Yamaha MX200-16 manual

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Table of contents for the manual

  • Page 1

    MIXING CONSOLE T ABLE DE MIXAGE MISCHPUL TE CONSOLA DE MEZCLA Operation Manual Manuel d’instructions Bedienungsanleitung Manual de Operación B A 20dB PEAK –16 –60 GAIN 80 –15 +15 HIGH –15 +15 MID –15 +15 LOW 01 0 AUX 1 0 10 AUX 2 0 10 AUX 3 0 10 AUX 4 LR PAN PFL P O S T P R E 10 5 0 5 10 15 20 30 40 00 12345678 –10dB RR LL 1R 1L/MONO[...]

  • Page 2

    Introduction Thank you for purchasing a Yamaha MX200 Mixing Console. The MX200 series provides an excellent balance of operability, functionality and ease of use. In order to take full advantage of the MX200’s capabilities and enjoy years of trouble-free use, please read this manual carefully. F eatures ● The MX200-8 provides 8 channels of inpu[...]

  • Page 3

    1 P recautions 1. Avoid Excessive Heat, Humidity, Dust and Vibration Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity — such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage. 2. Ventilation The u[...]

  • Page 4

    2 C ontrol panel ■ Channel contr ol section 1 Input selector This button selects the input connector for the channel. When A ( ) is selected, the input signal will be taken from the rear panel INPUT A connector (balanced XLR type). When B ( ) is selected, the input signal will be taken from the rear panel INPUT B con- nector (balanced phone jack)[...]

  • Page 5

    3 7 AUX1–4 controls These knobs control the level of the signals sent to the AUX buses. • The AUX1 and AUX2 controls are pre-fader, and the signal levels sent to the AUX 1 and 2 buses will be un- affected by the channel fader setting. • The AUX3 and AUX 4 controls are post-fader, and the signal levels sent to the AUX 3 and 3 buses will be af-[...]

  • Page 6

    4 ■ Master control section 1 STEREO ON switch This switch turns the ST OUT output on/off. When this switch is off, levels will not be displayed in the ST meters. The MONO OUT signal will be sent regardless of this switch. 2 STEREO L, R master faders These faders adjust the final level of the combined signals from all channels, and send them from [...]

  • Page 7

    5 <HIGH> This knob is a high frequency equalizer that provides 12kHz shelving equalization of the signal input at AUX RETURN. 1 +4dB AUX RETURN AUX 1 LEVEL INV EQ 2BAND EQ 2BAND HIGH LOW R L INV SUM 9 REC OUT control This knob adjusts the output level of the REC OUT jacks (connector 5 ) connected to a tape deck, etc. 0 TAPE IN control This kn[...]

  • Page 8

    6 ■ Connectors INPUT A INPUT B OUT IN INPUT CH INSERT I/O 0dB OUT IN 12345678 12345678 – 10dB RR LL 1R 1L/MONO 2R 2L/MONO 3 1 4 2 LR +4dB – 10dB TAPE IN REC OUT STEREO OUT +4dB AUX RETURN +4dB AUX SEND +4dB MONO OUT 12345678 1 2 3 45 6 7 8 9 MICROPHONE CABLES AND MICROPHONES CONNECTION TO PREVENT HAZARD OR DAMAGE, ENSURE THAT ONLY MICROPHONE [...]

  • Page 9

    7 8 AUX SEND (1, 2, 3, 4) These are unbalanced jacks with a nominal output and im- pedance of +4dB/600 Ω . (AUX 1 and 2 are pre-fader, and AUX 3 and 4 are post-fader.) 9 AUX RETURN (1L/MONO, 1R, 2L/MONO, 2R) These are unbalanced jacks with a nominal input level and impedance of +4dB/10 k Ω . These jacks are usually used to receive the audio ret[...]

  • Page 10

    8 MIXING CONSOLE STEREO OUT AUX SEND1 88 Mic and line input 88 AUX RTN2 AUX RTN1 AUX SEND4 AUX SEND3 AUX SEND2 Cassette Deck or DAT TAPE IN REC OUT Stage monitors Front of house  main speakers Power amp Power amp Graphic EQ Headphone Effects processor Application Example[...]

