Yamaha CVP-210 manual

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What should a perfect user manual contain?

First and foremost, an user manual of Yamaha CVP-210 should contain:
- informations concerning technical data of Yamaha CVP-210
- name of the manufacturer and a year of construction of the Yamaha CVP-210 item
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- safety signs and mark certificates which confirm compatibility with appropriate standards

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Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Yamaha CVP-210 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Yamaha CVP-210, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Yamaha service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Yamaha CVP-210.

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Table of contents for the manual

  • Page 1

    Introduction SPECIAL MESSA GE SECTION PR ODUCT SAFETY MARKINGS: Y amaha electronic products may hav e either labels similar to the graphics sho wn below or molded/stamped f acsimiles of these graphics on the enclosure. The e xplanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in [...]

  • Page 2

    3 CVP-210/208 åÖêõ ÅÖáéèÄ ëçéëíà ÇçàåÄ íÖãúçé èêé óàí ÄâíÖ, èêÖÜÑÖ óÖå èêàëí ìèÄ íú ä ùä ëèãì Ä í Äñàà * ëÓı‡ÌËÚ ˝ ÚÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓ ÊÌÓ ·˚ÎÓ Ó·‡ÚËÚ¸Òfl Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂȯÂÏ. èêÖÑìèêÖÜÑÖ[...]

  • Page 3

    CVP-210/208 4 • èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï Í ÓÏÔÓÌÂÌÚ‡Ï, ÒΉÛÂÚ ÓÚÍβ˜ËÚ¸ Ëı ÓÚ ÒÂÚË. èÂ‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ ˝ ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏË[...]

  • Page 4

    5 CVP-210/208 Å·„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍ Û ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í ÓÔÓ‡ˆËË Yamaha! êÂÍ ÓÏẨÛÂÏ ‚ÌËχÚÂθÌÓ ÓÁÌ‡Í ÓÏËÚ¸Òfl Ò ‰‡ÌÌ˚Ï ÛÍ Ó‚Ó‰ÒÚ‚ÓÏ, ˜ÚÓ·˚ ÔÓ ÎÛ˜ËÚ¸ Ì‡Ë·Ó Î ÔÓ ÎÌÓ Ô‰ÒÚ‡?[...]

  • Page 5

    CVP-210/208 6 ÑÓÔÓ ÎÌËÚ Â Î¸Ì˚ ÔË̇‰ ÎÂÊÌÓÒ ÚË ■ 燷Ó ‰ËÒÍÓ‚ Ë Ô‡ÚËÚÛ «50 greats for the Piano» ■ á‡ÔËÒ˚‚‡ÂÏ˚È ‰ËÒÍ àÒÔÓθÁÛÈÚ ˝ ÚÓÚ ‰ËÒÍ ‰Îfl ÒÓ ı‡ÌÂÌËfl ̇ ÌÂÏ Ò‚ÓËı Á‡ÔËÒÂÈ. ■ êÛÍÓ‚Ó‰ÒÚ?[...]

  • Page 6

    7 CVP-210/208 • çËÍÓ„‰‡ Ì Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌËχڸ ‰ËÒÍ ÂÚÛ ËÎË ‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ‚Ó ‚ÂÏfl Á‡ÔËÒË ‰‡ÌÌ˚ı. ùÚÓ ÏÓ Ê ÂÚ ÔÓ‚‰ËÚ¸ ‰ËÒÍ ÂÚÛ, ‡ ËÌÓ„‰‡ Ë ‰ËÒÍÓ‚Ó‰. å‰ÎÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ ‰ËÒ?[...]

  • Page 7

    CVP-210/208 8 ëÓÓ·˘ÂÌËfl ̇ ˝Í‡Ì àÌÓ„‰‡ ‰Îfl ӷ΄˜ÂÌËfl ‚˚ÔÓÎÌÂÌËfl ÓÔÂ‡ˆËË Ì‡ ˝Í‡Ì ÔÓ fl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË (ËÌÙÓχˆËfl ËÎË ‚ÓÔÓÒ). èË ÔÓfl‚ÎÂÌËË Ú‡Í Ó„Ó ÒÓÓ·˘ÂÌËfl ‰ÓÒÚ‡ÚÓ ˜ÌÓ ?[...]

  • Page 8

    9 CVP-210/208 é„ Î‡‚ÎÂÌË ǂ‰ÂÌË .................................................. 2 SPECIAL MESSAGE SECTION .................................................... 2 åÖêõ ÅÖáéèÄëçéëíà............................................................. 3 é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ë Ò[...]

  • Page 9

    CVP-210/208 10 éÚÓ·‡ÊÂÌË ÌÓÚ: Ô‡ÚËÚÛ‡ ................................................ 84 éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË .................................................... 87 ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚ?[...]

  • Page 10

    11 CVP-210/208 ǂ‰ÂÌË ä‡ÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË – Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÈ í ÂÏ·˚ ëÚËÎË ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓ Î¸ÁÓ?[...]

  • Page 11

    CVP-210/208 12 ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ ùÚÓÚ Û͇Á‡ÚÂθ ÏÓ Ê ÂÚ ÔË„Ó‰ËÚ¸Òfl ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò ÓÔËÒ‡ÌËÂÏ ÌÂflÒÌÓ„Ó ‚ÓÔÓÒ‡. èÓÒÎۯ˂‡ÌË èÓÒÎۯ˂‡ÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ[...]

  • Page 12

    13 CVP-210/208 àÒÔÓ Î¸ÁÓ‚‡ÌË ÏËÍÓÙÓ̇ èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ....................................... «èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN)» ̇ ÒÚ. 155 Ä‚ÚÓχÚ˘ÂÒ͇fl „‡ÏÓÌËÁ‡ˆËfl ÔÂÌËfl ...[...]

  • Page 13

    CVP-210/208 14 POWER METRONOME MASTER VOLUME STYLE ACMP AUTO FILL IN OTS LINK BREAK INTRO MAIN ST ART STOP ON MIN MAX OFF ENDING rit. TA P TEMPO REW REPEA T TOP FF REC MIC. SIGNAL OVER FADE IN OUT DEMO HELP FUNCTION SOUND CREA TOR DIGIT AL RECORDING MIXING CONSOLE BALANCE CHANNEL ON OFF TRANSPOSE TEMPO SYNC.STOP ST ART STOP PA RT PA RT A E D C B DI[...]

  • Page 14

    15 CVP-210/208 F J I 2345678 EXIT BACK NEXT VOICE P ART PIANO ON OFF HARMONY ECHO LEFT HOLD MONO H G LA YER PIANO & HARPSI. E. PIANO PERCUSSION GUIT AR BASS ORGAN FLUTES ORGAN & ACCORDION BRASS WOODWIND CHOIR & P AD SYNTH. XG USER STRINGS LEFT DA T A ENTRY FREEZE MEMORY 1 14 3 2 34 7 58 6 2 ENTER VOICE EFFECT VOICE MUSIC FINDER ONE TOCT[...]

  • Page 15

    CVP-210/208 16 ç‡Ò ÚÓÈ͇ ˆËÙ Ó‚Ó„ Ó ÔˇÌËÌÓ Clavinova ■ óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚ Í˚¯ÍÛ Ë ÔÓ‰‚Ë̸ ڠ ‚ÔÂ‰. ■ óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: èÓÚflÌ?[...]

  • Page 16

    17 CVP-210/208 èÓ‰Íβ˜ÂÌË ͇·ÂÎfl ÔËÚ‡ÌËfl 1 ÇÒÚ‡‚¸ Ú ӉËÌ ÍÓ̈ ͇·ÂÎfl ‚ ‡Á˙ÂÏ AC INLET ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ‡ ‰Û„ÓÈ — ‚ ÓÁÂÚÍÛ. Ç ÌÂÍÓ ÚÓ˚ı ÒÚ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓ ÊÂÚ ‚ı[...]

  • Page 17

    CVP-210/208 18 è‡Ì θ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ POWER äÌÓÔ͇ [ON / OFF] (POWER) ............................................................... ëÚ. 17 METRONOME äÌÓÔ͇ [START / STOP] (METRONOME) ........................................... ëÚ. 54 MASTER VOLUME ÑËÒÍ ÛÔ‡‚ÎÂÌËfl „?[...]

  • Page 18

    19 CVP-210/208 VOICE äÌÓÔÍË VOICE ...................................................................................... ëÚ. 58 MUSIC FINDER äÌÓÔ͇ [MUSIC FINDER] ..................................................................... ëÚ. 73 ONE TOUCH SETTING äÌÓÔÍË [1] – [4] (ONE TOUCH SETTING) ........................[...]

  • Page 19

    äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 20 ä‡ ÚÍ Ó  ÛÍÓ‚Ó‰Ò Ú‚Ó . . . . . . . . . . . . . . . . . . . . . . . . . . . . . èÓË„˚‚‡ÌË ‰ ÂÏÓÌÒ Ú‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÒÓ‰ÂÊËÚ ÏÌÓ ÊÂÒÚ‚Ó ‚ÒÚÓÂÌÌ˚ı ‰ÂÏÓÌ[...]

  • Page 20

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 21 ÇÓÒÔÓËÁ‚‰ ÂÌË ÔÂÒÌË ÇÒ ‚ÓÁÏÓ ÊÌÓÒÚË ÔÓÚflÒ‡˛˘Ëı ÚÂÏ·Ó‚, ˝ÙÙÂÍÚÓ‚, ËÚÏÓ‚, ÒÚËÎÂÈ Ë ‰Û„Ëı ÒÎÓ ÊÌ˚ı ‡Î„ÓËÚÏÓ‚ ˆËÙÓ‚Ó„Ó Ôˇ[...]

  • Page 21

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 22 2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Open, ̇ÊÏËÚ ÍÌÓÔÍÛ [A]. ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÓÚÓ·‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌ[...]

  • Page 22

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 23 4 óÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ÔÂÒÌË, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J]. 5 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]. 6 èÓÔÓ·ÛÈÚ ËÒÔÓÎ?[...]

