Roland RD-700 manual

Thank you, and congratulations on your choice of the Roland Digital Piano RD-700. . Copyright © 2001 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS?[...]

CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to aler[...]

3 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. .......................................................................................................... 002b • Do not open or perform any internal modifica- tions on the unit. (The only exception would be where this manua[...]

4 014 • Protect the unit from strong impact. (Do not drop it!) .......................................................................................................... 015 • Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total [...]

5 IMPORTANT NOTES 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2, 3 and 4, please read and observe the following: Power Supply 301 • Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as [...]

6 Main Features Progressive Hammer Action The RD-700 features a “progressive hammer action,” a new and even more advanced form of Roland's popular keyboard hammer action that realistically reproduces the comfortable, natural touch of a grand piano. Basic percussive and damper functions are also improved, recreating the subtle changes in to[...]

7 Contents USING THE UNIT SAFELY...................................................................................................................... 3 IMPORTANT NOTES ................................................................................................................................ 5 Main Features ....................................[...]

8 Contents Adding Breadth to the Sound (CHORUS knob) .................................................................................. 47 Changing the Sound’s Pitch in Real Time (Bender/Modulation Lever) .......................................... 48 Adjusting the Level of the Sound’s Low, Mid, and High-Frequency Ranges (EQUALIZER) ...... 48 Us[...]

9 Contents Detailed Settings for Each Function ([EDIT]) ........................................................ 68 Parameters That Can Be Set .................................................................................................... 68 Setting Parameters ....................................................................................[...]

10 Contents Making Arpeggio Settings (Arpeggio) .................................................................................... 83 How to Make Settings .................................................................................................................. 83 Adjusting the Tempo (Tempo) ...............................................[...]

11 Contents Appendices ..................................................... 99 Troubleshooting ....................................................................................................... 99 Error Messages/Other Messages ......................................................................... 103 Effect/Parameter List .................[...]

12 Panel Descriptions Front Panel 1 VOLUME Slider Adjusts the overall volume that is output from the rear panel OUTPUT jacks and PHONES jack (p. 25). 2 EQUALIZER [ON/OFF] Turns the equalizer on/off (p. 48). [LOW] knob Adjusts the sound's low-frequency range. [MID] knob Adjusts the sound's midrange frequencies. [HIGH] knob Adjusts the soun[...]

13 Panel Descriptions 9 DISPLAY This shows the Tone names and the values of various settings, etc (p. 32). 10 CURSOR [ ], [ ], [ ], [ ] Press these to switch pages and to move the cursor (p. 33). 11 [DEC/NO], [INC/YES]/[ENTER] This is used to modify values. If you keep on holding down one button while pressing the other, the value change accelerate[...]

14 Panel Descriptions Rear Panel 1 GND Terminal Connect using a grounded cable (optional) as conditions require. In some cases, depending on the environment in which the unit is installed, the surface of the panel may sometimes feel rough and grainy. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you ar[...]

15 Getting Ready Getting Ready Installing the Wave Expansion Board Up to two optional Wave Expansion Boards (SRX Series) can be installed in the RD-700. Wave Expansion Boards store Wave data, Patches, and Rhythm Sets, and by equipping the RD-700 with these boards, you can greatly expand your sound palette. Cautions When Installing an Wave Expansion[...]

16 Getting Ready Getting Ready Installing SRX Series Boards 1 Before installing any Wave Expansion Board, turn off the power on the RD-700 and all devices connected to it. 2 Refer to the following illustration of the RD-700’s rear panel, and remove the screws indicated. Then, remove the cover. fig.Q-02.e 3 Insert the Wave Expansion Board connecto[...]

17 Getting Ready Getting Ready 4 Use the Installation Tool supplied with the Wave Expansion Board to turn the holders in the LOCK direction, so the board will be fastened in place. fig.Q-06.e 5 Use the screws that you removed in step 2 to fasten the cover back in place. LOCK Installation tool RD-700_e.book 17 ページ ２００４年４月２６?[...]

18 Getting Ready Getting Ready Checking the Installed Wave Expansion Boards After installation of the Wave Expansion Boards has been completed, check to confirm that the installed boards are being recognized correctly. fig.panel 1 Turn on the power, as described in “Turning On the Power” (p. 24). 2 Hold down EXPANSION [A] or [B] for several sec[...]

19 Getting Ready Getting Ready Installation de la carte d’extension Wave (French language for Canadian Safety Standard) Vous pouvez installer jusqu’à 2 cartes d’extension optionnelles dans le RD- 700. Ces cartes d’extension mémorisant des données Wave, des morceaux et des ensembles rythmiques, elles vous permettront d’augmenter consid?[...]

20 Getting Ready Getting Ready Installer les cartes de série SRX 1 Avant d’installer une carte d’extension Wave, éteindre tous les appareils reliés au RD-700. 2 Détacher la plaque arrière en enlevant les vis indiquées sur le schéma suivant. fig.Q-02.f 3 Insérer le connecteur de la carte dans un des créneaux pour la série SRX (SRX A, S[...]

21 Getting Ready Getting Ready 4 Pour tourner les supports en position LOCK (verrouillé), utilisez l’outil d’installation de la carte d’extension fournie à cet effet. De cette façon, la carte sera bien fixée à sa place. fig.Q-06.f 5 Reposez le couvercle en remettant les vis enlevées (comme spécifié) à l’étape 2. Vérification des [...]

22 Getting Ready Getting Ready Connecting the RD-700 to External Equipment The RD-700 is not equipped with an amplifier or speakers. In order to produce sound, you need to hook up audio equipment such as a monitor speaker or a stereo set, or use headphones. * Audio cables, MIDI cables, headphones, and expression pedals are not included. Consult you[...]

23 Getting Ready Getting Ready 2 Connect supplied AC power cable to the RD-700, and plug the other end into an AC power outlet. 3 Connect the RD-700 and the external device. Use audio cables to connect audio equipment, such as an amp or speakers. Use MIDI cables to connect MIDI devices. If you are using headphones, plug them into the PHONES jack. C[...]

24 Getting Ready Getting Ready Turning the Power On and Off Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. Turning On the Power 1 Before you switch on the power, turn the volume[...]

25 Getting Ready Getting Ready Turning Off the Power 1 Before you switch on the power, turn the volume down all the way by rotating the VOLUME Slider. Also completely turn down the volume of any connected audio device and other equipment. 2 Turn off the power to connected external devices. 3 Press the lower portion of the [POWER] switch on the back[...]

26 Getting Ready Getting Ready Restoring the Factory Settings (Factory Reset) When using the RD-700 for the first time, start by returning the settings to their factory defaults so that the RD-700 operates as described in the procedures in the owner’s manual. fig.panel 1 Press [EDIT], getting the indicator to light. The Edit Menu screen appears. [...]