  • Page 11

    9 Specifications ■ Gener al specifications Maximum output level +24dB (STEREO L/R) @600 Ω , 0.5% THD at 1kHz +24dB (MONO OUT) @600 Ω , 0.5% THD at 1kHz +20dB (AUX SEND) @600 Ω , 0.5% THD at 1kHz Total harmonic distortion < 0.1% @+14dB 20Hz – 20kHz (ST L/R, MONO, AUX SEND @600 Ω ) Frequency response 20Hz – 20kHz +1dB, – 2dB (ST L/[...]

  • Page 12

    10 Dimensions (W × H × D) 449 × 124.6 × 461.7 mm MX200-8 569 × 124.6 × 461.7 mm MX200-12 689 × 124.6 × 461.7 mm MX200-16 929 × 124.6 × 461.7 mm MX200-24 Weight 9.5kg MX200-8 11kg MX200-12 13.5kg MX200-16 17kg MX200-24 0dB=0.775 Vrms ■ Input specifications Input connectors Input impedance Nominal impedance Input level Connector type PAD [...]

  • Page 13

    11 ■ Block and le vel diagr ams PAD OFF PAD ON (dB) (dB) -70 -60 -50 -40 -30 -20 -10 AUX SEND ST MONO 0 +10 AUX STEREO TAPE IN AUX RETURN GAIN MIN GAIN MIN PAD ON GAIN MAX PAD OFF GAIN MAX -70 -60 -50 -40 -30 -20 -10 0 +10 ON METER METER METER METER METER SELECT (AUX SEND 4) (PHONES) (AUX SEND 3) (MONO OUT) (AUX SEND 2) (ST OUT R) (AUX SEND 1) (S[...]

  • Page 14

    12 W 897 657 537 417 929 689 569 449 Wi MX200-12 MX200-24 MX200-16 MX200-8 MODEL D: 461.7 W Wi (54.5) (54.5) H: 124.6 57.3 295 54.5 8 101.2 80.6 ■ Dimensions Units: mm[...]

  • Page 15

    Français T ABLE DE MIXAGE Manuel d ’ instructions[...]

  • Page 16

    Introduction Nous vous remercions d’avoir fait l’acquisition d’une console de mixage MX200 Yamaha. La série MX200 apporte un excellent équilibre entre fonctionnalité et facilité d’emploi. Afin de tirer pleine- ment partie des possibilités du MX200 et de garantir des années d’utilisation sans problème, lire at- tentivement ce manuel[...]

  • Page 17

    1 P récautions 1. Evitez tout emplacement excessivement chaud, hu- mide, poussiéreux ou soumis à des vibrations Ne placez pas l’appareil dans un endroit où il risque d’être exposé à des températures élevées ou une forte humidité (évitez la proximité de radiateurs, poêles, etc). Evitez éga- lement les endroits poussiéreux ou soum[...]

  • Page 18

    2 P anneau de commande ■ Section de contrôle de canal 1 Sélecteur d’entrée Cette touche sélectionne le connecteur d’entrée du canal. Lorsque A ( ) est s é lectionn é , le signal d ’ entr é e est pris à partir du connecteur d ’ entr é e A (INPUT A) (type XLR sym é trique) du panneau arri è re. Lorsque B ( ) est s é lectionn é[...]

  • Page 19

    3 7 Commandes auxiliaires (AUX1 – 4) Ces commandes contr ô lent le niveau des signaux envoy é s aux bus AUX. • Les commandes AUX1 et AUX2 sont pour les pr é - faders, et les niveaux de signaux envoy é s aux bus AUX 1 et aux 2 bus ne sont pas affect é s par le r é glage de fader du canal. • Les commandes AUX3 et AUX4 sont pour les post- [...]

  • Page 20

    4 ■ Section de contr ô le principale 01 0 PHONES – 15 +15 HIGH – 15 +15 LOW 0 10 AUX 1 0 10 LEVEL 0 10 REC OUT 0 10 TAPE IN AUX RETURN 1 AUX RETURN 2 L ST R PHONES MONO ON AFL AFL AFL AFL AFL AUX SEND 4 AUX SEND 3 AUX SEND 2 AUX SEND 1 METER SELECT L ST R 1 AUX 2 MONO PFL/AFL 3 AUX 4 +6 +4 +2 0 – 2 – 4 – 7 – 10 – 15 – 20 – 00 +[...]

  • Page 21

    5 9 Commande de sortie d ’ enregistrement (REC OUT) Cette commande ajuste le niveau de sortie des prises de sortie d ’ enregistrement (REC OUT) (connecteur 5 con- nect é à une platine cassette, etc. 0 Commande d ’ entr é e cassette (TAPE IN) Cette commande ajuste le volume de contr ô le d ’ une pla- tine cassette, etc. connect é e aux [...]