  • Page 23

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 24 7 à, ̇ÍÓ̈, ÔÓÔÓ·ÛÈÚ Ò·fl ‚ Ó ÎË Á‚ÛÍ ÓÂÊËÒÒÂ‡, ÍÓ ÚÓÓÏÛ Ô‰ÒÚÓËÚ ÒÏËͯËÓ‚‡Ú¸ ÚÓÎ¸Í Ó ˜ÚÓ Á‡ÔËÒ‡ÌÌÛ˛ ÍÓÏÔÓÁËˆË˛. ùÚË ˝ ÎÂÏÂÌ[...]

  • Page 24

    à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ· äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 25 à„‡ ‚ ‚˚·‡ÌÌÓÏ Ú ÂÏ· ñËÙÓ‚Ó ÔˇÌËÌÓ ÒÓ‰ÂÊËÚ ·Ó Π800 ‰Ë̇Ï˘Ì˚ı, ‡ÎËÒÚ˘Ì˚ı ÚÂÏ·Ó‚ Ò ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ. èÓÔÓ·ÛÈÚ[...]

  • Page 25

    à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ· äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 26 3 Ç˚·ÂËÚ ÚÂÏ·. 4 éˆÂÌËÚ Á‚Û˜‡ÌË ÚÂÏ·Ó‚. äÓ̘ÌÓ, ‚˚ ÏÓ ÊÂÚ ҇ÏË ÔÓÔÓ·Ó‚‡Ú¸ ÔÓË„‡Ú¸ ÚÂÏ ËÎË ËÌ˚Ï ÚÂÏ·ÓÏ. é‰Ì‡Í Ó ÒÛ˘ÂÒÚ‚Û[...]

  • Page 26

    à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ· äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 27 ê ‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË 1 óÚÓ·˚ ‚Íβ˜ËÚ¸ ˜‡ÒÚ¸ LEFT, ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE PART ON/OFF [LEFT]. 2 óÚÓ·˚ ‚˚·‡Ú¸ ˜‡ÒÚ¸ LEFT, ̇ÊÏËÚ ÍÌ[...]

  • Page 27

    ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 28 ÇÓÒÔÓËÁ‚‰ ÂÌËÂ Ò ÚËÎÂÈ ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ӷ·‰‡ÂÚ Ó„ÓÏÌ˚Ï ÍÓ Î˘ÂÒÚ‚ÓÏ ÏÛÁ˚͇θÌ˚ı «ÒÚËÎÂÈ», Í ÓÚÓ˚ ÏÓ ÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ?[...]

  • Page 28

    ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 29 3 ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP. ᇉ‡ÌÌ˚È Î‚˚È ‡Á‰ÂÎ Í·‚ˇÚÛ˚ ÓÚ‚Ó‰ËÚÒfl ÔÓ‰ ‡‚ÚÓ‡ÍÍ ÓÏÔ‡ÌÂÏÂÌÚ. ÇÁflÚ˚ ‚ ÌÂÏ ‡ÍÍÓ‰˚ ‡‚ÚÓχÚ˘ÂÒÍË ?[...]

  • Page 29

    ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 30 ó‡ÒÚË ÒÚËÎfl ä‡Ê‰˚È ÒÚËθ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÓÒÚÓËÚ ËÁ «˜‡ÒÚÂÈ». èÓÒÍ Ó Î¸ÍÛ Í‡Ê‰‡fl ËÁ ÌËı fl‚ÎflÂÚÒfl ËÚÏ˘ÂÒÍÓÈ ‚‡ˇˆËÂÈ ·‡Á?[...]

  • Page 30

    ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 31 8 ÖÒÎË ÌÂÓ·ı Ó‰ËÏÓ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILL IN]. ÇÒÚ‡‚ÍË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û ÙË„Û‡?[...]

  • Page 31

    ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 32 ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ì ‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚Ó ÎflÂÚ ‚˚Á˚‚‡Ú¸ ̇·Ó Ô‡‡ÏÂÚÓ‚, Ì‡Ë·Ó Î ÒÓ[...]

  • Page 32

    îÛÌ͈Ëfl Music Finder äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 33 îÛÌ͈Ëfl Music Finder ÖÒÎË Ú·ÛÂÚÒfl ‚ÓÒÔÓËÁ‚ÂÒÚË ÓÔ‰ÂÎÂÌÌÛ˛ ÔÂÒÌ˛, ‡ ‚˚ Ì Á̇ÂÚÂ, Í‡Í ÎÛ˜¯Â ‚ÒÂ„Ó Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚ ÚÂÏ·‡ Ë ÒÚËÎfl, Music Find[...]

  • Page 33

    îÛÌ͈Ëfl Music Finder äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 34 èÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder Music Finder, ÔÓÏËÏÓ ÔӘ„Ó, ӷ·‰‡ÂÚ Û ‰Ó·ÌÓÈ ÙÛÌ͈ËÂÈ ÔÓËÒ͇. Ç˚ Á‡‰‡ÂÚ ̇Á‚‡ÌË ÔÂÒÌË ËÎË Íβ˜Â‚Ó ÒÎÓ‚Ó Ë Ò‡ÁÛ ?[...]

  • Page 34

    îÛÌ͈Ëfl Music Finder äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 35 7 Ç˚·ÂËÚ Á‡ÔËÒ¸ (ÒÏ. ¯‡„ 2 ̇ ÒÚ. 33) Ë ÔÓÔÓ·ÛÈÚ ÔÓË„‡Ú¸ Ò ‚Íβ˜ÂÌÌ˚Ï ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT[...]

  • Page 35

    èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒfl äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 36 èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒfl èÓ‰˚„˚‚‡ÂÏ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova Ç‡Ï Ô‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òfl ‚˚Íβ˜‡Ú¸ ËÎË Á‡„Î?[...]

  • Page 36

    èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒfl äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 37 á‡ÔËÒ¸ Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ËÏÂÂÚÒfl ÔÓÒÚ‡fl Ë Û ‰Ó·Ì‡fl ÙÛÌ͈Ëfl Á‡ÔËÒË. èÓÔÓ·ÛÂÏ Á‡ÔËÒ‡Ú¸ ˜ÚÓ-ÌË·Û ‰¸ Ò Í·‚ˇÚÛ?[...]

  • Page 37

    èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒfl äaÚÍÓ ÛÍ Ó‚Ó‰ÒÚ‚Ó 38 ê ‡Áۘ˂‡ÌË ‚‡¯Ëı β·ËÏ˚ı ÔÂÒÂÌ Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ÒÚÓÂÌÓ ÌÂÒÍÓ Î¸Í Ó Ó˜Â̸ ÔÓ ÎÂÁÌ˚ı Ù ÛÌ͈ËÈ Ó·Û˜ÂÌËfl, ÍÓ ÚÓ˚Â[...]

  • Page 38

    39 CVP-210/208 éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË: Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı äÓ„‰‡ ‚Íβ˜‡ÂÚÒfl ÔËÚ‡ÌËÂ, ÔÓ fl‚ÎflÂÚÒfl „·‚Ì˚È ˝Í‡Ì MAIN Ò ‚‡ÊÌÓÈ ËÌÙÓχˆËÂÈ Ó· ÓÔÂ‡ˆËflı. ÖÒÎË Ì‡Ê‡Ú¸ ̇ ˝Í‡Ì MAIN ÍÌÓÔÍË [A][...]

  • Page 39

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı CVP-210/208 40 Ç CVP-210/208 ËÒÔÓθÁÛ˛ÚÒfl ‰‡ÌÌ˚ ‡ÁÌ˚ı ÚËÔÓ‚: ÚÂÏ·˚, ÒÚËÎË ‡ÍÍ ÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÒÌË Ë Ì‡·Ó˚ Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. åÌÓ?[...]

  • Page 40

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı 41 CVP-210/208 èËÏÂ. ùÍ‡Ì Open/Save ç‡ Í‡Ê‰ÓÏ ˝Í‡Ì Open/Save ÂÒÚ¸ ÚË ÒÚ‡Ìˈ˚ ‡Á‰ÂÎÓ‚ Ô‡ÏflÚË: PRESET , USER Ë FLOPPY DISK . Ç Ô˂‰ÂÌÌ˚ı ÔËÏÂ‡ı ÔÓ͇Á‡Ì ˝Í[...]

  • Page 41

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı CVP-210/208 42 ■ î‡ÈÎ˚ Ë ‡Á‰ÂÎ˚ BACK NEXT ê ‡Á‰ÂÎ PRESET á‡ÔËÒ¸ Ì‚ÓÁÏÓ Ê̇ Voice Style Song MIDI Template MIDI Setup User Effect Music Finder Main Display Picture Lyrics Background Picture ê ‡Á‰ÂÎ USER Voice Style Song Re[...]

  • Page 42

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı 43 CVP-210/208 ■ îÛÌ͈ËË Ë ‡Á‰ÂÎ˚ Ô‡ÏflÚË Voice Style One Touch Setting Registration Memory Music Finder á‡ÔËÒ¸ System Setup Song ç‡ÒÚÓÈÍË MIDI User Vocal Harmony User Effect User Master EQ Voice Style Registration Memory Bank Mus[...]

  • Page 43

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı CVP-210/208 44 Ç˚·ÂËÚ ӉËÌ ËÁ Ù‡ÈÎÓ‚ ̇ ˝Í‡ÌÂ. Ç ˝ÚÓÏ ÔËÏÂ ‚˚·ÂÂÏ Ù‡ÈÎ ÚÂÏ·‡. ë̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE [PIANO & HARPSI] ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ÒÓ [...]

  • Page 44

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı 45 CVP-210/208 Ç˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ î‡ÈÎ‡Ï Ë Ô‡ÔÍ‡Ï ÏÓ ÊÌÓ ÔËÒ‚‡Ë‚‡Ú¸ ËÏÂ̇. ã˛·ÓÏÛ Ù‡ÈÎÛ ËÎË Ô‡ÔÍ Â ‚ ‡Á‰ÂΠUSER Ë FLOPPY DISK ÏÓ ÊÌÓ ÔËÒ‚ÓË?[...]

