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Pantech P2030 manual

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Table of contents for the manual

  • Page 1

    Pan tech P2030 User Guide Pan tech P2030 Guía del Usuario PANTECH P2030 U s e r G u i d e 5U00 047 3C0 A REV. 00 5U000 473C0 A   REV .00[...]

  • Page 2

    So me   of   th e  c on ten ts i n th is m anua l ma y d if f er f rom  y our  p h on e  depe ndin g on  the  sof twa re  of  the  phon e.  Ac t ua l  c ol or  ma y  v ar y . Y ou r  ph one  is d esig ned  to  ma k e  i t  e as y  for  yo u  t o  acce ss a  wid e v ar i et y [...]

  • Page 3

    U s e r G u id e Th ank y o u f or ch oo si ng th e P a n t ech P2 030 . Th e P an te c h P 20 30 ha s ma ny f ea t u r e s de sig ne d to en ha nc e y ou r m ob ile e xpe rie nc e. F ro m i ts EZ t o r e a d m enu s, t o i ts s le ek, s ty lis h de sig n, w e kn ow y ou w i ll en jo y th e en ti r e P 203 0 e x p e ri enc e. Th is Use r Gu ide c o[...]

  • Page 4

    2 3 S p e c i f i ca ti o ns D e si gn Cl ams he ll ph on e wit h in te rna l an d e xt er n al d is pla y Di sp l a y s • 26 0 K C o l o rs TFT L CD w i th 2. 2” in te rna l di spl ay • 65 K C o l o rs CS TN L CD w it h 1.3 8” e x t ern al dis pl a y • 7 l in es f or t e xt in b asi c mo de wi th 16 p oin t f on t • T wo so ft k e ys a[...]

  • Page 5

    Co nt e n t s 4 5 Sp eci fi ca ti on s . .. ... . . .. ... . .. ... ... . .. ... ... . .. . 2 Ph one o v er vie w .. ... . .. ... ... . .. ... ... . .. ... ... 8 Us ing Sh ortc uts .. . . .. ... . .. ... ... . .. ... ... . .. 10 Me nu o ver v i ew ... ... . . .. ... . .. ... ... . .. ... ... . . 11 Qu ick & E as y .. ... . . .. ... . .. ... ..[...]

  • Page 6

    Co nt e n t s 6 7 2. Me s sa gin g Re cei v in g m ess a ge s.. . . .. ... . .. ... ... .104 Cr ea t in g a n d s e n di ng t e xt me ssa g es ... ... ... . .. ... ... . .. ... ... . .. ... ... . .. . 10 6 Cr ea t in g m u l ti med i a me ssa g es ... ... ... . .. ... ... . .. ... ... . .. ... ... . .. . 10 7 Me ssa g e te mp la t es .. .. ... . . [...]

  • Page 7

    E a rp i ec e In ter n al di s pl ay L e ft / Ri g h t Sof t k e y P erf or m the f unc t io n s sho wn at th e bo t t om li ne of th e dis pl ay OK ke y o r a cce ss Mo bi le W eb Pr ess to en ter me nu sy ste m Ca me ra ke y P ow er on & of f / M enu e xi t / E nd ke y T urn s pho ne on / of f , e n ds ca lls , exi t me n us Cl e ar ke y a nd[...]

  • Page 8

    10 11 Ad d re s s Boo k Co n t ac ts Gr oup s F av or i t es Se t ti n gs F ix ed Dia l N umb er s M y P ho n e N umb er S Se r vi c e N umb er s Me s sa g in g In b o x Cr eat e M ess ag e Se n t M e ss age s V oi ce Ma i l Mo b il e E mai l Ca me ra T ak e a Pi ctu r e Re c or d a Vi d eo M y P ic t ur es M y V id e os A T & T S e rv i ce s S[...]

  • Page 9

    12 13 Ad v a n c ed m o d e m en u Ad dr es s Bo ok Co nt a c t s Gr ou p s F av ori te s Se tt in gs F i x e d Di al Nu mb er s M y P ho ne Nu mb er S Se rv ic e Nu mb er s RKDDADFGAFGA ADFDFHDGJKLK;’KJHGFDSFSDSFG FHJGHKJFHSSERYTUTYJFGHKKDFY RSYGHJDGHJFGHJDGJDGHDFGJHG SDFHGJFGJHDGF SDFH Me ss ag in g Co nv e r sa ti o n s Cr ea te Me ssa ge Mo b[...]

  • Page 10

    14 15 Q u i c k & E as y K ey s F un c ti on s < > P er f orm t he fu nct i o ns sh o w n at t he b ot to m lin e of th e di spl a y b y usi ng t he se s o ft k e y s. Sc rol l t hro ugh th e m enu op t io ns in M en u m ode . I n s tan db y mo de, L eft Sc ro ll : A cce s s M obi l e Ema il m e nu Ri gh t Scr oll : A cce s s IM men u Up [...]

  • Page 11

    16 17 K ey s F un c ti on s 0 En te r t he + si gn p r e fix f o r in t e rn at io nal di ali ng i f pr es sed an d he ld. En te r t he s p ac e c h ar ac t er in te xt in put m od e. Ch ang e v ar io us te x t i npu t m ode s i f pr ess ed a t t h e t ex t - e di tin g sc r een . / Ad jus t t h e ear pie c e vo lu me whi l e mak ing a cal l. Co n[...]

  • Page 12

    Ge tt in g s ta rt ed 18 19 In st a l l in g/ r e m o vin g S I M c ar d an d b a tte ry 1. Re m o v e t he ba tt ery c o v er f r o m th e uni t. T o fi t the b a t t e r y co ve r , p u t i t o n th e g ui de r a il a nd pu sh up . In co r re c t Co rr e ct 2. I ns ert th e SIM c ar d in to th e sl ot. Th e g ol d con ta ct s of t he SI M ca rd [...]