  • Page 22

    6 ■ Connecteurs INPUT A INPUT B OUT IN INPUT CH INSERT I/O 0dB OUT IN 12345678 12345678 – 10dB RR LL 1R 1L/MONO 2R 2L/MONO 3 1 4 2 LR +4dB – 10dB TAPE IN REC OUT STEREO OUT +4dB AUX RETURN +4dB AUX SEND +4dB MONO OUT 12345678 1 2 3 45 6 7 8 9 CONNEXIONS DES MICROPHONES ET DE LEURS C Â BLES POUR É VITER TOUT ENDOMMA- GEMENT, S ’ ASSURER DE[...]

  • Page 23

    7 Les fils cavaliers internes peuvent ê tre chang é s pour d é pla- cer le signal de sortie mono (MONO OUT) de fa ç on à ce qu ’ il soit pris apr è s le fader st é r é o (ST). Si on veut effec- tuer cette modification, consulter votre revendeur. ON ON R L STEREO OUT MONO OUT INV INV SUM SUM SUM INV INV ON ON R L STEREO OUT MONO OUT INV IN[...]

  • Page 24

    8 MIXING CONSOLE Retours de sc è ne Haut-parleurs  de salle Amplificateur Amplificateur Casque STEREO OUT 88 88 AUX RTN2 AUX RTN1 AUX SEND4 AUX SEND3 Platine à bobines, DAT TAPE IN REC OUT Equaliseur  graphique Entr é es ligne et micro Processeur d ’ effets AUX SEND1 AUX SEND2 Ex emple d ’ application[...]

  • Page 25

    9 C ar actéristiques ■ Car actéristiques génér ales Niveau de sortie maximum +24dB (STEREO L/R) @ 600 Ω , DHT 0,5 % à 1kHz +24dB (MONO OUT) @ 600 Ω , DHT 0,5 % à 1kHz +20dB (AUX SEND) @ 600 Ω , DHT 0,5 % à 1kHz Distorsion harmonique totale < 0,1 % @ +14dB 20Hz–20kHz (ST L/R, MONO, AUX SEND @ 600 Ω ) Réponse en fréquence 20Hz[...]

  • Page 26

    10 Mod è le g é n é ral MX200-8 230V CA 50Hz 45W, MX200-12 230V CA 50Hz 55W MX200-16 230V CA 50Hz 65W, MX200-24 230V CA 50Hz 80W Mod è le britannique MX200-8 240V CA 50Hz 45W, MX200-12 240V CA 50Hz 55W MX200-16 240V CA 50Hz 65W, MX200-24 240V CA 50Hz 80W Dimensions (W × H × D) 449 × 124.6 × 461.7 mm MX200-8 569 × 124.6 × 461.7 mm MX200-12[...]

  • Page 27

    11 ■ Sch é mas de connexions et de niv eaux PAD OFF PAD ON (dB) (dB) -70 -60 -50 -40 -30 -20 -10 AUX SEND ST MONO 0 +10 AUX STEREO TAPE IN AUX RETURN GAIN MIN GAIN MIN PAD ON GAIN MAX PAD OFF GAIN MAX -70 -60 -50 -40 -30 -20 -10 0 +10 ON METER METER METER METER METER SELECT (AUX SEND 4) (PHONES) (AUX SEND 3) (MONO OUT) (AUX SEND 2) (ST OUT R) (A[...]

  • Page 28

    12 W 897 657 537 417 929 689 569 449 Wi MX200-12 MX200-24 MX200-16 MX200-8 MODEL D: 461.7 W Wi (54.5) (54.5) H: 124.6 57.3 295 54.5 8 101.2 80.6 ■ Dimensions Unit é : mm[...]

  • Page 29

    Deutsch MISCHPUL TE Bedienungsanleitung Bescheinigung des importeurs Hiermit wird bescheinigt, daß der / die / das MIXING CONSOLE, Typ: MX200-8 MX200-12 MX200-16 MX200-24 (Gerät, Typ, Bezeichnung) in Übereinstimmung mit den Bestimmungen der 82/499/EWG (EG-Richtlinie) funkentstört ist. Der Deutschen Bundespost wurde das Inverkehrbringen dieses G[...]