  • Page 45

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı CVP-210/208 46 èÂÂÏ¢ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ ÑÎfl ÛÔÓfl‰Ó˜ÂÌËfl ‰‡ÌÌ˚ı Ù‡ÈÎ˚ Ë Ô‡ÔÍË ÏÓ ÊÌÓ ÔÂÂÏ¢‡Ú¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ ‚ ‡Á‰ÂΠUSER Ë FLOPPY DISK ÏÓ ÊÌÓ[...]

  • Page 46

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı 47 CVP-210/208 äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ óÚÓ·˚ ÛÔÓfl‰Ó˜ËÚ¸ Ù‡ÈÎ˚ Ë Ô‡ÔÍË, Ëı ÏÓ ÊÌÓ ÍÓÔËÓ‚‡Ú¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡Ô͇ ̇ ÒÚ‡Ìˈ‡ı PRESET , USER Ë FLOPPY DISK ?[...]

  • Page 47

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı CVP-210/208 48 ëÓı‡ÌÂÌË هÈÎÓ‚ ùÚ‡ ÓÔÂ‡ˆËfl ÔÓÁ‚ÓÎflÂÚ ÒÓ ı‡ÌflÚ¸ ‰‡ÌÌ˚ (ÔÂÒÌË Ë ÚÂÏ·˚), ÒÓÁ‰‡ÌÌ˚ ‚‡ÏË ‚ ÓÔÂ‡ÚË‚ÌÓÈ Ô‡ÏflÚË (ÒÚ. 41). î‡ÈÎ˚ Ï[...]

  • Page 48

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı 49 CVP-210/208 Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ çËÊ Â ÔË‚Ó‰flÚÒfl ËÌÒÚÛ͈ËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚ ‚ ËÏÂ̇ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ Ì‡ÔÓÏË̇ÂÚ ÔÓ[...]

  • Page 49

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı CVP-210/208 50 àÁÏÂÌÂÌË Á̇˜Í‡ åÓ ÊÌÓ Ú‡ÍÊ Â ÔÓÏÂÌflÚ¸ Á̇˜ÓÍ, ÔÓfl‚Îfl˛˘ËÈÒfl Ò΂‡ Ó Ú ËÏÂÌË Ù‡È·. èÂÂȉËÚ ̇ ˝Í‡Ì ICON SELECT, ̇ʇ‚ ÍÌÓÔÍÛ [1 ▼ ] (ICON) ?[...]

  • Page 50

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı 51 CVP-210/208 îÛÌ͈Ëfl Direct Access ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á‚‡Ú¸ ÌÛÊÌ˚È ˝Í‡Ì, ̇ʇ‚ ‚ÒÂ„Ó Ó‰ÌÛ ‰ÓÔÓ ÎÌËÚÂθÌÛ˛ ÍÌÓÔÍÛ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS] . Ç‡Ï ÔÂ?[...]

  • Page 51

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı CVP-210/208 52 í ‡·Îˈ‡ ÙÛÌ͈ËË Direct Access ëÓ˜ÂÚ‡ÌË ÍÌÓÔÓÍ: [DIRECT ACCESS] + Ӊ̇ ËÁ ÔÂ˜ËÒÎÂÌÌ˚ı ÍÌÓÔÓÍ ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ˝Í‡Ì Ë Ù ÛÌ͈Ëfl ëÚ‡Ìˈ‡ STYLE [ACMP] FUNCTIO[...]

  • Page 52

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı 53 CVP-210/208 èÓ ‚ÒÂÏ ÓÒÌÓ‚Ì˚Ï ÙÛÌ͈ËflÏ Ë ‚ÓÁÏÓ ÊÌÓÒÚflÏ CVP-210/208 ÏÓ ÊÌÓ ÔÓ ÎÛ˜ËÚ¸ ÒÔ‡‚ÍÛ. ëÔ‡‚ÍË POWER METRONOME MASTER VOLUME STYLE ACMP AUTO FILL IN OTS LINK BREAK INTRO MAIN START STOP ON MIN MAX[...]

  • Page 53

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı CVP-210/208 54 åÂÚÓÌÓÏ ÔÓÏÓ„‡ÂÚ ‰Âʇڸ ÚÂÏÔ ‚Ó ‚ÂÏfl Ë„˚, ‡ Ú‡ÍÊ Â ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÒÎÛ¯‡Ú¸ Ë ÓˆÂÌËÚ¸ ÚÓ Ú ËÎË ËÌÓÈ ÚÂÏÔ. ÑÎfl Á‡ÔÛÒ͇ ÏÂÚÓÌ?[...]

  • Page 54

    éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı 55 CVP-210/208 îÛÌ͈Ëfl Tap Tempo í ‡ÍËÏ Ó·‡ÁÓÏ, ÌÛÊÌ˚È ÚÂÏÔ ÏÓÊÌÓ ÔÓÒÚÓ Ó Ú·ËÚ¸. çÂÒÍÓ Î¸Í Ó Û ‰‡Ó‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO] — Ë ÔÂÒÌfl ËÎË ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û [...]

  • Page 55

    CVP-210/208 56 ëÔ‡‚Ó˜ÌËÍ èÓË„˚‚‡ÌË ‰ ÂÏÓÌÒ Ú‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 – ˝ÚÓ „Ë·ÍËÈ ËÌÒÚÛÏÂÌÚ Ò ‡Á‚ËÚÓÈ ÒËÒÚÂÏÓÈ ÛÔ‡‚ÎÂÌËfl, ÏÌÓ ÊÂÒÚ‚ÓÏ ‰Ë̇Ï˘ÂÒÍËı ÚÂÏ·Ó‚ Ë ?[...]

  • Page 56

    èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ 57 CVP-210/208 A E D C B F J I 12345678 H G EXIT 4 ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ӷ˙flÒÌÂÌËfl ÓÚÓ·‡Ê ÂÌ˚ ̇ ˝Í‡ÌÂ. E ND äÌÓÔ͇ ‚ÓÁ‚‡Ú‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ MAIN. F J I BACK NEXT VOICE P ART ON OFF [...]

  • Page 57

    CVP-210/208 58 í ÂÏ·˚ ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ӷ·‰‡ÂÚ ·Ó„‡ÚÂȯËÏ Ì‡·ÓÓÏ Ì‡ÚÛ‡Î¸ÌÓ Á‚Û˜‡˘Ëı ÚÂÏ·Ó‚, ‚Íβ˜‡fl ‚Ò ‡ÁÌÓÓ·‡ÁË ÚÂÏ·Ó‚ Í·‚˯Ì˚ı, ÒÚÛÌÌ˚ı Ë ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌ?[...]

  • Page 58

    í ÂÏ·˚ 59 CVP-210/208 à„‡ ̇ ÙÓÚÂÔˇÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ùÚ‡ Û ‰Ó·Ì‡fl Ë ‚ ÚÓ Ê ‚ÂÏfl ÔÓÒÚ‡fl Ù ÛÌ͈Ëfl ÔÓ ÎÌÓÒÚ¸˛ Ë ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÒÚ‡Ë‚‡ÂÚ ‚Ò CVP-210/208 ‰Îfl ÓÔÚËχθÌÓ„Ó ËÒÔÓÎ[...]

  • Page 59

    í ÂÏ·˚ CVP-210/208 60 CVP-210/208ÔÓ‰‰ÂÊË‚‡ÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÛ˛ Ë„Û ÚÂı ÚÂÏ·Ó‚. MAIN („·‚Ì˚È), LAYER (ÒÎÓÈ) Ë LEFT (ÚÂÏ· ‰Îfl ΂ÓÈ ÛÍË). äÓÏ·ËÌËÛfl ˝ ÚË ÚË ÚÂÏ·‡, ‚˚ ÏÓ Ê ÂÚ ÒÓÁ‰‡‚‡Ú¸ ÏÛ Î¸ ÚË[...]

  • Page 60

    í ÂÏ·˚ 61 CVP-210/208 í ÂÏ· ‰Îfl ΂ÓÈ ÛÍË: ì ÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı ÚÂÏ·Ó‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ùÚ‡ ˜‡ÒÚ¸ ÔÂ‰ÌÂÈ Ô‡ÌÂÎË ÔÓÁ‚ÓÎflÂÚ Ó·‡·‡Ú˚‚‡Ú¸ ÚÂÏ·˚ Ò ÔÓÏÓ˘¸˛ ?[...]

  • Page 61

    í ÂÏ·˚ CVP-210/208 62 ■ HARMONY/ECHO ÑÓ·‡‚ÎÂÌË ˝ı‡ Ë „‡ÏÓÌËÁ‡ˆËfl ÚÂÏ·Ó‚, ËÒÔÓ Î¸ÁÛÂÏ˚ı ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÒÚ. 146). ■ MONO ì ÒÚ‡Ìӂ͇ ÂÊËÏÓ‚ ÔÓÎËÙÓÌËË (ÌÂÒÍ Ó Î¸ÍÓ ÌÓ Ú ÏÓ„ÛÚ Á‚Û˜‡[...]

  • Page 62

    63 CVP-210/208 ëÚËÎË Ç CVP-210/208 ‚ÒÚÓÂÌ˚ ÒÚËÎË (‚‡ˇÌÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡), ı‡‡ÍÚÂÌ˚ ‰Îfl ÏÌÓ ÊÂÒÚ‚‡ ÏÛÁ˚͇θÌ˚ı ʇÌÓ‚, ‚Íβ˜‡fl ÔÓÔ- ÏÛÁ˚ÍÛ, ‰Ê‡Á, ·ÚËÌÓ‡ÏÂË͇ÌÒÍÛ˛ Ë Ú‡ÌˆÂ‚‡Î¸ÌÛ˛ [...]

