English dropdown-ico

Sony DVP-FX810 manual

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56

Go to page of

Similar user manuals

A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of Sony DVP-FX810, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

What is an instruction?

The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Sony DVP-FX810 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of Sony DVP-FX810. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of Sony DVP-FX810 should contain:
- informations concerning technical data of Sony DVP-FX810
- name of the manufacturer and a year of construction of the Sony DVP-FX810 item
- rules of operation, control and maintenance of the Sony DVP-FX810 item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Sony DVP-FX810 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Sony DVP-FX810, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Sony service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Sony DVP-FX810.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Sony DVP-FX810 item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    2 - 6 8 4 - 4 8 5 - 3 1 ( 1 ) T o f i n d o u t u s e f u l h i n t s , t i p s a n d i n f o r m a t i o n a b o u t S o n y p r o d u c t s a n d s e r v i c e s p l e a s e v i s i t : w w w. s o n y - e u r o p e . c o m / m y p r o d u c t[...]

  • Page 2

    M A R K I N G i s l o c a t e d o n t h e b o t t o m o f t h e u n i t . T h i s C D / D V D p l a y e r i s a C L A S S 1 L A S E R P R O D U C T . N o t i c e f o r c u s t o m e r s i n t h e U n i t e d K i n g d o m a n d R e p u b l i c o f I r e l a n d A m o l de d p l ug c o m p ly i n g wi t h B S 1 36 3 i s f it t e d t o eq u i pm e n [...]

  • Page 3

    S h o u l d a n y s o l i d o b j e c t o r l i q u i d f a l l i n t o t h e c a b i n e t , u n p l u g t h e p l a y e r a n d h a v e i t c h e c k e d b y q u a l i f i e d p e r s o n n e l b e f o r e o p e r a t i n g i t a n y f u r t h e r. T h i s c a r a d a p t o r i s n o t i n t e n d e d t o b e s e r v i c e d . S h o u l d t h e p[...]

  • Page 4

    N e v e r e x p o s e t h e b a t t e r y p a c k t o t e m p e r a t u r e s a b o v e 1 4 0 ° F ( 6 0 ° C ) . D o n o t l e a v e , f o r e x a m p l e , i n a c a r p a r k e d i n t h e s u n o r u n d e r d i r e c t s u n l i g h t . U s e o n l y t h e b a t t e r y ( N P - F X 11 0 ) s u p p l i e d w i t h t h i s p l a y e r ( D V P - F[...]

  • Page 5

    K e e p t h e l e n s o n t h e p l a y e r c l e a n a n d d o n o t t o u c h i t . T o u c h i n g t h e l e n s m a y d a m a g e t h e l e n s a n d c a u s e t h e p l a y e r t o m a l f u n c t i o n . K e e p t h e p l a y e r i n a l o c a t i o n w i t h a d e q u a t e v e n t i l a t i o n t o p r e v e n t h e a t b u i l d - u p i n [...]

  • Page 6

    D o n o t s c r a t c h t h e L C D o r e x e r t p r e s s u r e o n i t . D o i n g s o c o u l d c a u s e a m a l f u n c t i o n . U s i n g t h e p l a y e r i n l o w t e m p e r a t u r e c o n d i t i o n s m a y p r o d u c e a r e s i d u a l i m a g e o n t h e s c r e e n . T h i s i s n o t a m a l f u n c t i o n . W h e n t h e p l [...]

  • Page 7

    D i s p o s a l o f O l d E l e c t r i c a l & E l e c t r o n i c E q u i p m e n t ( A p p l i c a b l e i n t h e E u r o p e a n U n i o n a n d o t h e r E u r o p e a n c o u n t r i e s w i t h s e p a r a t e c o l l e c t i o n s y s t e m s ) T h i s s y m b o l o n t h e p r o d u c t o r o n i t s p a c k a g i n g i n d i c a t e [...]

  • Page 8

    A b o u t T h i s M a n u a l T h e s u b j e c t o f t h i s u s e r m a n u a l i s e x p l a n a t i o n o f t h e f u n c t i o n s u s a b l e t h r o u g h t h e b u t t o n s o f t h e r e m o t e c o n t r o l . R e m o t e c o n t r o l b u t t o n s t h e s a m e a s o n t h e D V D p l a y e r i t s e l f a r e u s e d i n t h e s a m e [...]

