English dropdown-ico

Kodak ISBN 0-87985-749-8 manual

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82

Go to page of

Similar user manuals

A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of Kodak ISBN 0-87985-749-8, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

What is an instruction?

The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Kodak ISBN 0-87985-749-8 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of Kodak ISBN 0-87985-749-8. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of Kodak ISBN 0-87985-749-8 should contain:
- informations concerning technical data of Kodak ISBN 0-87985-749-8
- name of the manufacturer and a year of construction of the Kodak ISBN 0-87985-749-8 item
- rules of operation, control and maintenance of the Kodak ISBN 0-87985-749-8 item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Kodak ISBN 0-87985-749-8 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Kodak ISBN 0-87985-749-8, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Kodak service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Kodak ISBN 0-87985-749-8.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Kodak ISBN 0-87985-749-8 item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    © Eastman Kodak Company, 2000 ISBN 0-87985-749-8 Library of Congr ess Catalog Car d No. 97-77797 C i n e m a t o g r a p h e r ’ s Field Guide KODAK MOTION PICTURE CAMERA FILMS 033text_c 1/16/02 11:07 AM Page 1[...]

  • Page 2

    Cinematographer’ s Field Guide Seventh Edition, November 2000 © Eastman Kodak Company, 2000 ISBN 0-87985-749-8 Library of Congress Catalog Card No. 97-77797 033text_c 1/16/02 11:07 AM Page 2[...]

  • Page 3

    9/98 iii C O N T E N T S Page No . I N T R O D U C T I O N . . . . . . . . . . . . . . . . . . . . . . . . . . . . i v K O D A K M OTION PICTU R E CAMER A FIL M S . . . . . . . . . . . . . . . . . . . . . . . M P F - 1 I n t ro d u c t i o n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M P F - 1 Col or T e m p e r a t u r e . . . . . .[...]

  • Page 4

    iv 9/98 I N T R O D U C T I O N Th is poc ket- s i ze d pub li c a tio n pro v i des up- to- dat e and e a sy - to-u se i nfo r ma ti on abo ut a ll K O D A K Mo t ion Pic t ur e Came ra Film s and sever al impor tant re late d subjec ts. W e desi g ned the boo k to he lp you ch oose and ord er the rig ht film s for your need s , an d to help you [...]

  • Page 5

    9/98 v u n d e re x p o s u r e lat i tu de, w ide r speed r an g es, and imp r o v e- men t s in gra in s tr uct u re , sh arp ne ss, cont inuo us- t one r e p r oducti on, a nd co lor s aturat ion. An edge-nu mbe ring sy stem for all K O D A K M o t i o n P i c t u r e Camera Films features both elect ronic- and o p e r a t o r- r ea d chara cter[...]

  • Page 6

    033text_c 1/16/02 11:07 AM Page 6[...]

  • Page 7

    9/98 MPF-1 K O D A K MO TION PICT URE C AM E RA F ILM S I n t ro d u c t i o n This s ecti o n provi des pe r tinen t info r matio n abou t a ll c u r r e ntly av aila ble K O D A K Mo tio n P ic t ur e Camer a Film s. For in f ormation on future fil m updates , see pag e 40. A quick r e f e r en ce c ha rt of all t he film s is on pag e MPF- 4 . [...]

  • Page 8

    MPF-2 9/98 T e ch nica l Info r m a t i o n For t echnical i nformation in the U nited States, c all th e Ko da k In f o r m a t i o n C e n t e r ( K IC ) , 9 : 00 a. m . t o 7:00 p.m. (Easter n time), Monday throu gh Frid ay, at 1 (800) 242- 2424. In Cana da, call 1 (800) 46 5-6325 , Monda y through Friday , fr om 8:30 a.m . to 5:00 p .m . ( E a [...]

  • Page 9

    9/98 MPF-3 wavelen g th-by- wavelength compari so n of film sensi t ivity and spe c tral output o f the lamp can det er mine the exac t filters r e q u i r ed to balance the li ght to the film r e s p o n s e . K O D A K Mo ti on P i c t ur e Fi l m s ha v e a ph o to g r a p h ic lat itude tha t ma kes it unnece ssary to us e u nusu al fi l t [...]

  • Page 10

    KODAK Motion Pictur e Camera Films Code No. Exposure Index (DIN) Film Name 35 mm 1 6 mm super 8 Type Daylight Tungsten See (3200 K) Page 12 (12) with EASTMAN EXR 50D 5245 7245 — Color Negative 50 (18) KODAK WRATTEN MPF-6 Gelatin Filter No. 80A 64 (19) with EASTMAN EXR 100T 5248 7248 — Color Negative KODAK WRATTEN 100 (21) MPF-8 Gelatin Filter N[...]

