Smart Technologies 40wi manual

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Table of contents for the manual

  • Page 1

    L ightRa i s e ™ 40 wi in teractive pro j ector U s er ’s g u i d e[...]

  • Page 2

    P r od u ct re g istra tio n If you r e g ist e r you r SMART p r o d u ct , w e ’ll n o tif y y ou o f n e w fea tu r e s a n d soft w a r e u p g r a d e s . R e gist er o n l in e at s ma rttech.c o m/re gist r ation . Kee p the follo w ing in f o r mation a v a ilab le in c ase y o u n ee d t o c o ntact S MAR T Su pp or t . Ser ia l n umb[...]

  • Page 3

    Im por tant in form atio n R e ad the fo llowing wa r nin gs car efully. Failu r e to re ad the wa r nin gs b elo w o r t o f o llow the in s t a llation in st ru c ti o ns in c lud e d w ith y ou r SMAR T pr od u c t cou ld re s u lt in pe rso n al i n jur y or pr o du c t da ma ge an d ma y void you r w ar r an t y . WARNING l Fa ilur e t o f o l[...]

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    [...]

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    Con ten ts Im por ta nt i nf orma tion i C ha pt er 1: About y our inte ra ct i v e projec t or 1 L i g htR aise 40 w i in t e r act iv e p r oje c t o r fea t ur e s 1 O p t ion al a c cess or ie s 3 H o w y o ur in t er a c t iv e p r oje c t o r w o rks 3 C ha pt er 2: Ins ta l li ng you r i nt era c tive pr oj e ct or 5 C h oo s ing a lo c a t [...]

  • Page 6

    Tr ou b le s h oo t in g a u dio iss ue s 5 1 L ocating th e s e ria l n u mbe r 5 1 C ha pt er 7: Remot e l y m a nag i ng y our i nt era c t i ve p roje ct or 5 3 Ac c e s s ing web p a ge ma na g eme nt 5 3 H o me 54 C o ntro l p a ne l 5 4 C o ntro l p a ne l I I 5 7 N e t w or k sett ing s 5 7 E-m ail a ler t s 5 9 Pass wor d s etti n gs 5 9 S[...]

  • Page 7

    Cha pte r 1: A bo ut your in tera ctive pro j ect or L i g htR aise 40 w i in t e r act iv e p r oje c t o r fea t ur e s 1 Inter a c tiv e pr o je c tor 2 Inter a c tiv e pe n 2 R e mote c o ntro l 2 Pen h o ld e r 3 U SB c h ar gin g c a ble 3 O p t ion al a c cess or ie s 3 H a rd w ar e mo un t in g k it 3 H o w y o ur in t er a c t iv e p r oj[...]

  • Page 8

    In te ra ct iv e pr o je cto r Th e f ea tur es o f you r pr o je c tor in c lud e t h e f ollo w ing : l W a l l- mou n t e d, p ro ject io n e ng ine tha t uses DLP® techn olo g y b y Te x as I n s t r u men t s™, p ro v idin g Brillia ntC o l o r™ p er f o rma n c e a nd q ua lit y Ga mma 2 . 2 cor re c ti o n w it h Brig h t R o om, Dar[...]

  • Page 9

    P en h old er St o re you r inte r act iv e p e n i n the h old e r w h en you ’re n o t u si n g it a nd whe n y o u ’r e c ha rg in g it w it h a U SB c ha r gin g c ab le. Th e ho ld e r i s a ls o a c o nven ien t pla c e to s t o r e t he r em ote c on t r ol. U SB c ha rg ing c ab le C h ar ge you r in ter act iv e p en wit h t he in c[...]

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  • Page 11

    Cha pte r 2: Inst alli ng yo ur in ter active pr ojecto r C h oo s ing a lo c a t ion 5 C h oo s ing a h e ig h t 6 R o uting the ca b l e s 8 Inst allin g SMAR T N o t e bo ok soft w a re 9 See th e pr inted in s talla t ion g uid e a n d mou ntin g temp late tha t came wit h y o ur L igh t Raise 40 w i in ter act iv e p ro ject o r f or in f o[...]

  • Page 12

    C h oo s e a loca ti o n t ha t’ s f a r f ro m br igh t li g ht sou rce s , s u c h as wi n do w s an d s t r on g ove r he ad lig hting . Brig h t ligh t s ou r c es can cau s e d is tra c t in g s ha do w s on th e pr oje c t io n s ur f a c e an d c a n r ed uce t h e con t ra st o f t h e pr oje c t e d imag e. C o nside r w ha t y o u r pr [...]

