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Macrom 45.40 manual

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  • Page 1

    45.40 Owner`s Manual Bedienungsanleitung Manuel d`Emploi Manuale di Instruzioni Manual de Instrucciones CAR AUDIO EQUIPMENT ® O/M 45.40 (5T) 25/06/02 19:25 Page 1[...]

  • Page 2

    I Contents / Inhalt / T able de Matieres / Indice / Ìndice • Connections / Anschlusse / Connexiones / Collegamenti / Conexiones . . . . . . . . . . . . . . . . II • System Chart / System-Diagramm / Exemples de Systeme / Diagramma di Sistema / Diagrama del Sistema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . III “ ENGLI[...]

  • Page 3

    II 1 2 3 4 5 6 7 8 9 10 Rear Sub Front Input L R 2 Ch 4Ch Gain Control 4V 0,2V Flat 63 80Hz Flat 63 80Hz 50 80 120Hz L R Wave Alignement Min. Max . Mode Gain Control 4V 0,2V Gain Control 4V 0,2V Front/Sub Rear 11 12 13 14 15 45.40 5 Channel Power Amplifier Power Speaker Connector + - Sub L/F R/F ChecK Control L/R R/R Check Control Power Connector +[...]

  • Page 4

    III Sub + L/F R/F L/R R/R + + + + SYSTEM CHART / SYSTEM-DIAGRAMM / EXEMPLES DE SYSTEME / DIAGRAMMA DI SISTEMA / DIAGRAMA DEL SISTEMA Pre Output Head Unit Front Left system Front Right system Rear Left system Rear Right system Subwoofer Power Amplifier 45.40 O/M 45.40 (5T) 25/06/02 19:25 Page 4[...]

  • Page 5

    31 TEORIA DE FUNCIONAMIENTO AJUSTE DE F ASE EN CONTINUO Efectos del desplazamiento de fase. La configuración de los filtros hipass, lowpass y band pass da lugar, como resultado inevitable, al desplazamiento de fase. Pero no nos extenderemos mucho sobre este tema, ya que ello sobrepasaría los límites de esta discusión. Será suficiente saber que[...]

  • Page 6

    6 INTRODUCTION The name of MACROM has always been the synonym of tradition, of a European acoustic and musical tradition in the pursue of the topmost sound quality and the fact that you chose to buy this product makes it clear that you due agree with us. With the help of this manual you will be able to maximise the enjoyment that you will get out o[...]

  • Page 7

    CONTROLS AND INDICA TORS 1 • FRONT/SUB INPUT CONNECTORS : Connect the pre-output leads of the head unit to the input connectors of the amplifier . This input will drive the end section of both the FRONT section and the SUB one. 2 • REAR INPUT CONNECTORS: Connect the pre-output leads of the head unit to the input connectors of the amplifier . Th[...]

  • Page 8

    8 CONTROLS AND INDICA TORS 10 • SUB OUTPUT PHASE ADJUSTMENT : It allows the continuous phase adjustment in the region comprised between Min and Max of the SUB output compared to the FRONT and REAR outputs. The easiest way to determine the “Wave Alignment” is to use a third-of-octave sound analyzer . Utilize a CD with a pink noise track and po[...]

  • Page 9

    9 TECHNICAL DA T A RMS Power measured at 12.5 V olts DC: T otal maximum power 450 W atts Front @ 1 kHz < 0.08 % THD into a 4 ohms load 2 x 45 W atts Rear @ 1 kHz < 0.08 % THD into a 4 ohms load 2 x 35 W atts Sub @ 50 Hz < 0.1 % THD into a 4 ohms load 1 x 80 W atts Dynamic Power measured at 14.4 V olts DC: Front @ 1 kHz < 0.1 % THD into [...]

  • Page 10

    10 THEOR Y OF OPERA TION CONTINUOUS PHASE ADJUSTMENT The effects of phase shift. The unavoidable consequence of the configuration is the phase shift, which we will not comment at length as it goes far beyond the boundaries of this discussion. It is enough to say that any crossover network affecting the signal amplitude also affects the phase. What [...]

  • Page 11

    11 EINFÜHRUNG Der Name MACROM ist seit jeher Synonym von T radition, einer europäischen T radition von Sound und Musik, die die beste T onqualität zum höchsten ZIel gesetzt hat. Die T atsache, daß Sie sich für dieses Produkt entschieden haben, beweist, daß auch Sie so denken. Diese Bedienungsanleitung wird Ihnen dabei helfen, die vielen Eige[...]