  • Page 11

    6/00 MPF-5 KODAK Motion Picture Camera Films Code No. Exposure Index (DIN) Film Name 35 mm 1 6 mm super 8 Type Daylight Tungsten See (3200 K) Page 12 (12) with EASTMAN EXR 50D 5245 7245 — Color Negative 50 (18) KODAK WRATTEN MPF-6 Gelatin Filter No. 80A 64 (19) with EASTMAN EXR 100T 5248 7248 — Color Negative KODAK WRATTEN 100 (21) MPF-8 Gelati[...]

  • Page 12

    5 2 4 5 ™ / 7 2 4 5 ™ ( 35 mm , 65 mm/1 6 mm) E A S T MAN EXR 50 D F i l m Da y ligh t E I 50 ( 18 ) E x p o s u r e I ndexes an d F ilter s K O D A KC a m e r a E x p o s u r e Li ght Sour ce F i l t e r s Index (D I N) Tung st e n 300 0 K W R A T T E NG e l a t i n 12 (12) N o . 80 A Tung s t en 320 0 K W R A T T E NG e l a t i n 12 (12) No .[...]

  • Page 13

    5 2 4 5 / 7 2 4 5 Process: ECN-2 U s e : E A S T M A N EXR 50 D Film 5245/ 72 45 is a camera fil m int en ded for g en era l m oti o n p ict ure pr oduc t io n. The wide exposure latitude of this negative film makes it es p e cia ll y su it ab l e fo r ou td o or ph ot o gr a ph y un der normal daylight conditions. G e n e r a l P r o p e r t i e [...]

  • Page 14

    1 00T MPF-8 9/98 COLOR NEGA TIVE FILM 5 2 4 8 ™ / 7 2 4 8 ™ ( 35 mm, 65 mm/1 6 m m) E A S T M A N EXR 1 00T F ilm T ungst en EI 1 00 (2 1) E x p o s u r e I ndexe s a nd Fi lter s K O D A KC a m e r a E x p o s u r e L igh t So urc e F i l t e r s I nde x (DIN ) Tun gs t e n 30 00 K W R A T T E NG e l a t i n 6 4 (19 ) N o. 82B Tun gs ten 32 00[...]

  • Page 15

    5248 / 7248 P r ocess: E C N - 2 U se: E A S T M A N EXR 100 T Film 5248/7248 is intend ed for gen eral mot i on pictu re prod u ct i on. T he wid e e x p o s u r e latit u de of this negativ e film ma kes it e specially suitable for indoor and outdoor photog raphy under a wide va riety of conditions . General Proper ties: E A S T M A N E XR 100T [...]

  • Page 16

    VISION 200T MPF-1 0 9/98 COLOR NEGA TIVE FILM 5 2 7 4 ™ / 7 2 7 4 ™ ( 35 mm, 65 mm /1 6 m m) KO D A K V I SIO N 200T Colo r Nega tiv e F ilm T un gs te n EI 2 00 (2 4) E x p o s u r e I nde xes a nd Fi lter s K O D A KC a m e r a E x p o s u r e L i gh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 125 (2 [...]

  • Page 17

    9/98 MPF-1 1 5274 / 7274 P r ocess: E C N - 2 Use: K OD A K V I S IO N 2 0 0 T C o l o r N e g a t i v e F i l m 5 2 7 4 /7 274 featu res ver y high shar pness , fine grain, accurate flesh-t o-neutr al r e p r o ductio n, a nd wid e under - and ov er - e x p o s u r e la titude f or indoor or out door photog- raph y. En hanc ed sha dow det ail pro[...]

  • Page 18

    200T 5 2 9 3 ™ / 7 2 9 3 ™ ( 35 mm, 65 mm /1 6 m m) E A S T M A N EXR 2 00T F ilm T ungst en EI 200 (2 4) E x p o s u r e I nde x es and Fi lter s K O D A KC a m e r a E x p o s u r e L igh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 125 (2 2) No. 82B Tun gste n 32 00 K N o n e 200 (2 4) Tun gs ten P ho[...]

  • Page 19

    9/98 MPF-1 3 5293 / 7293 Use: E A S T M A N E X R 2 0 0 T C o l o r N e g a t i v e Fi l m 5 2 9 3 / 72 93 i s intended for g eneral mot i on picture p r odu c tio n . The wide ex posure latitude o f t his negati ve film makes it especiall y suitable for indoor and outdoo r photog r aphy u nder a wide v arie t y of c onditions. Gene ra l P r ope r[...]

  • Page 20

    SFX 200T MPF-1 4 9/98 COLOR NEGA TIVE FILM ( 3 5 mm ) KOD A K SFX 200 T Co lor N egati ve Fi lm T ungs ten E I 20 0 ( 2 4) E x p o s u r e I ndex es an d Fil ters K O D A KC a m e r a E x p o s u r e Light Sour ce F i l t e r s * I ndex (D IN) Tung sten 300 0 K W R A T T E NG e l a t i n 1 25 (22) N o. 82 B Tung st e n 320 0 K N o n e 200 (24) Tung[...]