  • Page 13

    o If you ’re u s ing a d r y -e r a se w hiteb o a r d as the p ro ject io n s ur f a c e, me asu r e i n s ide the fra me . 2 . Me asur e the h eig ht o f t he p r o je ct ed ima g e tha t you wan t . N O T E S o Ensu r e t he a v a i la ble h eig ht o f t he p ro je ct ion sur f a c e is e qu al t o o r g re ater tha n t he h eig ht in the tab [...]

  • Page 14

    Routing t h e cables C o nn ect all t he cab les to y o u r in ter act iv e p ro ject o r an d let the m h an g loo s e . Af t e r y ou ’v e c o nn ect e d a l l t he cab les, c o n ne c t t he p o w e r c ab le t o a po w e r ou t let a nd tu r n on you r inter a c t iv e p r oje c t o r s o you can see whe re th e pr oje c ted ima ge fa lls . A[...]

  • Page 15

    I nst a lling S MART  Not e bo ok sof tw are You m u s t in s t a ll SMAR T Noteb o o k c o llab or ativ e le a rn ing soft war e on the co mp uter co n ne c t e d to you r inter a ct iv e pr o je ct or to a c cess a ll of its f ea t u re s . Y o u c an in s tall the so ft w ar e fro m the DVD t h at came wit h y o u r inter acti ve pr oje[...]

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    [...]

  • Page 17

    Cha pte r 3: Using you r i nte ra ctive pr ojecto r U sing you r pr o je c tor 1 1 U sing the r em ote c on tro l 1 2 Adju s ting p ro ject o r s ett in g s 1 3 Fo c usin g the ima ge 2 1 Adju s ting the ima g e 22 Pro je ct or con n e c t ion d iag r am 2 2 U sing you r inter a c t iv e pe n 2 4 Inter a c ting wit h y ou r c o mpu t e r 2 4 U n de[...]

  • Page 18

    U sin g th e remot e c o n tr o l Th e pr oje c tor r em ote c on t r ol en ab les you to acc e s s o n- s c r ee n me n u s a n d c ha ng e p r oje c t o r s e t t in g s . U se t he Pow er b u tt on o n t h e re mo te c on t r ol t o pu t t he p r oje c t o r i n t o St an d b y mo de o r t o tur n it o n. You ca n a l so use t h e Input b utt o [...]

  • Page 19

    A dju st in g pr o jec to r se ttin gs Th e re mo t e c o n tro l’s Me nu b u t t on e n ab les y o u t o acc e s s t he o n- sc re en d is p l a y to ad just t he p r o ject or sett ing s . I M P O R T A N T Kee p y o ur r em o t e c on t r ol i n a safe pla c e be cau s e t h e r e is n o o the r w ay to acc e s s me nu o ption s . N O T E Som [...]

  • Page 20

    Set t i ng U s e N ot es W h i te P e aking Adju s ts the ima ge colo r b r i g htne s s fro m 0 to 10 while p ro v id i n g mor e vi b ra nt white s h a d es. A valu e c loser to 0 c re a t e s a n atur a l ima ge a nd a valu e c lo s e r t o 10 e nh an c e s b rig htne s s. D e ga mma Adju s ts the colo r pe rfo rma n c e o f the d i spla y fro m[...]

  • Page 21

    Set t i ng U s e N ot es Projec t or Fun ct i ons me nu 3 D On / O f f Tu rn s t he DLP L ink techn olo gy 3 D fea t ur e o n or o f f . Th e de f a ult is Of f . Us ing 3 D s ett in gs w ith i n t er a c t iv e s e t t ing s w ill d a rken the p ro ject e d imag e. 3 D For ma t D is p lays t h e cur re n t 3 D f or ma t ( I nt erle a ve d or Un[...]

  • Page 22

    Set t i ng U s e N ot es Keys ton e Adju s ts ima ge keys ton e s ett in gs Th e de f a ult is 0 . Th e k e ys t on e c a n be a dju s t e d fro m - 40 to +40 . Us e t his sett ing o nly a f t e r y ou ma ke all p hys ic al ima g e a l ig nme n t ad justmen t s to s t r a ig h t en the ve rtic al line s of the ima ge . As p e c t Ratio Adju s ts th[...]

  • Page 23

    Set t i ng U s e N ot es Set to D efa ult? R e s ets pr oje c tor sett in gs t o the ir d efau lt v a lu e s. If you sele c t Y e s , a ll pr o je ct or setti n gs r eset to t he ir d e fau lt s , re v e rsing a ny me nu cha n g es y o u mad e . Th is act io n is ir r ever s ib le . D o n’t a dju s t t his sett ing u n le ss y o u w a nt to re s [...]