  • Page 13

    Ge tt in g s ta rt ed 20 21 2. T o r e mo ve th e a da pt er co nne ct in g, pu ll th e a da pt er aw ay as s ho wn ri gh t. T u rn i n g t he p h on e o n / o f f T o t ur n o n 1. Pr ess an d h ol d E . T o t ur n o f f 1. Pr ess an d h ol d E . E s s e n ti al d i sp l a y i n d i c a ti on s Si g na l s tre n gt h. Th e g r ea te r t he nu m be[...]

  • Page 14

    Ge tt in g s ta rt ed 22 23 Ex t e rn a l mem or y c ar d i s in s ert ed. An er r or oc cu rre d o n t he e xt ern a l mem or y c ar d. TTY i s a c ti ve. Pi l l R em ind er is s e t. An ED GE si gn al is av ail a bl e . I t is di s pl ay ed wh e n the r e i s an ac t iv e E D GE se ssi on . A G PR S s ign al is a va il a bl e . It is di s pl a y [...]

  • Page 15

    Ge tt in g s ta rt ed 24 25 As si g ni ng t h e me n u Y ou c a n set th e mo st c omm on ly us ed men u in Sh ort c ut s i n st an d b y mo de . 1. S e l e c t S ho rt c u t s i n st an d b y mo de > Un as si g ne d . 2. S el ec t A d d . 3 . S e l e ct th e me nu an d sub me nu. 4. Se le ct S a v e . E n te r in g t e x t Y ou c a n en t er te[...]

  • Page 16

    Ge tt in g s ta rt ed 26 27 th e c or r e ct w or d. I t wil l di spl ay th e m os t co mm onl y us ed fir st. T o sa ve a w or d n ot li st e d in ph on e’ s d ic ti ona ry , s e le ct O p ti ons > P red ic ti ve Se tt ing s > M y W or d s . 1. Pr ess t o c ha ng e the mo de to p r e di ct iv e. 2. P r e s s 2 t o 9 t o i npu t t e xt. F [...]

  • Page 17

    Ge tt in g s ta rt ed 28 29 • I n te rf ac e d ev i c es s uc h a s US B or Bl ue t o ot h f or th e con ne ct ion wi th th e pho ne PC S u i t e fe a tu re s • Con ta ct Man age r • PC Sy n c • Mes sag e Ma nag er • Fi l e M ana ge r • MMS P C Com pos er • In t ern et Ac ce ss M e m o r y ca r d Y ou c a n use a mi cr oS D c ar d as [...]

  • Page 18

    Ge tt in g s ta rt ed 30 31 T o m o ve a fi l e t o t h e m em o r y ca rd 1. Se l ec t a file > O pt i on s > M o v e to Ex te rn al Me mo ry . 2. T o mo ve th e fil e b ac k to t he ph one , se lec t O pt i o ns > Mo ve to Ph on e . T o d el et e a fi le f r o m th e me mo r y ca rd 1. Se l ec t a file f r o m t he c ar d > O p t[...]

  • Page 19

    1 Making, receiving and ending a call Options during a call Checking all calls Speed dialing Using address book Using your headset Service and fixed dialing number C a l l s a n d a d d re s s b o o k 32 M e m o[...]

  • Page 20

    Br eez e Mo de - Ca lls an d a dd re ss bo ok 34 35 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 2 M a k i n g , r e c e i vi n g a nd e n d i n g a c a l l Ma ki n g a ca l l 1. En te r t he ar e a c od e and ph one n um ber . 2. P r e s s S . A ns we r i n g a c a l l 1. Pr ess S or se lec t Ac cep t . E nd in g a c al l 1. Pr ess E . O nc e[...]

  • Page 21

    Br eez e Mo de - Ca lls an d a dd re ss bo ok 36 37 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 2 2. S el ec t Mis se d Cal ls by pr es s in g L/ R . 3 . S e l e ct a nu mb er to c al l b y pr es s in g U/ D . 4 . P r ess S . A ns we r i n g a s e c on d c a l l   N 1. Pr ess S . The fi rs t c al l is au to m a t i ca ll y put o n hol d. 2[...]

  • Page 22

    Br eez e Mo de - Ca lls an d a dd re ss bo ok 38 39 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 2 Re mo vi n g on e p a rt i c ip an t f r om a m u lt i- p a rt y c a l l 1. Se l ec t O pt io ns > En d . 2. S el ec t the n um ber a ss oci at ed wi th th e cal l y o u wi sh t o en d o r En d Al l t o e n d all c al ls. Se ar c h i ng f or a[...]

  • Page 23

    Br eez e Mo de - Ca lls an d a dd re ss bo ok 40 41 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 2 r a nk ing , se lec t a n en tr y an d O p ti ons . Vi ew i n g mi ss e d ca ll s 1. Se l ec t Sh ort cu ts i n s ta n d b y mo de. 2. S el ec t Rec en t Ca lls > Mi ss ed Ca lls . Vi ew i n g re ce i v e d ca l l s 1. Se l ec t Sh ort cu ts i[...]

  • Page 24

    Br eez e Mo de - Ca lls an d a dd re ss bo ok 42 43 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 2 D ur at i o n tr a n sm itt ed in pr ev io us se ssi on s, in Ki lob yt es. • T o t al I nf o : Y ou ca n v iew a ll Se nt , Re cei ve d , T o t a l and D ur at i o n tr a n sm itt ed d a t a i n Ki lob yt es. • Cl ear L og s : Th e de fa ul [...]

