Yamaha 2 manual

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22

Go to page of

A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of Yamaha 2, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

What is an instruction?

The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Yamaha 2 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of Yamaha 2. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of Yamaha 2 should contain:
- informations concerning technical data of Yamaha 2
- name of the manufacturer and a year of construction of the Yamaha 2 item
- rules of operation, control and maintenance of the Yamaha 2 item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Yamaha 2 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Yamaha 2, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Yamaha service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Yamaha 2.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Yamaha 2 item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    EN PM1D System Software V ersion 2 Supplementar y Manual This supplementary manual primarily describes the additional and modified func- tions that have been incorporated into PM1D System Software version 2.0. Please read this manual in conjunction with the original manual that came with your Y amaha PM1D digital audio mixing system. ■ Main chan[...]

  • Page 2

    2 Main changes Main changes If you adjust the HA gain on the master CS1D (master for HA co ntrol), the att enuation on a slave CS1D can auto matically be adjusted so that the channel output levels will remain unchanged. The master unit is the CS1D (or PM1D Manager) c onnected v ia a DSP1D that is connected t o the por t through which the AI8 is con[...]

  • Page 3

    Main changes 3 Va r ious effects sold as Add-On Effects packages for Y amaha digital mixing consoles (such as DM2000) are no w included as standard. T o use the V CM effects, you m ust first specify the n umber of V CM effects you wish to use to limit the number of av ailable GEQ modules. The V CM effects employ V irtual Circuitr y Modeling t e ch[...]

  • Page 4

    4 Main changes ■ Moving the channels in the CH COPY screen 1. Display the CH COPY screen for the IN CH View or OUT CH View function. 2. In the CH COPY/CH MOVE section, turn on the CH MOVE button. If the CH COPY button is on, you can use the usual Chan- nel Copy function. 3. Press the [SEL] switches to select the channels you wish to move. 4. Sele[...]

  • Page 5

    Changes in Scene Memories and Libraries 5 Changes in Scene Memories and Libraries In the TC E VENT screen, y ou can now register scenes in the order of use, so that these scenes can be r ecalled manually , or automatically acc ording to the specified interval time. The T C EVENT screen featur es the following additional func- tions: 1 EVENT RECALL[...]

  • Page 6

    6 Changes in Scene Memories and Libraries 3 SCENE MEMORY These are the number and title of the scene to be recalled. Click the button to displa y the TC EVENT pop-up w indow , then click the number of a scene to select it. 4 EVENT RECALL These functions enable you to r ecall events. The follo w ing three buttons ar e provided. 5 MOVE UP/MOVE DOWN T[...]

  • Page 7

    Changes in Scene Memories and Libraries 7 Y ou can globally apply the Recall Safe function to settings for units that are patc hed to R ecall Safe channels, as well as to the Re call Safe channel settings themselves. Note • Selecting the Recall Safe items using the SAFE [RECALL] switch on the panel or the button in the IN CH VIEW screen (when the[...]

  • Page 8

    8 Changes and additions of screens Changes and additions of screens The F ADER VIE W screen has been added to the IN CH View function and OUT CH View function. 1 ON/MUTE These buttons enable y ou to switch the channels on/off, and switch DCA group muting on/off. The y are link ed to the [ON] switches of the corresponding channels and the [MUTE] swi[...]

  • Page 9

    Changes and additions of screens 9 The INPUT GR screen and OUTPUT GR screen ha ve been added to the M eter function. These scr eens display the gain re duction meters for Input channel gates and c ompressors, and Output channel compr essors. 1 DISPLA Y CH Sw itches the channels that ar e display ed in the INPUT GR and OUTPUT GR screens. INPUT GR sc[...]

  • Page 10

    10 Other changes Other changes Y ou can specifically select any region of any scene or library data to be sav ed to a memor y card. Y ou can also specifically select any r eg ion of any sc ene or libr ar y data to be loaded fr om a memory card. In addition to BASIC mode (in which you can sav e the entire or specified data in the scene memories o[...]

  • Page 11

    Other changes 11 The signal can be now directly output just before the I nput c hannel HPF . Y ou can also adjust the direct output level. To select a position just before the HPF as the direct output on the INSER T/DIRECT POINT screen, turn on the PRE HPF button for the corr esponding channels in the DIRECT OUT POINT column. The DIRECT OUT LEVEL c[...]