  • Page 21

    9/98 MPF-1 5 SFX P r oces s: E C N - 2 U s e : K ODAK SFX 200 T Col or Negat i ve Film is op ti - mized for traveling matte shots, so for e g r ound actio n pho tograp hed ag ainst a b lue or gree n scre en can be sepa - rated more cl eanly f rom the ba ckground w hen it’s scann ed into t he d igital format. In c om plex composite shots, thi s ?[...]

  • Page 22

    MPF-1 6 9/98 VISION 250D COLOR NEGA TIVE FILM 5 2 4 6 ™ / 7 2 4 6 ™ (3 5 mm , 65 mm/1 6 mm ) KOD A K V I SI ON 250 D C olor N egat ive F ilm Day li gh t E I 25 0 (2 5) E x p o s u r e Ind exes and Filt ers K O D A KC a m e r a E x p o s u r e Li ght S our c e F i l t e r s Index (DI N) Tung s t en 300 0 K W R A T T E NG e l a t i n 64 (19) N o.[...]

  • Page 23

    9/98 MPF-1 7 5246 / 7246 P r ocess: E C N - 2 U s e : K O D A K VI S IO N 2 5 0D C o l o r N e g a t i v e F i l m 5 2 4 6 /7 246 featu res very h igh sharpne ss, fine grain, accura t e flesh-to-neut ral r e p r o d uctio n, and wi de un der- and over - e x p o s u r e latitude for day light or mixe d light photograp hy. Enhance d shadow detail pr[...]

  • Page 24

    MPF-1 8 9/98 VISION 320T COLOR NEGA TIVE FILM 5 2 7 7 ™ / 7 2 7 7 ™ (35 mm, 65 mm /1 6 m m) KO DAK V I SIO N 320T Colo r Nega tive Film T un gs te n EI 3 20 (2 6) E x p o s u r e I nde xes a nd Fi lter s K O D A KC a m e r a E x p o s u r e L i gh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 200 (2 4) No[...]

  • Page 25

    9/98 MPF-1 9 527 7 / 7277 P r ocess: E C N - 2 Use: K OD A K V I S IO N 3 2 0 T C o l o r N e g a t i v e F i l m 5 2 7 7 / 7277 le ts yo u crea te a v ery d if f e r ent lo ok — s o f t e r , m o r e pa stel. T his fil m h as v er y wide expo sure lati tude t hat allows y ou to pick up the deta i l in the shadow s withou t losi ng the highl igh[...]

  • Page 26

    MPF-20 9/98 VISION 500T COLOR NEGA TIVE FILM 5 2 7 9 ™ / 7 2 7 9 ™ ( 35 mm, 65 mm /1 6 m m) KO D A K V I SIO N 500T Colo r Nega tiv e F ilm T un gs te n EI 5 00 (2 8) E x p o s u r e I nde xes a nd Fi lter s K O D A KC a m e r a E x p o s u r e L i gh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 320 (2 6[...]

  • Page 27

    9 / 9 8 M P F - 2 1 5279 / 7279 P r oces s: E C N - 2 Use: K OD A K V I S IO N 5 0 0 T C o l o r N e g a t i v e F i l m 5 2 7 9 /7 279 feat ures very high shar pness , fine grain, accurate flesh-to-n eutr al r e p r odu ctio n, a nd wi de un d er - and over - e x p o s u r e latitu d e for i ndoor or out do or photog- raph y. Enh anc ed sha dow d[...]

  • Page 28

    500T MPF-22 9/98 COLOR NEGA TIVE FILM 5 2 9 8 ™ (3 5 m m, 65 m m ) E A S T M A N EXR 5 00T F ilm T un gs te n EI 5 00 (2 8) E x p o s u r e I nde xes a nd Fi lter s K O D A KC a m e r a E x p o s u r e L i gh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 320 (2 6) No. 82B Tun gste n 32 00 K N o n e 500 (2 8[...]

  • Page 29

    9/98 MPF-23 5298 P r ocess: E C N - 2 Use: E A S T M A N EXR 500T Film 5298 i s a camer a fi l m intend ed f or g ener al motion pictur e product ion. Th e wide e x p o s u r e latitude of t his film m akes it especia lly s uitabl e for indoor and outdoo r photo g raphy und er low-level i ll u- mi na tio n. Th e fil m o ffer s th e hi ghes t q ua[...]

  • Page 30

    VISION 800T MPF-24 6/00 COLOR NEGA TIVE FILM 5 2 8 9 ™ / 7 2 8 9 ™ ( 35 mm /16 m m) KO DA K VI SIO N 80 0T Col or Ne gative Fil m T un gs te n EI 8 00 ( 3 0) E x p o s u r e Ind exe s and Fil ters K O D A KC a m e r a E x p o s u r e L igh t S o urce F i l t e r s * I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 500 (2 8) No. 82B [...]