  • Page 9

    MP3 is an audio compression format with near CD quality . J o i n t P i c t u r e s E x p e r t G r o u p . J P E G i s a t y p e o f s t i l l p i c t u r e d a t a c o m p r e s s i o n f o r m a t . T h i s a p p l i a n c e i s m a n u f a c t u r e d i n c o m p l i a n c e w i t h D o l b y L a b o r a t o r i e s L i c e n s i n g . D o l b [...]

  • Page 10

    H o w t o o p e r a t e t h e “ p l a y b a c k ” f u n c t i o n C a u t i o n s f o r p l a y i n g D V D a n d o t h e r o p e r a t i o n s . A b o u t c o p y r i g h t T h i s p r o d u c t i n c o r p o r a t e s c o p y r i g h t p r o t e c t i o n t e c h n o l o g y t h a t i s p r o t e c t e d b y U . S . p a t e n t s a n d o t h [...]

  • Page 11

    Ta b l e o f C o n t e n t s 2 3 - 7 8 8 - 9 1 0 1 0 1 0 11 12-14 15-17 1 8 1 9 2 0 21-22 23-27 2 8 2 9 - 3 1 3 2 - 3 4 3 5 3 6 3 6 3 7 - 3 8 3 9 4 0 - 4 2 4 3 - 4 6 4 7 4 8 - 4 9 5 0 5 1 11 A d v a n c e d o p e r a t i o n s I n t r o d u c t i o n B a s i c O p e r a t i o n s WA R N I N G P r e c a u t i o n s A b o u t t h i s m a n u a l A b [...]

  • Page 12

    P o s i t i o n i n g t h e P l a y e r B a s i c U s a g e P r e c a u t i o n s D o n o t s e t t h e p l a y e r i n t h e f o l l o w i n g t y p e s o f p l a c e s . ( U s i n g t h i s p l a y e r n e a r a u d i o / v i d e o t u n e r s , t e l e v i s i o n s , o r v i d e o p l a y e r s / d e c k s m a y c a u s e s o u n d d i s t o r [...]

  • Page 13

    R e a r P a n e l o f t h e P l a y e r A B A B A b o u t t h e B a t t e r y P a c k B e c a r e f u l t h a t n o s a n d , d u s t o r o t h e r o b j e c t s g e t i n t o t h e b a t t e r y c o n n e c t i o n t e r m i n a l ( d i a g r a m A ) a n d t h e b a t t e r y g u i d e s l o t ( d i a g r a m B ) . D o n o t s h o r t t e r m i n [...]

  • Page 14

    C l e a n i n g t h e P l a y e r Ca u t i o n a b ou t r e s i d u a l Im a g e s ( B u rn O u t s o n t h e S c re e n ) Wa r n i n g : D o n o t w i p e t h e L C D s c r e e n w i t h a n y t h i n g w e t . M o i s t u r e g e t t i n g i n t o t h e s c r e e n m a y c a u s e a m a l f u n c t i o n . Do n ot use al co hol , t hi nne rs , or[...]

  • Page 15

    - - - - LCD MO DE LCD MO DE DI SPLAY DISP LAY RE TURN RE TURN ME NU MENU 押す 閉じ る 押す 閉じ る PORTAB LE CD / DV D PLAYE R DVP - FX 81 0 PORTABLE CD / DVD PL AYER DV P - FX 810 I d e n t i f i c a t i o n o f C o n t r o l s P l a y e r ( M a i n B o d y ) 1 2 3 4 5 7 8 9 1 0 11 1 2 1 3 1 4 1 5 6 1 5 I n t r o d i o n u c t 1 . L C D [...]

  • Page 16

    1 3 PHON ES PHON ES PH ON ES PHON ES AUDI O AUDI O VI DE O VIDE O LI NE SE LE CT LINE SELE CT IN OUT IN OU T DC IN 9 . 5V DC IN 9 . 5V 4 5 6 7 8 9 2 RE E SE L A RE E SE L A A C H R G E A C H R G E R P OWE R P OWE HO L D HO L D N O P E N O P E I d e n t i f i c a t i o n o f C o n t r o l s ( c o n t i n u e d ) P r e v e n t i n g M i s t a k e n M[...]