  • Page 24

    Set t i ng U s e N ot es Sy s tem Fu nct io n ality Set to Pre s e nte r o r W hite boa rd mo de . Th e de f a ult is P re s e nte r mo de . I n Pre sen t er m o de , t he p oin t e r f ollo w s the p en a s y ou p o in t it at the p ro ject e d ima ge a nd m o v e it . In W hi t e boa rd mo d e , the p oin t e r o nly mo v es whe n y o u p re s s [...]

  • Page 25

    Set t i ng U s e N ot es G a t eway D ispla y s t he p ro je ct or ’s de f a u lt n etw or k ga t e w ay in v a lue s b etw ee n 0 . 0.0.0 a nd 2 55 . 2 55 . 25 5 . 25 5. D NS Dis pla y s t h e p r oje c t o r’s pr ima ry d oma in na me n umb er in valu e s b etw ee n 0 . 0 . 0.0 a nd 2 55 . 2 5 5.25 5.2 55 . MAC Add r ess D is p la y s the pr [...]

  • Page 26

    Set t i ng U s e N ot es R e s olu t io n D is p lays the p ro je c tor ’s most re c e n t ly d etect e d v ide o s o u rce s ign a l r esolu t io n a n d re f r e s h ra t e . If the re is n o c ur r e nt v id eo in pu t s ou r c e si g na l, this sett ing d is p l a y s t he la s t kno w n s ou r c e s ign a l r eso lu t io n an d r efre s h r [...]

  • Page 27

    Foc u sing t h e image To focus the p r oje c t e d ima ge , use t he fo c us le v er lo c a ted o n t he p r oje c t o r le n s . g To fo cus a nd adjus t th e i mag e Mo v e t h e f ocus le v er u p o r do w n un t il the im a g e i s in f o c us. C H A P T E R 3 Usi n g y our i n ter acti ve pr ojec tor 21[...]

  • Page 28

    Ad just i ng the image l W h i le a dju s t in g t h e pr oje c ted ima ge siz e , s h ap e an d loca tion , u s e t h e p ro ject o r ’s d e f au lt b ack gr o u nd so t ha t y o u c a n s ee th e full pr oje c t e d imag e c le a rly. Don ’t u s e othe r ima ge s , w hich mig ht b e c r op pe d o r s c ale d b y the pr oje c tor an d c o uld [...]

  • Page 29

    Le tt e r C onn ec to r C onn ec t to : 1 Power Ma ins p ower sup ply 2 3 . 5 mm p ho n e ja ck a u dio in pu t (×2) Aud io s o ur c es a s s o c iated wit h p rima ry a nd secon da r y comp ute r s 3 3 . 5 mm p ho n e ja ck a u dio o utpu t Sp ea k e r s ( no t i n c lud ed ) 4 U SB B C o mpu t e r (e na b le s inter a c t iv e f e atur e s) 5 D [...]

  • Page 30

    Us in g your intera c t i v e pe n You ca n u s e t he p e n t o inter a ct w ith y ou r c o mpu t e r an d w rite in dig it a l ink. The p e n ha s a p ower sw it c h, a le f t - c lic k bu t t o n an d s t a t us lig hts to he lp y ou u n de rst a nd its st atus. In te ra ct in g wi th yo ur c o m p u te r Th er e a r e t w o inte r act iv e mo d[...]

  • Page 31

    U nd er st an din g p e n st atu s lig ht s You r in ter act iv e p en h as a g re en lig ht an d an a mb e r li g ht. U s e t h e tab le be low to de t e r mine the st a t us o f the p en . Sta t us l i gh t D e sc ription G re en Amber Fla s hin g ( 0 .3 s ec o f f , 1 s ec o n) O ff Pen is r ea dy to use . I t’ s p o in ted a t t he p ro je ct[...]

  • Page 32

    N O T E If the p en ’s po w er sw it ch is o n w h en you cha r ge the p en , a me s s ag e mig ht a p pe ar a s ki n g y ou to in st all U S B de v ice dr iv er s . I f t h is o c c ur s , ign o re the m e ss ag e an d c lo s e t he m ess ag e w in d ow. W ri tin g o r dr aw ing w it h S M AR T I n k SMAR T Ink e n ab les you to w rite [...]

  • Page 33

    Cha pte r 4: Int egr ating o the r device s Vide o f o rma t c o mp atibility 2 7 N a t iv e v id e o f or ma t 2 8 H D an d SD sign al f or ma t comp a ti b ili ty 2 9 Vide o s ys t em si g na l c o mpa t ib il ity 2 9 C o nn ect in g pe rip he r al s ou rce s a n d ou t pu ts 3 0 Th is cha pter p ro v ide s infor ma t ion o n in teg ra t in g you[...]

