Nady Systems XR-61 manual

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Table of contents for the manual

  • Page 1

    NADY SYSTEMS, INC. • 6701 SHELLMOUND STREET , EMER YVILLE, CA 94608 T el: 510.652.2411 • Fax: 510.652.5075 • www .nadywir eless.com Nady wireless systems are type accepted under FCC rules parts 90, 74, and 15. This device complies with RSS-210 of Industr y & Science Canada. Operation is subject to the following two conditions: (1) this de[...]

  • Page 2

    CONTENTS ........................................................................................2 INTRODUCTION ................................................................................3 SYSTEM FEA TURES ..............................................................................4 OPERA TION ................................................[...]

  • Page 3

    Thank you for purchasing a Nady XR Pro Series XR-61 Diversity Wireless Microphone System and congratulations on your choice. Also available is the XR-62, which is a single rackmount unit with dual receivers for operation of 2 channels simultaneously . The XR Pro Series systems are loaded with top professional operating features and are the best per[...]

  • Page 4

    XR PRO SERIES OVERALL SYSTEM PERFORMANCE Frequency Response 25-20,000 Hz, +/-3dB Dynamic Range 120dB T otal Harmonic Distor tion <0.3% RF Carrier Frequency Range 169-216 MHz Frequency Stability +/- 0.005%, cr ystal controlled Modulation FM (F3E), +/-20KHz max. Operating Range Up to 250 ft. typical (depending on site conditions); up to 500+ feet [...]

  • Page 5

    38 43 41 44 42 40 39 45 36 37 XLR Connector – Connects microphone to the transmitter module for signal input Locking Ring – Locks microphone to the transmitter Optional Pouch – For lavalier bodypack operation (with beltclip and strap ring for securing) Gain Control Switch – Adjusts the input sensitivity (LO or HI) Low Batter y LED – Singl[...]

  • Page 6

    5. Connecting the Audio Output The XR-61 receiver provides both a fixed mic level BALANCED AUDIO OUTPUT XLR (10) and an adjustable line level UNBALANCED AUDIO OUTPUT 1/4” JACK (11) . The level from the UNBALANCED OUTPUT is controlled by the rear panel VOLUME CONTROL (12 ). (Note: As when making any connection, make sure the amplifier or mixing bo[...]

  • Page 7

    THE LINK 2™ PLUG-IN TRANSMITTER 1. T ransmitter Set-Up First, slide open the BA TTERY COMP ARTMENT DOOR (43) to expose compartment. Inser t a fresh 9V ALKALINE BA TTERY (45) , obser ving polarity . Close the batter y compar tment door . 2. Handheld Microphone Installatio • Step 1 - Rotate the transmitter’ s threaded LOCKING RING (37) clockwis[...]

  • Page 8

    31 30 30 32 33 34 32 35 13 WHT -15 HANDHELD MICROPHONE TRANSMITTER 1. Unscrew the BA TTERY COMP ARTMENT COVER (17) and remove, exposing the BA TTERY HOLDER (18) . Insert a fresh 9V ALKALINE BA TTERY (19) , obser ving the correct polarity as marked, and screw the cover back on to the microphone. Make sure the cover is screwed on completely . A fresh[...]

  • Page 9

    WGT -15 INSTRUMENT BODYP ACK TRANSMITTER 1. Snap open the BA TTERY COMP ARTMENT (30) and insert a fresh 9V BA TTERY (31) , obser ving the correct polarity . Close the compar tment. The WGT -15 is provided with a 3.5 mm LOCKING JACK (32) for connecting the INSTRUMENT CABLE (35) . T o secure the connection, turn the metal slip ring on the plug clockw[...]

  • Page 10

    WL T -15 LA V ALIER/LAPEL OR HEADWORN MICROPHONE BODYP ACK TRANSMITTER 1. Snap open the BA TTERY COMP ARTMENT (22) and insert a fresh 9V BA TTERY (23) , obser ving the correct polarity . Close the compar tment. 2. The WL T -15 is provided with a 3.5 mm LOCKING JACK (24) for connecting the micro- phone. Plug in either the LA V ALIER/LAPEL (25) or th[...]