  • Page 31

    6/00 MPF-25 5289/7289 P r ocess: E C N - 2 U s e : K O D A K V I S I O N 8 0 0 T C o l o r N e g a t i v e Film / 5289/7 289 o f fer s excellen t image qua lity a nd t he highest c apture speed availab le in moti on picture fi lms. It deli vers th e spee d a nd lat itud e y ou nee d in low light , fast action, and other fi lming conditions where [...]

  • Page 32

    MPF-26 9/00 EKT ACHROME 100D COLOR REVERSAL FILM 5 2 8 5 ™ (35 mm) K O D AK E K TA C H R O M E 1 0 0 D C o l o r R e v e r s al Fi l m Da yl igh t E I 10 0 ( 2 1) E x p o s u r e I n dex es a nd F ilters K O D A KC a m e r a E x p o s u r e Li ght S our c e F i l t e r s Index (D IN) Dayli gh t 5500 K N o n e 100 (21) Meta l H a l ide H.M .I. N o[...]

  • Page 33

    9/00 MPF-27 5285 P r oces s: E-6, cin e machine Use: K ODAK EKT ACHROM E 100D Color Rever sal Film / 5285 i s a 100-spe ed, high-color reve rsal m oti on p i c t u r e cam era fi lm int en ded for p ho tog ra p hy und er daylight illu mi nat ion (5500 K). General Prop erties: KODAK E K TA C H R O M E 1 0 0 D Color R eversal Film / 52 85 offers stri[...]

  • Page 34

    MPF-28 9/98 EKT ACHROME FILM 7 2 4 0 ™ ( 16 m m, S up e r 8 ) E A S T M A N E K T A CH ROME Film T ung sten EI 1 25* (2 2) E x p o s u r e In dexes and Fil ters K O D A KC a m e r a E x p o s u r e Li g ht Sourc e F i l t e r s Index (D IN) Tu ngs ten 3 000 K W R A T T E NG e l a t i n 80 (2 0) N o. 82B Tu ngste n 3 200 K N o n e 125 ( 22) Tu ngs[...]

  • Page 35

    9/98 MPF-29 7 2 4 0 P ro c e s s : V NF-1 or R V N P . Force processing: 1 st op with some loss in quality; u p t o 2 s tops with noticeable quality loss. Use: EASTM AN EKT ACHR O ME F ilm 7240 is a high- speed, color r eversa l c amera film balanced for tungsten light and for dayligh t with an appro p ria t e fi l t e r . Y ou can use i t for co[...]

  • Page 36

    MPF-30 9/98 EKT ACHROME FILM 7 2 3 9 ™ ( 3 5 m m/ 16 mm ) E A S T M A N E K T A CH ROM E Fi lm Day lig ht EI 1 60 ( 23) E x p o s u r e I nde x es and Fi lter s K O D A KC a m e r a E x p o s u r e L igh t So urc e F i l t e r s I nd ex (DI N) Tu ngs ten 30 00 K W R A T T E NG e l a t i n 40 (1 7) No. 80A Tu ngste n 32 00 K W R A T T E NG e l a t[...]

  • Page 37

    9/98 MPF-31 7239 P ro c e s s : VNF-1 or R V N P . F o r ce proc essing: 1 stop wit h some loss in quality ; u p to 2 st o ps wit h noticeab le quality loss. U s e : This hig h -speed c olor r eversal camera film is intended f or p hotograph y u n der low -level d aylight il lumi - nati on . It can b e used for news p hotograph y , sportin g events[...]

  • Page 38

    MPF-32 9/98 EKT ACHROME FILM 7 2 5 0 ™ ( 1 6 m m) E A S T M A N E K T ACHRO ME H igh Speed F ilm T ungs ten E I 400 ( 27) E x p o s u r e Inde x es and Fi lte rs K O D A KC a m e r a E x p o s u r e Lig ht Sourc e F i l t e r s Index (D IN) Tu ngs ten 3 000 K W R A T T E NG e l a t i n 250 ( 25) No. 82B Tu ngste n 3 200 K N o n e 400 ( 27) Tu ngs[...]

  • Page 39

    9/98 MPF-33 7250 P r oce ss: VNF-1 o r R V N P . F o r ce proc essing: 1 s t op wit h some los s in quality ; up to 2 stop s with not i ceab le quality loss. Use: The very hi g h spee d of this colo r reversa l camer a film makes photograp hy p ossibl e with very low-lig ht illu- mination. It can be u sed for color news photography, nig htti me sp[...]

  • Page 40

    MPF-34 9/98 EKT ACHROME FILM 7 2 5 1 ™ (1 6 mm) E A S T M A N E K T ACHRO ME H igh S peed F ilm Da y ligh t E I 400 ( 27 ) E x p o s u r e In dexes and Filt ers K O D A KC a m e r a E x p o s u r e Lig ht Sourc e F i l t e r s Index (D IN) T ungs ten 3000 K W R A T T E NG e l a t i n 100 ( 21) N o. 80A T ungste n 3200 K W R A T T E NG e l a t i n[...]