27 Getting Ready Getting Ready fig.utility1.eps_150 4 Press CURSOR [ ] to select “Factory Reset All.” 5 Press CURSOR [ ]. A screen like the one shown below appears. fig.utility1.eps_150 To cancel the Factory Reset, press [DEC/NO]. 6 Press [INC/YES]. The confirmation message appears. fig.LCD_150 To cancel the Factory Reset, press [DEC/NO]. 7 Pre[...]

28 Getting Ready Getting Ready Adjusting the Display Contrast (LCD Contrast) The characters in the display may be difficult to view immediately after turning on the power or after extended use; this may also be because of where and how the display is situated. Follow the steps below to adjust the display’s contrast. fig.panel 1 Press [EDIT], gett[...]

29 Getting Ready Getting Ready 6 Press [EDIT] to make the indicator go dark. You are returned to the Tone screen. Tuning to Other Instruments’ Pitches (Master Tune) For a cleaner ensemble sound while performing with one or more other instruments, ensure that each instrument’s basic pitch is in tune with that of the other instruments. In general[...]

30 Getting Ready Getting Ready 4 Press CURSOR [ ] to move the cursor to the “Master Tune” parameter. 5 Press [INC/YES] or [DEC/NO] to select the value (415.3– 440.0–466.2). 6 Press [EDIT] to make the indicator go dark. You are returned to the Tone screen. CONTROL 6 45 For faster value increases, keep [INC/YES] pressed down and press [DEC/ N[...]

31 Overview of the RD-700 Overview of the RD-700 Basic Organization of the RD-700 The RD-700 can be divided into two sections: a keyboard controller section and a sound generator section. The two sections are connected internally by means of MIDI. fig.00-G1 Keyboard Controller Section This section includes the keyboard, the Pitch Bend/ Modulation L[...]

32 Overview of the RD-700 Overview of the RD-700 Basic Operation of the RD-700 Main Screens The Tone Screen (Basic Screen) The names of the Tones currently selected for the Local Parts are displayed. This is the screen that is ordinarily displayed. When ONE TOUCH [PIANO] is pressed, setting the RD-700 to the optimal status for piano performances, t[...]

33 Overview of the RD-700 Overview of the RD-700 [WRITE] Stores the current settings to “Setup” [MIDI TX] When [MIDI TX] is pressed, the button’s indicator lights up, and the RD-700 switches to the mode enabling it to control an external MIDI sound generator. The status of this button determines whether the RD-700’s buttons are used to cont[...]

34 Listening to the Demo Listening to the Demo (DEMO PLAY) Here’s how to listen to these songs. The RD-700 features the internal demo songs that exhibit the special capabilities of the instrument. No. Song Name Composer/Copyright 01. RD Party Scott Wilkie © 2001 Roland Corporation 02. Retro-Active Igor Len © 2001 Roland Corporation 03. Escape S[...]

35 Performing Performing with the Keyboard Piano Performances (One Touch [Piano]) Now, try performing with the piano. With the RD-700, you can call up the optimal settings for piano performances with the press of a single button. fig.panel 1 Press ONE TOUCH [PIANO]. fig.LCD The performance setting (Single Mode ➔ p. 41) is selected as the piano to[...]

36 Performing with the Keyboard Performing Performing with a Variety of Tones The RD-700 provides 468 types of Tones. Each one of these individual sounds is called a tone. Tones are assigned to the TONE SELECT buttons according to the tone category selected. Try selecting and performing with a number of different tones. fig.panel 1 Press ONE TOUCH [...]

37 Performing with the Keyboard Performing Specifying the Tone Number to Select a Tone ([NUM LOCK]) Each individual tone has a different tone number. You can select tones with the TONE SELECT buttons by inputting numerals with these buttons to specify tone numbers. Turn [NUM LOCK] on when inputting numerals with the TONE SELECT buttons. fig.panel 1[...]

38 Performing with the Keyboard Performing Playing a Rhythm Set Among the tones that can be selected with the TONE SELECT buttons are Rhythm Sets, which are collections of a variety of percussion instrument sounds and special sound effects. Here’s how to select a Rhythm Set and play percussion sounds. fig.panel 1 Press ONE TOUCH [PIANO]. This sel[...]

39 Performing with the Keyboard Performing Selecting Wave Expansion Board Tones Up to two optional wave expansion boards (SRX series) can be installed into the RD-700. Use the following procedure when selecting tones stored on an wave expansion board. fig.panel 1 Press ONE TOUCH [PIANO]. This selects a single tone to be played over the entire keybo[...]

40 Performing with the Keyboard Performing Selecting Tones Without Pressing [NUM LOCK] You can select tones stored on expansion boards with [NUM LOCK] off. 1. Press EXPANSION [A] or [B] to make its indicator light. 2. Use the TONE SELECT buttons to specify the tone number. Wave expansion board tones are assigned to the TONE SELECT buttons as shown [...]

41 Performing with the Keyboard Performing Playing Two Tones on the Keyboard The setting that determines whether one or two Tones are played by a key is referred to as “Key Mode.”There are three Key modes. ● Single : The same Tone is played by all keys on the keyboard. This is the normal playing mode. ● Split: One key acts as the division p[...]

42 Performing with the Keyboard Performing Playing with Two Layered Tones ([LAYER]) fig.panel 1 Press [LAYER], getting the indicator to light. PART SWITCH [UPPER1] and [UPPER2] are lit. Try fingering the keyboard. fig.LCD The Tones for UPPER1 and UPPER2 are layered and played. 2 To exit Layer mode, press [LAYER] once more, and the indicator light g[...]

43 Performing with the Keyboard Performing Playing Different Tones in Two Different Sections of the Keyboard ([SPLIT]) Such a division of the keyboard into right- and left-hand sections is called a “Split,” and the key where the division takes place is called the “Split Point.”The split-point key is included in the UPPER section. The Split [...]

44 Performing with the Keyboard Performing Changing the Keyboard’s Split Point You can change the point at which the keyboard is divided (the Split Point) in Split mode. 1 Hold down [SPLIT] for several seconds. A screen such as the following appears, and the current value of the setting is displayed. fig.LCD 2 Hold down [SPLIT] and press a key. W[...]

45 Performing with the Keyboard Performing Adjust the Volume Level for Individual Parts (PART SWITCH/LEVEL) fig.panel Parts that are played on the RD-700 using the instrument’s internal sound generator are called Local Parts. You can use the PART SWITCHes and PART LEVEL sliders to make individual settings determining whether the sound for each pa[...]

46 Performing with the Keyboard Performing Transposing the Key of the Keyboard ([TRANSPOSE]) You can transpose performances without changing the keys you are playing, as well as change the pitch by an octave. This feature is called “Transpose.” This is a convenient feature to use when you want to match the pitch of the keyboard performance to a[...]