  • Page 34

    R e solut i on Mod e A s pec t ra tio R e fr e sh ra te ( H z) Ma tc h I npu t a ppe a ran ce ( 16 :1 0 a s pe ct ra tio mode ) Ma tc h I npu t a ppe a ran ce ( 16 :9 a s pe ct ra tio mode ) 1 02 4 × 76 8 XGA 60 4 : 3 6 0 . 00 4 P illar b ox Pillar bo x 1 02 4 × 76 8 XGA 70 4 : 3 7 0 . 06 9 P illar b ox Pillar bo x 1 02 4 × 76 8 XGA 75 4 : 3 7 5[...]

  • Page 35

    HD and SD s ign al f o rmat compatibility Si gna l f orma t A s pe ct r a tio H oriz ont al f req uen c y (k H z ) Ver tica l f req uen c y (Hz ) Ma tc h I npu t a ppe a ran ce 4 80 i 4 : 3 15 . 7 3 59 . 9 4 Fu ll s cre en 5 67 i 5 : 4 15 . 6 3 50 L ett er b ox 7 20 p 16 : 9 4 4.96 5 9.9 4 Le t t e rb ox 7 20 p 16 : 9 3 5 50 L ett e rb ox 1 08 0i 1[...]

  • Page 36

    C onnect ing peripheral sourc es and out put s Fo llow t h ese inst r uct ion s if you h ave a pe r i p he ra l d evic e t o con ne c t t o y o ur in t e r act iv e w h i teb oa r d sy s t e m, s u c h as a DV D/ Bl u -r ay p layer . WARNING Me asur e the d is t a n ce be t w e e n t he p r o j e c t o r a nd the p er ip he ra l d evic e y o u w a [...]

  • Page 37

    Cha pte r 5: Ma intain ing you r inter active pr ojecto r C le an ing the p r o j e c t o r 3 2 W h en clea nin g t h e p ro ject o r ’s mir ro r 3 3 W h en clea nin g t h e p ro ject o r ’s len s 3 3 R e pla c ing the p r oje c t o r la mp mo du le 33 R e s ett in g t he la mp h o ur s 3 6 Th is cha pter d esc rib e s ho w t o c le a n a nd p [...]

  • Page 38

    g To re pl a c e the r emot e co nt rol ba t te ry 1 . H o ld do w n t h e s id e re lea s e o n t he le f t  side o f the b att e ry h old er a nd p u l l the b a t t er y ho ld e r comp lete ly ou t of the r em o t e c on tro l. 2 . R e move t h e old b att e ry f r om t h e ba t t e ry h old er a nd r e p l a c e it w it h a C R 2 0 2 5 c oin[...]

  • Page 39

    I M P O R T A N T l W h en clea nin g t h e in ter act iv e p ro ject o r o W ip e the e x t e rio r of the p ro je c tor wit h a lint- fre e c loth . o If n ecess a r y , u s e a s o f t c lo t h mo is ten ed wit h a mild d e ter ge n t t o c le an the p ro je ct or h ou s ing . l D o n ot u s e ab ra s ive c lea ne r s , waxes o r s olven t s. W [...]

  • Page 40

    l If the la mp s h a t t er s or b u rst s , lea v e the r oo m. Ven t ila t e the a re a b y op e n i n g w ind ows an d d oo rs. N e x t , do th e f o llowing : o Av o id tou c hin g t h e gla s s f ra g me nts be c a u se t he y c an ca u se i n jur y . o W a s h y ou r h a nd s tho ro u g hly if y ou h a v e come in t o con t act w it h la mp d[...]

  • Page 41

    You n e e d a P h i llip s N o. 2 sc r e w dr iv er a nd a flat sc re w d r iv er to c o mple t e t h ese pr o c e du re s . g To re m ov e th e old l a m p m odu l e 1 . W a i t a t lea s t 30 m in u t es for the p r o j e c t o r to c oo l d own. 2 . D isc on ne c t t h e po w er ca b l e fro m the p r oje c t o r . 3 . R e move t h e lamp cove r[...]

  • Page 42

    g To finish t he pr oj e ct or l amp m odu l e i ns ta l lat i on 1 . Tu rn o n t h e pr oje c tor . 2 . Adju s t t h e pr oje c t o r imag e if ne c e s sar y (see Ad just ing th e ima ge on p ag e 2 2 ). 3 . Ac c e s s t he ser vi ce men u t o r eset the la mp h o ur s ( s ee Re s e t t in g t h e lamp h o u r s be low) . 4 . Ac t ivate t h e p r[...]

