Teresonic Magnus Monitor Speakers manual

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A good user manual

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The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Teresonic Magnus Monitor Speakers one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

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First and foremost, an user manual of Teresonic Magnus Monitor Speakers should contain:
- informations concerning technical data of Teresonic Magnus Monitor Speakers
- name of the manufacturer and a year of construction of the Teresonic Magnus Monitor Speakers item
- rules of operation, control and maintenance of the Teresonic Magnus Monitor Speakers item
- safety signs and mark certificates which confirm compatibility with appropriate standards

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Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Teresonic Magnus Monitor Speakers alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Teresonic Magnus Monitor Speakers, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Teresonic service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Teresonic Magnus Monitor Speakers.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Teresonic Magnus Monitor Speakers item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    Ma gus© monitor speak er s User Guide (Ma gus: “ma gical” in Latin)  Te res onic 121 5 Fi ddl ers G re en • S an Jo se , 951 25 Cal ifo rnia , USA Ph one 408 .97 3.8 813 • ww w.t ere so nic. com Ter es : ro und ed, p olis he d, s moo th, f ine , el ega nt in L ati n[...]

  • Page 2

    T a b l e o f C o n t e n t s C H A P T E R 1 INTRODUCT ION 1 New life for yo ur music yet pe rfectly natural 1 Big per f o rmance eve n at 4 Watts pe r channel 2 Except ionally detailed and clean sound 2 Designe d & handcrafted to en dure the t e st of time 3 C H A P T E R 2 UNPA CKING INSTRUCTIONS 4 Contents 4 C H A P T E R 3 INSTALLA TION AN[...]

  • Page 3

    D E S I G N C U S T O M I Z A T I O N 1 I n t r o d u c t i o n C on gr a tu la t io n s on p u rc h as i ng M ag u s – on e o f t he f i ne s t m on it o r lo u d sp ea k e rs e ve r m ad e. W e h o p e th at ma gi c of Ma gus w i ll rev ea l th e be s t of y our m us ic c ol lec t io n a nd p rov id e m an y lis te n in g p le a su res fo r y e[...]

  • Page 4

    D E S I G N C U S T O M I Z A T I O N 2 Th e ch a ll en g e is t o ma k e sp ea ke r s th at w e c an c al l t ra ns ce nd ent al - so me th in g th at b r ea ks b oun d ar ie s a nd cr eat es em ot io n, b ut k ee ps t he so un d nat ura l a nd i nt act , a s it wa s in t he c on cer t ha ll o r a re cor di ng st ud io . Te re so ni c spe ake r s [...]

  • Page 5

    D E S I G N C U S T O M I Z A T I O N 3 ev er y ty pe o f m us i c fr om r ock to o per a, j a zz t hr ou gh f ol k. T he y ha ve q ui t e a p un ch y lo w end for t hei r si ze . Dr um s and p er cu ssi on ar e r ep ro duc ed w it h st un n ing w ei gh t an d cl a ri t y. No ti ce pr eci s e dur ati on an d fi n e se p ar at io n b et w ee n t on [...]

  • Page 6

    4 U n p a c k i n g I n s t r u c t i o n s Im po rt a nt ! Be fo re y ou s t ar t u np a c ki ng , i ns p ec t th e ou te r ca rt on fo r an y s ig ns o f s hi p pi ng d a ma ge . If y ou s e e or s us p ec t th at t h ere is d am ag e , in fo r m t h e se ll er a s so on a s po ss ib le . o ur T er es on ic M a gu s sp e ak er s we re s hi pp ed [...]

  • Page 7

    5 I n s t a l l a t i o n a n d W i r i n g B efo re ma ki n g an y co n ne ct i on s a lw ay s tu rn off y o ur a m p lif ie r . In s ta lli ng an d wir ing y ou r sp e ak e rs i s an e a sy a nd s tr ai gh t fo rw a rd p roc es s. E nj o y y ou r n ew T e res o ni c so un d ! o ur s pe ak ers a re e qu ipp ed wi th h ig he st q ual it y WB T bi n[...]

  • Page 8

    6 Co r re ct p ha sin g o f th e sp ea ke r s is vi ta l fo r s ou nd q ua li t y so ch ec k yo ur a mp lif ie r ma nua l fo r i ns tr uc ti on s. S om e va cu u m t ub e amp li fi ers m ay r eq u ir e t ha t yo u c ha n ge t h e ph as e b etw e en a mp li fi er a nd t h e sp ea ker s by r ev er si ng t he c ab le co n ne ct io n s (e .g . Re d am [...]

  • Page 9

    7 I n s t a l l a t i o n a n d o p e r a t i o n Pl a ce t h e sp eak er s in t he ir a pp r ox im at e l oc at io n f oll ow in g r ec om m en d at io ns in c hap t er s fo ur ( Fi n e Tu n in g) an d fi ve ( Ro o m Ac ou st ic s) f or th e be st r es ul t s. I t is wo rt h no ti n g th at wh en t he t on e co nt r ol s on y ou r pr e-a mp a r e [...]