47 Performing with the Keyboard Performing Adding Reverberation to the Sound (REVERB knob) The RD-700 can apply a reverb effect to the notes you play on the keyboard. Applying reverb adds pleasing reverberation to what you play, so it sounds almost as if you were playing in a concert hall. fig.Q1-25 1 Adjust the REVERB knob to select the amount of [...]

48 Performing with the Keyboard Performing Changing the Sound’s Pitch in Real Time (Bender/Modulation Lever) While playing the keyboard, move the lever to the left to lower the pitch, or to the right to raise the pitch. This is known as Pitch Bend. You can also apply vibrato by manipulating the lever away from you. This is known as Modulation. If[...]

49 Convenient Functions Using the Convenient Functions in Performances Creating Arpeggios from the Chords You Play ([ARPEGGIO]) Just by playing a chord, you can play an arpeggio (a chord that is played one note at a time) using the notes making up that chord. fig.panel 1 Press [ARPEGGIO], getting the indicator to light. 2 Press the key as shown in [...]

50 Using the Convenient Functions in Performances Convenient Functions Changing the Arpeggio Style You can select the way an arpeggio is played (the style) to match a variety of different musical genres. 1 Press [ARPEGGIO], getting the indicator to light. 2 Press CURSOR [ ] to go to the Arpeggio/Rhythm screen. The following Arpeggio/Rhythm screen a[...]

51 Using the Convenient Functions in Performances Convenient Functions Playing Rhythm ([RHYTHM]) The RD-700 features internal drum patterns complementing Jazz, Rock, and other various musical genres. These drum patterns are referred to as “Rhythms.” You can turn Rhythms on and off individually in any key mode. You can perform using Rhythms comb[...]

52 Using the Convenient Functions in Performances Convenient Functions Changing the Rhythm Pattern You can select the way a Rhythm is played (the pattern) to match a variety of different musical genres. 1 Press PART SWITCH [RHYTHM] to make the button indicator light. The Rhythm begins playing. 2 Press CURSOR [ ] to go to the Arpeggio/Rhythm screen.[...]

53 Using the Convenient Functions in Performances Convenient Functions Applying Effects to the Sound (MULTI EFFECTS) In addition to chorus (p. 47) and reverb (p. 47), the RD-700 also allows you to apply “multi-effects” to sounds. Multi-effects provides a collection of 65 different effects, such as distortion and rotary, from which you can choos[...]

54 Using the Convenient Functions in Performances Convenient Functions Selecting Stored Settings ([SETUP]) The RD-700’s Local Part (p. 31) and MIDI TX Part (p. 31) tone settings, effect settings, and other such settings are collectively referred to as a “Setup.” Once you’ve stored your preferred settings, and settings for the songs to be pe[...]

55 Using the Convenient Functions in Performances Convenient Functions 4 Try playing the keyboard. The settings are switched to those of the Setup that has been called up. The [RHYTHM] indicator flashes if you select a setup that has Intro/Ending set to ON. Press [RHYTHM] to start the rhythm with the Intro. Selecting Setups Without Pressing [NUM LO[...]

56 Using the Convenient Functions in Performances Convenient Functions Storing Settings to Setups ([WRITE]) When the contents of a Setup are changed, an asterisk (a “*” mark) appears on the right of the tempo indication. If you want to use the changed content as a new Setup, use the following procedure to save the settings to a Setup. You can a[...]

57 Using the Convenient Functions in Performances Convenient Functions 5 Press CURSOR [ ]/[ ] to move the cursor to the positions where the characters are to be input. 6 Press [INC/YES] or [DEC/NO] to enter the characters. The following characters are available. Space, A–Z, a–z, 0–9, ! “ # $ % & ‘ ( ) * +, - . / ; : < = > ? @ [ [...]

58 Using the Convenient Functions in Performances Convenient Functions Settings Not Saved in a Setup The following settings cannot be saved to a Setup. - Rec Setting (p. 95) - [CONTROL] knob positions (values) - System settings (p. 69) System settings are saved each time one of these parameters is changed. Setup <000> When you press the ONE T[...]

59 Master Keyboard Using the RD-700 As a Master Keyboard By connecting an external MIDI device to the MIDI OUT connector on the RD-700’s rear panel, you can then control the external MIDI device with the RD-700. Normally, the RD-700 transmits Note messages from the MIDI OUT connector, but when [MIDI TX] is on, you can control not only Note messag[...]

60 Using the RD-700 As a Master Keyboard Master Keyboard MIDI Send Channel Settings When you have finished connecting the external MIDI device, match the keyboard’s Transmit channel and the Receive channel for each of the external MIDI sound generator’s Parts. Sounds is produced when the MIDI channels for the sending device (the RD-700) and the[...]

61 Using the RD-700 As a Master Keyboard Master Keyboard Selecting Sounds on an External MIDI Device To switch the tones of an external MIDI device, the program number and the MSB/LSB of the Bank Select message are entered as numerical values on the RD-700. fig.panel 1 Press [MIDI TX], getting the indicator to light. If “MSB” doesn’t appear o[...]

62 Using the RD-700 As a Master Keyboard Master Keyboard Adjusting the Volume of Each Part (MIDI TX Part) fig.panel When the [MIDI TX] indicator is on, you can use the PART SWITCH/ LEVEL controls to control the MIDI TX parts in the same way as with the Local parts (p. 31). PART SWITCH When the [MIDI TX] indicator is on, PART SWITCH determines wheth[...]

63 Using the RD-700 As a Master Keyboard Master Keyboard Detailed Settings for Transmitted Parts ([MIDI TX]) After pressing [MIDI TX], you can then set the following parameters affecting MIDI TX parts. fig.LCD How to Make Settings 1. Press [MIDI TX], getting the indicator to light. The RD-700 is set to control the external MIDI devices. 2. Press CU[...]

64 Using the RD-700 As a Master Keyboard Master Keyboard transmitted (p. 62). Setting the Transposition for Each Individual Part (Key Transpose) You can perform with each part transposed to a different pitch. When the Keyboard Mode is Layer, you can create a richer sound by setting the two Tones to different octaves. Also, if the Keyboard Mode is s[...]

65 Using the RD-700 As a Master Keyboard Master Keyboard Smoothly Changing the Pitch (Portamento) Portamento is a function that causes the pitch to change smoothly from one note to the next note played. The Portamento Time setting determines the time for the change in pitch when the portamento effect is applied to the sound. Higher settings will ca[...]

66 Piano Edit Making Detailed Settings for the Piano Tones (Piano Edit) You can make more detailed settings to fashion just the Tones you want using the piano Tone selected by pressing ONE TOUCH [PIANO] (p. 35). This function is called “Piano Edit.” The settings made in Piano Edit are stored to ONE TOUCH [PIANO]. NOTE When ONE TOUCH [PIANO] is [...]