  • Page 63

    ëÚËÎË CVP-210/208 64 STYLE A CMP SYNC.ST OP SYNC.ST ART ST ART / S T O P STYLE A CMP A UT O FILLIN O TS LINK BREAK INTRO MAIN ENDING / rit. SYNC.STOP SYNC.ST ART ST ART / S T OP ABC D STYLE A CMP A UT O FILLIN O TS LINK BREAK INTRO MAIN ENDING / rit. ABC D SYNC.ST OP SYNC.ST ART ST ART / S T O P ê ‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏ[...]

  • Page 64

    ëÚËÎË 65 CVP-210/208 ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÓ Î¸Í Ó ËÚÏ˘ÂÒÍËı ‰ÓÓ ÊÂÍ ÒÚËÎfl êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË / ‚˚Íβ˜ÂÌË ͇̇ÎÓ‚ STYLE A CMP A UT O FILLIN O TS LINK BREAK INTRO MAIN ENDING / rit. SYNC.STOP SYNC.ST ART ST ART / S T OP ABC D á‡ÔÛÒÍ ?[...]

  • Page 65

    ëÚËÎË CVP-210/208 66 ÇÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ÏÓ ÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ ‡ÍÍ Ó‰Ó‚ Ò΂‡ ÓÚ ÚÓ ˜ÍË ‡Á·ËÂÌËfl Í·‚ˇÚÛ˚. çËÊ Â Ô˂‰ÂÌÓ ÓÔËÒ‡ÌË ÒÂÏË ÚËÔÓ‚ ‡ÔÔÎË͇ÚÛ˚. èÂÂȉËÚ Ì?[...]

  • Page 66

    ëÚËÎË 67 CVP-210/208 * ê ‡ÒÔÓÁ̇ÂÚÒfl Î˯¸ ˝ Ú‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ÒÚÛÔÂÌÂÈ (Ó·‡˘ÂÌËÂ). ÑÎfl ‡ÍÍÓ‰Ó‚, Ì ÓÚϘÂÌÌ˚ı Á‚ÂÁ‰Ó ˜ÍÓÈ, ‰ÓÔÛ ÒÚËÏ˚ β·˚ ӷ‡˘ÂÌËfl. ç‡Á‚‡ÌË ‡ÍÍÓ‰‡ [ÒÓÍ‡˘ÂÌ[...]

  • Page 67

    ëÚËÎË CVP-210/208 68 CVP-210/208 ‡ÒÔÓ·„‡ÂÚ ‡Á΢Ì˚ÏË ÚËÔ‡ÏË ˜‡ÒÚÂÈ ‡‚ÚÓ‡ÍÍ ÓÏÔ‡ÌÂÏÂÌÚ‡ (Auto Accompaniment Sections), ÍÓ ÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ‚‡¸ËÓ‚‡Ú¸ ‡‡ÌÊËÓ‚ÍÛ ‚ Ô‰Â·ı ÒÚËÎfl. ùÚË ˜‡ÒÚË Ì‡Á?[...]

  • Page 68

    ëÚËÎË 69 CVP-210/208 éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ Ò Í·‚ˇÚÛ˚ (SYNC. STOP) ÇÍβ˜ÂÌË ÙÛÌ͈ËË Synchro Stop (ÒËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇) ÔË‚Ó‰ËÚ Í ÚÓÏÛ, ˜ÚÓ ‡ÍÍ ÓÏÔ‡ÌÂÏÂÌÚ ÓÒڇ̇‚?[...]

  • Page 69

    ëÚËÎË CVP-210/208 70 Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚ (INTRO/ENDING) Ä‚ÚÓχÚ˘ÂÒÍ Ó ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂı Ӊ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ: Auto Fill In A E D C B E D Ç˚·ÂËÚ ËÌÚÓ‰ÛÍˆË˛ Ç˚·ÂË[...]

  • Page 70

    ëÚËÎË 71 CVP-210/208 ì ‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting (̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ӷ΄˜‡ÂÚ ÔÓ‰·Ó Ì‡Ë·Ó Î ÔÓ‰ı Ó‰fl˘Ëı ‰Îfl ÒÚËÎfl ÚÂÏ·Ó‚ Ë ˝ÙÙÂÍÚÓ‚. ä‡Ê‰˚È ËÁ ‚ÒÚ[...]

  • Page 71

    ëÚËÎË CVP-210/208 72 Ä‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂı Ӊ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ: OTS Link ì ‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË OTS Link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ [...]

  • Page 72

    ëÚËÎË 73 CVP-210/208 чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á˚‚‡Ú¸ ÌÂÓ·ı Ó‰ËÏ˚ ÍÓÌÙË„Û‡ˆËË Á̇˜ÂÌËÈ Ú‡ÍËı Ô‡‡ÏÂÚÓ‚, ͇Í, ̇ÔËÏÂ, ÚÂÏ·, ÒÚËθ ËÎË Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË». ?[...]

  • Page 73

    ëÚËÎË CVP-210/208 74 èÓËÒÍ Ì‡Ë·Ó ÎÂÂ Û ‰‡˜ÌÓ„Ó ‡ÍÍ ÓÏÔ‡ÌÂÏÂÌÚ‡ – Music Finder àÒ͇ڸ Á‡ÔËÒË ÏÓ ÊÌÓ ÔÓ Ì‡Á‚‡Ì˲ Í ÓÏÔÓÁˈËË ËÎË ÔÓ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï. êÂÁÛ Î¸ Ú‡Ú˚ ÔÓËÒ͇ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì. ■ [A] [...]

  • Page 74

    ëÚËÎË 75 CVP-210/208 ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ: Music Finder ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓ ÊÌÓ ‚˚Á‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘Ë Á‡ÔËÒË Ë ÓÚ‰‡ÍÚËÓ‚‡Ú¸ Ëı. Ç˚ ÏÓ ÊÂÚ ڇÍÊ Â ÒÓÁ‰‡‚‡Ú¸ Ò Â„Ó ÔÓÏÓ˘¸˛ ÒÓ·ÒÚ‚ÂÌÌ˚ Á‡ÔË[...]

  • Page 75

    ëÚËÎË CVP-210/208 76 ■ [1 ▼▲ ] TEMPO (ÚÂÏÔ) ì͇Á˚‚‡ÂÚ ÚÂÏÔ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. èÓÒΠÒÏÂÌ˚ ÒÚËÎfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘ËÈ ÚÂÏÔ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰ÒÚ‡Ë‚‡ÂÚÒfl ÔÓ‰ ÚÂÏÔ, Á‡‰‡ÌÌ˚È ÌÓ‚˚Ï ÒÚËÎÂÏ. [...]

  • Page 76

    77 CVP-210/208 ÇÓÒÔÓËÁ‚‰ ÂÌË ÔÂÒÌË éÁ̇ÍÓÏË‚¯ËÒ¸ Ò ˝ ÚËÏ ‡Á‰ÂÎÓÏ, ‚˚ ̇ۘËÚÂÒ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË. èÂÒÌË ÏÓ„ÛÚ ·˚Ú¸ ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚: ‚ÒÚÓÂÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ (ÒÚ. 97) ‚·‰ÂθˆÂÏ ˆË?[...]

  • Page 77

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË CVP-210/208 78 ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ÇÓÒÔÓËÁ‚‰ ÂÌË ÔÂÒÌË A E D C B F J I BACK H G A E D C B F J I BACK H G REC TO PS TA RT / STOP REW FF REPEA T GUIDE NEW SONG SYNC.ST ART E ND 2 -2 éÚÍÓÈÚ ԇÔÍÛ Ë ‚˚·ÂËÚÂ[...]

  • Page 78

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË 79 CVP-210/208 é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ èË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ͇̇Î˚ 9[...]

  • Page 79

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË CVP-210/208 80 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍ ÂÚ˚ ÇÒÚ‡‚¸ Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍ Ó‚Ó‰. èӈ‰Û‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂΠ«ÇÓ?[...]

  • Page 80

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË 81 CVP-210/208 чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ ÔË„ÎÛ¯‡Ú¸ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË ÔÂÒÌË (ÔÂ‚Û˛, ‚ÚÓÛ˛ ËÎË ‰ÓÔÓ ÎÌËÚÂθÌ˚ ‰ÓÓ ÊÍË). ç‡ÔËÏÂ, ÂÒÎË ‚˚ ı ÓÚËÚ Á‡ÔÓÏÌËÚ¸ ÏÂÎÓ?[...]

  • Page 81

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË CVP-210/208 82 ë ÔÓÏÓ˘¸˛ ˝ÚËı Á‡·‡‚Ì˚ı Ù ÛÌ͈ËÈ ‚˚ ÎÂ„Í Ó ‡ÁÛ˜ËÚ ÌÓ‚˚ ÏÛÁ˚͇θÌ˚ ÔÓËÁ‚‰ÂÌËfl. à̉Ë͇ÚÓ˚ Í·‚˯ Û͇Á˚‚‡˛Ú, ͇ÍË ÌÓÚ˚ Ë„‡Ú¸, Í Ó„‰‡ Ëı Ë?[...]

  • Page 82

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË 83 CVP-210/208 ê ‡Áۘ˂‡ÌË ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛ ۘ·Ì˚ı ÙÛÌ͈ËÈ A E D C B 12345678 Ç˚·Ë‡ÂÚ ÓÔ‰ÂÎÂÌÌ˚ ÙÛÌ͈ËË Ó·Û˜ÂÌËfl. ÇÍβ˜‡ÂÚ/ÓÚÍβ˜‡ÂÚ Ë̉Ë͇ÚÓ˚ Í[...]

  • Page 83

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË CVP-210/208 84 ÇÍβ˜Ë‚ ÂÊËÏ ÔÓÒÏÓÚ‡ Ô‡ÚËÚÛ˚, ÏÓ ÊÌÓ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ÔÓÒχÚË‚‡Ú¸ ÌÓÚ˚ ̇ ˝Í‡ÌÂ. ùÚ‡ ÙÛÌ͈Ëfl ÔÓ‰‰ÂÊË‚‡ÂÚ Ó ÚÓ·‡Ê Â?[...]