  • Page 25

    Br eez e Mo de - Ca lls an d a dd re ss bo ok 44 45 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 2 3 . S el e c t Se l e c t t o vi e w d e t ai l i n f or ma ti o n . 4 . T o upd at e i nf or ma ti o n , sel ect O p ti ons > E dit Co nt a c t . Ca ll i ng f r o m c on ta ct li st 1. Pr ess D or sel ec t Men u > Ad dr es s B ook > Con[...]

  • Page 26

    46 2 Receiving messages Creating and sending text messages Creating multimedia messages Managing messaging memory Email M e s sa gi ng W h i l e th e p h o ne i s c lo se d 1. Pr ess th e b ut t o n onc e t o r e ce iv e an i nc omi ng c all . 2. P r e s s and h ol d t he b utt on on ce to e nd th e ca ll. S e r v i c e a n d f ix e d d ia l i n g [...]

  • Page 27

    Br eez e Mo de - Me ssa gi ng 48 49 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 3 R e c e i v i ng m e s sa g e s Vi ew i n g a ne w m e ss ag e 1. Se l ec t Vi ew . Re ad i n g a m e s s ag e f r o m th e in bo x 1. Se l ec t Me nu > Me ssa gi ng > In bo x . 2. S el ec t a r ec e i v e d m ess age > Vi ew . Sa vi ng th e c on ta ct [...]

  • Page 28

    Br eez e Mo de - Me ssa gi ng 50 51 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 3 A dd in g a s av e d p i c tu re t o th e m e s sa ge 1. Pr ess U or sel ec t Men u > Me ssa gi ng > Cr ea te Me ssa ge . 2. E n t er a m ess age . 3 . S e l e ct In se rt > Pi ct ur e > Pi ctu re > Ca mer a . 4 . Sc r o ll t o th e sa ve d p ic t[...]

  • Page 29

    Br eez e Mo de - Me ssa gi ng 52 53 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 3 A dd in g a n ew v i d eo t o t he me ss a g e 1. Pr ess U or sel ec t Men u > Me ssa gi ng > Cr ea te Me ssa ge . 2. E n t er a m ess age . 3 . S e l e ct In se rt > Re co rd Ne w Vi deo . 4 . F oc us on t he ob je ct. 5 . Pr es s @ or Q , or se le ct [...]

  • Page 30

    Br eez e Mo de - Me ssa gi ng 54 55 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 3 7 . Se l e c t Pa u s e to s t o p lis te n i ng th e v oi c e m em o . S el ec t S to p t o g o b ac k to t e xt e dit or p ag e. 8 . T o e di t the t e xt m es sa ge, pr es s U /D t o s el ec t the t e xt bo x and ed it yo u r me ssa ge. 9 . Se l e ct S en d t[...]

  • Page 31

    56 3 Camera Photo album Video album M u l ti me di a E m a i l Y ou c a n re c ei ve e m ai ls fr om yo u r se rvi ce pr o vid er . Re ce i v i ng a n e ma il 1. Pr ess L or sel ec t Men u > Me ssa gi ng > Mo bi le Em ai l . 2. S el ec t an em ai l. 3 . S e l e ct Se le ct .[...]

  • Page 32

    Br eez e Mo de - Mu lti me di a 58 59 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 4 Ca me ra Y ou c a n ta k e p ict ur e s a nd re c o r d m ov i e s us in g t he b uil t- in ca me r a . Th e p ho t o s an d vid eo c lip s c an be sa ve d a nd sen t v i a mu lt ime di a me ssa ges , O nl in e Lo ck e r , or Blu et o o th . Z oo m Z oo m Pi c[...]

  • Page 33

    Br eez e Mo de - Mu lti me di a 60 61 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 4 Vi de o c am er a o p t io ns Ic o n Na m e De scr ip tio ns W hi t e Ba l an c e Au to ( ), Da y L i gh t ( ), T ung ste n ( ), F lu o r es c en t ( ) E ff ec t No r ma l ( ), Se p ia ( ), Ne gat ive ( ), B& W ( ) Se l f T im er Of f ( ), 5 se c s ( ), 1 [...]

  • Page 34

    Br eez e Mo de - Mu lti me di a 62 63 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 4 T o Pre s s Se n d u si ng Bl u et oot h Op tio ns > Se nd > via Bl u et o o th Se t a s wa l lp ape r Op tio ns > Se t a s > W al lp ape r Se t a s C a ll e r ID O p ti ons > Se t as > Ca ll er ID De let e O p ti o ns > D el e te Re n am [...]

  • Page 35

    Br eez e Mo de - Mu lti me di a 64 65 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 4 P h o t o a l b u m Th e M y P i ct ur es me nu a llo ws y o u t o v ie w al l t he p ict ur e s y ou ha ve t a k e n , sa ve se lec te d i ma ges t o y ou r ph on e or an e xt er n al me mor y ca rd an d sh ar e th e ph ot o s w ith o th ers . JP EG f or ma t[...]

  • Page 36

    Br eez e Mo de - Mu lti me di a 66 67 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 4 V i d e o a lb u m Th e M y V i de os m enu a ll ow s yo u t o p la y , s e nd , s av e a nd del et e vi deo s. T he s upp ort e d f orm at s ar e M P4 , WM A , 3 GP a nd 3G 2. Pl ay ing t h e sa ve d v i d e o cl i p s 1. Se l ec t Me nu > Ca m e r a > [...]

  • Page 37

    68 4 Calendar Alarm clock Pill Reminder User Guide Calculator Tip calculator Stop watch Say a command Readout Mode U s e fu l F ea tu re s M e m o[...]

  • Page 38

    Br eez e Mo de - Us ef u l fea tu r e s 70 71 0 1 0 2 0 3 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 4 0 5 Ca le nd a r Ca l e n da r h el ps y o u ma nag e y o ur sc hed ule i nc lud in g y o u r tim e f or ca ll s o r sp eci al d ay s . Y ou ca n se t a r e mi nd er on an y g iv en d a t e w it h th is fu n ct io n. Vi ew i n g ca le n d a r 1. Se l ec t [...]