  • Page 17

    I d e n t i f i c a t i o n o f C o n t r o l s ( c o n t i n u e d ) RM T -D 1 8 2A R e m o t e c o n t r o l 1 7 I n t r o d i o n u c t 1 . A U D I O B u t t o n ( p a g e 3 0 ) 2 . A N G L E B u t t o n ( p a g e 3 0 ) 3 . R E P E AT B u t t o n ( p a g e 3 1 ) 4 . P R O G R A M B u t t o n ( p a g e 3 5 ) 5 . R A N D O M B u t t o n ( p a g e [...]

  • Page 18

    Pu t a n d f a c i n g i n t h e s a me d i r e c t i o n , i n s e r t t h e t wo R6 b a t t e r i e s ( AA, i n c l u d e d ) . I n s e r t t h e t e r m i n a l s f i r s t P u t t i n g B a t t e r i e s i n t h e R e m o t e C o n t r o l P u t t i n g B a t t e r i e s i n t h e R e m o t e C o n t r o l U s i n g t h e R e m o t e C o n t r [...]

  • Page 19

    A b o u t t h e L C D P a n e l R o t a t i o n M e c h a n i s m o f t h e L C D P a n e l R o t a t i o n M e c h a n i s m o f t h e L C D P a n e l R o t a t i o n o f t h e L C D P a n e l R o t a t i o n o f t h e L C D P a n e l 1 . P l a c e t h e d e v i c e o n a t a b l e o r o t h e r f l a t s t a b l e s u r f a c e . 2 . P u s h t h [...]

  • Page 20

    P l e a s e f o l l o w s t e p s 1 - 3 b e l o w t o c o n n e c t t h e A C a d a p t o r. T o d i s c o n n e c t , f o l l o w t h e s t e p s i n r e v e r s e o r d e r. A C A d a p t o r ( i n c l u d e d ) T o D C I N 9 . 5 V A C p o w e r c o r d ( i n c l u d e d ) T o A C o u t l e t P l e a s e t u r n o f f t h e p l a y e r w h e n u [...]

  • Page 21

    W h e n a n o u t l e t i s n o t a v a i l a b l e , t h e p l a y e r c a n b e e n j o y e d w i t h t h e b a t t e r y p a c k i n s t a l l e d ( i n c l u d e d ) . P l e a s e c h a r g e t h e b a t t e r y p a c k b e f o r e u s i n g i t . I n s t a l l i n g t h e B a t t e r y P a c k I n s t a l l i n g t h e B a t t e r y P a c k U [...]

  • Page 22

    U s i n g w i t h B a t t e r i e s ( c o n t i n u e d ) C h a r g i n g t h e B a t t e r y P a c k C h a r g i n g t h e B a t t e r y P a c k 1 . A t t a c h t h e b a t t e r y p a c k . 2 . C o n n e c t t h e AC a d a p t o r, a n d t h e n p l u g i t i n t o a n A C o u t l e t . P l a y e r ( M a i n B o d y ) P l a y e r ( M a i n B o d [...]

  • Page 23

    - C o n n e c t t h e A C a d a p t o r o r i n s t a l l t h e b a t t e r y p a c k . W h e n t h e M e n u S c r e e n i s D i s p l a y e d D e p e n d i n g o n t h e d i s c , t h e m e n u s c r e e n m a y b e d i s p l a y e d . P l a y i n g D i s c s N o t e s : Th e s i z e o f t h e i mag e d i s p l a y e d o n t h e L CD s c r e e n [...]

  • Page 24

    P l a y i n g D i s c s ( c o n t i n u e d ) C h a n g i n g P i c t u r e S i z e U s e t h e [ L C D M O D E ] b u t t o n t o c h a n g e t h e p i c t u r e s i z e . D V D D i s c D V D D i s c N o r m a l , F u l l , O f f A u d i o C D / M P 3 / V C D / D i v X / J P E G D i s c ( M e n u ) A u d i o C D / M P 3 / V C D / D i v X / J P E G [...]

  • Page 25

    A d j u s t i n g t h e L C D S c r e e n A d j u s t i n g t h e L C D S c r e e n S e l e c t B a c k l i g h t a n d p r e s s / t o a d j u s t t h e b r i g h t n e s s . “ ” 1 . A d j u s t i n g B a c k l i g h t 1 . A d j u s t i n g B a c k l i g h t 2 . A d j u s t i n g C o n t r a s t 2 A d j u s t i n g C o n t r a s t 3 . A d j u [...]