  • Page 41

    9/98 MPF-35 7 2 5 1 P ro c e s s : VNF-1 or R V N P . F o r ce pro c essi ng : 1 st o p with some los s i n qualit y; up t o 2 stops with noticeabl e quality loss . U s e : EASTMAN EKT A CHROME High Speed Film is a very h igh-speed colo r rever sal camera film t hat m akes photography possible in very low-light illumination . Y o u can use it for [...]

  • Page 42

    MPF-36 9/98 PLUS-X NEGA TIVE FILM 5231™/7231™ (35 mm/1 6 mm) EASTMAN PLUS-X Negative Film E x p o s u r e In dex es: (Fo r deve lo pm ent to g amma of 0. 65) D a y l i g h t – 80 (20) T u n g s t en – 64 (19) P ro c e s s : Bla ck and w hit e w it h K OD AK De v elo per D -96 . F o r ce Processing: 1 stop (or mor e) wi th some los s in q u [...]

  • Page 43

    9/98 MPF-37 5 2 3 1 / 7 2 3 1 R e c i p r ocit y Chara cte rist i cs : Y ou do not need to mak e any exp osur e or filte r adjus tm ent fo r expo s ure times f r om 1/ 10,000 t o 1/10 second. At an expos u re t ime of 1 second, i ncreas e exposu re by 1 ⁄ 2 st o p. H a n d l i n g : T o t al dar knes s Availa ble R oll Lengths: For i nformation o[...]

  • Page 44

    MPF-38 9/98 DOUBLE-X NEGA TIVE FILM 5222™/7222™ (35 mm/ 1 6 mm) EASTMAN DOUBLE-X Negative Film E x p o s u r e Ind ex es : ( For dev elo pme nt t o gam ma of 0. 65 ) D a y l i g ht – 250 (25) T u n g s t en – 200 (24 ) P ro c e s s : Bla ck and whit e wit h K ODA K Deve lop er D-9 6. F o r ce Process ing: 1 s t op (or mor e) with s ome loss[...]

  • Page 45

    9/98 MPF-39 5 2 2 2 / 7 2 2 2 R e c i p r ocity Charact eristi cs: No expos ure or filter compensa tion is r e q u i r ed for ex posure times fr o m 1/10,000 to 1 second . H a n d l i n g : T otal da r kness Avail a ble Rol l Lengths: For information on fi lm r o l l lengths, check Kodak's P r of e ss ional Motion Imaging Price Catal o g , or[...]

  • Page 46

    MPF-40 9/98 PLUS-X REVERSAL FILM 7276™ (16 mm, Super 8) EASTMAN PLUS-X Reversal Film E x p o s u r e I n d e x e s * : ( F o r re c o m m e n d e d r e v e r s a l processing) D a y l i g ht – 50 (1 8 ) T u n g s t en – 40 (1 7 ) For nega t ive pro cess ing in a typic a l negat iv e mo ti on p i c t u r e film d eve lop er , us e the fol low[...]

  • Page 47

    9/98 MPF-41 7 2 7 6 Illumination (Incident Light) T abl e f or T u n g s t e n L i g h t (24 frames p er second, 170° shu t ter o p enin g) Len s Ape rtu re f /1 . 4 f / 2 f / 2 . 8 f / 4 f / 5 . 6 f / 8 F o o t c a n d l e s 6 3 1 2 5 2 5 0 5 0 0 1 0 0 0 2 0 0 0 Lighting Contra st Ratios : The sugg es ted ratio of key l i g h t - p l u s - fi ll[...]

  • Page 48

    MPF-42 9/98 TRI-X REVERSAL FILM 7278™ (16 mm, super 8) EASTMAN TRI-X Reversal Film E x p o s u r e I ndexes: ( F o r r e c o m m e n de d r e v e r s a l processing) D a y l i g h t – 200* (24) T u n g s t en – 16 0 (23) For negativ e proc essing in a t y pi cal mo tion p icture nega- tive d evelop er , use the follo win g expos ure indexes: [...]

  • Page 49

    9/98 MPF-43 7 2 7 8 Illuminati on (Inci d ent Ligh t) T a ble for T u n g s t e n L i g h t (24 frames p er sec ond, 170° sh utter op ening) Lens Aper ture f / 1 . 4 f / 2 f / 2 . 8 f / 4 f / 5 . 6 f / 8 F o o t c a n d l e s 1 6 3 2 6 4 1 2 8 2 5 6 5 1 2 KODAK Filter Factors WRATTEN Filter No. 3 8 12 15 21 23A 25 29 96* D a y l i g h t Filte r Fa[...]