  • Page 39

    Br eez e Mo de - Us ef u l fea tu r e s 72 73 0 1 0 2 0 3 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 4 0 5 P i l l R e mi n d e r Pi ll Re mi nde r se ts y o u r sch edu le to t a k e pi ll , and a la rm po p-u p wi ll ap pe ar on th e se tti ng ti me. Y ou c a n sel ect t o ac cep t th e r e mi nde r or ha ve th e r e mi nde r po p-u p ag ain a ft er 15 m [...]

  • Page 40

    Br eez e Mo de - Us ef u l fea tu r e s 74 75 0 1 0 2 0 3 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 4 0 5 Ca lc ul a to r 1. Se l ec t Me nu > T o ol s > Cal cul at o r . 2. I np ut t he nu mb ers wi th th e num er ic k e ypa d a nd e nt er th e o pe r a t ors wi th L/ R/U /D /@ t o c al cu la t e. 3 . P r ess * to u se th e d ec im al po in t. 4 . P[...]

  • Page 41

    Br eez e Mo de - Us ef u l fea tu r e s 76 77 0 1 0 2 0 3 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 4 0 5 O r sel ec t Men u > A T & T Se rvi ce s > S ay a Com man d . 2. A t th e v oi c e p ro m p t, sa y a co mma nd a nd si mp ly f ol lo w th e v oi c e p ro m p ts . Th e f oll ow in g li st sh o ws a v a i la bl e v o i ce co mma nd s. Ca ll &[...]

  • Page 42

    78 5 Bluetooth Using Mobile W eb C o n n ec ti vi ty M e m o[...]

  • Page 43

    Br eez e Mo de - Co nne cti vit y 80 81 0 1 0 2 0 3 0 4 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 5 0 6 B l u e t o ot h Bl uet oo t h t ec h n ol ogy en ab le s f r e e wi r e le ss c onn ec ti ons be tw ee n el ect ro n i c de v i ce s wi thi n a max im um r a ng e of 3 3 f eet ( 10 me te r s ). Bl ue t o ot h co nne ct io ns ca n be use d t o s end im age s[...]

  • Page 44

    82 F or e xa mpl e, if yo u r e c ei ve d co nt act s in fo rm a t io n f r o m t he se nde r , i t w il l be sa v e d in y o u r ph one ’s m emo ry . 1. Af t e r p ai ri ng wi th th e t a r g e t de vi c e , sel ect O p t io ns > T ak e F i l es . 2. T he a v a i l ab le fil es wi ll b e di spl ay ed. 3 . S e l e ct a fil e and se lec t O p[...]

  • Page 45

    84 85 0 1 0 2 0 3 0 4 0 5 0 3 0 4 0 5 0 6 0 7 0 2 0 6 0 1 Br eez e Mo de - Se tt in gs P h o n e s ta tu s Th is me nu al lo w s yo u t o v ie w My Ph one N um ber , Si gna l St ren gt h an d B at t e ry Re ma in ing . 1. Se l ec t Me nu > Se tti ng s > Ph one S ta tu s . S o u n d s & a l e rt s Th e S ou nd s & A le rts m en u al lo[...]

  • Page 46

    86 M e m o Making, receiving and ending a call Call settings Checking all calls Speed dialing Using address book Using your headset Service and fixed dialing number Caller identification C a l l s a n d a d d r e s s b o o k wi th A d v an ce d M od e 1[...]

  • Page 47

    Ad va nc ed Mo de - Cal ls and a dd res s bo ok 88 89 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 1 0 2 A dv an c e d Mo de o ff ers ad dit io na l f ea t u r e s an d fu n ct ion al it y as soc ia t ed wit h m ak in g c al ls an d us ing a dd re s s bo ok . M a k i n g , r e c e i vi n g a nd e n d i n g a c a l l Ma ki n g a ca l l 1. En te[...]

  • Page 48

    Ad va nc ed Mo de - Cal ls and a dd res s bo ok 90 91 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 1 0 2 Re pl y i n g to a mi ss e d ca ll 1. Pr ess S to di sp la y t he ca ll s li st. 2. S el ec t Mis se d Cal ls by pr es s in g L/ R . 3 . S e l e ct a nu mb er to c al l b y pr es s in g U/ D . 4 . Pr e s s S . A ns we r i n g a s e c on d c[...]

  • Page 49

    Ad va nc ed Mo de - Cal ls and a dd res s bo ok 92 93 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 1 0 2 F i n d i n g a n a m e ma n u a ll y i n ad dr e s s b oo k 1. Pr ess U/ D . Vi ew i n g th e d e t a il s o f hi gh l i g h t e d e n t r y i n ad d r e ss bo ok 1. Se l ec t Se lec t . F or d e t a il s on a dd re s s b oo k, se e pa ge [...]

  • Page 50

    Ad va nc ed Mo de - Cal ls and a dd res s bo ok 94 95 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 1 0 2 2. S el ec t Rec en t Ca lls > Mi ss ed Ca lls . Vi ew i n g re ce i v e d ca l l s 1. Se l ec t Me nu > M y S tu ff > T o ol s . 2. S el ec t Rec en t Ca lls > Re cei ve d Cal ls . Vi ew i n g di al e d ca ll s 1. Se l ec t Me [...]

  • Page 51

    Ad va nc ed Mo de - Cal ls and a dd res s bo ok 96 97 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 1 0 2 • T o t al I nf o : Y ou ca n v iew a ll Se nt , Re cei ve d , T o t a l and D ur at i o n tr a n sm itt ed d a t a i n Ki lob yt es. • Cl ear L og s : Th e de fa ul t pa ssw or d i s ‘12 34 ’. S p e e d d ia l i n g Y ou c a n dia [...]