  • Page 43

    Th e SMAR T [ Mo de l] Sett ing s me nu a p p ea rs. 4 . S e l e c t to con f irm tha t L amp Hou r is re s e t to z er o . C H A P T E R 5 Maintai ning y our inter acti ve pro j e c t or 37[...]

  • Page 44

    [...]

  • Page 45

    Cha pte r 6: T rou blesh oo ting your in ter active pr ojecto r D e t er min ing you r inter a c t iv e pr o ject or ’s s t a t us 4 0 D e t er min ing if y o ur in t er a ct iv e pr o je c tor is c o nn ect e d t o y ou r c o mpu t e r 4 2 D e t er min ing you r inter a c t iv e pe n ’ s s tatus 4 3 Tr ou b le s h oo t in g is sue s wi th inte[...]

  • Page 46

    Det e rminin g your i nteract ive pr oje ct or ’s s t atus Th e pr o je c tor ’s s t atu s ligh ts c a n he lp y ou d e ter mine its s t a t us. The ta ble b elo w d esc rib e s t h e var iou s st ates o f t he p r o j e c t o r . N O T E Inter a c tiv e f ea tur es a ls o de pe n d on the p en st a t us. Pr ojector Power li ght Pr ojector Ser [...]

  • Page 47

    Pr ojector Power li ght Pr ojector Ser vic e light Pr ojected image Interactive features St atus and r ela t ed tr oubleshooting Soli d gree n O ff C orrec t None The r e’ s an i ss ue w ith the i nterac tiv e fea tures. Soli d am ber Flas hing red N one N/A There’ s an is s ue w ith the p roje ctor la mp. See The “Lam p F ai lure” me s sa [...]

  • Page 48

    Det e rminin g if your intera c t i v e p roje ct or is c on nect e d to y o ur computer SMAR T Pro d uct  D r iv e rs e n ab les you to v iew in f or ma t ion a bo u t y o ur in t e r act iv e p r oje c t o r a nd can h elp you d eter min e if y o ur in t e r act iv e pr o j e c t o r is c on n ect ed to y o ur comp u t er . g To de t ermine[...]

  • Page 49

    Det e rminin g your i nteract ive pe n’s st atus U se t he ta b le b e low t o d eter min e t he st a t us o f you r inte r act iv e p e n . Sta t us l i gh t D e sc ription G re en Amber Fla s hin g ( 0 .3 s ec o f f , 1 s ec o n) O ff Pen is r ea dy to use . I t' s po inte d at the p ro ject e d imag e a nd con ne c ted wit h t h e p ro je[...]

  • Page 50

    Troub leshoo t i ng i s s ue s wit h i nteract ive features If you ’re e x p e r ien c ing iss u e s w it h the in t e r act iv e f e atur e s of you r p r oje c t o r , y o u c an tr ou ble s ho o t the follo w ing comm on iss ue s . In te ra ct iv e pe n fun ct ion Beg in by che c ki n g t he con n ect ion b etw e en you r inte r act iv e pr o [...]

  • Page 51

    l Pre ss t h e I nput b u tt on o n t h e re mote con t r o l to s w it ch it a w ay fro m the com p uter in pu t, a n d the n s ele c t t h e c omp u t er in pu t ag a in . Th i s r e - s y nch ro nizes the com p uter ' s v ide o s ign a l . l Ensu r e y ou r c o mp uter d is p lay s e t t ing s ma tc h t he p r o j e c t o r ' s n a t i[...]

  • Page 52

    g To re solv e s i gna l l os s i s s ues 1 . W a i t a p pr oxima tely 45 se c o nd s f or th e ima ge to s y nch ro nize. So me v ide o s ig n a l s r e qu ire a lo n ge r s y n chr on iz a ti o n pe rio d. 2 . Ensu r e t ha t t he im a ge sign al is comp atib le w it h the p ro je ct or ( s e e V id e o f or ma t comp atib ilit y o n pa ge 2 7) [...]

  • Page 53

    U ns tab le o r fli ck e rin g imag e If the p ro ject o r’s ima ge is un st ab le or flic k e rin g, the fre q u en c y or tra c ki n g s ett in gs o n y o ur in pu t sou rce c o u l d b e diff e r en t fro m the se tt ing s on you r pr o ject or . I M P O R T A N T W r i te do w n y o ur sett in g v alu es b efor e a dju s t in g a n y o f t h [...]

  • Page 54

    Acc e ss in g t h e servic e menu C A U T I O N l To p re v e nt t a mpe r i n g or u nin t e n t ion al c ha n g es, o nly s ys t e m ad minist r ator s s h o u l d a c c ess the ser v ic e me nu . D o no t s ha r e t he ser vi ce men u a c cess c od e w it h c a s ua l u s er s of you r in ter act iv e p ro ject o r. l D o n ot a dju s t an y s e[...]