  • Page 50

    Inc ident- Light Il luminat io n ( in footc andles) (Frame rate: 24 frames/sec – approx1/50 sec) NOTE: Data applies to both color and black-and-white films. Exp Index Lens Opening (Daylight or T ungsten) f /1.4 f /2 f /2.8 f /4 f /5.6 f /8 f /11 12 200 400 800 1600 3200 6400 13000 16 160 320 640 1250 2500 5000 10000 20 125 250 500 1000 2000 4000[...]

  • Page 51

    1 F I L TER I NF ORMA T I O N I n t ro d u c t i o n Use t he filter and c olor tem p eratu re c harts i n this s ection as a quick r e f e r ence and g ener al guide. T he valu es are a p p r oximate. They of f er good s t arting points for trial e x p o s u r es in criti cal w o rk. F or less demand i ng wo rk , t he recomm en dat i ons may be a[...]

  • Page 52

    Filter Factors* for KODAK Motion Picture Films Negative Films Reversal Films Filter PLUS-X DOUBLE-X PLUS-X TRI-X No. 3 1.5 1.5 1.5 1.5 No. 8 (K2) 2.0 1.5 2.0 2.0 No. 12 2.5 2.0 2.0 2.0 (Minus Blue) No. 15 (G) 3.0 3.0 2.5 2.5 No. 21 3.5 3.0 3.0 3.0 No. 23A 5 5 5 5 No. 8N5 5 5 6 6 No. 25 8 8 10 10 No. 29 25 20 40 40 No. 96 8 8 8 8 2 * All filters ab[...]

  • Page 53

    3 Below is a convers i on t able of fi lter fa ctor s t o exp osur e i n c r ease in s tops. Ea c h t ime a filt er fact or is d oub led, t he e xposu re needs to be increased by 1 stop. As an example, a filter factor of 2 r e q u i r es a 1- stop exp osur e i ncreas e. A fi lter factor of 4 r e q u i r es a 2-stop exposur e increas e. Use th i[...]

  • Page 54

    4 Conv e rsion Filter s for Co lor Film s These fil ters are int en ded for use whenever s i g n i fic a n t changes in the color temperatu re of t he illumin ation are r e q u i r ed (f or example, d aylight t o ar tifi cial li ght ). T he fi l t e r may b e positi oned b etween the light so urce and other ele - ments of the system or over the[...]

  • Page 55

    5 KODAK Light B alancing Filters Light- b alanci ng fi lter s enable the pho t ograp her to make m i n o r ad justment s in the color qualit y of i ll u minati on to obtai n c ooler (blu er ) o r war mer (y ello wer) colo r r e n d e r i n g . One of the principl e u ses for KODAK Light Balancin g Filte r s is wher e li ght s our ce s f re que nt [...]

  • Page 56

    6 Ne utral Den sity Fil ters In b lack-and-whi te and color p hotograp hy, filt er s su ch as the KODAK WRA TTEN Neutral Density Filter s No. 96 reduce t he intensity of li g ht reaching the fi lm without a f fec ting the ton al rend iti on in th e origi na l sce n e. In m o t i o n - p i c t u r e wor k or other photography, neutral densi ty fi[...]

  • Page 57

    A p p r oxi mate Cor related Co lor T e m p e r a t u r e for V arious Ligh t Sour c e s Source Degrees Kelvin Artificial Light Match Flame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1700 Candle Flame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1850 40-Watt Incandescent[...]

  • Page 58

    033text_c 1/16/02 11:07 AM Page 58[...]

  • Page 59

    8/99 9 TI PS AN D TE CHN IQUES I n t ro d u c t i o n This coll ection of i deas is prov ided by Kodak p eopl e an d oth ers who work i n t he pr ofess ional moti on pi cture i ndu s- try . The sect i on co v er s topi cs fro m forc e proc essi ng, fl a s h - ing, and shoot ing for televisi on to what you need in the well-sto cked d itty b ag, and[...]

  • Page 60

    1 0 9/00 theatric al pr es entati on a nd t o keep all p ertin ent ac tion withi n this area . The cinem at ogra pher mu st make cer t ain no scene ri g gin g , microp hone b ooms, c ables or lig hts are includ ed in the expan d ed area which will be tr ansmitted on televisi on at 1.33 :1. Subseq u ent inte rpositives , dupli - cate negativ es and [...]

  • Page 61

    1 5 A m b i e n t - B a c k g r ound Ra d ia ti on ( e f fects o n r a w st oc k) Ambie n t gamma radiati on is compose d of two s our c es: a l o w - e n e r gy c omp onen t which arises from t he decay of radionuc li des an d a hi g h-en er gy co mponent whi ch is t he p r oduct of the interacti on of co smic rays with t he earth’s upper atmosp[...]

  • Page 62

    1 6 U n p r ocessed F ilm Bef ore and After Ex p osure Expos ed film, particular ly color , deter iorates more rapi d ly than unex posed film. Proces s films as s oon as possible afte r expos ure. Do not kee p fi l m i n t he camer a or m ag a zin e lon g er t han is necessar y. If you load magazin es a long time ahea d of use, p rotec t them f[...]