  • Page 52

    Ad va nc ed Mo de - Cal ls and a dd res s bo ok 98 99 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 1 0 2 4 . T o upd at e i nf or ma ti o n , sel ect O p ti ons > E dit Co nt a c t . Ca ll i ng f r o m c on ta ct li st 1. Pr ess D or sel ec t Men u > Ad dr es s B ook > Con ta c t s . 2. S el ec t a c on t act t o c al l. 3 . P r ess S[...]

  • Page 53

    Ad va nc ed Mo de - Cal ls and a dd res s bo ok 100 101 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 1 0 1 0 2 W h i l e th e p h o ne i s c lo se d 1. Pr ess th e b ut t o n onc e t o r e ce iv e an i nc omi ng c all . 2. P r e s s and h ol d t he b utt on on ce to e nd th e ca ll. S e r v i c e a n d f ix e d d ia l i n g n u m b e r Ca ll i ng [...]

  • Page 54

    P2000 102 M e m o Receiving messages Creating and sending text messages Creating multimedia messages Message templates Message settings Managing messaging memory Email Using instant messenger M e s sa gi ng wi th A d v an ce d M od e 2[...]

  • Page 55

    Ad va nc ed Mo de - Me ss agi ng 104 105 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 2 0 4 0 3 W h e n yo u r p hon e is se t t o A dv an c e d Mo de , y ou c an us e a ddi ti on al f ea tu r es and f un ct io nal it y ass oci at ed w ith me ssa gin g. R e c e i v i ng m e s sa g e s Vi ew i n g a ne w m e ss ag e 1. Se l ec t Vi ew . Re ad i[...]

  • Page 56

    Ad va nc ed Mo de - Me ss agi ng 106 107 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 2 0 4 0 3 C r e a ti ng a n d s e n d i ng t e xt m e s sa g e s Se nd i n g a t e xt m e s sa ge 1. Pr ess U or sel ec t Men u > Me ssa gi ng > Cr ea te Me ssa ge . 2. E n t er a m ess age . 3 . T o s av e t he me ssa ge a s a dr af t, se lec t O pt i [...]

  • Page 57

    Ad va nc ed Mo de - Me ss agi ng 108 109 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 2 0 4 0 3 A dd in g a n ew p i c tu re t o t he me ss a g e 1. Pr ess U or sel ec t Men u > Me ssa gi ng > Cr ea te Me ssa ge . 2. E n t er a m ess age . 3 . S e l e ct In se rt > T ak e Ne w Pi ctu re . 4 . F oc us on t he ob je ct. 5 P r e s s @ or[...]

  • Page 58

    Ad va nc ed Mo de - Me ss agi ng 110 111 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 2 0 4 0 3 9 . Se l e ct S en d t o > a c on t act > Se lec t > Sen d . F or d e t a il s on r e c or di n g a vid eo , se e p ag e 12 4. A dd in g a r ec o r d ed v o i c e me mo t o t he m e ss ag e 1. Pr ess U or sel ec t Men u > Me ssa gi ng &g[...]

  • Page 59

    Ad va nc ed Mo de - Me ss agi ng 112 113 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 2 0 4 0 3 2. E n t er a m ess age . 3 . S e l e ct In se rt > Ot he r Fi l e s > Ot her F i l es . 4 . Se le ct a fil e an d s ele ct S ele ct . 5 . T o p r e vie w th e m es sa ge, se lec t O pt i o ns > Pr e v i ew > Cu rre nt o r Wh o l e M es[...]

  • Page 60

    Ad va nc ed Mo de - Me ss agi ng 114 115 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 2 0 4 0 3 3 . S el e c t a p r ofi l e a nd s e l e c t S e l e c t . Se tt i n g se nd i n g o pt i o n s f or mu lt i m e di a m e s sa ge 1. Se l ec t Me nu > Me ssa gi ng > Se tt in gs . 2. S el ec t Mul ti me dia M es sag e > Se ndi ng S et ti [...]

  • Page 61

    Ad va nc ed Mo de - Me ss agi ng 116 117 0 1 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 2 0 2 0 4 0 3 Ic o n De scr ip tio n s T ex t m ess ag e i s f u ll (S IM an d ph o ne me ssa ge s ). Mo vi ng a me ss a g e t o S I M 1. Se l ec t Me nu > Me ssa gi ng > Co nv er sa t i on s . 2. S el ec t a m es sa ge > O pt i o ns > Mo ve t o S IM [...]

  • Page 62

    118 M e m o Camera Photo album Video album Audio album Music player Music player settings Media player Other files Managing memory Playing games AppCenter M u l ti me di a wi th A d v an ce d M od e 3[...]

  • Page 63

    Ad va nc ed Mo de - Mu lt ime di a 120 121 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 In A dv an c e d M ode , y o u ca n use th e f ul l f ea t u r e s of m ul ti med ia t ha t P2 030 o ff ers . Ca me ra Y ou c a n ta k e p ict ur e s a nd re c o r d m ov i e s us in g t he b uil t- in ca me r a . Th e p ho t o s an d vid eo c lip[...]

  • Page 64

    Ad va nc ed Mo de - Mu lt ime di a 122 123 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 Vi de o c am er a o p t io ns Ic o n Na m e D esc ri pti o ns W hi t e Ba l an c e Au to ( ), Da y L i gh t ( ), T ung s t en ( ), F lu o r es c en t ( ) E ff ec t No r ma l ( ), Se p ia ( ), Ne gat ive ( ), B& W ( ) Se l f T im er Off ( ), 5 [...]

  • Page 65

    Ad va nc ed Mo de - Mu lt ime di a 124 125 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 A f t e r ta k i n g pi c t u re s T o Pre s s Se n d u si ng a m ul t im edi a me s sa g e Op tio ns > Se nd > as Mu l ti med ia Me s sa g e Se n d u si ng On lin e Lo ck er Op tio ns > Se nd > Se n d t o Onl i ne L o ck e r Se n d u [...]