  • Page 26

    S t o p p i n g P l a y b a c k S t o p p i n g P l a y b a c k W h e n a d i s c i s p l a y i n g , p r e s s [ S T O P ] . N o t e s : N o t e s : D o n o t t o u c h d i s c s t h a t a r e s t i l l s p i n n i n g w h e n y o u o p e n t h e l i d . T a k e o u t d i s c s a f t e r t h e y h a v e s t o p p e d s p i n n i n g . R e s u m i [...]

  • Page 27

    S l o w P l a y S l o w P l a y 1 . P r e s s [ PA U S E ] [ ] w h i l e a d i s c i s p l a y i n g . T h e p l a y b a c k w i l l p a u s e . 2 . T h e d e s i r e d s p e e d c a n b e s e l e c t e d b y p r e s s i n g [ S C A N / S L O W ] o r . F a s t ＞ ＞ ＞ ＞ S l o w S l o w F o r w a r d S l o w R e v e r s e 3 . T o e x i t f r o[...]

  • Page 28

    D I S P L AY S c r e e n T h e c u r r e n t p l a y s e t t i n g s c a n b e d i s p l a y e d o n t h e L C D s c r e e n . T h e r e m o t e c o n t r o l m a y b e u s e d t o c h a n g e s o m e i t e m s . 1. 　 When play a DVD disc, press [DISPLA Y] button on main body or press [DISPLA Y] on the remote control. 3 . T h e s u b - m e n u c [...]

  • Page 29

    G e n e r a l F e a t u r e s T o p M e n u T o p M e n u M e n u M e n u A D V D m a y c o n t a i n s e v e r a l r e c o r d e d i m a g e s o r s o n g s . I n t h i s m a n u a l , t h e s e i m a g e s o r s o n g s a r e r e f e r r e d t o a s “ t i t l e s ” . W h e n p l a y i n g a D V D w i t h s e v e r a l t i t l e s , p l e a s [...]

  • Page 30

    G e n e r a l F e a t u r e s ( c o n t i n u e d ) T h e d i s p l a y s c r e e n c a n b e u s e d t o s t a r t p l a y a t a d e s i r e d t i m e . 1 . P r e s s [ D I S P L AY ] w h i l e a d i s c i s p l a y i n g . 2 . P r e s s [ / ] t o s e l e c t t h e t i t l e t i m e o p t i o n o r t h e c h a p t e r t i m e o p t i o n ; p r e s[...]

  • Page 31

    N o t e s ： N o t e s ： A - B R e p e a t A - B R e p e a t 1 . D u r i n g p l a y b a c k , p r e s s [ A - B ] t o s e l e c t t h e s t a r t p o i n t . 　　 “ A ” w i l l a p p e a r o n t h e s c r e e n . A c h o s e n s e c t i o n c a n a l s o b e r e p e a t e d . 2 . P r e s s [ A - B ] o n c e m o r e t o s e l e c t t h e e[...]

  • Page 32

    P l a y i n g A u d i o C D a n d M P 3 D i s c s T h i s d e v i c e c a n a l s o p l a y M P 3 ( M P E G 1 A u d i o L a y e r Ⅲ ) o r J P E G f i l e s r e c o r d e d o n d a t a C D ( C D - R O M / C D - R / C D - R W ) a n d D V D ( D V D + R W / D V D + R / D V D - R W / D V D - R ) . H o w e v e r, t h i s d e v i c e c a n o n l y p l a[...]

  • Page 33

    P l a y i n g A u d i o C D a n d M P 3 D i s c s ( c o n t i n u e d ) A u d i o C D a n d M P 3 D i s c F e a t u r e s A u d i o C D a n d M P 3 D i s c F e a t u r e s P a u s e P a u s e W h e n a d i s c i s p l a y i n g , p r e s s [ PA U S E ] . S t o p S t o p M o v i n g t o A n o t h e r Tr a c k M o v i n g t o A n o t h e r Tr a c k T[...]

  • Page 34

    N o t e s ： N o t e s ： T h i s d e v i c e c a n n o t p l a y d a t a CD o r d a t a DV D wr i t t e n i n t h e p a c k e t f o r m a t . M a x i m u m f i l e n a m e l e n g t h i s 1 4 c h a r a c t e r s , a n d m u s t h a v e . m p 3 f i l e e x t e n s i o n . T h e t o t a l n u m b e r o f f o l d e r s o n a r e a d a b l e d i s c[...]