  • Page 63

    1 7 6. Wi nd films emu lsion in and store flat in untaped cans under t he ab ove condi t ions . Sh ootin g for T e l e v i s i o n The telev ision ind u stry is chang i ng. New, advanc ed sta n- d a r ds fo r high-defi ni ti on telev i sion (HDTV) will put mo r e deman ds on the cinem at ograp her . D espite all the unc er- taint i es associ ate[...]

  • Page 64

    1 8 4. Don’t photograph dark- skinned peop le agai ns t very brig ht or very dark ba c kgroun ds. 5. T ry to maint a in a range of 5 to 6 s top s from the bright est t o the darkest part s of the s hot . A li ght i ng ratio of 2 : 1 i s a good starti n g poin t . 6. If you mu s t s hoot whit e or extrem ely brig ht c ostu mes, try to mai nt ain a[...]

  • Page 65

    1 9 • Black clot h • Magazine belt clip s and pi c k • Thi s copy of Cin ema tog r ap h er’s F ield Guide, KODA K Publ i cation No. H-2. T o o l s • Lon g nose p liers • Diagona l cutters • Channel Lock pl i ers • Scr e w d r i v e rs — S t a n d a r d and Ph illips • Jewel er ’s s crew d river set • Allen wr e n c h e s •[...]

  • Page 66

    20 • Insert slate • Log shee ts • Dent al mirr o r • Magn ifi e r • “Dust O f f” ( or equival en t cann ed air) • Bla c k felt marker ( Sharpie) • Lens clea ner and len s tissue • Len s brush • Cotton s wabs • Syring e • Spot remo ver or ae rosol so lv ent • Penli g ht • Cube taps ( 2 or 3) • Dulli n g s p ray • F[...]

  • Page 67

    21 F lashing Camera Film s to L ower Cont rast “Flashi ng” means to delibera tely fog fi lm b y giving i t a u n i f o r m e xposure bef ore pro cessing. The am ou nt an d type of exposur e will v ary with t he “lo ok” desired. This sli ght exp osur e l ow ers t he fi lm’ s cont ras t ( to som e e xten t), primari ly i n the u pp er sca[...]

  • Page 68

    22 Get acquaint ed — Once you have made your choice of labs, get to know the people wh o will do y our wo r k. T e l l them a s much as yo u c an about yourse lf , you r needs and your st y le. Th e mor e you commu nicate wit h them about yourself and your produc tion, the bet t er they c an serve you. Get it In writing — Face-to-face d iscussi[...]

  • Page 69

    Windi n g D esignatio ns In t he s ketch es b elow, the fi lm i s wou nd o n c ores and t he emulsion side of the film faces the cent er of th e roll. All 35 mm cam era films and many 1 6 m m c amera films h ave p e r forat i ons on both e dges — 2R in t he sketch. All one- edge perforated 1 6 mm c amer a films ar e Wind ing B. P e r foratio[...]

  • Page 70

    28 1 6 mm En d Use 6. 2 R - 2 9 9 4 — 1 6 mm film perf orated two ed ges with a p e r f oration pit ch of 0.299 4 (760 5), short pitch, (ANS I/SMPTE 1 0 9 - 1 99 6) 7. 2 R - 3 0 00 — 1 6 mm fi lm perforated two edges with a p e r fo rat io n pit c h o f 0. 300 0 (7 62 0 ), l ong pitch, (ANSI / SMPTE 1 0 9 - 1 99 6) 8. 1 R - 2 9 94 — Sam e a[...]

  • Page 71

    OR D ER IN G R A W STO C K I n t ro d u c t i o n All of the infor m ati on present e d in this fi eld g uid e is int ended to help yo u de ter m i ne — • th e righ t film (pe r f o r mance char acter ist ic s) , i n • th e righ t qu antit ies (s hoot ing tim e/ratio ), a nd • the r ight form at (w id th, perf o rat ion s, wi ndin g, p a c[...]

  • Page 72

    T o i ll ust r ate ou r point , let’s loo k at one examp le: If you orde r a 4 00- ft (1 22 m) roll of 3 5 mm KODAK VIS ION 20 0T Color Negative F i lm 52 74, the CA T No. i s 171 698 4. That numbe r te lls us ex actly w h at you n e ed. T o verif y that n umbe r you shoul d inclu d e: • the n ame of t he film (527 4) • Iden N o . ( V XM71 8[...]

  • Page 73

    Two int er na tion all y recogn i zed sourc es o f tec hnical i n f o r mation for motion picture p r o c e d u r es and standa r d s a r e the Soc iety of Motio n Picture and T e l e v i s i o n Eng ineers ( SMP TE), lo cat e d at 595 West Har tsda le Av e nu e, White Pl ains, New Y ork 1 0 6 07, 9 1 4 - 7 6 1 - 1 1 0 0 , a nd t h e Am e ri c an N[...]

