

    280 Appendix: MIDI 02R User ’ s Guide Effect library receive is effective for programs 41–128 only. Effect Library Bulk Dump Format STATUS 11110000 F0 System Exclusive Message ID No. 01000011 43 Manufacturer's ID No.(YAMAHA) SUB STATUS 0000nnnn 0n n=0–15(Tx/Rx Channel No.1–16) FORMAT No. 01111110 7E Universal Bulk Dump BYTE COUNT (HIGH[...]

  • Page 391

    Appendix: MIDI 281 02R User ’ s Guide Effect library transmission from the 02R is possible for programs 41–128 only. 01001100 4C 'L' 01001101 4D 'M' 00100000 20 ' ' 00100000 20 ' ' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' DATA NAME 01000101 45[...]

  • Page 392

    282 Appendix: MIDI 02R User ’ s Guide Equalizer library receive is effective for programs 33–128 only. Equalizer library transmission from the 02R is possible for programs 33–128 only. CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+dsH+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Equalizer Library Bulk Dump Request F[...]

  • Page 393

    Appendix: MIDI 283 02R User ’ s Guide Dynamics library receive is effective for programs 41–128 only. Dynamics library transmission from the 02R is possible for programs 41–128 only. DATA NAME 01011001 59 'Y' 0mmmmmmm mm m=0–127(Dynamics Library No.1–128) DATA 0ttttttt tt title1 : : 0ttttttt tt title16 0ddddddd dsH Dynamics Libr[...]

  • Page 394

    284 Appendix: MIDI 02R User ’ s Guide BYTE COUNT (HIGH/LOW) 00000000 00 122(48x2+16+10)bytes 01111010 7A 01001100 4C 'L' 01001101 4D 'M' 00100000 20 ' ' 00100000 20 ' ' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' DATA NAME 01001000 48 'H'[...]

  • Page 395

    Appendix: MIDI 285 02R User ’ s Guide DATA NAME 01001001 49 'I' 0mmmmmmm mm mm=0-63(Channel Library No.1-64) DATA 0ddddddd dsH Channel Library Extended Memory(14*2 byte) 0ddddddd dsL : 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh EOX 11110111 F7 End Of Exclusive Channel Libra[...]

  • Page 396

    286 Appendix: MIDI 02R User ’ s Guide 01001100 4C 'L' 01001101 4D 'M' 00100000 20 ' ' 00100000 20 ' ' 00111000 38 '8' 01000001 41 'A' 00110110 36 '6' 00110111 37 '7' DATA NAME 01000001 41 'A' 0000mmmm 0m m=0–15(Automix No.1–16) DATA 0xxxxxxx xx block cou[...]

  • Page 397

    Appendix: MIDI 287 02R User ’ s Guide 00110110 36 '6' 00110111 37 '7' DATA NAME 01100001 61 'a' 0mmmmmmm mm mm=0-15(Automix No.1-16) DATA 0ddddddd dsH Automix Memory-compact(1024*2 byte) 0ddddddd dsL : 0ddddddd deH 0ddddddd deL CHECK SUM 0eeeeeee ee ee=(INVERT('L'+'M'+...+deL)+1) AND 7Fh EOX 11110[...]

  • Page 398

    288 Appendix: MIDI 02R User ’ s Guide[...]

  • Page 399

    Glossary 289 02R User ’ s Guide Glossar y A/D converter —The conversion of analog signals into digital signals. The analog signal is sampled every few milliseconds and its level is quantized into a digital word. The lar ger the digital word, the more accurate the repr esentation of the analog value. See Quantization and Sampling frequency . The[...]

  • Page 400

    290 Glossary 02R User ’ s Guide Bit —A single unit of digital data. It can have a value of 1 or 0. Bulk Dump —A MIDI function that allow the transfer of system specific data, such as sample files or mixer settings, between MIDI capable devices. The data are transmitted as MIDI System Exclusive messages. Bus —A circuit that connects the in[...]

  • Page 401

    Glossary 291 02R User ’ s Guide Dither —Dithering is a mathematical process wher e a random noise is added to the least significant bit of a digital word. W ith very low level signals, the quantization error becomes corr elated to the signal level. This creates a measurable amount of distortion. By adding dither , the correlation between the s[...]

  • Page 402

    292 Glossary 02R User ’ s Guide Expander —An expander is another form of automatic level control. By attenuating the signal below the threshold, the expander r educes low-level noise or expands the dynamic range of the recor ded material. See Dynamics Processor F (frequency) —The center frequency of an EQ band. See EQ . Fader calibration —T[...]

  • Page 403

    Glossary 293 02R User ’ s Guide Modulation —Using a low frequency oscillator (LFO) to contr ol a signal’s frequency (pitch) or amplitude (level). The internal ef fects programs use modulation for a number of their programs. See Internal Effects . Nyquist Sampling Theorem —This theorem defines the pr ocess of sampling audio with a digital s[...]