  • Page 55

    g To re se t all pr ojec t or se t tings 1 . U sing the r em ote c on tro l, p re s s t he fo l lo w ing b utt o ns q uick ly to acc ess t h e s e rvic e me nu : D ow n , U p , Up , Le ft , U p . 2 . Sc r oll to Fa c t or y R e s et , a nd the n p re s s E nt er o n the r emo te c on t r ol. 3 . Sc r oll to Ex it , a nd the n p r ess Ent er o n t h[...]

  • Page 56

    5 . C o nn ect t he p o w er cab le, a nd th e n t ur n o n t h e pr oje c tor . 6 . Adju s t t h e f an spe e d using the ser vi ce men u . 7 . If the p re v io u s s tep s do n’t r esolve t h e is sue , pu t t he p r o je ct or in t o St a nd by mo de , disc on n ect the p ower cab le , an d t h en con t a c t you r au t h or iz ed SMART r esel[...]

  • Page 57

    Troub leshoo t i ng au dio i s sues If the a ud io is n’t wor k in g , y o u c an tr o ub lesho ot the fo l lo w ing comm on iss ue s . M ic rop h o n e fu nc tio n You m ig h t e x pe rie n c e is sue s using b ala nce d micro ph on e s w it h you r inter a c t iv e pr o j e c t o r . Ensu re you u s e an u nb a la n c ed micr o ph on e. Fo r mo[...]

  • Page 58

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  • Page 59

    Cha pte r 7: Rem otely ma na ging you r inte ract ive pr ojecto r Ac c e s s ing web p a ge ma na g eme nt 53 H o me 54 C o ntro l p a ne l 5 4 C o ntro l p a ne l I I 5 7 N e t w or k sett ing s 5 7 E-m ail a ler t s 5 9 Pass wor d s etti n gs 5 9 Simp le N e t w or k Ma n a ge men t Pro t o col (SN MP) 60 Th is cha pter d e s c rib e s ho w t o m[...]

  • Page 60

    Home Th e H om e me nu d is p la y s b a si c pr o ject or in f o rma ti o n an d en a b le s y o u to s ele c t t he O SD l a ng ua g e . N O T E You ca n v ie w b a si c p r oje c t o r in for matio n b u t you ’re u na b le t o cha ng e it (wit h t h e e x cep t io n o f t h e O SD l a ng ua g e ) fro m the Hom e me nu . Subme nu se t t i ng D[...]

  • Page 61

    Subme nu se t t i ng D e s cript i on Brig h tne s s Adju s ts p ro ject o r b rig htne s s f r om 0 t o 10 0 . C o ntra s t Ad ju st s the d if f e re nce b e tw ee n t h e lig h test a nd d ar k e s t pa rts o f the ima ge fr o m 0 to 10 0. Fr eq u e n c y Adju s ts the d is pla y da t a f r eq ue n cy o f t h e p ro ject e d imag e f r om - 5 t [...]

  • Page 62

    Subme nu se t t i ng D e s cript i on As p e c t Ratio Adju s ts the ima ge o u tpu t to Fi ll S c ree n , Ma tc h I nput o r 1 6 :9 . l Fil l Sc re en p r od uces a n imag e t h at fill s t h e en t ire sc r ee n by st re t chin g an d s c a l in g. l Ma tc h Input ma t che s the p ro je c tor ’s aspe c t ra t io to t he in pu t’ s a s pe c t [...]

  • Page 63

    Control pa nel II Th is me nu e n a b l e s you to man a ge the 3 D f ea t u re s , U SB s ou r c e c on t r ol, a ud io f ea tur es a nd in ter act iv e fea t u r es. Subme nu se t t i ng D e sc ription 3 D on / off Tu rn s the D LP Lin k t e c h no log y 3 D fea t ur e on or off. 3 D i n v er t S e lect s t h e 3D Inve r t s etti n g ( L R or R L[...]

  • Page 64

    Subme nu se t t i ng D e s cript i on IP A d dr ess D is p l a y s or allo w s y ou t o s et the pr oje c tor ’s I P ad dr e s s in v alu es b etw ee n 0 . 0 . 0.0 a nd 2 55 . 2 5 5.25 5.2 55 . Sub n e t Ma s k D ispla y s or a llows y o u t o s e t t h e p r oje c t o r’s s u bn et ma s k nu mb er in valu es b etw ee n 0.0 . 0.0 a n d 2 55 . 2[...]