  • Page 30

    Einleitung Vielen Dank für den Kauf des Yamaha Mischpults MX200. Die Mischpulte der MX200 Serie zeich- nen sich durch eine praktische Anordnung, vielseitige Funktionen sowie eine einfache Bedienung aus und erlauben zahlreiche Anwendungsmöglichkeiten. Um das große Leistungspotential des MX200 voll ausschöpfen zu können und einen störungsfreien[...]

  • Page 31

    1 V orsichtsmaßnahmen 1. Meiden Sie extreme Temperaturen, starke Feuchtig- keit, Staub und Vibrationen Stellen Sie das Pult niemals an einen extrem warme oder feuchten Ort – also niemals in die Nähe eines Heizkörpers, Ofens usw. Meiden Sie außerdem staubige Orte sowie Orte, an denen das Pult starken Vibrationen ausgesetzt ist, die zu mechanis[...]

  • Page 32

    2 Bedienkonsole ■ Eingangskanal-Bedienfeld 1 Eingangsbuchsen-Wahlschalter (A/B) Dieser Schalter dient zur Wahl der Eingangsbuchse für den betreffenden Kanal. Bei ausgerastetem Schalter ( A) wird das Eingangssignal ü ber die symmetrische XLR-Eingangsbuchse (INPUT A) auf der Ger ä ter ü ckseite empfangen. Wird der Schalter eingerastet ( B), wir[...]

  • Page 33

    3 7 AUX-Senderegler (AUX 1 – 4) Mit diesen Reglern k ö nnen Sie das Eingangssignal den vier AUX-Sammelschienen zuweisen und gleichzeitig den Sendepegel bestimmen. • Die Senderegler AUX1 und AUX2 nehmen das Signal vor dem Kanalfader auf, weshalb sich die Stellung des Kanalfaders nicht auf den Sendepegel f ü r die Sammel- schienen AUX1 oder AUX[...]

  • Page 34

    4 ■ Mischkonsole 01 0 PHONES – 15 +15 HIGH – 15 +15 LOW 0 10 AUX 1 0 10 LEVEL 0 10 REC OUT 0 10 TAPE IN AUX RETURN 1 AUX RETURN 2 L ST R PHONES MONO ON AFL AFL AFL AFL AFL AUX SEND 4 AUX SEND 3 AUX SEND 2 AUX SEND 1 METER SELECT L ST R 1 AUX 2 MONO PFL/AFL 3 AUX 4 +6 +4 +2 0 – 2 – 4 – 7 – 10 – 15 – 20 – 00 +6 +4 +2 0 – 2 – 4[...]

  • Page 35

    5 9 Aufnahmepegelregler (REC OUT) Dieser Regler bestimmt den Ausgangspegel an den REC OUT-Buchsen (Anschlu ß 5 ), die f ü r den Anschlu ß von Bandger ä ten usw. vorgesehen sind. 0 Bandwiedergabe-Pegelregler (TAPE IN) Der TAPE IN-Regler stellt den Eingangspegel f ü r die Si- gnale eines Bandger ä ts usw. ein, das an den TAPE IN- Buchsen angesc[...]

  • Page 36

    6 ■ Anschlüsse INPUT A INPUT B OUT IN INPUT CH INSERT I/O 0dB OUT IN 12345678 12345678 – 10dB RR LL 1R 1L/MONO 2R 2L/MONO 3 1 4 2 LR +4dB – 10dB TAPE IN REC OUT STEREO OUT +4dB AUX RETURN +4dB AUX SEND +4dB MONO OUT 12345678 1 2 3 45 6 7 8 9 1 Eingangsbuchsen INPUT A Hierbei handelt es sich um symmetrische XLR-Buchsen. (1: Masse, 2: Spannung[...]

  • Page 37

    7 Durch Umsetzen von internen Ü berbr ü ckungen kann der Signalabgriff f ü r das MONO OUT-Signal hinter die Ste- reo-Fader versetzt werden. Falls Sie dies w ü nschen, wen- den Sie sich bitte an Ihren H ä ndler. ON ON R L STEREO OUT MONO OUT INV INV SUM SUM SUM INV INV ON ON R L STEREO OUT MONO OUT INV INV SUM SUM SUM 8 AUX-Sendebuchsen AUX SEN[...]

  • Page 38

    8 An wendungsbeispiel Mikrofon- und Line-Eing ä nge MIXING CONSOLE STEREO OUT 88 88 AUX RTN2 AUX RTN1 AUX SEND4 AUX SEND3 Tonbandger ä t, DAT TAPE IN REC OUT B ü hnenmonitore Saalbeschallung Endstufe Endstufe Graphischer Equalizer Kopfh ö rer Au ß enbordeffektger ä t AUX SEND1 AUX SEND2[...]