  • Page 74

    INTERNA TIONAL Kodak Locations and Distributors ARGENTINA El Business Center Bonpland 1930/32 Phone: 54-11-4448 3988 CP B1667JUV Buenos Aires, Argentina FAX: 54-11-4773 6105 AUSTRALIA Kodak (Australasia) Pty ., Ltd. Phone: 613-8371-8520 173 Elizabeth Street T oll free: 1300-139-795 Cobur g, Victoria, Australia 3058 F AX: 613-9355-2962 T oll Free: 1[...]

  • Page 75

    CHILE Kodak Chilena S.A.F . Av . Pr esidente Eduardo Fr ei M 99950 (Panamericana Nor t e – Quilicura) Phone: 56-2-530 8295 Santiago, Chile FAX: 56-2-747 1300 CHINA (Peoples Republic) Kodak (China) Ltd Beijing Liaison Office #1 Guanghua Road, Chaoyang District Kerry Center , 9th Floor Phone: 8610 6561 6561 Beijing 100020, China FAX: 8610 6561 2199[...]

  • Page 76

    FINLAND Kodak OY P .O. Box 49 Mäkelänkatu 91 Phone: +358-087-071 00611 Helsingfors, Finland FAX: +358-087-01352 Contact: Kari Nordberg Mobile: +358-400 451215 FRANCE Kodak Pathé Phone: 01 40 01 30 00 Division Cinéma et Télévision FAX: 01 40 01 34 63 26, rue Villiot E-mail: cinema@kodak.com 75012 Paris France E-mail: www.kodak.fr/go/cinema GER[...]

  • Page 77

    IRAN Kodak (Iran) P .J.S.C. Co. Dowlatshad Bldg, Apt 2 Box No. 154-2 Phone: 98-21-227-6000 T ehran 19395, Iran F AX: 98-21-808-7266 IRELAND Kodak Ltd, Kodak House P .O. Box 66, Station Road Hemel Hempstead Phone: +44 1442 845945 Herts, HP1 1JU England FAX: +44 1442 844458 ISRAEL Delta Film Israel Phone: 972-9-9521888 / 834 (direct line) 16 Hagalim [...]

  • Page 78

    LUXEMBORG N. V . Kodak S.A. Entertainment Imaging Service Center Br ussels Phone: 32-2-719-41-93 Ikaroslaan 18 FAX: 32-2-719-41-99 B-1930 Zaventem Belgium E-mail: www.kodak.fr/go/cinema-benelux MALA YSIA Kodak Malaysia Sdn Bhd Jalan Kemajuan 13-1 46200 Petaling Jaya Phone: 603 757 2722 Selangor , Malaysia FAX: 603 755 5919 MEXICO Kodak de Mexico S.[...]

  • Page 79

    PERU Kodak Américas, Ltda. Av Nicolás Arriole 480 Santa Catalina, La Victoria Phone: 51-1-224 8610 Lima Peru FAX: 51-1-224 7826 PHILIPPINES Kodak Philippines, Ltd. Phone: 632 810 0331 (trunkline) 2247 Chino Roces Avenue 632 813 7916 (direct line) Makati City FAX: 632 840 1956 Philippines 1299 E-mail: ecercado@kodak.com POLAND Kodak Polska EI Offi[...]

  • Page 80

    SP AIN Kodak SA Carretera Nacional VI, Km 23 28230 Las Rozas Phone: 34 1 626 7155 (Madrid) Spain FAX: 34 1 626 7369 SWEDEN Kodak Nordic AB Phone: +46-8-580 235 00 Nettovagen 2 SE-175 85 FAX: +46-8-580 236 05 Jarfalla, Sweden Contact: Iréne Sandström Phone: +46-8-580 236 07 E-mail: irenesan@kodak.com Contact: Karl-Henrik Rassmo Mobile: +46-70-58 2[...]

  • Page 81

    39 UNITED STA TES Eastman Kodak Company 815 West Van Buren, Suite 320 Phone: 312-492-1421 Chicago, Illinois 60607 USA FAX: 312-492-1429 11337 Indian T rail Phone: 972-481-1150 Dallas, T exas 75229 USA F AX: 972-481-1242 6700 Santa Monica Boulevard Phone: 323-464-6131 Los Angeles, California FAX: 323-468-1568 90038-1203 USA 323-468-2124 360 West 31s[...]

  • Page 82

    40 Mot ion Pict ure F ilm Upda tes Eas tma n Kod ak Com pa ny of fers upda t es of th e fi lm sec t io n of the C i n e ma to g ra p he r’ s F ie ld G ui d e as ne w fi l m s a r e intr oduc ed. The u pd ates a r e f ree to o wner s of t he Ci ne ma t og r ap h er ’ s F ie ld G u i d e . T o o bt ai n film upd at e s , ple as e fill in a nd [...]