  • Page 35

    3 . E n t e r t h e n u m b e r o f t h e t r a c k t o b e p r o g r a m m e d b y p r e s s i n g t h e n u m b e r b u t t o n s . 4 . P r e s s [ E N T E R ] t o c o n f i r m . P r o g r a m m i n g P l a y b a c k 1 . I n s e r t t h e d i s c . 2 . P r e s s [ P R O G R A M ] a n d t h e P r o g r a m L i s t s c r e e n w i l l a p p e a r.[...]

  • Page 36

    R a n d o m P l a y b a c k Tr a c k s c a n b e p l a y e d r a n d o m l y. N o t e s ： N o t e s ： C e r t a i n d i s c s w i l l n o t p l a y i n R a n d o m M o d e . R a n d o m p l a y b a c k c a n n o t b e u s e d w i t h D V D . R a n d o m P l a y b a c k R a n d o m P l a y b a c k 1 .　 P r e s s [ R A N D O M ] w h i l e a d i[...]

  • Page 37

    T h i s d e v i c e c a n a l s o p l a y M P 3 ( M P E G 1 Au d i o L a y e r 3 ) o r J P E G f i l e s r e c o r d e d o n d a t a C D ( C D - R O M / C D - R / C D - R W ) a n d D V D ( D V D + R W / D V D + R / D V D - R W / D V D - R ) . H o w e v e r, t h i s d e v i c e c a n o n l y p l a y d a t a d i s c s r e c o r d e d o n t h e I S 0 [...]

  • Page 38

    J P E G I m a g e F i l e D i s p l a y ( c o n t i n u e d ) R o t a t i n g I m a g e s R o t a t i n g I m a g e s P r e s s [ ] t o r e v e r s e t h e i m a g e h o r i z o n t a l l y ( l e f t a n d r i g h t ) , o r p r e s s [ ] t o r e v e r s e i m a g e v e r t i c a l l y ( u p a n d d o w n ) . T o r o t a t e t h e i m a g e 9 0 d e [...]

  • Page 39

    V i d e o C D w i t h P B C f u n c t i o n T h i s o p t i o n m a y n o t b e a v a i l a b l e o n a l l V C D . I f y o u w a n t t o s k i p t h e i n d e x m e n u a n d p l a y b a c k d i r e c t l y f r o m t h e b e g i n n i n g , g o t o S E T U P M e n u a n d G e n e r a l s e t u p i t e m t o s w i t c h P B C O f f . ( R e f e r 4 [...]

  • Page 40

    D i v X ® i s a v i d e o f i l e c o m p r e s s i o n t e c h n o l o g y d e v e l o p e d b y D i v X N e t w o r k s , I n c . T h i s d e v i c e i s a n o f f i c i a l D i v X ® C e r t i f i e d p r o d u c t . Y o u c a n p l a y D i v X v i d e o f i l e s o n D ATA C D ( C D - R O M / C D - R / C D - R W ) a n d D ATA D V D ( D V D + [...]

  • Page 41

    To r e n t ( p u r c h a s e ) D i v X ® V O D f i l e s D i v X V O D f i l e s a r e d o w n l o a d e d f r o m c e r t a i n c o m m e r c i a l w e b s i t e s a f t e r p a y i n g a r e n t a l f e e . P r i o r t o d o w n l o a d i n g a V O D y o u n e e d t o i n p u t t h e r e g i s t r a t i o n n u m b e r o f y o u r D V D p l a y [...]

  • Page 42

    D e p e n d i n g o n t h e D i v X v i d e o f i l e , t h e p i c t u r e m a y p a u s e o r b e u n c l e a r. I n w h i c h c a s e , i t i s r e c o m m e n d e d t h a t y o u c r e a t e t h e f i l e a t a l o w e r b i t r a t e . I f t h e s o u n d i s s t i l l n o i s y, M P 3 i s t h e r e c o m m e n d e d a u d i o f o r m a t . N [...]

  • Page 43

    B y u s i n g t h e S E T U P M e n u , i m a g e a n d s o u n d c a n b e a d j u s t e d i n v a r i o u s w a y s . Ad d i t i o n a l l y, s u b t i t l e s a n d l a n g u a g e s c a n a l s o b e s e t . F o r f u r t h e r d e t a i l s o n i n d i v i d u a l o p t i o n s i n t h e S E T U P M e n u , p l e a s e r e f e r t o p a g e s [...]