  • Page 39

    9 Spezifikationen ■ Allgemeine Spezifikationen Max. Ausgangspegel +24dB (STEREO L/R) bei 600 Ω , 0,5% Klirrfaktor bei 1kHz +24dB (MONO OUT) bei 600 Ω , 0,5% Klirrfaktor bei 1kHz +20dB (AUX SEND) bei 600 Ω , 0,5% Klirrfaktor bei 1kHz Klirrfaktor <0,1% bei +14dB 20Hz – 20kHz (ST L/R, MONO, AUX SEND bei 600 Ω ) Frequenzgang 20Hz – 20k[...]

  • Page 40

    10 Abmessungen (W × H × D) 449 × 124.6 × 461.7 mm MX200-8 569 × 124.6 × 461.7 mm MX200-12 689 × 124.6 × 461.7 mm MX200-16 929 × 124.6 × 461.7 mm MX200-24 Gewicht 9.5kg MX200-8 11kg MX200-12 13.5kg MX200-16 17kg MX200-24 0dB=0.775 Vrms ■ Eingangsdaten Eingangsbuchsen Eingang Nennim- Eingangspegel Anschlußtyp Dämpfung GAIN simpedanz ped[...]

  • Page 41

    11 ■ Blocksc haltbild und P egeldiagramm PAD OFF PAD ON (dB) (dB) -70 -60 -50 -40 -30 -20 -10 AUX SEND ST MONO 0 +10 AUX STEREO TAPE IN AUX RETURN GAIN MIN GAIN MIN PAD ON GAIN MAX PAD OFF GAIN MAX -70 -60 -50 -40 -30 -20 -10 0 +10 ON METER METER METER METER METER SELECT (AUX SEND 4) (PHONES) (AUX SEND 3) (MONO OUT) (AUX SEND 2) (ST OUT R) (AUX S[...]

  • Page 42

    12 W 897 657 537 417 929 689 569 449 Wi MX200-12 MX200-24 MX200-16 MX200-8 MODEL D: 461.7 W Wi (54.5) (54.5) H: 124.6 57.3 295 54.5 8 101.2 80.6 ■ Abmessungen Einheit: mm[...]

  • Page 43

    Español CONSOLA DE MEZCLA Manual de Operaci ó n[...]

  • Page 44

    Introducción Gracias por su compra de la Consola de Mezclas Yamaha MX200. La serie MX200 proporciona un equilibrio excelente entre operabilidad, funcionalidad y facilidad de uso. Si desea obtener las máximas ventajas de las prestaciones de su MX200 y disfrutar durante años de un funcionamiento sin problemas, lea detenidamente este manual. Presta[...]

  • Page 45

    1 P rec auciones 1. Evite un exceso de calor, humedad, polvo o vibraciones. Mantenga el aparato alejado de lugares donde pueda quedar expuesto a elevadas temperaturas o grados de humedad, como por ejemplo cerca de radiadores, estufas, etc. Evite también los lugares que estén sometidos a una excesiva acumulación de polvo o existencia de vibracion[...]

  • Page 46

    2 P anel de C ontrol ■ Sección de contr ol de canales 1 Selector de entrada Este botón selecciona el conector de entrada para el canal. Cuando se selecciona A ( ), se tomar á la se ñ al de entrada del conector de entrada A (INPUT A) del panel trasero (tipo XLR sim é trico). Cuando se selecciona B ( ), se tomar á la se ñ al de entrada del c[...]

  • Page 47

    3 7 Controles auxiliares 1 – 4 (AUX 1 – 4) Estos mandos controlan el nivel de las se ñ ales enviadas hacia los buses auxiliares (AUX). • Los controles auxiliares 1 y 2 (AUX 1, AUX 2) son controles pre-atenuador, y los niveles de las se ñ ales enviados hacia los buses Auxiliares 1 y 2 no se ver á n afectados por el ajuste del atenuador de c[...]

  • Page 48

    4 ■ Secci ó n de contr ol principal 1 Interruptor de encendido del est é reo (STEREO ON) Este interruptor enciende y apaga la salida estereof ó nica (ST OUT). Cuando este interruptor est á apagado, no se visualizar á n los niveles en los medidores estereof ó nicos (ST). La se ñ al de la salida monoaural se enviar á independientemente de l[...]