67 Making Detailed Settings for the Piano Tones (Piano Edit) Piano Edit Changing the Sense of Space Surrounding the Sound (Ambience) Changing the sound’s ambience allows you give your performances a sound resembling that obtained in a wide open space. NOTE Depending on the piano Tone selected, this setting may not be available. Changing the Amoun[...]

68 Edit Mode Detailed Settings for Each Function ([EDIT]) The process of changing tone parameters to create the tones you like, and changing the settings for various functions is known as “editing.” When [EDIT] is pressed and the indicator is lit, the RD-700 switches to “Edit mode.” You can save edited settings to Setups. Edited settings ar[...]

69 Detailed Settings for Each Function ([EDIT]) Edit Mode Setting Parameters fig.Q5-01 Making System Settings (System) Functions that affect the RD-700’s overall operating environment are called “System functions.” How to Make Settings 1. Press [EDIT], getting the indicator to light. The Edit Menu screen appears. fig.Editmenu1.eps 2. Press CU[...]

70 Detailed Settings for Each Function ([EDIT]) Edit Mode Adjusting the Volume (Master Volume) Adjusts the volume of the entire RD-700. Preventing Equalizer Settings from Being Switched (EQ Control) You can store different equalizer settings (p. 74) for each individual Setup (p. 54). This setting determines whether or not the Setup equalizer settin[...]

71 Detailed Settings for Each Function ([EDIT]) Edit Mode NOTE When the Control Channel settings are transmitted along with the part’s MIDI receive channel, switching of Setups takes priority over the switching of tones. For more information about “Switching Setups” (p. 97). Setting the Device ID Number (Device ID) The Device ID number is an [...]

72 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the Key Touch (Key Touch) The setting below allows you to adjust the response you get from the keyboard when you finger the keys. NOTE This setting is switched automatically according to the value of Key Touch Offset, which follows. Making Fine Adjustments to the Keyboard Touch (Key[...]

73 Detailed Settings for Each Function ([EDIT]) Edit Mode Pedal, [CONTROL] Knob, and Equalizer Settings (Control/EQ) You can change the functions assigned to the pedals and [CONTROL] knob and change the equalizer settings. How to Make Settings 1. Press [EDIT], getting the indicator to light. The Edit Menu screen appears. fig.Editmenu1.eps_150 2. Pr[...]

74 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the [CONTROL] Knob Settings (Control/Src) Normally, the [CONTROL] knob is used for making settings that adjust the multi-effects (MFX Control), but they can also be used for settings that change the way tones are played or the tempo. NOTE When TONE CONTROL is assigned to Control, yo[...]

75 Detailed Settings for Each Function ([EDIT]) Edit Mode Simulating the Creation of Organ Tones (Tone Wheel Mode) When any of the “Tone Wheel 1–10” Tones is selected for any of the Local Parts (UPPER1, UPPER2, LOWER), you can perform in “Tone Wheel mode,” in which the creation of organ sounds is simulated. An organ features nine “harmo[...]

76 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the PART LEVEL Slider Feet Assignments (Harmonic Bar) You can change the Feet assigned to each of the PART LEVEL sliders used in Tone Wheel mode. 1. Press [EDIT], getting the indicator to light. The Edit Menu screen appears. fig.05-11 2. Press CURSOR [ ]/[ ] to select “2.Control/E[...]

77 Detailed Settings for Each Function ([EDIT]) Edit Mode 4. Press CURSOR [ ] or [ ] to switch screens, and press CURSOR [ ] or [ ] to move the cursor to the parameter to be set. 5. Press [INC/YES] or [DEC/NO] to set the value. 6. When you have finished making the settings, press [EDIT], extinguishing its indicator. You are returned to the Tone scr[...]

78 Detailed Settings for Each Function ([EDIT]) Edit Mode Making Reverb Settings Reverb adds the reverberation characteristics of halls or auditoriums. Four different types are offered, so you can select and use the type that suits your purpose. You can set the amount of reverb applied separately for each individual part (p. 80). Reverb Type When y[...]

79 Detailed Settings for Each Function ([EDIT]) Edit Mode Chorus Feedback Sets the level at which the chorus sound is re-input (fed back) into the chorus. By using feedback, a denser chorus sound can be created. Higher values result in a greater feedback level. Values: 0–127 <Other Prm>, Value You can make more detailed chorus settings. Whe[...]

80 Detailed Settings for Each Function ([EDIT]) Edit Mode Selecting the Part to Be Set (<Part>, Tone) Choose the Part for which you want to make settings. Setting the Reverb/Chorus Depth (Reverb/Chorus Amount) This sets the depth of the reverb and chorus effects. NOTE When this value is set to “0,” no reverb or chorus effect is applied wh[...]

81 Detailed Settings for Each Function ([EDIT]) Edit Mode Creating Smooth Pitch Changes (Portamento Switch/Time) Portamento is a function that causes the pitch to change smoothly from one note to the next note played. With the Mono/Poly parameter set to Mono, portamento is especially effective when simulating playing techniques such as a violin gli[...]

82 Detailed Settings for Each Function ([EDIT]) Edit Mode Making the Rhythm Settings (Rhythm Pattern) The RD-700 features internal drum patterns complementing Jazz, Rock, and other various musical genres. This kind of drum pattern is called a “Rhythm.” For more about switching Rhythms on and off, refer to “Playing Rhythm ([RHYTHM])” (p. 51)[...]

83 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the Drum Set (Rhy Set) You can change a rhythm’s drum set (set of drum and percussion tones). You can select Tones other than Rhythm Sets. When this setting is changed, the Part 10 Tone also changes. NOTE Depending on the Rhythm Set that is selected, the Rhythm Set may not play ba[...]

84 Detailed Settings for Each Function ([EDIT]) Edit Mode Adjusting the Tempo (Tempo) This sets the speed of the arpeggio. NOTE The RD-700 has one tempo setting. You can change this setting in the tempo display in the Tone screen; or alternatively, you can change the rhythm’s tempo setting (p. 82). With Clock Source (p. 70) set to MIDI, “M:” [...]

85 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the octave range in arpeggio style (Octave Range) Sets the key range in octaves over which arpeggio will take place. If you want the arpeggio to sound using only the notes that you actually play, set this parameter to 0. To have the arpeggio sound using the notes you play and notes [...]

86 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the Groove Feel (Beat Pattern/Accent Rate/Shuffle Rate) Beat Pattern Select the beat pattern from the choices below. This setting will affect the location of the accent and length of the notes to determine the beat (rhythm). NOTE Depending on the Style settings (p. 84), some choices[...]

87 Detailed Settings for Each Function ([EDIT]) Edit Mode NOTE If the Beat Pattern (p. 86) is 1/4, there will be no shuffle effect even if the Shuffle Rate value is increased. Keeping the Force of the Notes Constant (Velocity) This sets how strongly sounds are played when you press the keys. Continuing Arpeggios Even After the Keys Are Released (Ar[...]