  • Page 84

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË 85 CVP-210/208 í ÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡ÚËÚÛ˚ ■ [1 ▲▼ ] LEFT CH / [2 ▲▼ ] RIGHT CH äÌÓÔÍË Ì‡ÒÚÓÈÍË ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó Í‡Ì‡ÎÓ‚ (‰Îfl Ô‡ÚËË Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌ[...]

  • Page 85

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË CVP-210/208 86 ■ [6 ▲▼ ] NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚) Ç˚·ÂËÚ ӉËÌ ËÁ ÚÂı ÚËÔÓ‚ ̇Á‚‡ÌËfl ÌÓÚ˚ ÔË ‚Íβ˜ÂÌÌÓÏ ÂÊËÏ « NOTE » (ÒÚ. 84). ABC ................................................... ç‡Á‚‡ÌËfl ?[...]

  • Page 86

    ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË 87 CVP-210/208 ùÚ‡ Ù ÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ ÓÚÓ·‡Ê‡Ú¸ ÚÂÍ ÒÚ ÔÂÒÌË ‚Ó ‚ÂÏfl  ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË Ì‡Ô‚‡Ú¸ ÂÂ, ÌÂ Ó Ú‚ÎÂ͇flÒ¸ ÓÚ Ë„˚. éÚ Ó·‡ÊÂÌËÂ Ú Â?[...]

  • Page 87

    CVP-210/208 88 ëÓ ı‡ÌÂÌËÂ Ë Á‡„ ÛÁ͇ ÔÓ Î¸ÁÓ‚‡Ú  θÒÍËı ̇·ÓÓ‚ Ô‡‡Ï ÚÓ‚: „ËÒ Ú‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ – ˝ ÚÓ ÏÓ˘ÌÓ Ò‰ÒÚ‚Ó Ì‡ÒÚÓÈÍË ˆËÙÓ‚Ó„Ó ÔˇÌ?[...]

  • Page 88

    ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓ Î¸ÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚: „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ 89 CVP-210/208 ëÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ 燷Ó Ô‡‡ÏÂÚÓ‚, Á‡ÍÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ [...]

  • Page 89

    ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓ Î¸ÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚: „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ CVP-210/208 90 åÓ ÊÌÓ Á‡„ÛÁËÚ¸ Í‡Í ‚ÂÒ¸ ̇·Ó ̇ÒÚÓÂÍ, Ú‡Í Ë ÓÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚. ç‡ÔËÏ?[...]

  • Page 90

    91 CVP-210/208 ê ‰‡ÍÚËÓ‚‡ÌËÂ Ú ÂÏ·Ó‚: Ù ÛÌ͈Ëfl Sound Creator ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ӷ·‰‡ÂÚ ÙÛÌ͈ËÂÈ Sound Creator, Í ÓÚÓ‡fl ÔÓÁ‚Ó ÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÚÂÏ·˚ ÔÛÚÂÏ ‰‡ÍÚËÓ‚‡ÌËfl Ì[...]

  • Page 91

    ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: Ù ÛÌ͈Ëfl Sound Creator CVP-210/208 92 è‡‡Ï Ú˚ SOUND CREA TOR (í ÂÏ·˚ „ ÛÔÔ˚ Natural/Regular) è‡‡ÏÂÚ˚ Ó„‡ÌÌ˚ı ÙÎÂÈÚ ÒÏ. ̇ ÒÚ. 96. èÂ˜ËÒÎÂÌÌ˚ ÌËÊ Â Ô‡‡ÏÂÚ˚ ÏÓ ÊÌÓ Ì‡ÒÚ[...]

  • Page 92

    ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: Ù ÛÌ͈Ëfl Sound Creator 93 CVP-210/208 PIANO (ÔË ‚˚·Ó ̇ÚÛ‡Î¸ÌÓ„Ó ÚÂÏ·‡ ÙÓÚÂÔˇÌÓ) Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91.[...]

  • Page 93

    ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: Ù ÛÌ͈Ëfl Sound Creator CVP-210/208 94 ■ FILTER è‡‡ÏÂÚ˚ ÙËθ Ú‡ ÓÔ‰ÂÎfl˛Ú Ó·˘ËÈ ı‡‡ÍÚÂ Á‚Û˜‡ÌËfl ÚÂÏ·‡, ÔÓÁ‚ÓÎflfl ÛÒËÎË‚‡Ú¸ ËÎË «ÒÂÁ‡Ú¸» ÓÔ‰ÂÎÂÌÌ˚È ˜‡ÒÚÓ?[...]

  • Page 94

    ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: Ù ÛÌ͈Ëfl Sound Creator 95 CVP-210/208 ùÙÙÂÍÚ˚ Ë ˝Í‚‡Î‡ÈÁÂ Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91. HARMONY („‡ÏÓÌËÁ‡ˆËfl) Ç ‰‡ÌÌ?[...]

  • Page 95

    ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: Ù ÛÌ͈Ëfl Sound Creator CVP-210/208 96 é„‡ÌÌ˚ „ËÒ Ú˚ èÓÏËÏÓ ÏÌÓ Ê ÂÒÚ‚‡ ÚÂÏ·Ó‚ Ó„‡ÌÓ‚, Ëϲ˘Ëı Òfl ‚ „ÛÔÔ ÚÂÏ·Ó‚ ORGAN, CVP-210/208 ӷ·‰‡ÂÚ ÚÂÏ·ÓÏ ORGAN FLUTES («Ó„?[...]

  • Page 96

    97 CVP-210/208 á ‡ÔËÒ¸ ‚˚Ò ÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator îÛÌ͈ËË Á‡ÔËÒË, ‡ÎËÁÓ‚‡ÌÌ˚ ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ, ÔÓÒÚ˚ ‰Îfl ÓÒ‚ÓÂÌËfl Ë ÔË ˝ÚÓÏ Ó·Î‡‰‡˛Ú ‚Ô˜‡ÚÎfl˛˘ËÏË ‚ÓÁÏÓ ÊÌÓÒÚflÏË. ?[...]

  • Page 97

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator CVP-210/208 98 ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰, ÔÓÁ‚ÓÎfl˛˘ËÈ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸, ‡ Á‡ÚÂÏ ÔÓÒÎÛ¯‡Ú¸ ÔÂÒÌ˛, Í ÓÚÓÛ˛ ‚˚ ‡Áۘ˂‡ÂÚ ̇ ÙÓÚÂÔˇÌÓ, ˜ÚÓ·?[...]

  • Page 98

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 99 CVP-210/208 ùÚÓÚ ÂÊËÏ ÔÓÁ‚Ó ÎflÂÚ Á‡ÔËÒ‡Ú¸ ÔÂÒÌ˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍ Ó Î¸ÍËı ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ (‰Ó 16 ͇̇ÎÓ‚). Ç˚ ÏÓ Ê ÂÚÂ, ̇ÔËÏÂ?[...]

  • Page 99

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator CVP-210/208 100 D C 3 Ç˚·ÂËÚ ˜‡ÒÚ¸, ÍÓ ÚÓÛ˛ ÒΉÛÂÚ ÔËÒ‚ÓËÚ¸ Á‡ÔËÒ˚‚‡ÂÏÓÏÛ Í‡Ì‡ÎÛ. èË ˝ÚÓÏ ÓÔ‰ÂÎflÂÚÒfl, ͇ÍË ËÁ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·[...]

  • Page 100

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 101 CVP-210/208 ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚Ó ÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÍÓÏÔÓÁËˆË˛ ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓ Ú; ÔË ˝ÚÓÏ ÌÂÚ ÌÂÓ· ı Ó‰ËÏÓÒÚË ËÒÔÓÎÌflÚ¸  ‚ ?[...]

  • Page 101

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator CVP-210/208 102 ■ í ‡ÍÚ/‰ÓÎfl/ÒËÌıÓÌËÁ‡ˆËfl ■ ëÍÓÓÒÚ¸ ̇ʇÚËfl Ç Ô˂‰ÂÌÌÓÈ ÌËÊ Â Ú‡·Îˈ Û͇Á‡Ì˚ ÒÓÓÚÌÓ¯ÂÌËfl ÏÂÊ‰Û Á̇˜ÂÌËflÏË ÒÍ ÓÓÒÚË [...]

  • Page 102

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 103 CVP-210/208 á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ – Step Record (Note) Ç ˝ÚÓÏ ‡Á‰ÂΠÏ˚ ̇ۘËÏÒfl ‡·Ó Ú‡Ú¸ ‚ ÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË. ÇÓÒÔÓθÁÛÂÏÒfl Í ÓÌÍÂÚÌ˚Ï ÔËÏÂ?[...]

  • Page 103

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator CVP-210/208 104 á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍ Ó‰Ó‚ ‡‚ÚÓ‡ÍÍ ÓÏÔ‡ÌÂÏÂÌÚ‡ – Step Record (Chord) îÛÌ͈Ëfl ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ ÔÓÁ‚Ó ÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÔÓÒÎÂ[...]

  • Page 104

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 105 CVP-210/208 ■ èÓË„‡ÈÚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚. óÚÓ·˚ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [C] () . á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP] ,[...]

  • Page 105

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator CVP-210/208 106 ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ˝Í‡Ì‡ ÏÓ ÊÌÓ Ì‡ÒÚÓËÚ¸ ̇˜‡ÎÓ Ë ÓÒÚ‡ÌÓ‚ÍÛ Á‡ÔËÒË ‚ ÂÊËχı Quick Recording Ë Multi Recording. óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝ÚË Ì‡ÒÚÓÈÍË,[...]

  • Page 106

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 107 CVP-210/208 ÇÓÁÏÓ ÊÌÓÒÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ÔÓÁ‚Ó Îfl˛Ú ‰‡ÍÚËÓ‚‡Ú¸ ÍÓÏÔÓÁËˆË˛. èË ˝ ÚÓÏ Ì ‚‡ÊÌÓ, ‚ Í‡Í ÓÏ ÂÊËÏ Ó̇ Á‡ÔËÒ˚‚‡Î‡Ò¸. ?[...]

