Waves Plug-in for Vocals and Monophonic manual

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20

Go to page of

A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of Waves Plug-in for Vocals and Monophonic, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

What is an instruction?

The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Waves Plug-in for Vocals and Monophonic one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of Waves Plug-in for Vocals and Monophonic. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of Waves Plug-in for Vocals and Monophonic should contain:
- informations concerning technical data of Waves Plug-in for Vocals and Monophonic
- name of the manufacturer and a year of construction of the Waves Plug-in for Vocals and Monophonic item
- rules of operation, control and maintenance of the Waves Plug-in for Vocals and Monophonic item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Waves Plug-in for Vocals and Monophonic alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Waves Plug-in for Vocals and Monophonic, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Waves service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Waves Plug-in for Vocals and Monophonic.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Waves Plug-in for Vocals and Monophonic item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    Waves T u ne Tuning Corre ction Plug-in for Vocals and Monophonic Sound Sou rc es. Software Users Guid e[...]

  • Page 2

    Introducti o n and Overvie w Waves Tu ne is a softwar e au d io pr ocesso r wh i c h a l l ows fo r co rr ection and mani pu lat ion of pit ch i n v oca ls and mon o pho nic in strum ent s. When Tun e is insert ed into a t rack of y our au dio sequencer o r editor , it detects the s ignal ’s pi t ch an d c or rects t o the nea r est “c lean” [...]

  • Page 3

    Quick Start I NSE RTI NG T HE P L UG -I N To g e t start ed, ins ert Tune ont o y our v oca l track (or m on oph onic i nstrume nt track. ) I t is impor tant tha t Tune prece des any e ffects pr ocess i ng on th e s ource. We r ec om me nd that Tu ne is y our first i nsert on th e tr ack. Impo r tant n o te t o Pr oT ool s u sers! F or pr op er ope[...]

  • Page 4

    c lear ed, i t w i ll a uto matic a l ly be gin s cann ing. The sound output w i l l r emain un co r r ected dur ing the scan, but an oran g e highl ight w i l l a ppear to in d ic ate tha t scann ing i n prog r ess. P ITC H C O RRE CTI O N A ND P I TCH C U RVE E D ITI NG After a sect ion is sc anne d an d its c or r ection cu r v e and n ote s e g[...]

  • Page 5

    Tune I nt erface Reference The Tune Interf ace i s d iv i d e d i nto th e f ol lowin g sect i ons – • G lobal Co r r ection sect i on • Segm e ntation s ect ion • C or r ec t io n Para me ter s section • Graph ic E d it ing Tool s s ect ion • Vibra t o section • Ma in P it ch E di t ing Graph G LO BAL C O R RECTI O N S EC TIO N : The[...]

  • Page 6

    S EGM E NTA TION S E CTIO N : The Segm e ntation section al l ows y ou to s e lect cond it i ons by whi ch T u ne wi ll seg me n t the cor r ect ion curve into n o te s. These cond it i ons set th e “rules” of th e C or r ec t ion Grid in dete r min ing wheth er o r no t a n ot e i s “lega l.” Th is s ect ion has tw o main parts: S cale Se [...]

  • Page 7

    natura l vibrat o manipu lat i on after you turn ed the se g m enta tion on and natural v i brat o was detected, in oth er w o rds only the s eg m e ntation butt on wi l l perfo r m Natural vibra to detect ion and on ly on d etected se ct i on you wil l be ab le t o use the manip ul at ion para met e rs. C OR RE CTIO N P AR AME TER S S E CTI O N : [...]

  • Page 8

    The Note to ol a llows y ou to s elect a not e o r mu lti p le not es in the Ed it W in d ow and perf or m vari ous act ions on an y th i ng withi n the selection. Se l ect s ingle not es b y cl ic ki ng the m or select mu lti p le no tes b y c l ick - drag ging in the Ed i t Wi n dow. N ow y ou can ed it the selec ted no tes in the pit ch cor r ec[...]

  • Page 9

    P ITC H E DIT G RA PH : The P itch E d it Graph fi ll s the l arg es t part of the Tune interface. T here a re four m ain parts to th e Pit ch E d it Graph: • Wavef o r m Ove r v iew • T ime l ine Ru l er • P iano Roll • P it ch E d itor Wavefo rm Overview At the t op of Tune Ed itor is the Wavef o r m Ov er view. It sh ows an ov er view of[...]