  • Page 12

    12 Other changes In addition to entering hexadecimal values, you can also spec- ify MIDI events for scene r e call by entering the desired MIDI ev ents using the list in the new MIDI E VENT SETUP pop-up w indow . T o open this pop-up w indow , a MIDI EVENT button has been added to the SCENE ST ORE pop-up w indow and the SCENE TITLE pop-up window . [...]

  • Page 13

    Other changes 13 • Y ou can f ollow the steps belo w to set the DELA Y TIME using the SCENE ST ORE (or SCENE TITLE EDIT) pop-up windo w . 1. Mov e the cursor to the COMMENT/MIDI EVENT section, then click the EVENT CODE SET b utton. 2. Click T and numbers 0-9 on the character palette to specify the two-digit dela y time in 100 msec steps. For e xa[...]

  • Page 14

    14 Other changes In the previous software version, the Global Paste function enabled you to select up t o 100 scenes at a time. H owever , this limitation has been remov ed. H owever , if you select 101 or more scenes t o paste, y ou will not be able to use the U ndo function. In this case, back up all impor tant data using the Select All function,[...]

  • Page 15

    Appendix 15 Appendix This front of house preset scene is designed by a famous A merican front of house engineer. It features preset parameter values for the out- put channels, including Front Fill, Dela yed Speaker , as w ell as Stereo M ix Send to the internal effects. This monitor mix preset sc ene is designed by a famous American mon- itor engin[...]

  • Page 16

    16 Appendix This preset simulates an in-ear monit or ing mix. I t is a hig hly practical preset, t ypical of the PM1D , with in-ear monitor and W edge monitor categorized into Output DCA for emergency use. This preset simulates a m usical mix scene. MIX1-12 are set to Fix, and are designed to be used as buses. This preset simulates a sc ene for an [...]

  • Page 17

    Appendix 17 This preset simulates a theatrical mix scene. It features the default set- tings for L-C-R panning. This preset simulates a br oadcasting application. It includes input c hannel EQ and Comp settings that are typical to broadcasting, as well as multiple sends. This preset simulates a li ve recording application. MIX1-48 are set to Fix, a[...]

  • Page 18

    18 Appendix 072: REV -X HALL, 073: REV -X ROOM, 074: REV -X PLA TE These effects are a ne wly-developed 2-in/2-out rev erb algorithm. They provide a high-density , richly rev erb erant sound quality , with smooth attenuation, spread and depth that w ork together to enhanc e the original sound. Y ou can choose one of three pr og rams to suit the ac [...]

  • Page 19

    Appendix 19 078: COMP260S This effect emulates the characteristics of mid 70’ s compressors/limit- ers that are the standard for li ve SR. Y ou can link and control the L and R channel parameters. 079: EQUALIZER601 This effect emulates the characteristics of 70’ s analog equalizers. R e- creating the distortion of t ypical analog circuits will [...]

  • Page 20

    U .R.G., Pro Audio & Digital Musical Instrument Division, Y amaha Cor poration © 2005 Y amaha Corporation WF52680 406IP APx.x-01A0 Printed in Japan[...]

  • Page 21

    MIX1 MIX2 MIX48 STEREO L STEREO R CUE L CUE R PM1D V2.0 System Block Diagram (CS1DV2, DSP1D, AI8, AO8, DIO8) DITHER ... ... CH 1(-48) ... ... Option Card IN (8ch) 8 CASCADE IN 58 PAN MIX to STEREO MIX 1(-48) from MIX1 from MIX48 from STEREO A Lch from STEREO A Rch SUB IN L MONITOR OUT B L R from MIX1 from MIX48 from STEREO B Lch from STEREO B Rch f[...]

  • Page 22

    PATCH 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 Digital Bit 34 35 36 0 –10 –20 –30 –40 –50 –60 –70 –80 –90 –100 –110 –120 –130 –140 –150 –160 –170 –190 –200 –210 ATT. EQ LEVEL PAN/SEND LEVEL EQ DA DSP Noise Floor GAIN HA DIGITAL GAIN STEREO OUT A-B dBFS Digita[...]