  • Page 65

    E- mail ale rts Th is me nu e n a b l e s you to en t e r y ou r p r efer r e d ad dr ess f o r r eceiving e -m ail ale rts an d ad just re late d sett ing s . Subme nu se t t i ng D e s cript i on E-m ail Aler t Sele c ts Ena bl e t o tur n on o r D i s able t o tur n off t h e E - mail A le rt fun c t io n . To D ispla y s or a llows you to s et [...]

  • Page 66

    N O T E S l Th e f irst t ime you e na ble th e p ass w o r d s ett in g s , the d efa u l t p a ss w or d v a lue is f o ur n um b e rs, for e x am ple , 1 23 4. l If you for ge t t h e p r oje c t o r pa s s w o rd , re f er to Ac c e s s ing th e ser v ic e me nu on p ag e 4 8 to s et the p ro ject o r s ett in g t o f a ct or y de f a u l ts . [...]

  • Page 67

    Cha pte r 8: Con ne cting you r ro om con tro l system t o your in ter active pr ojecto r C o mma n d i n v en t o ry 6 1 Valu e - ba s ed co mma nd m e t ho d s 6 2 Abso lu te v alu es a nd a dju s tmen t v alu e s 6 2 Vide o s o ur c e s p ecif ic atio n valu es 6 3 Power state c on t r ols 6 3 Sou r c e s ele c ti o n c on t r ols 6 4 G e ne ra [...]

  • Page 68

    l Type com ma nd s exact ly as the y ap pe a r in t h e left c olu mn o f t h e t ab les, w it h t h e pr op e r valu e o r s ett in g in t h e c en t e r colu mn. N O T E S l Sen d a c o mma n d on ly a f t er the p ro ject o r s en d s a c o mma nd p r omp t . l C o mma n ds a r en ’t case s en s itiv e. l C h eck you r en t r ies c a re f u l [...]

  • Page 69

    >set brightness-15 brightness=55 V ide o so ur ce s p e c ifi ca tio n v a lu es You ca n u s e t he so u rce inp ut field d esc r ibe d in S o ur c e s e lect ion con tro ls on n e x t p ag e in a c om man d to s et a n ab s o lu te v alu e or a d ju s tmen t v a lu e to a s ou rce o the r t h a n the a c t iv e sou rce. Yo u c an d o t h is w [...]

  • Page 70

    Th is tab le de s c r ibe s the p ower st a t e f ie ld s . Field D e s cript i on Power in g Th e pr o je c tor is tur nin g on . O n Th e pr oje c tor is o n . C o olin g Th e pr oje c tor is c o olin g. C o nfirm o f f Conf i rm of f i s a no n- s e lect ab le p ower s t a t e t h at is r etur n ed du rin g st ag e on e o f t h e t w o- b u t t [...]

  • Page 71

    C omman d R es pons e g et b rig htn e s s b rig htne s s= [ cur re n t b r igh t ne s s sett ing ] g et con t r ast con t r a s t =[ c ur r en t c on tra s t s e tt ing ] g et w h it ep ea k in g w h it ep ea ki n g=[ cur re n t w hite p ea k ing setting ] g et d e ga mma d eg amm a=[ c u rr en t de g a mma s e tt ing ] g et r ed r ed = [c ur r e [...]

  • Page 72

    N O T E Typically, cc 1 d is p lays U .S . Eng lis h s u btit les, w hile c c2 d is p l a y s othe r r e g i o na l la n gu ag es, s uch a s Fr en c h o r Spa n is h , d ep en din g o n t e levis ion cha n n e l or m e dia setup . Ad ditiona l VG A sour ce c o ntrols You r VGA s ou r c e sup po r ts a ll the g en e ra l s o ur c e c o ntro ls de s [...]

  • Page 73

    N O T E Som e of the s e c o mman d s ar e in v a lid w it h H D MI inp u t an d VGA v ide o s ou r c es, an d w ill r etur n t h e r espo nse “ i n v alid c md = [ comma n d]”. Th ese c o mma nd s info r m y o u of the cur r e nt C o mpo s it e vide o s ou r c e s ett in gs. C omman d R es pons e g et s a t ur a t ion satu r ation = [c ur r e [...]

  • Page 74

    C omman d C omman d ta rge t ra nge Res pons e g et micv olu me [ tar ge t] mic volu me=[c ur r en t ] No set micv olu me c on t r ol[t a r ge t ] micv olu me c on t r ol=[ c u rr en t ] N o g et micv olu me c on t r ol mic volu meco n t ro l= [c ur r en t ] N o set sy s o u tpu t s w [t ar g et] s y s o utpu t sw =[ c u r re nt] No g et sy s o u t[...]