  • Page 10

    M in u tes/Sec – Her e, th e tim el ine is d is p layed d is p lay i n M in utes/ Seconds. The t imeli ne wi l l be l imi te d t o ten mi n utes, afte r w h ich pit c h detect i on w i l l stop. S am ples – Th is mod e shows the ti meli ne i n sa mples. Again , the maximum length is ten minutes, after whi ch p it ch detect ion wi l l stop. When[...]

  • Page 11

    Note Tune : When t he Edit S c ale butto n is on, each of the 12 not es wi ll show its temp e ra me nt, in cents. Tu ne can b e adjusted to perf ect th e n ot es’ intonation. The adjustmen t is in cents but al lows inserting sub-dec i ma l fract i ons, f or maximum r es olut ion. Note Status: The N ote Grid ass igns a status t o each not e in t h[...]

  • Page 12

    The corr ected p itch graph ma y b e furth e r edited us in g a few s imp l e to ols that change the ap pearance of th e mouse p ointer in c ont ext with i ts c urr en t funct i on. Un do/ Red o Next t o the Graph ic To ols sect ion are the U n d o / R edo butt ons. These pu ll - d own menus al low you t o view an d a c cess any point of the Undo/R[...]

  • Page 13

    Wavefo rm : Wavef or m d efi nes the shape of the sy nth etic vibrat o whi ch w i ll be a pp lie d to a select ion. Choices are: si ne, triangle, square, saw u p , saw down. Defau lt : S ine. Pre-delay: 0 to 2 0 00 ms; Default 0ms Th is is the t im e it wi ll take fr o m the star t of a new n ot e unti l the synth etic v ibrat o com m e nces. Rate:[...]

  • Page 14

    Clear Graph – Clears th e Det ect ion and Co rr ection curves fr o m th e sele cte d area, c l earing al l ana l ys is fo r tha t r egi on. Dur ing subsequ ent p layback, Tune wi l l s c an c leared re gions as thou gh the y had ne ve r b ee n scanned. Select All – Se lect s al l detected no tes on the t imeli ne and mak es th em r eady for ed [...]

  • Page 15

    W AVE S YS TE M The WaveSys te m To olba r pro vides stan dard f un ct ions su ch as preset Save /Load hand li ng, Help button etc. Th is is com m o n to all Waves P lug-i ns . How e ve r, wit h T une the re ar e so me spec ia l cons iderations w h ic h re qu ire a few uniq ue imp lem entations as f ol l ows: Setup A/B – The Tune p lug- in does n[...]

  • Page 16

    tunes su ch as 443. M u s ic transfer r ed fr om an alogue tape can exhib it p i t ch var iances due to playback spee d in consistenc ies. H owe v er you d eter mine the r ef er ence pit ch , it is v ery imp or tant t o g e t this r ight f or co r re c t tar g eting of the pitc h cor r ect ion ope ra t io n. 3) Gl obal Pitc h Sh ift- H ere y ou def[...]

  • Page 17

    Part 3: Post Sca n – General corr ecti ons After per f or ming th e scan, Tu ne constr ucts the d etected p i t ch c urv e and corr ect i on c urve. F r o m this point on, any aud io you play on thi s track wi l l b e aff ected by the co r r ect i on c urve pit ch adj ustme nt, with a l l c hanges hap p ening in real time. Re me m b er , to m odi[...]

  • Page 18

    Th is can c ause an artifac t whi ch has bec om e a creative eff ect occa siona l l y (i n cor r ect ly) r efe r red t o as the “ Ch e r Effect.” Rati o: Her e, y ou det e rmi ne h ow str o ngly to app l y the co rr ect i on. Rat io d efi nes how t ight the cor r ect ion should be, o ve r then entire t im el ine of the co r r ect i on. The defa[...]

  • Page 19

    In the opposite ca se, T une might re m ain at the sam e n o te, although the s inge r was su p posed to g o to th e n ext one. He r e th e Slic e to ol al l ows seg me nting the s ingle n ot e into separate o n es b y cl i ck ing on the point at wh ic h y ou w ant to sl ice . Cl i ck-drag t o sp l ice a wh o le se g me n t. Use the N ote to ol to [...]

  • Page 20

    stepp ing f orwar d unt il y ou ma k e a chang e and the Un do Histor y i s br o ke n. In this cas e the Red o butto n b ec om es gr ay ed out and isn ’t avai lab le. Rem e m b e r, in w orst case y ou can always sele ct the tr oub les om e or o ve rw o rk ed seg me n t, c lear it then scan i t again t o start f r o m th e b e g inn ing. MIDI Rec[...]