  • Page 107

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator CVP-210/208 108 ì ‰‡ÎÂÌË (Delete) å‡ÚÂˇÎ, Á‡ÔËÒ‡ÌÌ˚È Ì‡ ÓÔ‰ÂÎÂÌÌÓÏ Í‡Ì‡ÎÂ, ÏÓ ÊÌÓ Û ‰‡ÎËÚ¸. é·˙‰ËÌÂÌË ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ Ó·˙‰ËÌËÚ¸ ?[...]

  • Page 108

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 109 CVP-210/208 í ‡ÌÒÔÓÌËÓ‚‡ÌË ͇̇· ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ Á‡ÔËÒ‡ÌÌ˚È ‚ ÓÔ‰ÂÎÂÌÌÓÏ Í‡Ì‡Î χÚÂˇΠ‚ Ô‰ÂÎ?[...]

  • Page 109

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator CVP-210/208 110 ꉇÍÚËÓ‚‡ÌË ÌÓ ÚÌ˚ı ÒÓ·˚ÚËÈ – 1 - 16 ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓ„Ó ˝Í‡Ì‡ ÏÓ ÊÌÓ ‰‡ÍÚËÓ‚‡Ú¸ ÓÚ‰ÂθÌ˚ ÌÓ Ú˚ (ÒÏ. ÌËÊ Â). ÇÒ ÔÂ˜ËÒÎÂ[...]

  • Page 110

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 111 CVP-210/208 ꉇÍÚËÓ‚‡ÌË ‡ÍÍ Ó‰Ó‚˚ı ÒÓ·˚ÚËÈ – CHD ùÚÓÚ ˝Í‡Ì Ô‰̇Á̇˜ÂÌ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl ‡ÍÍ Ó‰Ó‚˚ı ÒÓ·˚ÚËÈ, Á‡ÔËÒ‡ÌÌ˚ı ?[...]

  • Page 111

    á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator CVP-210/208 112 Ç‚Ó‰ Ë ‰‡ÍÚËÓ‚‡ÌË ÚÂÍ ÒÚ‡ ÔÂÒÂÌ ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ ‚‚Ó‰ËÚ¸ ̇Á‚‡ÌË ÔÂÒÌË Ë Â ÚÂÍ ÒÚ. äÓÏ ÚÓ„Ó, Ò Â ÔÓÏÓ˘¸˛ ÏÓ ÊÌ[...]

  • Page 112

    113 CVP-210/208 ëÓÁ‰‡ÌËÂ Ò ÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‡: ÙÛÌ͈Ëfl Style Creator ùÚ‡ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË ‡‚ÚÓ‡ÍÍ ÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓ ÚÓ˚ ÏÓ„ÛÚ ÔËÏÂÌflÚÒfl ̇‡‚Ì Ò[...]

  • Page 113

    ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Ù ÛÌ͈Ëfl Style Creator CVP-210/208 114 îÓχ Ú Ù‡È· Ò ÚËÎfl (SFF) îÓÏ‡Ú SFF ·˚Î ‡Á‡·ÓÚ‡Ì Í ÓÔÓ‡ˆËÂÈ Yamaha Ò Û˜ÂÚÓÏ ‚ÒÂı ‰ÓÒÚËÊ ÂÌËÈ ‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂ?[...]

  • Page 114

    ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Ù ÛÌ͈Ëfl Style Creator 115 CVP-210/208 ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓÈ ÙÛÌ͈ËË ÏÓ ÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Í‡Í «Ò ÌÛ Îfl», Ú‡Í Ë Ì‡ ÓÒÌÓ‚Â ‚ÒÚÓÂÌÌ˚ı ÒÚË[...]

  • Page 115

    ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Ù ÛÌ͈Ëfl Style Creator CVP-210/208 116 ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚Ó ÎflÂÚ ÒÓÁ‰‡Ú¸ Ù‡ÁÛ ÒÚËÎfl ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔË ˝ ÚÓÏ ÌÂÚ ÌÂÓ·ı Ó‰ËÏÓÒÚË ËÒÔÓÎÌflÚ¸ Ëı ?[...]

  • Page 116

    ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Ù ÛÌ͈Ëfl Style Creator 117 CVP-210/208 ì ‰Ó·ÒÚ‚Ó ‰‡ÌÌÓÈ ÙÛÌ͈ËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚Ó ÎflÂÚ Í ÓÌÒÚÛËÓ‚‡Ú¸ ÓË„Ë̇θÌ˚ ÒÚËÎË ËÁ ˝ ÎÂÏÂÌÚÓ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂ?[...]

  • Page 117

    ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Ù ÛÌ͈Ëfl Style Creator CVP-210/208 118 àÁÏÂÌÂÌË ËÚχ: Ù ÛÌ͈ËË Groove Ë Dynamics îÛÌ͈ËË Groove Ë Dynamics fl‚Îfl˛ÚÒfl ÏÓ˘Ì˚Ï Ò‰ÒÚ‚ÓÏ, ÔÓÁ‚ÓÎfl˛˘ËÏ ‡ÁÌÓÓ·‡ÁËÚ¸ ËÚÏ˚ ÒÚËÎÂ?[...]

  • Page 118

    ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Ù ÛÌ͈Ëfl Style Creator 119 CVP-210/208 ■ ÑË̇ÏË͇ è‡‡ÏÂÚ˚ ‰Ë̇ÏËÍË Accent Type (ÚËÔ ‡ÍˆÂÌÚ‡) Ç˚·Ó ÚËÔ‡ ‡ÍˆÂÌÚ‡. Strength (ÒË· ‚ÓÁ‰ÂÈÒÚ‚Ëfl) éÔ‰ÂÎflÂÚ ÒËÎÛ ‚ÓÁ‰ÂÈ[...]

  • Page 119

    ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Ù ÛÌ͈Ëfl Style Creator CVP-210/208 120 ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ ͇̇· ùÍ‡Ì ÒÓ‰ÂÊËÚ ÔflÚ¸ Ù ÛÌ͈ËÈ ‰‡ÍÚËÓ‚‡ÌËfl Ô‡‡ÏÂÚÓ‚ ͇̇·, ËÒÔÓ Î¸ÁÛÂÏÓ?[...]

  • Page 120

    ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Ù ÛÌ͈Ëfl Style Creator 121 CVP-210/208 ì ÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF – Parameter ç‡ ˝ÚÓÏ ˝Í‡Ì Ô‰ÒÚ‡‚ÎÂÌ ˆÂÎ˚È fl‰ Ù ÛÌ͈ËÈ ÛÔ‡‚ÎÂÌËfl Ô‡‡ÏÂÚ‡ÏË ÒÚËÎfl[...]

  • Page 121

    ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Ù ÛÌ͈Ëfl Style Creator CVP-210/208 122 • NTT (Ú‡·Îˈ‡ Ú‡ÌÒÔÓÁˈËË) ì͇Á‡ÌË ڇ·Îˈ˚ Ú‡ÌÒÔÓÁˈËË ‰Îfl ËÒı Ó‰ÌÓÈ Ù‡Á˚. àÏÂÂÚÒfl ¯ÂÒÚ¸ ÚËÔÓ‚ Ú‡ÌÒÔÓÁˈËË. Bypass (Ó·?[...]

  • Page 122

    123 CVP-210/208 ê „Û ÎËÓ‚Í ‡ „ÓÏÍ ÓÒ ÚË Ë Á‡ÏÂ̇ Ú ÂÏ·Ó‚ : äÓÌÒÓ Î¸ ÏËͯÂ‡ ùÍ‡Ì ÍÓÌÒÓ ÎË ‚˚„Îfl‰ËÚ Í‡Í Ì‡ÒÚÓ fl˘ËÈ ÏËͯÂ Ë ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÔÓ ÎÌ˚È Í ÓÌÚÓθ ̇‰ Á‚ÛÍÓÏ. ÑÓÔÓ[...]

  • Page 123

    êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: ä ÓÌÒÓθ ÏËͯÂ‡ CVP-210/208 124 éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡Ìˈ ‰ÂÈÒÚ‚Ëfl Ó ÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 123. ìÒ Ú ‡Ìӂ͇ „ÓÏÍÓÒ ÚË Ë Ú ÂÏ·?[...]

  • Page 124

    êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: ä ÓÌÒÓθ ÏËͯÂ‡ 125 CVP-210/208 éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡Ìˈ ‰ÂÈÒÚ‚Ëfl Ó ÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 123. éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡Ìˈ ‰ÂÈ?[...]

  • Page 125

    êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: ä ÓÌÒÓθ ÏËͯÂ‡ CVP-210/208 126 éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡Ìˈ ‰ÂÈÒÚ‚Ëfl Ó ÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 123. ç‡Ò ÚÓÈ͇ ˝ÙÙÂÍÚ Ó‚ ùÍ‡Ì ‡?[...]

  • Page 126

    êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: ä ÓÌÒÓθ ÏËͯÂ‡ 127 CVP-210/208 ÅÎÓÍ ˝ÙÙÂÍÚÓ‚ Block ó‡ÒÚË ï‡‡ÍÚÂËÒÚËÍË äÓ Î˘ÂÒÚ‚Ó ˝ÙÙÂÍÚÓ‚ ÔÓθÁÓ‚‡ÚÂÎfl REVERB 1 (‰Îfl Ó·˚˜Ì˚ı ÚÂÏ·Ó‚) ÇÒ ԇÚ[...]

  • Page 127

    êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: ä ÓÌÒÓθ ÏËͯÂ‡ CVP-210/208 128 ùÍ‚‡Î‡ÈÁÂ, Í‡Í Ô‡‚ËÎÓ, ÔËÏÂÌflÂÚÒfl ‰Îfl ÍÓÂÍÚËÓ‚ÍË ‚˚ı Ó‰ÌÓ„Ó Ò˄̇· ÛÒËÎËÚÂÎÂÈ/ÍÓ ÎÓÌÓÍ Ò Û˜ÂÚÓÏ ‡[...]