88 Detailed Settings for Each Function ([EDIT]) Edit Mode 6. When you have finished making the settings, press [EDIT], extinguishing its indicator. You are returned to the Tone screen. Selecting the Part to Be Set (<Local Part>) Choose the Local Part for which you want to make settings. You can select the Local part by using the PART SELECT b[...]

89 Detailed Settings for Each Function ([EDIT]) Edit Mode Turning the Controllers in Each Part On and Off These settings determine whether the pedals connected to each PEDAL jack (Damper, FC1, FC2), the Modulation lever, the Bender, and the [CONTROL] knob are used to control the Parts (ON), or not (OFF). Assigning Internal Parts to Local Parts (Par[...]

90 Detailed Settings for Each Function ([EDIT]) Edit Mode Selecting the Part to Be Set (<Part>, Tone) Choose the Part for which you want to make settings. Setting the Receive Channel (Receive Channel) When using MIDI messages from an external MIDI device to play the RD-700, set the Receive channels for each of the RD- 700’s parts so they’[...]

91 Detailed Settings for Each Function ([EDIT]) Edit Mode Setting Reception and Blocking of MIDI Messages from External MIDI Controllers You can change the RD-700’s tones by reception of MIDI messages generated through the actions of modulation levers, pedals, knobs, and other such external MIDI devices controls. You can set whether to have the f[...]

92 Detailed Settings for Each Function ([EDIT]) Edit Mode Other Functions (Utility) Utility includes functions for sending data to external MIDI sequencers and other devices and for restoring the settings to their original factory state. For more on “Rec Setting” in Utility menu, refer to “Settings for Recording (Rec Setting)” (p. 95). Tran[...]

93 Detailed Settings for Each Function ([EDIT]) Edit Mode Bulk Dump SETUP 6 Press CURSOR [ ]. A screen like the one shown below appears. 7. Press CURSOR [ ] / [ ] and [INC/YES]/[DEC/ NO] to set the transmitted SETUPs. 8. Press CURSOR [ ]. A screen like the one shown below appears. fig.Editmenu2.eps_150 9. Put the external sequencer in record mode. [...]

94 Detailed Settings for Each Function ([EDIT]) Edit Mode Restoring the settings to the factory condition (Factory Reset) The settings stored in the RD-700 can be returned to their factory settings. NOTE Executing “Factory Reset All” results in deletion of the Setups (p. 54). If you want to keep any data you have stored, use the “Bulk Dump SE[...]

95 Connecting MIDI Devices Connecting External MIDI Devices Recording RD-700 Performances to an External MIDI Sequencer Now, try using an external sequencer to record your music onto multiple tracks, and then play back the recorded performance. Connecting to an External Sequencer fig. 1. Before starting the connection procedure, make sure that the [...]

96 Connecting External MIDI Devices Connecting MIDI Devices Recording the Performance Use the following procedure when recording to an external sequencer. 1. Turn on the external sequencer’s Thru function. For details, refer to the following section “About Local Switch.” Refer to your sequencer owner’s manual for instructions on how to carr[...]

97 Connecting External MIDI Devices Connecting MIDI Devices Playing the RD-700’s Internal Sound Generator from an External MIDI Device Try Playing the RD-700 from an External MIDI Device. Making connections fig. 1. Before starting the connection procedure, make sure that the power to all devices has been turned off. 2. After reading “Connecting[...]

98 Connecting External MIDI Devices Connecting MIDI Devices Using the RD-700 as a GM Sound Module (GM Mode) The RD-700 features a GM mode —a convenient way to play back or create GM score data (music files for GM sound module). Switching to GM mode not only enables proper playback of GM Scores, but also allows you to mute specific Parts, play the[...]

99 Appendices Troubleshooting If the RD-700 does not function in the way you expect, first check the following points. If this does not resolve the problem, consult your dealer or a nearby Roland Service Station. * If certain messages appear in the display during operation, please refer to “Error Messages/Other Messages” (p. 103). Problem Check[...]

100 Troubleshooting Appendices Tones Are Al- tered Did you call up a Setup? • When a Setup is called up, the cur- rent Tone, effect, and other settings are disabled, and the selected Set- up goes into effect (p. 54). Resave required settings to a Setup (p. 56). Did you press ONE TOUCH [PI- ANO]? • When ONE TOUCH [PIANO] is pressed, the current [...]

101 Troubleshooting Appendices Effects Not Ap- plied/Effects Sound Wrong In some cases where the delay timing selected in the DELAY settings in MFX/Reverb/Chorus is set to a note value, the delay sound may not be heard. Either adjust the tempo or change the numerical value of the de- lay timing (p. 79). Check the MFX Source and MFX Dest settings fo[...]

102 Troubleshooting Appendices Song Data Not Played Back Correctly Song Data Not Played Back Correctly Is the Receive GM/GM2 System On Switch set to ON? • Set the System Rx GM System On or System Rx GM2 System On to ON in Edit mode (p. 70). Does playback of the song start from some point other than the beginning of the song? • Add a GM/GM2 Syst[...]

103 Appendices Error Messages/Other Messages Error messages Indication: MIDI Buffer Full Situation: Due to an inordinate volume of MIDI messages received, the RD-700 has failed to process them properly. Action: Reduce the amount of MIDI messages to be transmitted. Indication: MIDI Communication Error Situation: A problem has occurred with the MIDI [...]

104 Appendices Effect/Parameter List * Parameters with the “#” showing can be assigned to the MULTI-EFFECTS [CONTROL] knob. Set “MFX CONTROL” following the instructions in “How to Make Settings” (p. 76). 01: STEREO EQ (Stereo Equalizer) This is a four-band stereo equalizer (low, mid x 2, high). Low Freq (Low Frequency) Select the freque[...]

105 Effect/Parameter List Appendices 04: PHASER A phaser adds a phase-shifted sound to the direct sound, producing a twisting modulation that creates spaciousness and depth. Manual # Adjust the basic frequency from which the sound will be modulated. Rate # Adjust the frequency (period) of modulation. Depth Adjust the depth of modulation. Resonance [...]

106 Effect/Parameter List Appendices 08: ROTARY The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This effect i[...]

107 Effect/Parameter List Appendices Delay Dev (Pre Delay Deviation) Pre Delay determines the time from when the direct sound begins until the processed sound is heard. Pre Delay Deviation adjusts the differences in Pre Delay between each chorus sound. Depth Dev (Depth Deviation) Adjust the difference in modulation depth between each chorus sound. [...]

108 Effect/Parameter List Appendices Balance (Effect Balance) # Adjust the volume balance between the direct sound and the chorus sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the chorus sound will be output. Level (Output Level) Adjust the output level. 15: ST.FLANGER (Stereo Flanger) Thi[...]