  • Page 10

    8 F i n e T u n i n g F ol lo wi ng t he se rec o mm e nd at io ns is c ri t ic a l t o ob ta in in g o p ti mu m resu lt s fro m y o ur s pe ak er s . o ur T er e so ni c sp ea ke r s a re a mo ng t he f i ne st lo ud spe a k er s ev er d es ig ne d to o ff er e xce pt io na l ly n atu r al so u nd an d th e h ig h es t ef fi cie nc y i n it s cl [...]

  • Page 11

    9 P o s i t i o n i n g ( T o e - I n ) Ad j us ti n g th e to e- in a ng le o f th e sp ea ke r s is u se fu l in t ai lo rin g t he s ou nd t o ma t ch t he c ha ra ct er i st ic s of y o ur sy st em a nd t h e li st en in g r oo m . Wh en t he s pe ak er s ar e f aci ng s tr ai gh t fo rw ar d, th ey t end to c r eat e a l ar ge, ex pan si ve s [...]

  • Page 12

    10 ev en m or e, bu t w il l als o i nc re as e th e re fl e ct io n s. Th e d ec is i on i s you rs , so e xp er im en t wit h di f fe re n t po sit io ns to f in d wh ic h p ro vi de s t he i de al so u nd f or y ou . A d j u s t i n g R e f l e c t o r P l a t e o n M a g u s S t a n d s Yo u r Ma gu s sp ea ke r st an ds a re e q ui p pe d wi t[...]

  • Page 13

    11 R o o m A c o u s t i c s L is te nin g yo ur T e res on ic sp ea k er s in a p rop er ly s et -u p roo m ca n b e a st ar tl in g ex pe ri en ce . ve r y r oo m ha s i t s ow n di st i nc t iv e a co u st ic s, whi ch i nf lu en ce s t he w ay w e ex pe r ie n ce t h e so u nd f ro m a sp e ak er . In f ac t, i t' s a mat te r o f ho w th [...]

  • Page 14

    12 “E ar ly r ef l ec ti on s” w il l te n d to d im in is h th e so un d st ag e in t he d ir ec ti on o f t he r e fl ec ti on s – “e ar ly r ef le ct io n s ” f ro m t he s id e wal ls t end t o re du c e so und st ag e wi dt h, wh il e “e ar ly re fl e ct io n s” f r om t he b ac k w al l wil l re du ce i ma ge d ep t h. So m e li[...]

  • Page 15

    13 Ag a in , i t’ s on ly ne ce ssa ry t o re du ce t he r ef l ec ti ve ne ss o f on e of t h e su rf ace s in e ac h p ai r of s ur f ac es t o el im in at e f lu tt er e ch o. Si nc e th is co nce rn s th e hi gh f r eq uen ci es , an y so ft m at er ia l is a pp ro pr ia te . Dr ap er y or f a br i c wa ll h an gi ng s a re q ui te e f fe ct [...]

  • Page 16

    14 T e c h n i c a l S p e c i f i c a t i o n s W o r l d ’ s m o s t n a t u r a l s o u n d i n g s p e a k e r s p r o v i d e t h e h i g h e s t p e r f o r m a n c e i n i t s c l a s s M a g u s S p e a k e r – T e c h n i c a l S p e c i f i c a t i o n s De scr ip ti o n On e-w a y st and - mo un t, boo ks he lf , or ta bl et op dy n [...]

  • Page 17

    15 M a g u s S p e a k e r S t a n d – T e c h n i c a l S p e c i f i c a t i o n s De scr ip ti o n He av y du ty s pe ak er st and w it h ba se p l at e Di me ns i on s (H xW xD ) 27 x 1 0 x 1 4i n (6 8 x 25 x 3 5c m ) ma x. . – wit h sp ik e s N et w ei gh t 17 l b (8 kg ) p er pa ir S hi pp in g we ig ht 1 9 lb ( 8. 5k g) pe r pa ck ag e A[...]

  • Page 18

    16 W a r r a n t y a n d S e r v i c e Y o ur T ere so n ic s p ea k e rs a re ma de wi th th e hi gh es t q ua li ty ma t er ia ls a nd co mp one nt s . In t he u nli k ely e ve nt of a pro b le m th is pro d uc t is c ov e red b y a fu l l th ree ( 3 ) y ea r w a r ra nt y . o ur Te r es on ic sp ea k er s ar e war ra nt ed a g ai ns t de f ec ts[...]

  • Page 19

    17 W a r r a n t y S t a t e m e n t 1. T er es on ic w ar ra nt s t he m at er ia l s, w or km an shi p, a nd p ro p er f un ct io n in g of t h is p ro duc t f or a p er i od of t h ree ( 3) y ear s, p ro vi de d th at y ou r e gi st e r on ww w. te re so ni c. com w eb s i te w it hi n th ir ty ( 30 ) d ay s of th e p ur ch ase d ate . If t he r[...]

  • Page 20

    18 F i n a l I n s t r u c t i o n s 1. Read Instructions - All the safety and operating instructions should be read before the product is operated. 2. Retain Instructions - The safet y and opera ting instructions sh ould be retained for future reference. 3. Heed Warnings - All warnings o n the product and in the manual should be adhered to. 4. Fol[...]