Tannoy TS12 manual

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A good user manual

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- informations concerning technical data of Tannoy TS12
- name of the manufacturer and a year of construction of the Tannoy TS12 item
- rules of operation, control and maintenance of the Tannoy TS12 item
- safety signs and mark certificates which confirm compatibility with appropriate standards

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Table of contents for the manual

  • Page 1

    the evolution revealed[...]

  • Page 2

    TS12 500W RMS 26Hz(-6dB) 15Hz 2 x line level phone 2 x XLR balanced 2 x XLR balanced (direct or 80Hz high pass) 2nd order low pass, 50Hz - 150Hz, -6dB After approximately 12 mins. in absence of input signal 300mm (12“) Closed box 22 litre / 0.78cu.ft Phase control Crossover defeat switch for LFE operation Soft limiting to avoid overload LF extens[...]

  • Page 3

    & & PERFORMANCE TS8 TS10 Output power 200W RMS 300W RMS Low frequency response 32Hz(-6dB) 29Hz(-6dB) Limit for usable output 18Hz 16Hz Inputs 2 x line level phone 2 x line level phone 2 x XLR balanced 2 x XLR balanced Outputs 2 x XLR balanced 2 x XLR balanced (direct or 80Hz high pass) (direct or 80Hz high pass) Input filter 2nd order low p[...]

  • Page 4

    Reveal 66 Passive centre channel reference monitor Optimised bass-reflex loaded cabinet with 40mm thick front baffle Two shielded 165mm (6 1 / 2 ”) woofers, multi fibre paper pulp cones Shielded 25mm (1”) titanium dome neodymium tweeter WideBand™ HF extended to 51kHz corrects phase response Whether you’re mixing for film, video or 5.1 audio[...]

  • Page 5

    Reveal 6 Passive nearfield reference monitor Optimised bass-reflex loaded cabinet with 40mm thick front baffle Shielded 165mm (6 1 / 2 ”) woofer, multi fibre paper pulp cone Shielded 25mm (1”) titanium dome neodymium tweeter WideBand™ HF extended to 51kHz corrects phase response The Reveal 6 combines all the heritage and purity of the origina[...]

  • Page 6

    Just because a speaker sounds great in one room doesn’t mean it will sound great in your studio. Room acoustics, speaker placement and monitoring distance play a great role in the way a speaker sounds. Until now there wasn’t much you could do about that without spending more money on expensive equalisers and a professional acoustician to place [...]

  • Page 7

    Applications: Home studios/composition Project studios, users of PC/MAC DAW’s Professional recording, broadcast, post production studios & editing suites DIP switch ‘flat’ setting shown on the back panel artwork RCA input for SPDIF with 75 Ohm terminating impedance 2nd RCA for SPDIF output for slaving a stereo pair 10 Activ-Assist™ DIP [...]

  • Page 8

    PERFORMANCE 66D Frequency response (1) 49Hz-51kHZ Max SPL (2) 1 17dB Distortion <0.4% Dispersion @-6dB, 10kHz, horizontal 90 degrees DRIVE UNITS Drive Units – LF/MID 2 x 165mm (6 1 / 2 ”) multi fibre paper pulp cone WideBand TM HF 25mm (1”) titanium dome, neodymium magnet system. ELECTRONIC SYSTEM Inputs 600 balanced XLR/Jack, SPDIF RCA SP[...]

  • Page 9

    PERFORMANCE 8D Frequency response (1) 46Hz-51kHz Max SPL (2) 1 18dB Distortion <0.4% Dispersion @-6dB, 10kHz, horizontal 90 degrees DRIVE UNITS Drive Units – LF/MID 200mm (8”) multi fibre paper pulp cone WideBand TM HF 25mm (1”) titanium dome, neodymium magnet system. ELECTRONIC SYSTEM Inputs 600 balanced XLR/Jack, SPDIF RCA SPDIF sampling[...]

  • Page 10

    Features: 40mm thick contoured baffle Driver lossy-coupled to cabinet 10 screw driver chassis fixing Flux control rings on LF drivers Applications: Home studios/composition Project studios, users of PC/MAC DAW’s Professional recording, broadcast, post production studios & editing suites Frequency response (1) 60Hz-51kHZ Max SPL (2) 1 15dB Dis[...]

  • Page 11

    Features: 40mm thick contoured baffle Driver lossy-coupled to cabinet 10 screw driver chassis fixing Flux control rings on LF drivers Applications: Home studios/composition Project studios, users of PC/MAC DAW’s Professional recording, broadcast, post production studios & editing suites PERFORMANCE 5A Frequency response (1) 70Hz-30kHZ Max SPL[...]

  • Page 12

    The Antidote to Compromise Few if any manufacturers have the reputation and track record of Tannoy in the professional studio monitor market. Right from the emergence of the studio monitor itself as a product in the early 1940’s through the British invasion of the ‘60’s and every genre of music since then, Tannoy has been helping track, mix a[...]