  • Page 404

    294 Glossary 02R User ’ s Guide Routing —The process of assigning input or tape and ef fect returns to the output buses or the stereo bus. Sampling frequency —The rate at which measurements of an audio signal are taken during A/D and D/A conversion. Once in the digital domain, the data usually remains at the same sampling fr equency . The mea[...]

  • Page 405

    Glossary 295 02R User ’ s Guide References and Fur ther Reading • Introducing Digital Audio , Ian R Sinclair , second edition, PC Publishing, 1992. • Practical Recording T echniques , Bruce and Jenny Bartlett, Sams, 1992. • Principles of Digital Audio , Ken C. Pohlmann, Howard W .Sams & Co, 1989. • The Art of Digital Audio , John W at[...]

  • Page 406

    296 Glossary 02R User ’ s Guide[...]

  • Page 407

    297 02R User ’ s Guide Inde x +48V switches 26 02R block diagram 15 dimensions 248 front panel 2 initializing 215 MIDI remote 171 options 218 rear panel 11 03D MIDI remote 173 parameter to control change assign 164 2+2 surround pan 65 20dB pad switches 27 24-bit recording 204 2TR IN ANALOG connectors 12 2TR IN DIGITAL connectors 14 3+1 surround p[...]

  • Page 408

    298 02R User ’ s Guide Compressor 77 Condenser mics 26 CONFIGURATION buttons 18 Connectors 2TR IN ANALOG 12 2TR IN DIGITAL 14 AUX SEND 11 C-R MONITOR OUT 12 input specifications 246 INSERT 12 METER 13 output specifications 247 STEREO OUT ANALOG 12 STEREO OUT DIGITAL 13 STUDIO MONITOR OUT 11 TIME CODE INPUT 13 TO HOST 13 WORD CLOCK 13 Consumer for[...]

  • Page 409

    299 02R User ’ s Guide I I/O cards 218 ADAT 227 AES/EBU cards 225 analog card 224 Tascam 234 ID setting, cascade 192 Initial data 129 Initial Data Nominal 200 Initializing the 02R 215 Input channel delay 34 Input patching 206 Input signal select 190 INSERT connectors 12 Insert Tx Bulk Wait 199 Installing I/O cards 221 Internal wordclock 188 K KEY[...]

  • Page 410

    300 02R User ’ s Guide METER 1/2 41 METER 2/2 41 METER 3/3 42 MIDI 1/5 159 MIDI 2/5 160 MIDI 3/5 161 MIDI 4/5 164 MIDI 5/5 166 PAIR 1/2 184 PAIR 2/2 185 PAN 1/1 36 PHASE 1/1 33 ROUTING 1/2 39 ROUTING 2/2 65 ROUTING 3/4 67 ROUTING 4/4 69 SCENE 1/5 131 SCENE 2/5 135 SCENE 3/5 136 SCENE 4/5 206 SCENE 5/5 204 SETUP 1/4 196 SETUP 2/4 203 SETUP 3/4 198[...]

  • Page 411

    301 02R User ’ s Guide general 240 input connections 246 inputs 241 libraries 245 options 249 output channels 244 output connections 247 Stereo channel inputs 12 STEREO OUT ANALOG connectors 12 STEREO OUT DIGITAL connectors 13 Stereo width 37 ST LINK 72 STOP icon, automix 147 Store Confirmation 198 Storing automixes 148 channel programs 48 dynami[...]

  • Page 412

    02R [Digital Recording Console] Model: YAMAHA MIDI Implementation Chart Version: 2.0 Date: 20-June-1997 Mode 4:OMNI OFF,MONO Mode 2:OMNI ON,MONO x:No o:Yes Mode 3:OMNI OFF,POLY Mode 1:OMNI ON,POLY *2 : Bulk Dump/Request and Parameter Change/Request *1 : For program 1–128, memory #0 –#96 is selected. MTC quarter frame message is recognized (MTC [...]

  • Page 413

    123456789 1 0 1 1 1 2 1 3 1 4 1 5 1 6 123456789 1 0 1 1 1 2 1 3 1 4 1 5 1 6 123456 17 18 19 20 21 22 23 24 123456789 1 0 1 1 1 2 1 3 1 4 1 5 1 6 A/B 20dB GAIN INST. GAIN INST. TRACK TRACK MIC/LINE TAPE LINE AUX SEND TO RETURN TO PROJECT DATE SCENE AUTOMIX A B A B A B A B A B A B A B A B OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON[...]

  • Page 414

    Y AMAHA CORPORA TION P .O. Box 1, Hamamatsu, Japan DIGITAL RECORDING CONSOLE E VZ50230 R0 1 IP 416 ° ° ° ° ° ° E DIGITAL RECORDING CONSOLE Version 2 97 07 5000 AP Pr inted in Japan[...]