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Roland M Series manual

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Table of contents for the manual

  • Page 1

    P r o d u c t G u i d e[...]

  • Page 2

    All of the adv antages of a digital mix er in a c ompac t unit. T he new EDIR OL M series, deliv ering high-qualit y mixing en vir onments .[...]

  • Page 3

    The true role of an audio mix er is to faithfully capture sound and allow you t o make it even better . The featur es of the EDIROL M series are aimed at fulfilling two goals: to provide intuitiv e operation that lets ev en the beginner per form serious mixing , and to provide high audio quality and full functionality to satisfy the professional. F[...]

  • Page 4

    BUS A bus is a signal route that combines the signals of multiple channels within the mixer , and sends the combined signal to a common destination output. The M-16DX has four buses: MAIN, AL T , AUX, and SOL O . ( → p.8 “Glossary ”) Pre-fader/Post-fader “Pre-fader” ref ers to the signal before it passes through the channel level control [...]

  • Page 5

    The M-16D X is a two-piece system consisting of the Mix controller (contr ol desk) you use for mixing , and the I/O module (connector box) to which y ou connect your mics, instruments , and recor ding equipment. The compact I/O module can be mounted in a 1U rack space, allo wing you to keep the cables together to maintain an uncluttered spac e arou[...]

  • Page 6

    Most speakers have certain idiosyncrasies that are unique to that model of speaker . Unlike a professional studio that is desig ned for ideal acoustics, it is difficult to obtain an ac oustically flat playback envir onment in a home studio. If you mix in a playback envir onment that is not flat, there will be changes to the sound caused by irregula[...]

  • Page 7

    Three simple st eps to obtaining a flat response Adjusting the compensa ted result to crea te the desired response: manual adjustment Depending on the character of the room or the location in which the analysis is performed, the compensation result ma y not necessarily be ideal in some cases. Alternativ ely , a flat response may not produce a perc [...]

  • Page 8

    High-qualit y audio. Full digital processing. Sophisticated functionality. These pro - fessional specifications sought by everyone are no longer limited to advanced prac- titioners. Ev en if you ’ re using a digital mixer for the first time , you deserve to be able to control your sound intuitively and understandably . As a result of our pursuit [...]

  • Page 9

    The M-16DX/M-10D X fea ture a 122 x 32 pixel backlit graphical L CD display that’ s clearly visible even on a dark stage. Even beg inners will be able to easily check the input levels or operate the eff ects. When you contr ol the EQ , the EQ curve will automatically appear in the display when you turn a knob, pro viding a visual indication of th[...]

  • Page 10

    There are many sources of noise when recording at home, such as the refrigerator and air conditioner, or vibrations from passing vehicles. Normally we do n ’t pa y att ention to the se sounds, but when r ecordin g, they can be a major factor that impairs the clarity of the recorded sound. If the sound from a mic is lack ing in clarity, tr y turni[...]

  • Page 11

    CH1 kick CH1 snare AL T OUT INPUT 13/14 L R CH1 CH1 over top over top Rec or ding a band in a single pass Studio rec ording sy stem If you’ re mak ing a single -pass recording of your band, connect the main output or two-track output to your recorder , and rec ord the mix ed so und . On the o ther hand , if yo u’ ll b e u s in g y ou r D A W s [...]

  • Page 12

    The M-10DX is a mer e 20 cm—about the size of a B5 sheet of paper—wide making it an all-in- one mixer that won ’t take up space on stage. Since it can be operated on batteries, it ’ s also a convenien t choice for outdoor use. The backlit graphic L CD display and the illuminated buttons mean that you ’ll always be able to check and adjust[...]

  • Page 13

    The M-10MX is an analog mixer that packs analog inputs and digital output into a compact body . Y ou can use it as an input expansion tool for EDIROL ’ s F A and UA series of audio interfaces, or on its own as a line mixer . Operation is simple and does not require specialized knowledge , making it a flexible solution for a variety of needs rangi[...]

  • Page 14

    This system separates the MIX controller containing the mixing controls and the I/O module to which your instruments are connected. Cable connections are consolidated in to the compact 1U rack-mountable I/O module, allowing highly flexible mixing on your desktop . Separate syst em with MIX controller and I/O module An internal sensor and sound gene[...]

  • Page 15

    The M-10DX is an all-in-one digital mixer that provides the major functionality of the M-16DX, such as the R oom Acoustic Auto Con trol function, the graphical L CD display , and effect processors. Rich functionalit y that inherits the M-16D X’ s basic features T en input channels are provided, and Channels 1/2 have phantom-powered mic input jack[...]

  • Page 16

    Specifications M-16DX M-10DX M-10MX Number of Input Channels 16 channels 10 channels 10 channels AD/DA Con version Sample Rate: 44.1/48.0/96.0 kHz Signal Processing: 24 bits 96.0 kHz: 20 Hz to 40 kHz (+3/-3 dB), 48.0 kHz: 20 Hz to 22 kHz (+3/-3 dB), 44.1 kHz: 20 Hz to 20 kHz (+3/-3 dB) Sample Rate: 44.1/48.0/96.0 kHz, Signal Processing: 24 bits Fre[...]