  • Page 128

    êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: ä ÓÌÒÓθ ÏËͯÂ‡ 129 CVP-210/208 ëÚÛÍÚÛ̇fl Òı Âχ ˝ÙÙÂÍÚÓ‚ CVP-210/208 ӷ·‰‡ÂÚ ÒÎÂ‰Û˛˘ËÏË ÒËÒÚÂχÏË ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÓÚ‰ÂθÌÓ ÔËÏÂÌflÂÏ˚ÏË ?[...]

  • Page 129

    êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: ä ÓÌÒÓθ ÏËͯÂ‡ CVP-210/208 130 ÑÎfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Regular (CVP-208) ë˄̇Π̇ ‚˚ıӉ Rev Send MAIN VOICE Dry Cho Send DSP Send Rev Send LAYER VOICE Dry Cho Send Rev Send LEFT VOICE Dry Cho Send Rev Send MIC [...]

  • Page 130

    131 CVP-210/208 àÒÔÓ Î¸ÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. ùÚ‡ ËÒÍβ˜ËÚÂθÌÓ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ‡Á‡·Ó ڇ̇ Ò ÔËÏÂÌÂÌËÂÏ ÔÂ‰ӂÓÈ ÚÂıÌÓÎÓ„ËË Ó·‡·Ó ÚÍË ÚÂÏ·‡, Ô‰̇Á̇˜ÂÌÌÓÈ ‰Îfl ‡‚ÚÓχÚ˘ÂÒÍ?[...]

  • Page 131

    àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. CVP-210/208 132 è‡‡ÏÂÚ˚ ˝ÙÙÂÍÚ‡ Vocal Harmony í ËÔ chordal/ÚËÔ vocoder éÔ‰ÂÎflÂÚ, Í‡Í ÔËÏÂÌfl˛ÚÒfl ÌÓÚ˚ „‡ÏÓÌËË. í ËÔ Ó‰‡ „‡ÏÓÌËË ÇÓÁÏÓ ÊÌ˚ ÂÊËÏ˚ «Off» Ë «Auto». Ç ÂÊË[...]

  • Page 132

    àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. 133 CVP-210/208 èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇·: OVERALL SETTING ëÓ‰ÂʇÌË ‰‡ÌÌÓ„Ó ‡Á‰Â· [...]

  • Page 133

    àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. CVP-210/208 134 ■ ùÙÙÂÍÚ COMPRESSOR ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚Ó ÎflÂÚ ÒÌËʇڸ ‚˚ı Ó‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ı Ó‰‡ Ô‚˚¯‡ÂÚ Û͇Á‡ÌÌ˚È ÛÓ?[...]

  • Page 134

    àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. 135 CVP-210/208 ç‡ÒÚÓÈ͇ „ÓÏÍ ÓÒÚË ÏËÍÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚: ÒÚ‡Ìˈ‡ TALK SETTING ᇉ‡ÂÚ Ô‡‡ÏÂÚ˚ ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍ Â [TALK] (˜¸). è˂‰ÂÌÌ˚ ?[...]

  • Page 135

    CVP-210/208 136 ç‡Ò ÚÓÈ͇ Ó·˘Ëı Ô‡‡Ï ÚÓ‚ — ÏÂÌ˛ Function êÂÊËÏ Function ‰‡ÂÚ ‰ÓÒÚÛÔ Í fl‰Û ÒÓ‚ÂÏÂÌÌ˚ı Ù ÛÌ͈ËÈ, ‚ÎËfl˛˘Ëı ̇ ËÌÒÚÛÏÂÌÚ ‚ ˆÂÎÓÏ. ë Ëı ÔÓÏÓ˘¸˛ ÏÓ ÊÌÓ Ì‡ÒÚÓËÚ¸ ˆËÙÓ‚Ó ÔˇÌË[...]

  • Page 136

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function 137 CVP-210/208 ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ – ˝Í‡Ì Controller ■ Pedal (ÒÚ. 142) ùÚË Ô‡‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú, Í‡Í ËÒÔÓθÁÛ˛ÚÒfl Ô‰‡ÎË (?[...]

  • Page 137

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function CVP-210/208 138 ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ. ÒÚ. 136. ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·Ó‚ – Master Tune Ç˚·Ó ÚÂÏÔÂ‡ˆËË – Scale Tune í ÓÌ͇fl Ì‡Ò Ú?[...]

  • Page 138

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function 139 CVP-210/208 ëÚÓÈ ■ Equal Temperament (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ) Ç˚ÒÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ Í‡Ê‰ÓÈ ÓÍÚ‡‚˚ ‰ÂÎËÚÒfl ̇ 12 ‡‚Ì˚ı ˜‡ÒÚÂÈ Ò ‡‚ÌÓÏÂ?[...]

  • Page 139

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function CVP-210/208 140 ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ ÒÚ. 136. ç‡Ò ÚÓÈ͇ Ô‡‡Ï ÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ÔÂÒÌÂÈ — Song Settings Quick Start (·˚ÒÚ˚È Á‡ÔÛÒÍ) àÌÓ?[...]

  • Page 140

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function 141 CVP-210/208 ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ ÒÚ. 136. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍ ÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting Ë Split Point ç‡Ò[...]

  • Page 141

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function CVP-210/208 142 Ç˚·Ó ‡ÔÔÎË͇ÚÛ˚ – Chord Fingering éÔ‰ÂÎflÂÚ, Í‡Í ÌÓÚ˚, Í ÓÚÓ˚ ‚˚ Ë„‡ÂÚ ̇ Í·‚ˇÚÛÂ, ÓÚÓ·‡Ê‡˛ÚÒfl ËÎË ‚ÓÒÔÓËÁ‚Ó‰flÚ ‡ÍÍ Ó?[...]

  • Page 142

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function 143 CVP-210/208 îÛÌ͈ËË, ÍÓ ÚÓ˚ÏË ÏÓ ÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎÂÈ * ë‡Ï˚ ÎÛ˜¯Ë ÂÁÛ Î¸ Ú‡Ú˚ ‰‡ÂÚ ÌÓ ÊÌÓÈ ÍÓÌÚÓ ÎÎÂ Yamaha FC7, ÍÓ ÚÓ˚È ÏÓ ÊÌÓ Ô?[...]

  • Page 143

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function CVP-210/208 144 àÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲ Ë Ì‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Ú‡ÌÒÔÓÁˈËË – Keyboard/Panel óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl Í·‚˯ î[...]

  • Page 144

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function 145 CVP-210/208 ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ. 136. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ ̇·ÓÓ‚ ̇ÒÚÓÂÍ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË – Registration S[...]

  • Page 145

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function CVP-210/208 146 àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚ ÚÂÏ·‡, ‚˚·Ë‡ÂÏ˚ı ‡‚ÚÓχÚ˘ÂÒÍË – Voice Set èË ÒÏÂÌ ÚÂÏ·Ó‚ (‚˚·Ó هÈ· ÚÂÏ·‡) ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚?[...]

  • Page 146

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function 147 CVP-210/208 í ËÔ˚ ˝ÙÙÂÍÚ‡ Harmony ÖÒÎË ‚˚·‡Ì Òڇ̉‡ÚÌ˚È ÚËÔ „‡ÏÓÌËÁ‡ˆËË (ÓÚ «Standard Duet» ‰Ó «Strum») ■ ÖÒÎË ‚˚·‡Ì ÚËÔ «Multi Assign» ÖÒÎË ‚˚·‡Ì ˝ÚÓ Ú Ú[...]

  • Page 147

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function CVP-210/208 148 ùÚÓÚ ˝Í‡Ì ÔÓÁ‚Ó ÎflÂÚ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ MIDI. ùÚË Ô‡‡ÏÂÚ˚ ÏÓ ÊÌÓ ÒÓı‡ÌËÚ¸ ‚Ò ‚ÏÂÒÚ ̇ ˝Í‡Ì USER ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ?[...]

  • Page 148

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function 149 CVP-210/208 Clock (ÒËÌıÓÌËÁ‡ˆËfl), Transmit Clock (ÔÂ‰‡˜‡ Ò˄̇ÎÓ‚ ÒËÌıÓÌËÁ‡ˆËË), Receive Transpose (Ú‡ÌÒÔÓÌËÓ‚‡ÌË ‚̯ÌÂ„Ó Ò˄̇·) Ë Start/Stop (Á‡ÔÛÒÍ/Ó[...]

  • Page 149

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function CVP-210/208 150 èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ – Receive ó‡ÒÚË ‰Îfl ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ – Root ëÓÓ·˘ÂÌËfl ÚËÔ‡ «note ON/OFF» (ÌÓÚ‡[...]

  • Page 150

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function 151 CVP-210/208 Ç ˝ÚÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 136. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÙÂȉËÌ„‡, ÏÂÚÓÌÓχ, ‡ Ú‡Í?[...]

  • Page 151

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function CVP-210/208 152 ÅÎÓÍËӂ͇ Ô‡‡ÏÂÚ‡ ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ Á‡·ÎÓÍËÓ‚‡Ú¸ ÓÔ‰ÂÎÂÌÌ˚ ԇ‡ÏÂÚ˚ Ú‡Í, ˜ÚÓ·˚ Ëı Á̇˜ÂÌËfl ÏÓ ÊÌÓ ·˚ÎÓ ËÁÏÂÌË?[...]

  • Page 152

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function 153 CVP-210/208 äÓÔËÓ‚‡ÌËÂ Ë ÙÓχÚËÓ‚‡ÌË ‰ËÒÍ ÂÚ – Disk •ä ÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı Ò ‰ËÒÍÂÚ˚ ÚËÔ‡ 2DD ̇ ‰ËÒÍ ÂÚÛ ÚËÔ‡ 2HD Ë Ó·‡ÚÌÓ Ì‚ÓÁÏÓ ÊÌÓ. èË[...]