  • Page 75

    Field Pos sibl e Va lues D e sc ription tar ge t mic volu me l + v a l l - v al l =0 t o 40 Th e + or – sy mb ol in cre ases o r d ecre ase s the volu me. If y ou ty p e a n umb er b e tw ee n -2 0 a nd 2 0, the volu me is set t o tha t level. tar ge t c c l =c c 1 l =c c 2 D ispla y s c lose d cap t ion st a t es cur re nt cc l cc1 l cc2 l o f f[...]

  • Page 76

    Net work controls Th ese c o mma nd s info r m y o u of the cur r e nt n e t w or k s e t ting s . C omman d R es pons e g et n ets tatus n ets t a t us= con ne c ted n ets t a t us= d is c on n ect ed n ets t a t us= d is ab led g et dh cp d hcp=[ cur re n t D H C P s tatus] g et ipa d d r ipa dd r =[ c u r re nt IP ad dr e s s] g et sub ne t ma s[...]

  • Page 77

    C omman d R es pons e g et p r oje c t io n mod e pr o je c tion mo d e = [ cur re nt p ro je c tion mo d e ] g et s tar t u psc re e n s t ar tup s c r ee n=[ cur re n t s tar t u p sc re en se tt ing ] g et r esolu t io n re s olu t io n=[ cur re n t inp u t re s olu t io n] g et la n g ua ge lan g u a ge = [c ur r e n t la n g ua ge setti n g] g[...]

  • Page 78

    C omman d C omman d ta rge t ra nge R e s pons e set a spe c t r atio [ t a rg et] = fil l =matc h =16 : 9 a s pe c t r atio=[t ar g e t ] set p r oje c t io n mo de [t a rg et] =f r on t =c eilin g =re ar =re ar ce iling p ro ject io n mo de = [t ar g et] set s tar t u psc re e n [t ar g e t] =s ma r t =user c a ptur e =pr evie w st ar t u psc re [...]

  • Page 79

    Th ese c o mma nd s c o n t ro l the cur r e nt s ys t e m s ett in g s . Th ese c o mma n ds a r e availa ble whe n t h e p ro ject o r i s in S tan db y mo de an d w h e n it is on . C omman d C omman d ta rge t ra nge Res pons e set r est o re de f a ults [n o n e] r est or e de f a u lt s= d o ne set la mph r s [ tar ge t] =0 la mp hr s =0 N O [...]

  • Page 80

    [...]

  • Page 81

    A pp end ix A: Har dwar e en vi r on men tal com pliance SMAR T Te c hn o l o gie s sup po r ts g lo b al eff o r t s to en s u r e t ha t ele c t r on ic e qu ipm e n t is man u f act u re d, sold a nd d is po s e d of in a s a f e an d e n v iro nm e ntally frie nd ly ma nn e r . Wast e E lect r ical a nd El ect ro nic E qu ipmen t reg ula t i[...]

  • Page 82

    Th er e a re s pe c ia l r eg ula t ion s t h at mu s t b e met wh e n s hip pin g a p ro du c t tha t ha s a lit h iu m ion ba t ter y p ack ag e d w ith t he p ro d uct o r s hip p in g a lit h i u m io n ba t t e ry. W he n re t u rn ing a SMAR T Tech n o l o gie s p ro du c t w hich c o ntain s a li thiu m io n ba t t e ry o r re t u rn ing [...]

  • Page 83

    3 3 . 5 mm a ud io c o nn ect o rs 23 A a l a rms 5 6 a s pe c t r a t ios 27 - 2 9, 5 6 a ud io con ne c t io ns for 23 con t ro lling vo lu me o f 54 , 67 mu t ing 12 , 67 B b att er ie s 75 Blu- r a y 30 C came ra s 3 0 C h ine s e re g ula t ion s 76 cl o s ed cap ti o nin g 54 , 65 comp osit e v ide o c o n ne c t io n s 29 , 56 , 64 , 6 6 con[...]

  • Page 84

    lit h ium ion b att e rie s 76 lo cation 5 , 58 M MAC a dd re s s 7 0 MAC s u pp or t 2 7 mu t e c o ntro l 12 , 67 N n ativ e v ide o for mats 2 8 n etw or k c o mmun ic a t ion 23 , 57 , 70 P p ack ag ing 7 6 p ass w or d s 48 , 59 p er iph er a l sou rces 3 0 p i lla rb oxing 27 , 29 p ower 2 3, 5 4 , 6 3 p ro ject o r a dju s t ing th e i ma ge[...]

  • Page 85

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  • Page 86

    SM A RTT echno l ogies sma r t t ech.c om/suppor t sma r t t ech.c om/c ont act suppor t[...]