109 Effect/Parameter List Appendices Mode (Feedback Mode) Select the way in which delay sound is fed back into the effect. NORMAL : The left delay sound will be fed back into the left delay, and the right delay sound into the right delay. CROSS : The left delay sound will be fed back into the right delay, and the right delay sound into the left del[...]

110 Effect/Parameter List Appendices HF Damp Adjust the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS. Low Gain Adjust the gain of the low frequency range. Positive (+) settings will emphasize (boost) the low frequency range. High Gain Adj[...]

111 Effect/Parameter List Appendices Level (Output Level) Adjust the output level. 22: 2V PCH SHIFT (2 Voice Pitch Shifter) A Pitch Shifter shifts the pitch of the direct sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the direct sound. Coarse A (Coarse Pitch A) #1 Adjust the pitch of Pitch Shift A [...]

112 Effect/Parameter List Appendices Time (Reverb Time) # Adjust the time length of reverberation. HF Damp Adjust the frequency above which the reverberant sound will be cut. As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance. If you do not want the high frequencies to be cut, [...]

113 Effect/Parameter List Appendices Flg Bal (Flanger Balance) # Adjust the volume balance between the overdrive sound that is sent through the flanger and the overdrive sound that is not sent through the flanger. With a setting of “D100:0W,” only the overdrive sound will be output. With a setting of “D0:100W,” only the overdrive sound that[...]

114 Effect/Parameter List Appendices Flg Bal (Flanger Balance) # Adjust the volume balance between the enhancer sound that is sent through the flanger and the enhancer sound that is not sent through the flanger. With a setting of “D100:0W,” only the enhancer sound will be output. With a setting of “D0:100W,” only the enhancer sound that is [...]

115 Effect/Parameter List Appendices Delay Bal (Delay Balance) # Adjust the volume balance between the flanger sound that is sent through the delay and the flanger sound that is not sent through the delay. With a setting of “D100:0W,” only the flanger sound will be output. With a setting of “D0:100W,” only the flanger sound that is sent thr[...]

116 Effect/Parameter List Appendices StpRateSw (Step Rate Switch) This setting determines whether the pitch is changed in a stepped fashion (ON) or not (OFF). Mix (Mix Level) Adjust the volume of the phase-shifted sound, relative to the direct sound. Low Gain Adjust the low frequency gain (amount of boost or cut). Positive (+) settings will emphasi[...]

117 Effect/Parameter List Appendices Manual # Sets the point at which the two vowels will be switched. When set to 50, Vowels 1 and 2 switched in the same amount of time. Setting this higher than 50 increases the time for Vowel 1; setting this lower than 50 decreases the time for Vowel 1. Low Gain Specifies the low frequency gain (amount of boost o[...]

118 Effect/Parameter List Appendices HF Damp Adjust the frequency at which the high frequency range of the delayed sound returned to the input will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS. Low Gain Adjust the low frequency gain (amount of boost or cut). Positive (+) settings will emphasiz[...]

119 Effect/Parameter List Appendices High Gain Adjust the high frequency gain (amount of boost or cut). Positive (+) settings will emphasize (boost) the high frequency range. Balance (Effect Balance) # Sets the volume balance between the direct sound and the effect sound. With a setting of D100:0W only the direct sound will be output, and with a se[...]

120 Effect/Parameter List Appendices PreFilter (Pre Filter Type) Adjust the type of filter that will be applied before the sound passes through the Lo-Fi effect. PostFilter1 (Post Filter 1 Type) Adjust the type of filter that will be applied after the sound passes through the Lo-Fi effect. Post Fltr2 (Post Filter 2 Type) OFF : A post filter 2 will [...]

121 Effect/Parameter List Appendices Mic Set (Mic Setting) Adjust the location of the mic that is recording the sound of the speaker. This can be adjusted in three steps, with the mic becoming more distant in the order of 1, 2, and 3. Mic Lvl (Mic Level) # Adjust the volume of the microphone. Dir Lvl (Direct Level) # Adjust the volume of the direct[...]

122 Effect/Parameter List Appendices High Gain Adjust the high frequency gain. Positive (+) settings will emphasize (boost) the high frequency range. Level (Output Level) # Adjust the output level. 57: GATE The Gate effect cuts the reverb’s delay according to the volume of the sound input to the effects device. Use this in situations such as when[...]

123 Effect/Parameter List Appendices AP Mid Sw (Anti Phase Middle Switch) This turns the Anti-Phase function on and off and sets the level settings for the Middle frequency ranges. When turned on, the counter-channel of stereo sound is inverted and added to the signal. AP Mid (Anti Phase Middle Level) Sets the level of the separate midrange (Middle[...]

124 Effect/Parameter List Appendices Cutoff (Cutoff Frequency) Sets the cutoff frequency when a specific frequency band is cut off by a filter. StpRateSw (Step Rate Switch) Determines whether the pitch is changed in a stepped fashion (ON) or not (OFF). Step Rate # Adjust the rate at which the pitch will change. ➔ Step Rate parameter can be set as[...]

125 Effect/Parameter List Appendices Pkg Freq This sets the reference frequency for the filter used in adjusting the specific range of frequencies. When not cutting bass frequencies, set this to BYPASS. Pkg Q The range of frequencies is based on the frequency set in Pkg Freq. The smaller the value, the narrower the band of frequencies that is adjus[...]

126 Effect/Parameter List Appendices Effects Parameter List ➔ “Making Multi-Effects Settings” (p. 77) Multi-effects Types are indicated in bold characters. “Parameter” refers to the parameter assigned to <Other Prm> in MFX Control. “Value” refers to the values that can be set using the [CONTROL] knobs or in Value. 01: STEREO EQ [...]

127 Effect/Parameter List Appendices 10: LIMITER Parameter Value Threshold Threshold level 0–127 Ratio Compression ratio 1.5:1, 2:1, 4:1, 100:1 Release Release time 0–127 Post Gain Post gain 0, +6, +12, +18 dB Low Gain Low gain -15– +15 dB High Gain High gain -15– +15 dB Pan Output pan L64–0–63R Level Output level 0–127 11: HEXA-CHORU[...]

128 Effect/Parameter List Appendices 18: MOD DELAY Parameter Value Delay L Delay time left 0.0–500.0 ms Delay R Delay time right 0.0–500.0 ms Feedback Feedback level -98– +98% Mode Feedback mode NORMAL, CROSS Rate Rate 0.05–10.00 Hz Depth Depth 0–127 Phase Phase 0–180 degree HF Damp HF damp 200–8000 Hz, BYPASS (*1) Low Gain Low gain -[...]

129 Effect/Parameter List Appendices 25: GATED REVERB Parameter Value Type Gated Reverb type NORMAL, REVERSE, SWEEP1, SWEEP2 Pre Delay Pre delay time 0.0–100.0 ms Gate Time Gate time 5–500 ms Low Gain Low gain -15– +15 dB High Gain High gain -15– +15 dB Balance Effect balance D100:0W–D0:100W Level Output level 0–127 26: OD → CHORUS Pa[...]