  • Page 66

    Ad va nc ed Mo de - Mu lt ime di a 126 127 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 D u ri ng r e co rd i n g a v i d e o cl i p T o Pre s s Re c ei v e an in c om ing c all S o r @ P au s e a nd re c or d co n t in u ou sly P aus e St op r ec ord ing St o p P h o t o a l b u m Th e P ic tu re me nu al lo w s yo u t o s hop g r a[...]

  • Page 67

    Ad va nc ed Mo de - Mu lt ime di a 128 129 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 Vi ew i n g a fil e i nf or m a t i o n 1. Se l ec t Me nu > M y S tu ff > Pi ctu re > Ca mer a . 2. S el ec t a p ic tu re . 3 . S e l e ct O p ti ons > P rop ert i es . V i d e o a lb u m Th e V id eo me nu a llo ws y o u to sh op v[...]

  • Page 68

    Ad va nc ed Mo de - Mu lt ime di a 130 131 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 3 . S e l e ct Se le ct t o s ele ct m or e th an on e vid eo c lip fi le . 4 . Se le ct D es el ec t to ca nc el y o u r sel ect ion . 5 . Sel ec t Op t io ns > D el et e . A u d i o al b u m Th e A ud io m en u a ll ow s y o u t o sh op to n[...]

  • Page 69

    Ad va nc ed Mo de - Mu lt ime di a 132 133 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 M u s i c p la ye r Th e M us ic Pl ay er is an a ppl ic a t i on th at c an pl ay MP 3 an d a ud io fil es . Th e s up po rte d fi le f orm at s ar e MI DI, i -M elo dy , M P 3 , AM R, W A V , AA C, A A C+ , WMA. Ic o n De scr ip tio n s Mu s i[...]

  • Page 70

    Ad va nc ed Mo de - Mu lt ime di a 134 135 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 3 . I n p u t Pla yl i st Na me a nd sel ec t Sa ve . 4 . Se le ct A ll Mu si c , Al bu ms , Ar ti st s or Ge nr es . 5 . Sel ec t a m us ic fil e( s) an d se lec t S el ec t t o a d d to t he pl ay l is t. 6 . Se lec t D on e . Us in g a p la yl[...]

  • Page 71

    Ad va nc ed Mo de - Mu lt ime di a 136 137 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 D e le ti n g m us ic 1. Se l ec t Me nu > A T & T M u si c > Mu sic P la ye r . 2. S el ec t a c at eg or y ( Al l Mus ic , Pl ay l is ts , A lb ums , Ar ti st s , Ge nre s ) > Se le ct . 3 . S e l e ct a fil e. 4 . Se le ct O pt i [...]

  • Page 72

    Ad va nc ed Mo de - Mu lt ime di a 138 139 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 2. S el ec t Se tt ing s > Rem ov e . 3 . S e l e ct Li ce ns e D at a F il e or Al l Mu sic Co nt e n t s . 4 . Se le ct S ele ct > Y es . M e d i a p la ye r Y ou c a n pla y v id eo cl ip s wi th t he me dia p la ye r . no t e: Do no t u [...]

  • Page 73

    Ad va nc ed Mo de - Mu lt ime di a 140 141 0 1 0 2 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 3 0 3 0 5 0 4 Se tt i n g Mo bi l e Vi de o 1. Se l ec t M en u > My S tu ff > T o o l s > Med ia P la y er > MV S et ti ngs . 2. S el ec t a p ro fi l e or s ele ct O p ti ons > C rea te . O t h e r f il e s Y ou c a n man ag e uns up po rte d [...]

  • Page 74

    142 Sh op p i n g Ga m e s 1. Se l ec t Me nu > M y S tu ff > Ga mes > S hop G am es . Sh op p i n g W all pa p e r s 1. Se l ec t Me nu > M y S tu ff > Pi ctu re > Sh op W al lp ape rs . Sh op p i n g Vi d e o s 1. Se l ec t Me nu > M y S tu ff > Vi deo > S hop V id eos . Sh op p i n g Mu s i c 1. Se l ec t Me nu > A [...]

  • Page 75

    A dv an ced M od e - U se fu l f ea t u re s 144 145 0 1 0 2 0 3 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 4 0 4 0 6 0 5 In A dv an c e d M ode , y o u ca n ut ili z e all u se fu l f ea tu r es tha t P2 030 p r o v i d es . Ca le nd a r Ca l e n da r h el ps y o u m ana ge yo u r sc hed ule i nc lud in g y o u r tim e f or ca ll s o r sp eci al d ay s . Y[...]

  • Page 76

    A dv an ced M od e - U se fu l f ea t u re s 146 147 0 1 0 2 0 3 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 4 0 4 0 6 0 5 P i l l R e mi n d e r Pi ll Re mi nde r se ts y o u r sch edu le to t a k e pi ll , and a la rm po p-u p wi ll ap pe ar on th e se tti ng ti me . Y ou c a n sel ect t o ac cep t th e r em i n de r o r ha ve th e r e mi nde r po p-u p ag[...]

  • Page 77

    A dv an ced M od e - U se fu l f ea t u re s 148 149 0 1 0 2 0 3 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 4 0 4 0 6 0 5 Ca lc ul a to r 1. Se l ec t Me nu > M y St uff > T oo l s > Ca lcu la t or . 2. I np ut t he nu mb ers wi th th e num er ic k e ypa d a nd e nt er th e o pe r a t ors wi th L /R/ U/ D/@ t o ca lcu la t e. 3 . P r ess * to u se [...]