  • Page 12

    12 EINSTELLUNGEN UND ANZEIGEN 1 • FRONT/SUB-EINGANGSVERBINDER: Die Ausgangskabel ´Pre´ Ihres Hauptgerätes an die Eingangsverbinder des V erstärkers anschließen. Dieser Eingang steuert die Endstufe des FRONT - und des SUB-Bereiches. 2 • REAR-EINGANGSVERBINDER: Die Ausgangskabel ´Pre´ Ihres Hauptgerätes an die Eingangsverbinder des V erst[...]

  • Page 13

    13 EINSTELLUNGEN UND ANZEIGEN 10 • SUB-AUSGANGSPHASENEINSTELUNG: Dient zur stufenlosen SUB- Ausgangsphasenregelung im Bereich zwischen Min und Max im V erhältnis zu den Front- und Rear-Ausgängen. Man regelt das “W ave Alignment” am besten mit einem T erzband- Klanganalysator . . Mittels eines CD mit einer Spur für die Wiedergabe des Rosa-R[...]

  • Page 14

    14 TECHNISCHE DA TEN RMS Leistung gemessen an 12,5 V olt DC: Höchstleistung max. 450 W att Ausgang / Front 1 kHz < 0,08 % THD an 4 Ohm 2 x 45 W att Ausgang / Heck 1 kHz < 0,08 % THD an 4 Ohm 2 x 35 W att Ausgang / Subwoofer 50 Hz < 0,1 % THD an 4 Ohm 1 x 80 Watt Dynamische Spitzenleistung gemessen an 14,4 V olts DC: Ausgang / Front 1 kHz [...]

  • Page 15

    FUNKTIONSPRINZIP STUFENLOSE PHASENVERSTELLUNG. Die Auswirkungen der Phasenverstellung. Ein unvermeidlicher Nachteil der High-Pass, Low- Pass und Band-Pass-Konfiguration ist die Phasenverschiebung, aber darüber werden wir uns nicht länger auslassen, denn dieses Thema würde den Rahmen dieser Diskussion sprengen. Es genügt zu wissen, daß ein Netz[...]

  • Page 16

    INTRODUCTION Depuis toujours, le nom de MACROM est synonyme de tradition, d’une tradition acoustique et musicale européenne projeté vers la conquête de la meilleure qualité sonore. Le fait que vous ayez choisi ce produit signifie que vous êtes d’accord avec nous. Grâce à ce manuel vous pourrez apprécier toutes le caractéristiq ues avan[...]

  • Page 17

    17 CONTROLES ET INDICA TEURS 1 • CONNECTEURS D’ENTREE FRONT/SUB: Il faut relier les fils de sortie Pre de l’unité principale aux connecteurs d’entrée. Cette entrée va piloter l’étage final de la section FRONT ainsi que celui de la section SUB. 2 • CONNECTEURS D’ENTREE REAR: Il faut relier les fils de sortie Pre de l’unité princ[...]

  • Page 18

    18 CONTROLES ET INDICA TEURS 10 • REGLAGE DE LA PHASE DE LA SORTIE SUB: Réglage continu dans les zones entre Min et Max de la phase de la sortie SUB par rapport aux sorties FRONT et REAR. La façon la plus simple de fixer le “W ave Alignment” est celle d’utiliser un analyseur audio de tiers d’octave. En utilisant un CD ayant une piste av[...]

  • Page 19

    19 CARACTERISTIQUES TECHNIQUES Puissance RMS sous 12,5 V olts DC: Puissance totale maximum 450 W atts A vant @ 1 kHz < 0,08 % THD sous 4Ω 2 x 45 W atts Arrière @ 1 kHz < 0,08 % THD sous 4Ω 2 x 35 W atts Sub @ 50 Hz < 0,1 % THD sous 4Ω 1 x 80 Watts Puissance dynamique sous 14,4 V olts DC: A vant @ 1 kHz < 0,1 % THD sous 4Ω 2 x 6[...]

  • Page 20

    PRINCIPE DE FONCTIONNEMENT REGLAGE DE LA PHASE EN CONTINU. Les effets du déplacement de phase. Une conséquence inévitable de la configuration des filtres hipass, lowpass et bandpass est le déplacement de la phase, mais nous n’allons pas approfondir ce thème puisqu’il va au delà des limites de cette discussion. Il suffit de savoir que tout[...]

  • Page 21

    21 INTRODUZIONE MACROM è da sempre sinonimo di tradizione, di una tradizione acustica e musicale europea tesa al raggiungimento della migliore qualità sonora. Il fatto che V oi abbiate scelto questo prodotto significa che anche V oi la pensate come noi. Grazie a questo manuale sarete in grado di apprezzare tutte le avanzate caratteristiche di que[...]