130 Effect/Parameter List Appendices 36: FLANGER → DELAY Parameter Value Flg Delay Flanger pre delay time 0.0–100.0 ms Flg Rate Flanger rate 0.05–10.00 Hz Flg Depth Flanger depth 0–127 Flg Fbk Flanger feedback level -98– +98% Flg Bal Flanger balance D100:0W–D0:100W DelayTime Delay time 0.0–500.0 ms Delay Fbk Delay feedback level -98?[...]

131 Effect/Parameter List Appendices 45: MULTI TAP DLY Parameter Value Delay 1 Delay time 1 0–1800 ms, note Delay 2 Delay time 2 0–1800 ms, note Delay 3 Delay time 3 0–1800 ms, note Delay 4 Delay time 4 0–1800 ms, note Pan 1 Output pan 1 L64–63R Pan 2 Output pan 2 L64–63R Pan 3 Output pan 3 L64–63R Pan 4 Output pan 4 L64–63R Level 1[...]

132 Effect/Parameter List Appendices 51: LOFI NOISE Parameter Value Type LoFi type 1–9 Pst Filter Post Filter type OFF, LPF, HPF Frequency Post Filter cutoff frequency 200-8000 Hz:(*1) Radio Dtn Radio detune 0–127 Noise Lvl Noise Level 0–127 Disc Type Disc NoiseType LP, EP, SP, RND Disc LPF Disc Noise LPF 200-8000 Hz BYPASS (*2) Disc Lvl Disc[...]

133 Effect/Parameter List Appendices 60: 3D CHORUS Parameter Value Pre Delay Pre delay time 0.0–100 ms Rate LFO rate 0.05–10.00 Hz, note Depth LFO depth 0–127 Phase Phase 0–180 degree Fltr Type Filter Type OFF, LPF, HPF Cutoff Cutoff frequency 200–8000 Hz (*1) Out Output mode SPEAKER, PHONES Low Gain Low gain -15– +15 dB High Gain High [...]

134 Effect/Parameter List Appendices → “Making Reverb Settings” (p. 78) “Parameter” refers to the parameter assigned to <Other Prm>. “Value” refers to the values that can be set in Value. Reverb Parameters REVERB Parameter Value Type Reverb/Delay type ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2 DELAY, PAN-DLY HF Damp Reverb/Delay[...]

135 Appendices Tone List MSB: Bank Select MSB (Control Number: 0) LSB: Bank Select LSB (Control Number: 32) PC: Program Change [PIANO] No. Tone Name MSB LSB PC 001 St.Concert 1 087 064 001 002 St.Concert 2 087 064 002 003 Dynamic Pno1 087 064 003 004 Dynamic Pno2 087 064 004 005 St.Concert 3 087 064 005 006 BrightPiano1 087 064 006 007 BrightPiano2[...]

136 Tone List Appendices [GTR/BASS] No. Tone Name MSB LSB PC 130 Nylon Gtr 1 087 070 001 131 Nylon Gtr 2 087 070 002 132 Steel Gtr 087 070 003 133 Solo Steel 087 070 004 134 Steel Away 087 070 005 135 12str Gtr 087 070 006 136 Jz Gtr Hall 087 070 007 137 LetterFrmPat 087 070 008 138 JC Strat 087 070 009 139 Clear Guitar 087 070 010 140 Searing Lead[...]

137 Tone List Appendices No. Tone Name MSB LSB PC 303 Beef FM Bass 121 001 040 304 RubberBass 2 121 002 040 305 Attack Pulse 121 003 040 306 Violin 121 000 041 307 Slow Violin 121 001 041 308 Viola 121 000 042 309 Cello 121 000 043 310 Contrabass 121 000 044 311 Tremolo Str 121 000 045 312 PizzicatoStr 121 000 046 313 Harp 121 000 047 314 Yang Qin [...]

138 Tone List Appendices 21 23 22 27 24 26 25 C1 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6 Note No. Rhythm Set List * ---: No sound. * [EXC]: will not sound simultaneously with other percussion [...]

139 Tone List Appendices 96 100 89 91 93 95 90 92 94 C7 98 97 99 108 101 103 105 107 102 104 106 C8 Note No. RD Pop Kit Falamenco Hi-Timbale Falamenco Lo-Timbale Falamenco Tmbl Flam Shekere 1 Shekere 2 Low Bongo Mute ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- Wah Gtr Noise 1 Wah Gtr Noise 2 RD Rock Kit Falamenco Hi-Timb[...]

140 Tone List Appendices 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6 Note No. 27 GM2 STANDARD High-Q Slap ScratchPush [EXC7] ScratchPull [EXC7] Sticks SquareClick Mtrnm.Click Mtrnm. Bell Mix Kick [...]

141 Tone List Appendices 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6 Note No. 27 GM2 JAZZ High-Q Slap ScratchPush [EXC7] ScratchPull [EXC7] Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 J[...]

142 Appendices Arpeggio Style List Style Motif Beat Pattern Accent Rate Shuffle Rate 1/4 all 1/ 4 0–100% 50–90% 1/6 all 1/ 6 0–100% 50–90% 1/8 all 1/ 8 0–100% 50–90% 1/12 all 1/12 0–100% 50–90% 1/16 all 1/16 1–3 0–100% 50–90% 1/32 SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN, 1/32 1–3 0–100% 50–90% SINGLE RANDOM, DUAL UP, [...]

143 Appendices Rhythm Pattern List No. Rhythm Pattern Recommended Tempo 000 OFF --- 001 ShufflePop 1 92 002 ShuffleR&B 1 96 003 R&B 1 108 004 Funk 1 124 005 8Beat Pop 1 92 006 16Beat Pop 1 86 007 8Beat Rock 1 106 008 16BeatRock 1 124 009 Acid Jazz 96 010 Hip Hop 98 011 Swing 1 160 012 Fast Swing 1 110 013 Blues 1 120 014 Blues 2 152 015 Lat[...]

144 Appendices Setup List → Owner’s Manual “Selecting Stored Settings ([SETUP])” (p. 54). No.001–020 “RHY: Setup”: These Setups let you enjoy performing with a session-like feel while playing a Rhythm. Be sure to check it out. For more on Rhythms, refer to the “Playing Rhythm ([RHYTHM])” (p. 51). No. Setup Name 001 RHY: Shuffle 00[...]

145 Appendices Shortcut List You can easily change settings for the following functions using a number of related buttons. * “[A] + [B]” indicates that you are to hold down [A] and press [B]. You can easily call up Edit screens for related parameters for the following functions by holding down [EDIT] while pressing buttons, turning knobs, or op[...]