  • Page 78

    A dv an ced M od e - U se fu l f ea t u re s 150 151 0 1 0 2 0 3 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 4 0 4 0 6 0 5 5 . T o p l ac e a not e o n w al lp ap er , se lec t a n ot e a nd se le ct O p ti ons > P lac e on W al lp ap er . 6 . If y o u wa n t r e m o v e t he not e f r o m wa l lp ape r , s e le ct t he no te an d se lec t O pt i o ns >[...]

  • Page 79

    A dv an ced M od e - U se fu l f ea t u re s 152 153 0 1 0 2 0 3 0 6 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 4 0 4 0 6 0 5 T i m e r 1. Se l ec t M en u > My S tu ff > T o o l s > Tim er . 2. S el ec t Se t and i np ut th e ho urs , mi nut es a nd se con ds . 3 . S e l e ct OK . 4 . Se le ct S tar t . 5 . Sel ec t Res ta rt t o r e s t a rt. S a y a[...]

  • Page 80

    154 Bluetooth Using Mobile W eb Using the web browser Setting profiles C o n n ec ti vi ty wi th A d v an ce d M od e 5 R e a d o u t M o d e Re ado ut M ode m ak es y our ph one a u sef ul co mpa ni on wh en y o u c an’ t o r do n’t h a v e th e ab ili ty t o r ea d th e p ho ne sc re e n. W h e n Rea dou t mo de is ac tiv a t e d, th e ph on[...]

  • Page 81

    Ad va nc ed Mo de - Con nec tiv it y 156 157 0 1 0 2 0 3 0 4 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 5 0 5 0 6 W h e n yo u r p hon e is se t t o A dv an c e d Mo de , y ou c an us e f un c ti ona li ty as soc ia t ed wi th co nn ect iv it y a nd s et the co nne ct io n p ro fi l es . B l u e t o ot h Bl uet oo t h t ec h n ol ogy en ab le s f r e e wi r e [...]

  • Page 82

    Ad va nc ed Mo de - Con nec tiv it y 158 159 0 1 0 2 0 3 0 4 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 5 0 5 0 6 Re ce i v i ng fi l e s Th e r ec e i pt sh ou ld be a pp ro ve d be fo re r e c ei vi ng a fil e( s). Th e r ec e i v e d fi le( s) w ill b e sa v e d in th e co rr e sp on di ng f ol der . F or e xa mpl e, if yo u r e c ei ve d co nt act s in f[...]

  • Page 83

    Ad va nc ed Mo de - Con nec tiv it y 160 161 0 1 0 2 0 3 0 4 0 1 0 2 0 3 0 4 0 5 0 6 0 7 0 5 0 5 0 6 E n t e r i n g we b a dd re s s 1. Se l ec t Me nu > M y S tu ff > Ap pl ic at i o ns > Br o ws er > En te r A dd res s . 2. E n t er the UR L. 3 . S e l e ct Go . Vi ew i n g hi st o r y 1. Se l ec t Me nu > M y S tu ff > Ap pl i[...]

  • Page 84

    162 E di t i n g pr ofi l e s 1. Se l ec t Me nu > M y S tu ff > Ap pl ic at i o ns > Br o ws er > Ma nag e > Pro fil es . 2. S el ec t a p ro fi l e > O pt io ns > E di t . 3 . E dit th e p ar a m et er s an d se lec t S av e . no t e: Th e def aul t p rofi l e is no t e di tab l e. Vi ew i n g pr ofi l e s 1. Se l ec t M[...]

  • Page 85

    164 165 0 1 0 2 0 3 0 4 0 5 0 3 0 4 0 5 0 6 0 7 0 2 0 6 0 6 0 1 Ad va nc ed Mo de - Se tt ing s In A dv an c e d M ode , y o u ca n ch ang e an d c us t o mi ze so un ds se tti ngs , ca ll ha nd lin g, d isp la y se tti ngs , se cur ity se tt in gs, a nd ot her se tt in gs as so cia te d w it h y o u r pho ne. L an gu a g e 1. Se l ec t Me nu > [...]

  • Page 86

    166 167 0 1 0 2 0 3 0 4 0 5 0 3 0 4 0 5 0 6 0 7 0 2 0 6 0 6 0 1 Ad va nc ed Mo de - Se tt ing s 3 . S e l e ct Se le ct . Se tt i n g th e h o m e sc r e e n 1. Se l ec t Me nu > Se tti ng s > Di spl ay > Ho me Sc re en . 2. S el ec t Clo ck T yp e o r T e xt . 3 . S e l e ct an o pt ion o r adj us t v a lu es . 4 . Se le ct S av e . Se tt[...]

  • Page 87

    168 169 0 1 0 2 0 3 0 4 0 5 0 3 0 4 0 5 0 6 0 7 0 2 0 6 0 6 0 1 Ad va nc ed Mo de - Se tt ing s 1. Se l ec t Me nu > Se tti ng s > Se cur it y > PI N > PIN L oc k . 2. S el ec t Y es and e n t e r PI N c od e. 3 . S e l e ct OK . no t e: T o c h an ge th e P IN co de , s el e ct Me n u > S ett in gs > Sec ur ity > PI N > Ch [...]

  • Page 88

    170 171 0 1 0 2 0 3 0 4 0 5 0 3 0 4 0 5 0 6 0 7 0 2 0 6 0 6 0 1 Ad va nc ed Mo de - Se tt ing s 3 Se l ec t O K > Mas te r Cle ar > Y es . no t e: It w ill r ese t y our ph one t o i t s de f aul t s e tt i ng an d del et e a l l per so n al da ta. Th e def aul t p as swo r d is ‘1 234 ’. Re se t t i n g th e e xt e rn al me mo r y 1. Se [...]