  • Page 22

    22 CONTROLLI & INDICA TORI 1 • CONNETTORI D’INGRESSO FRONT/SUB : Collegare i cavi di uscita Pre della vostra unità principale ai connettori di ingresso dell`amplificatore. Questo ingresso piloterà lo stadio finale della sezione FRONT e quella del SUB. 2 • CONNETTORI D’INGRESSO REAR : Collegare i cavi di uscita Pre della vostra unità [...]

  • Page 23

    23 CONTROLLI & INDICA TORI 10 • REGOLAZIONE DELLA F ASE DI USCIT A SUB : Permette di regolare la Fase in continuo fra Min. e Max., dell`uscita SUB rispetto alle uscite Front e Rear . Il modo più semplice per poter fissare il “W ave Alignment” è quello di utilizzare un analizzatore audio a terzi di ottava. Con l`utilizzo di un CD, con tr[...]

  • Page 24

    24 DA TI TECNICI Potenza RMS (12,5 V Dc): Potenza massima 450W Front @ 1 kHz < 0,08 % THD a 4Ω 2 x 45W Rear @ 1 kHz < 0,08 % THD a 4Ω 2 x 35W Subwoofer @ 50 Hz < 0,1 % THD a 4Ω 1 x 80W Potenza Dinamica (14,4 V olts Dc): Front @ 1 kHz < 0,1 % THD a 4Ω 2 x 65W Rear @ 1 kHz < 0,1 % THD a 4Ω 2 x 50W Subwoofer @ 50 Hz < 0,1 %[...]

  • Page 25

    25 TEORIA DEL FUNZIONAMENTO REGOLAZIONE DELLA F ASE IN CONTINUO. Gli effetti dello spostamento di fase. Un inevitabile conseguenza della configurazione dei filtri hipass, lowpass e band pass è lo spostamento di fase, ma non ci dilungheremo molto su questo argomento perchè va oltre i limiti di questa discussione. Basta sapere che qualsiasi rete di[...]

  • Page 26

    INTRODUCCION MACROM ha sido siempre sinónimo de tradición, de tradición acústica y musical europea dirigida hacia el logro de la calidad sonora mejor . Puesto que Uds. eligieron este producto ello quiere decir que participan de nuestra actitud. Gracias a este manual estarán en condiciones de apreciar las elevadas características de este nuevo[...]

  • Page 27

    27 CONTROLES & INDICADORES 1 • CONECTORES DE ENTRADA FRONT/SUB: enlazar los cables de salida Pre de la unidad principal con los conectores de entrada del amplificador . Esta entrada pilotará el estadio final de la sección FRONT y el de la SUB. 2 • CONECTORES DE ENTRADA REAR: enlazar los cables de salida Pre de la unidad principal con los [...]

  • Page 28

    CONTROLES E INDICADORES 10 • AJUSTE DE LA F ASE DE SALIDA SUB: Permite regular , en continuo, la Fase entre Min. y Max. de la salida SUB respecto de las salidas Front y Rear . La manera más simple para fijar el “W ave Alignment” es emplear un analizador audio de terceras de octava. Se utilizará también un CD, que tenga la señal Ruido Rosa[...]

  • Page 29

    29 ESPECIFICACIONES TÉCNICAS Potencia RMS (12,5 V Dc): Potencia máxima 450W Frontales @ 1 kHz < 0,08 % THD a 4Ω 2 x 45W Tr aseros @ 1 kHz < 0,08 % THD a 4Ω 2 x 35W Subwoofer @ 50 Hz < 0,1 % THD a 4Ω 1 x 80W Potencia Dinàmica (14,4 V olts Dc): Frontales @ 1 kHz < 0,1 % THD a 4Ω 2 x 65W T raseros @ 1 kHz < 0,1 % THD a 4Ω 2[...]

  • Page 30

    (BLUE-BLACK) (BLUE) (WHITE-BLACK) (GREEN) (GREEN-BLACK) (VIOLET) (VIOLET-BLUE) (GREY) (GREY-BLACK) (WHITE) A ( + ) Mono Sub Speaker Output (-) B C D E F G H I L ( + ) Front Left Speaker Output (-) ( + ) Front Right Speaker Output (-) ( + ) Rear Left Speaker Output (-) ( + ) Rear Right Speaker Output (-) SPEAKER CONNECTIONS MONO SUB Speaker Output +[...]

  • Page 31

    ★ ★ ★★ ★★ ★★ ★★ ★★ MACROM LT D 3 M OREE S T ., 6850 M ENDRISIO S WITZERLAND O/M 45.40 (5T) 25/06/02 19:25 Page 31[...]