  • Page 49

    5 <ALTO> Este mando es un equalizador de alta frecuencia que facilita una equalizaci ó n de declive de 12kHz de la entrada de se ñ al hacia los retornos auxiliares (AUX RETURN). 1 +4dB AUX RETURN AUX 1 LEVEL INV EQ 2BAND EQ 2BAND HIGH LOW R L INV SUM 9 Control salida de grabaci ó n (REC OUT) Este mando ajusta el nivel de salida de las toma[...]

  • Page 50

    6 ■ Conectores INPUT A INPUT B OUT IN INPUT CH INSERT I/O 0dB OUT IN 12345678 12345678 – 10dB RR LL 1R 1L/MONO 2R 2L/MONO 3 1 4 2 LR +4dB – 10dB TAPE IN REC OUT STEREO OUT +4dB AUX RETURN +4dB AUX SEND +4dB MONO OUT 12345678 1 2 3 45 6 7 8 9 1 Entrada A (INPUT A) Son conectores tipo XLR. (1: manguito, 2: caliente, 3: fr í o) Aqu í se pueden[...]

  • Page 51

    7 8 Env í os auxiliares (1, 2, 3, 4) (AUX SEND, 1, 2, 3, 4) Se trata de tomas no sim é tricas que tienen una salida nominal e impedancia nominal de +4dB/600 Ω . (Los env í os auxiliares 1 y 2 son pre-atenuador y los 3 y 4 son post-atenuador). 9 Retornos auxiliares (AUX RETURN) (1L/MONO, 1R, 2L/MONO, 2R) Se trata de tomas no sim é tricas que t[...]

  • Page 52

    8 Micr ó fonos, l í nea entradas MIXING CONSOLE STEREO OUT 88 88 AUX RTN2 AUX RTN1 AUX SEND4 AUX SEND3 Platina de cinta o DAT TAPE IN REC OUT Monitores de escenario Altavoces principales frente al edificio Amplificador de potencia Amplificador de potencia Ecualizador gr á fico Auriculares Procesador de efectos AUX SEND1 AUX SEND2 Ejemplo aplicab[...]

  • Page 53

    9 Especificaciones ■ Especificaciones gener ales Nivel m á ximo de salida +24dB (STEREO L/R) @600 W, 0,5% DAT a 1kHz +24dB (MONO OUT) @600 W, 0,5% DAT a 1kHz +20dB (AUX SEND) @600 W, 0,5% DAT a 1kHz Distorsi ó n arm ó nica total <0,1% @+14dB* 20Hz – 20kHz (ST L/R, MONO, AUX SEND @600 Ω ) Respuesta en frecuencia 20Hz-20kHz +1dB, – 2dB [...]

  • Page 54

    10 General MX200-8 230V CA 50Hz 45W, MX200-12 230V CA 50Hz 55W MX200-16 230V CA 50Hz 65W, MX200-24 230V CA 50Hz 80W Gran Breta ñ a MX200-8 240V CA 50Hz 45W, MX200-12 240V CA 50Hz 55W MX200-16 240V CA 50Hz 65W, MX200-24 240V CA 50Hz 80W Dimensiones (W × H × D) 449 × 124.6 × 461.7 mm MX200-8 569 × 124.6 × 461.7 mm MX200-12 689 × 124.6 × 461.[...]

  • Page 55

    11 ■ Diagr amas de bloque y de ni vel PAD OFF PAD ON (dB) (dB) -70 -60 -50 -40 -30 -20 -10 AUX SEND ST MONO 0 +10 AUX STEREO TAPE IN AUX RETURN GAIN MIN GAIN MIN PAD ON GAIN MAX PAD OFF GAIN MAX -70 -60 -50 -40 -30 -20 -10 0 +10 ON METER METER METER METER METER SELECT (AUX SEND 4) (PHONES) (AUX SEND 3) (MONO OUT) (AUX SEND 2) (ST OUT R) (AUX SEND[...]

  • Page 56

    12 W 897 657 537 417 929 689 569 449 Wi MX200-12 MX200-24 MX200-16 MX200-8 MODEL D: 461.7 W Wi (54.5) (54.5) H: 124.6 57.3 295 54.5 8 101.2 80.6 ■ Dimensions Unidades: mm[...]

  • Page 57

    YAMAHA CORPORATION R0 1 IP Printed in Korea P.O.Box 1, Hamamatsu, Japan[...]