  • Page 89

    172 M e m o Alert message T roubleshooting checklist Safety informa tion Safety precautions About the battery usage FCC Hearing-Aid Compatibility (HAC) regulations f or wireless devices FCC regulatory compliance W arranty Speaker Phone & Noise Canel Dy n am i c Noi se Su pp res si on f ro m A u di enc e earSmart™ technology A p pe nd ix 7[...]

  • Page 90

    174 175 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 A l e rt m e s s a ge If y o u e xp eri enc e an y pr ob l e m wh ile u si ng yo u r m ob il e p ho ne , pl eas e r ef er t o t he f ol lo wi ng ch eck li st . I f th e p ro b l em s ti ll pe rsi st s, co nt ac t yo u r d eal er o r ne ar e st c ar rie r . W h e n the “I ns e[...]

  • Page 91

    176 177 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 W h e n the o th er p art y c an no t he ar yo u spe ak in g: Y ou r p ho ne ma y b e s et to M UT E. Di sab le th e MUT E f un ct io n. Or y o u r han d m ay be c o v eri ng the mi cr o ph on e loc at ed b elo w t he # ke y . W h e n ba t t er y li fe ti me is s ho rt er th an[...]

  • Page 92

    178 179 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 S a f e t y i n f o r m a ti on Th e f oll ow in g li st sh o ws ho w t o ma in t ain y o ur m ob ile p ho ne, t og et he r w it h pr e c au tio ns t o t a k e . – K ee p y ou r mo bi le ph on e and i ts ac ces sor ie s out o f th e re a ch o f ch ild re n an d p et s. – Ma[...]

  • Page 93

    180 181 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 S wit ch o ff in r est ri ct ed ar ea s Al wa y s sw it ch y o u r ph on e o ff i n ar ea s w he r e m ob il e p ho ne us e i s r e st ric te d . S wit ch o ff in e xp los ive o r da nge ro us ar ea s Al wa y s sw it ch y o u r ph on e of f in ar ea s wi th ex plo si v e or da [...]

  • Page 94

    182 183 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 – Do no t u se a d ama ge d ba t t e r y or ch ar g e r . – Do no t d isa sse mbl e o r op en cr ush , be nd or d ef or m, pu nct ur e or sh re d . – Do no t m odi fy or r e ma nuf act ur e , a tt emp t t o in sert f or e i gn ob je ct s i nt o th e ba tt ery , i mm ers e[...]

  • Page 95

    184 185 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 y ou u se . – Ba tt e r y lif e i ne v i t a bl y sh ort e ns o v er tim e. – Us e a n au tho ri z ed ba t t e r y a nd ch ar g e r onl y . – Si n c e ov er c h ar gi n g m ay sh ort e n ba t t e r y l if e, r em o ve th e p ho ne f r o m i ts ch ar ge r on ce it i s f ul[...]

  • Page 96

    186 187 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 th eir h ea rin g de vi c e s. No t al l ph one s ha ve be en ra te d . P hon es th at a r e r at ed h a v e th e r at in g on th eir b o x o r a l ab el lo ca t ed on th e bo x. Th e r at in gs ar e n o t gua ra n te e s. Re sul ts w ill v a r y de pe ndi ng o n th e u ser’s[...]

  • Page 97

    188 189 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 in Se ct io n 2 0 . 19 o f th e F CC Ru les . Th e H AC r a tin g a nd me asu re m e n t pr oc e du re a r e de scr ibe d in th e A me ri ca n Na ti o n al St an d a r d s In st itu te (A NSI ) C6 3. 19 st an d ar d. T o e ns ur e t ha t t he He ar in g A id Co m p a t i b il i[...]

  • Page 98

    190 191 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 ca n r ad i a t e r ad i o f re q u e nc y en er g y a nd, i f not i ns ta l l ed an d u sed i n acc or d a nc e w it h th e i ns tr uct io ns , m ay ca use ha rmf ul in te rf e r e nc e t o r ad i o co mmu ni ca ti o n s. Ho we ve r , the re is no g ua ra n te e th a t in te r[...]

  • Page 99

    192 193 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 as sur e t h e saf ety o f all p er son s, r e ga rd l e ss o f age a nd he al th . T he e x p o su re s t a nd ar d f or w ir e le ss mo bil e ph one s em plo ys a u ni t of m ea sur em e n t k no wn a s th e Sp eci fic A bso rp ti on Ra t e, or SAR . Th e S AR lim it set b y[...]

  • Page 100

    194 195 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 in te rf e r e w ith t he f u nc tio ni ng o f y o u r Pa n te c h pr o du ct. 12 M o n th Li m i t ed W ar ra n ty P a n t ech W ir e l es s, In c. (t he Co m p a n y) w a rr an ts to t he or igi na l re t a i l p ur c ha ser o f th is P a n t ech ha ndh el d port ab l e ce ll[...]

  • Page 101

    196 197 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 Th e C omp an y di sc lai ms li ab ili ty f or re m o v al or r ei n s t a ll at i o n of th e p ro d u ct , f or ge og ra p hi c co ve ra g e , fo r in ade qu a t e s ig nal r e ce pti on b y t h e an t enn a o r f or co mm uni ca t i on s r a ng e or op er a tio n o f th e c [...]

  • Page 102

    198 199 0 1 0 2 0 3 0 4 0 5 0 6 0 1 0 2 0 3 0 4 0 5 0 6 Ap pe nd ix 0 7 W AR RA NTY . A N Y AC TIO N F OR BR EA CH OF AN Y W AR R AN TY MU ST BE B ROU GH T WIT HI N A PER IO D OF 18 M ONT HS FR OM DA T E OF O RIG IN AL PU RCH ASE . I N N O CA S E SH ALL TH E C OM P AN Y B E L IAB LE F OR AN Y S PE C IA L CO NSE QU E N TI AL OR IN CI DE NT AL DA MA [...]

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