  • Page 153

    ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function CVP-210/208 154 Ç‚Ó‰ ËÏÂÌË ÔÓ Î¸ÁÓ‚‡ÚÂÎfl Ë ‚˚·Ó flÁ˚͇ – Owner ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒı Ó‰Ì˚ı Ô‡‡ÏÂÚÓ‚ CVP-210/208 – System Reset ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ Ù ÛÌ͈ËË ÏÓ ÊÌÓ ‚[...]

  • Page 154

    155 CVP-210/208 èÓ‰Íβ˜ÂÌË ‚̯ÌËı Û Ò ÚÓÈÒ Ú‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova 1 àÒÔÓ Î¸ÁÓ‚‡ÌË ̇ۯÌËÍ Ó‚ (‡Á˙ÂÏ PHONES) ÑÎfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ۯÌËÍ Ó‚, ÔÓ‰Íβ˜ËÚ Ëı ‚ Ó‰ËÌ ËÁ ‡Á˙ÂÏÓ‚ PHONES (Ò ÔÓ[...]

  • Page 155

    èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova CVP-210/208 156 345 èÓ‰Íβ˜ÂÌË ‡Û ‰ËÓ Ë ‚ˉÂÓ ÛÒÚÓÈÒÚ‚ Ç˚ ÏÓ Ê ÂÚ ÔÓ‰Íβ˜ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Í ‡ÁÌÓ„Ó Ó‰‡ Á‚ÛÍÓ‚ÓÈ ‡Ô[...]

  • Page 156

    èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova 157 CVP-210/208 6 àÒÔÓ Î¸ÁÓ‚‡ÌË Ô‰‡ÎË (ÌÓ ÊÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl) ËÎË ÌÓ ÊÌÓ„Ó Í ÓÌÚÓ ÎÎÂ‡ (‡Á˙ÂÏ AUX PEDAL) èÓ‰Íβ˜Ë‚ ÌÓ ÊÌÓÈ Í ÓÌÚ?[...]

  • Page 157

    èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova CVP-210/208 158 óÂÂÁ USB-ÔÓÚ ë ÔÓÏÓ˘¸˛ USB-͇·ÂÎfl ÔÓ‰Íβ˜ËÚ USB-ÔÓÚ ÍÓÏÔ¸˛ÚÂ‡ Í USB-ÔÓÚÛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208. àÒÔÓθÁÛÈÚ ÚÓθ[...]

  • Page 158

    èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova 159 CVP-210/208 óÚÓ Ú‡Í Ó MIDI? í ËÔ˘Ì˚ÏË ‡ÍÛÒÚ˘ÂÒÍËÏË ËÌÒÚÛÏÂÌÚ‡ÏË fl‚Îfl˛ÚÒfl Ó·˚˜ÌÓ ÔˇÌËÌÓ Ë Í·ÒÒ˘ÂÒ͇fl „ËÚ‡‡. ç‡ ÔˇÌËÌ[...]

  • Page 159

    èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova CVP-210/208 160 äÓÌÚÓ ÎÎÂ Ë ÚÓÌ-„ÂÌÂ‡ÚÓ fl‚Îfl˛ÚÒfl ˝Í‚Ë‚‡ÎÂÌÚÓÏ ÙÓÚÂÔˇÌÓ, ‡ÒÒÏÓÚÂÌÌÓ„Ó ‚ Ô‰˚‰Û˘ÂÏ ÔËÏÂÂ. Ç ‰‡ÌÌ?[...]

  • Page 160

    èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova 161 CVP-210/208 ä‡Ì‡Î˚ MIDI àÌÙÓχˆËfl Ó· Ë„ ̇ Í·‚ˇÚÛ ‚ ÙÓχÚ MIDI ÔËÒ‚‡Ë‚‡ÂÚÒfl Ó‰ÌÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI. ê ‡ÒÔ‰ÂÎÂÌ?[...]

  • Page 161

    èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova CVP-210/208 162 ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI- ‰‡ÌÌ˚ı Ç ˝ÚÓÏ ‡Á‰ÂΠӷÒÛʉ‡˛ÚÒfl ÓÒÌÓ‚Ì˚ ‚ÓÔÓÒ˚ ÒÓ‚ÏÂÒÚËÏÓÒÚË ‰‡ÌÌ˚ı: ÏÓ„ÛÚ ÎË ‰Û„Ë MIDI-?[...]

  • Page 162

    èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova 163 CVP-210/208 îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ç MIDI ÚÂÏ·˚ ÔËÔËÒ˚‚‡˛ÚÒfl Í Ú‡Í Ì‡Á˚‚‡ÂÏ˚Ï «ÌÓÏÂ‡Ï ÔÓ„‡ÏÏ». ëڇ̉‡Ú ÔË[...]

  • Page 163

    CVP-210/208 164 CVP-210/208: ë·Ó͇ ÔÓ‰Ò Ú ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ÇçàåÄçàÖ! ■ ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ Ë[...]

  • Page 164

    CVP-210/208: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ 165 CVP-210/208 7 ì ÒÚ‡Ìӂ͇ ·ÎÓ͇ Ô‰‡ÎÂÈ. 8 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË. 9 ì ÒÚ‡Ìӂ͇ Í˚¯ÍË ‰Ë̇ÏË͇ ̇ ÍÓÔÛÒ ‰Ë̇ÏË͇. 10 ì ÒÚ‡ÌÓ‚ËÚ ÒÂÎ?[...]

  • Page 165

    CVP-210/208 166 ìÒ Ú‡ÌÂÌË ÌÂÔÓ Î‡‰ÓÍ èÓ·ÎÂχ ÇÓÁÏÓ ÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl • ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ì ‚Íβ˜‡ÂÚÒfl; ÓÚÒÛÚÒÚ‚ÛÂÚ ÔËÚ‡ÌËÂ. ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ˆËÙÓ‚Ó ÔˇÌËÌ[...]

  • Page 166

    ì ÒÚ$$$ÌÂÌË ÌÂÔÓÎ$$$‰ÓÍ 167 CVP-210/208 • ÄÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍ ÓÏÔ‡ÌÂÏÂÌÚ‡ ‡ÒÔÓÁ̇˛ÚÒfl ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ËÎË ÓÚ ÚÓ„Ó ÏÂÒÚ‡ ̇ Í·‚ˇÚÛÂ, ?[...]

  • Page 167

    CVP-210/208 168 í ıÌ˘ÂÒÍË ı ‡‡ÍÚ ÂËÒÚËÍË : ‰ÓÒÚÛÔÌ˚ ç‡Á‚‡ÌË ÏÓ‰ÂÎË CVP-210 CVP-208 àÒÚÓ˜ÌËÍ Á‚Û͇ ÑË̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË ÚÂÏ·Ó‚ AWM ùÍ‡Ì 640 ✕ É ‡Ù˘ÂÒÍËÈ ÊˉÍÓÍËÒÚ‡Î΢Â?[...]

  • Page 168

    í ÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË 169 CVP-210/208 *í ÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë ÓÔËÒ‡ÌËfl ‚ ˝ÚÓÏ ÛÍ Ó‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ‰‡Ì˚ ÚÓ Î¸Í Ó ‰Îfl ËÌÙÓχˆËË. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·Ó?[...]

  • Page 169

    CVP-210/208 170 è‰Ï ÚÌ˚È ÛÍ ‡Á‡ Ú Â Î¸ 0-9 1 — 16 ................................................................................. 110 3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚aÎaÈÁÂ) .................................... 133 A Accompaniment Guide ............................................................... 8[...]

  • Page 170

    è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ 171 CVP-210/208 Q QUANTIZE .............................................................................. 85 Quantize (ÙÛÌ͈Ëfl ‚˚a‚ÌË‚aÌËfl) ................................... 107, 120 Quick Recording (·˚ÒÚ‡fl Á‡ÔËÒ¸) .............................................. [...]

  • Page 171

    è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ CVP-210/208 172 á Áa„ÛÁÍa Áa„ËÒÚËÓ‚aÌÌ˚ı ÔaaÏÂÚÓ‚ ................................. 90 Áa„ÛÁÍa Ìa·Óa ÔaaÏÂÚÓ‚ .................................................... 90 ÁaÏÂÌa ËÒıÓ‰Ì˚ı ÁÌa˜ÂÌËÈ ÔaaÏÂÚÓ?[...]

  • Page 172

    è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ 173 CVP-210/208 ÌaÒÚÓÈÍa Ó·˘Ëı ÔaaÏÂÚÓ‚ ................................................. 136 ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚ ÍÎa‚ËaÚÛ˚ Ë Ô‰aÎÂÈ ........................... 142 ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚ ÙÂȉËÌ„a, ÏÂÚÓÌÓ[...]

  • Page 173

    è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ CVP-210/208 174 ÒÓÓ·˘ÂÌËfl ............................................................................... 8 ÒÓıaÌÂÌË ...................................................................... 40, 48 ÒÓıaÌÂÌË ÁÌa˜ÂÌËÈ, Áa‰aÌÌ˚ı Ò ÔÂ‰ÌÂÈ ÔaÌÂÎË .[...]

  • Page 174

    MEMO 175 CVP-210/208 MEMO[...]

  • Page 175

    MEMO CVP-210/208 176 MEMO[...]

  • Page 176

    IMPOR T ANT SAFETY INSTR UCTIONS INFORMA TION RELA TING T O PERSONAL INJUR Y , ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST . W ARNING - When using any electrical or electronic product, basic precautions should always be follo wed. These precautions include, but are not limited to, the follo wing: 1. Read all Safet[...]

  • Page 177

    * This applies only to products distributed b y Y AMAHA CORPORA TION OF AMERICA. (class B) (2 wires) • This applies only to products distributed by Y amaha-Kemb le Music (U .K.) Ltd. (polarity) • This applies only to products distributed by Y amaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Y amaha Canada Musiq[...]

  • Page 178

    For details of products, please contact your nearest Y amaha or the authorized distributor listed belo w . Pour plus de détails sur les produits, v euillez-vous adresser à Y amaha ou au distributeur le plus proche de vous figurant dans la liste suivante. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Y ama[...]