146 Appendices MIDI Implementation Model: RD-700 (Digital Piano) Date: Mar. 1, 2001 Version: 1.00 1. Receive data ■ Channel Voice Messages ● Note off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note off velocity: 00H - 7FH (0 - 127) * Some instruments a[...]

147 MIDI Implementation Appendices ❍ Release Time (Controller number 72) Status 2nd byte 3rd byte BnH 48H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Release Time value (relative change): 00H - 7FH (-64 - 0 - +63), * The Release Time parameter (EDIT:Tone Edit:Release Time) will change. ❍ Attack time (Controller number 73) Status 2nd b[...]

148 MIDI Implementation Appendices ■ Channel Mode Messages ● All Sounds Off (Controller number 120) Status 2nd byte 3rd byte BnH 78H 00H n = MIDI channel number: 0H - FH (ch.1 - 16) * When this message is received, all notes currently sounding on the corresponding channel will be turned off. ● Reset All Controllers (Controller number 121) Sta[...]

149 MIDI Implementation Appendices ❍ GM2 System On Status Data byte Status F0H 7EH 7FH 09H 03H F7H Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 03H Sub ID#2 (General MIDI 2 On) F7H EOX (End Of Exclusive) * When this messages is received, this ins[...]

150 MIDI Implementation Appendices pp=3 Feedback vv = 00H - 7FH 0 - 127 pp=4 Send To Reverb vv = 00H - 7FH 0 - 127 F7H EOX (End Of Exclusive) ❍ Channel Pressure Status Data byte Status F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 09H Sub ID#1 ([...]

151 MIDI Implementation Appendices ❍ Data set 1DT1 This is the message that actually performs data transmission, and is used when you wish to transmit the data. Status Data byte Status F0H 41H, dev, 00H, 43H, 12H, aaH, bbH, F7H ccH, ddH, eeH, ... ffH, sum Byte Explanation F0H Exclusive status 41H ID number (Roland) dev Device ID (dev: 00H - 1FH, [...]

152 MIDI Implementation Appendices ❍ Panpot (Controller number 10) Status 2nd byte 3rd byte BnH 0AH vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Panpot: 00H - 40H - 7FH (Left - Center - Right) * These messages are transmitted when Pan value is set in MIDI Tx Mode. ❍ Hold 1 (Controller number 64) Status 2nd byte 3rd byte BnH 40H vvH n =[...]

153 MIDI Implementation Appendices ■ System Realtime Messages ● Continue Status FBH * This message is sent on START operation when START/STOP function is selected on Foot Controller. ● Stop Status FCH * This message is sent on STOP operation when START/STOP function is selected on Foot Controller. ● Active Sensing Status FEH * This message [...]

154 MIDI Implementation Appendices ❍ System Onetouch Piano Tone Backup +——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |[...]

155 MIDI Implementation Appendices | | 0000 dddd | MFX Parameter 1 (12768 — 52768) | | | | —20000 — +20000 | |# 00 09 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MFX Parameter 2 (12768 — 52768) | | | | —20000 — +20000 | |# 00 0D | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MFX Parameter 3 ([...]

156 MIDI Implementation Appendices |# 00 1A | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Reverb Parameter 7 (12768 — 52768) | | | | —20000 — +20000 | |# 00 1E | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Reverb Parameter 8 (12768 — 52768) | | | | —20000 — +20000 | |# 00 22 | 0000 aaaa | | | [...]

157 MIDI Implementation Appendices ❍ Setup Tone Backup +——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————?[...]

158 MIDI Implementation Appendices | 40 1x 24 | 0000 000a | Rx. Bank Select LSB (0 — 1) | | | | OFF, ON | |—————————————+———————————+————————————————————————————————————————————————————| | 40 1x 3[...]

159 MIDI Implementation Appendices ■ Arpeggio Parameter List ● Arpeggio Style +—————————————————————————+—————————————————————————+—————————————————————————+ |value| parameter |value| parameter |v[...]

160 MIDI Implementation Appendices ■ Examples of Actual MIDI Messages <Example1> 92 3E 5F 9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95. <Example2> CE 49 CnH is the Program Change status, an[...]

161 MIDI Implementation Appendices ■ The Scale Tune Feature (address: 40 1x 40) The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can obta[...]

162 MIDI Implementation Appendices Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Transmitted Recognized Remarks Default Changed Default Messages Altered True Voice Note On Note Off Key’s Channel’s 0, 32 1 2 4 5 6, 38 7 8 10 11 16 17 18 19 64 65 66 67 68 69 70 71 1–16 1–16 Mode 3 Mono, Poly O X 8[...]

163 MIDI Implementation Appendices Program Change System Exclusive System Common System Real Time Aux Messages Notes 72 73 74 75 76 77 78 80 81 82 83 84 91 92 93 94 95 1–31, 33–95 1–31, 33–95 98, 99 100, 101 : True Number : Song Position : Song Select : Tune Request : Clock : Commands : All Sound Off : Reset All Controllers : Local On/Off :[...]

164 Main Specifications RD-700: Digital Piano (Conforms to General MIDI 2 System) ● Keyboard 88 keys (Progressive Hammer Action Keyboard) ● Part 16 ● Maximum Polyphony 128 voices ● Wave Memory 64 M bytes (16-bit linear equivalent) ● Expansion Slot Wave Expansion Board SRX Series: 2 slots (*1) ● Tones 468 (Normal Tones:189, Tone Wheel Or[...]

165 Index A AC Inlet ............................................................................ 14 Accent Rate ...................................................................... 86 Adjusting the Display Contrast ................................... 28 Ambience ......................................................................... 67 [ARPEGG[...]

166 Index G Gain .................................................................................. 74 GM Mode ........................................................................ 98 GM Sound Module ........................................................ 98 GND Terminal ................................................................ 14 H Harm[...]

167 Index Recording To an External MIDI Sequencer ............................. 95 REL Release Time (MIDI TX Part) .................................. 64 Release Time (Tone) ....................................................... 81 RES Resonance (MIDI TX Part) ...................................... 64 Resonance (Tone) ..............................[...]

168 Purpose-Oriented Index This index lists the main setting items relevant to play of the RD-700's keyboard. * [Edit]: aaa: bbb” indicates the bbb parameter in Edit screen aaa. Volume Setting Changing the Volume for the entire RD-700 ...................................................... VOLUME Slider (p. 25) ............................. [[...]

169 MEMO RD-700_e.book 169 ページ ２００４年４月２６日　月曜日　午前１１時５４分[...]

Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of May 1, 2004 (Roland) ARGENTINA Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700 BRAZIL Roland Brasil Ltda Rua San Jose, 780 Sala B Parque Industrial S[...]

CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to aler[...]

Thank you, and congratulations on your choice of the Roland Digital Piano RD-700. . Copyright © 2001 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS?[...]