  • Page 44

    A n g l e M a r k A n g l e M a r k W h e n p l a y i n g a D V D d i s c r e c o r d e d w i t h c a m e r a a n g l e s , t h e a n g l e m a r k s ( O n ) o r ( O f f ) a r e s e t t o a p p e a r o n t h e L C D s c r e e n w h e n a n g l e c h a n g e s a r e p o s s i b l e . T h e d e f a u l t s e t t i n g i s O n . S c r e e n S a v e r [...]

  • Page 45

    P a r e n t a l S e t t i n g s P a r e n t a l S e t t i n g s P a s s w o r d P a s s w o r d 1 . S e l e c t “P a s s w o r d” f r o m P a r e n t a l , i f “ C h a n g e ” i s c h o s e n p r e s s [ E N T E R ] . 2 . T o c h a n g e y o u r p a s s w o r d , e n t e r y o u r c u r r e n t 6 - d i g i t p a s s w o r d i n t h e “ O [...]

  • Page 46

    3 . U s e t h e [ ] / [ ] b u t t o n t o s e l e c t a P a r e n t a l C o n t r o l l e v e l f r o m 1 t o 8 . P a r e n t a l C o n t r o l L e v e l s 1 - 8 : P a r e n t a l o n e ( 1 ) h a s t h e m o s t r e s t r i c t i o n s a n d P a r e n t a l e i g h t ( 8 ) h a s t h e l e a s t . 4 . C o n f i r m t h e P a r e n t a l C o n t r o [...]

  • Page 47

    Audio/Video Input Connection T elevision or Monitor Line Connection A u d i o / V i d e o C a b l e ( i n c l u d e d ) A u d i o I n p u t / O u t p u t 　 V i d e o I n p u t / O u t p u t M o v e t h e k n o b t o t h e [ O U T ] p o s i t i o n N o t e s : N o t e s : P l e a s e r e f e r t o t h e m a n u a l f o r t h e c o n n e c t i n g [...]

  • Page 48

    U s i n g t h i s P l a y e r w i t h a C a r A d a p t o r U s e t h e a c c e s s o r y c o r d i n c l u d e d ( D C C - F X 11 0 ) t o s u p p l y p o w e r f r o m t h e c i g a r e t t e l i g h t e r t o t h i s p l a y e r. T h e a d a p t o r i s m a d e f o r a 1 2 V c a r b a t t e r y. P l e a s e d o n o t u s e i t w i t h a 2 4 V c a[...]

  • Page 49

    U s i n g t h i s P l a y e r w i t h a C a r A d a p t o r ( c o n t i n u e d ) M i s c e l l a n e o u s M i s c e l l a n e o u s T h i s c a r a d a p t o r i s f o r u s e w i t h 1 2 V c a r b a t t e r i e s . P l e a s e d o n o t u s e i n c a r s w i t h 2 4 V b a t t e r i e s . P l e a s e u s e t h i s p r o d u c t w i t h t h e c a [...]

  • Page 50

    T h e l i n e i n p u t / o u t p u t i s s e l e c t e d a s I N . P u t l i n e i n p u t / o u t p u t t o t h e O U T s i d e . I n C a s e o f M a l f u n c t i o n S y m p t o m s S y m p t o m s C a u s e s C a u s e s S o l u t i o n s S o l u t i o n s T h e p o w e r w i l l n o t c o m e o n . N o i m a g e a p p e a r s o n t h e L C D [...]

  • Page 51

    5 1 R e f e r e n c e CD/ DVD Pl a y e r Po we r Re qu i r e men t s : DC 9 . 5 V ( AC a d a p t o r / Ca r Ba t t e r y Ad a p t o r t e r mi n a l ) , DC 7 . 4 V ( Ba t t e r y ) Po we r c on s ump t i on : 2 3 W wi t h Ba t t e r y pa c k ( DVD VI DEO Pl a y b a c k wi t h t h e L CD s c r e e n t u r n e d o n . ) W e i gh t : 2 . 2 4 4 l b s ([...]

  • Page 52

    5 2[...]

  • Page 53

    N o t e 5 3[...]

  • Page 54

    N o t e 5 4[...]

  • Page 55

    5 5[...]

  • Page 56

    H t t p : / / w w w. s o n y . n e t / 5 6 P r i n t e d o n 1 0 0 % r e c y c l e d p a p e r u s i n g V O C ( Vo l a t i l e O r g a n i c C o m p o u n d ) - f r e e v e g e t a b l e o i l b a s e d i n k .[...]