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Gibson Guitars 1550-07 GUS manual

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Table of contents for the manual

  • Page 1

    O W N E R ’ S M AN U A L[...]

  • Page 2

    15 50-0 7 GUS[...]

  • Page 3

    © 2 00 7 Gib son G uit ar Co rp .[...]

  • Page 4

    T o th e ne w Gi bson ow ne r: C on gra tu l ati on s on th e p ur ch as e of you r new Gi bs on ele ct ri c gu it ar —t he wor ld ’ s mo st fam o us el e ct ri c gui t ar f ro m t he lea d er o f f ret t ed i ns tr u m e n t s . P le as e ta ke a fe w m inu t es to a cq uai n t yo ur se lf wit h t he i n for ma ti on in t hi s b oo kle t r e g[...]

  • Page 5

    Th e Com pon en ts of t he S oli d bod y E lec tri c Gui ta r 4 G ibs on Inn ova t ion s 6 Th e His tor y o f Gi bso n Ele ctr ic Gui ta rs 8 DE SI GN AN D CO NST RUC TIO N B o d y 1 3 N ec k and H ead sto ck 1 3 P i c k u p s 1 4 C o n t r o l s 1 5 B r i d g e 1 7 T a i l p i e c e 1 8 CA RE A ND M AINT EN ANC E F i n i s h 1 9 Y our Gu ita r on [...]

  • Page 6

    6 S t r a p B u t t o n S t o p b a r T a i l p i e c e T u n e - o - m a t i c B r i d g e Th e C om pon e nts o f th e So li db od y E lec tr ic Gu it ar Feat u rin g a Les Paul S t a n d a r d in Her itage C h e r ry S unb urs t 12 th Fr e t M a r k e r / I n l a y N e c k F r e t N u t H e a d s t o c k F i n g e r b o a r d T u n i n g K e y s[...]

  • Page 7

    7 S t r a p B u t t o n S t o p b a r T a i l p i e c e T u n e - o - m a t i c B r i d g e T he Com po nen ts of the So li db od y E lec tr ic Gui ta r Feat u rin g a V -F act or F ade d in W o r n Cher ry 12t h F r e t M a r k e r / I n l a y N e c k F r e t N u t H e a d s t o c k F i n g e r b o a r d T u n i n g K e y s M a c h i n e H e a d s[...]

  • Page 8

    6 H e r e are ju s t a f ew of t h e G ib so n in no v at io ns th at ha ve re sh ap e d th e gu it a r wo rl d : 18 94 – F i rst ar c ht op g ui ta r 19 22 – F i rst ƒ- ho le ar c ht op, t he L - 5 19 36 – F i rst pr of e ss ion a l q ual i ty el ec tr ic gu it ar , t he ES -1 5 0 19 47 – P -9 0 s i ngl e- co il p ic kup in t r o d u c e [...]

  • Page 9

    7 1 95 8 – F i rs t s em i- ho ll ow bo d y g uit ar , th e E S- 335 1 96 1 – S G b od y s t yl e in t rod u ce d in t he L es Pa ul li ne 1 96 3 – F i r e b i r d gu it ar s a nd Th un de rb ir d b as se s int r o d u c e d 1 96 9 – L es Pa u l Pe rs o na l a nd Pr of es si on a l wi t h lo w- im pe d anc e p i ck up s i nt r o d u c e d 1[...]

  • Page 10

    8 A BRIE F HIS TO RY OF GIB SO N ELE C TR IC G UIT A R S G i b s o n ’ s le g e nd ary a co us ti c e n gi ne e r , L lo yd Lo ar , w as e xp er im en ti n g w it h e le ctr ic i n st r u m e n t s i n 19 24 , at th e d awn of el e ctr o ni c am pl i fi ca ti on . H owe v er , G ibs o n’ s st ru g gl e to do mi na te th e b an jo m ark et t oo [...]

  • Page 11

    9 T he fi rs t p o st wa r G i bs on e le ct r ic s f ol l owe d t h e p re wa r c on ce pt o f an e le ct r ic gui t ar as a co nv ent i on al aco u st ic arc h to p w it h a p ick u p i ns ta ll ed on t he to p. Gi bs on ad de d a sec on d p ic ku p to th e ES -3 00 in 19 48 and th en bec a me the f ir st com p any t o o ffe r a th r e e - p i c [...]

  • Page 12

    10 I n 1 95 4 t he gr owi n g p op ul a rit y o f t he Le s P au l Mode l pr om pt ed Gib s on to ex pa nd th e l in e. On t he h i gh e nd , th e Le s P aul Cus t om s por te d an Eb on y fin i sh a nd lo w fr et s fo r fa st act i on , an d i t i mme d ia te ly g ai n ed t wo n i ck na me s: th e B lac k Be a ut y a nd t he Fr et le s s W o n d e[...]

  • Page 13

    11 T he b od y o f t he L es P au l J r . r ec ei ve d a pa ir o f r oun de d h orn s to b ec om e G ibs o n’ s fi rs t do u ble - c uta way s o lid bo d y . An d the fi n ish col or on th e Le s Pa ul Mod el wa s c ha ng ed to Ch er ry S un bu rs t, w hic h le t the gra i n of th e map l e top sho w thr o ug h. T he mo de l na me wa s cha ng ed [...]

  • Page 14

    12 I n r e sp ons e to th e r i si ng de ma nd f or 19 50 s- s ty le Le s P au ls, t he c ar ve d- to p m ode l s w er e r e i n - t r od uc e d in 19 6 8. A ne w mod e l, th e Le s Pa u l Del ux e, f ea tu ri n g mi n i- hu mb uc ki ng pic ku ps a p p e a r e d i n 1 9 69. T he Sp ec ia l w as re vi ve d i n the 1 97 0 s a nd th e J r . r e a p p [...]

  • Page 15

    13 D ESI GN AND CO NST RU CTI ON B o d y . T he so l idb od y g uit a r wa s inv e nt ed to in cr eas e sus t ai n, p rod u ce a br il lia nt to ne , a nd e li mi na te f eed b ac k ca us ed b y a v ib rat in g top . Th es e qu al it ie s ar e en ha nc ed b y w oo d wi th hi gh d e n s i t y , s uch a s map le . Le s Pa ul wo ul d ha v e p r e f e [...]

  • Page 16

    14 N ec k Sp ec if ic a ti ons . G ibs o n des i gn s it s gu i tar nec ks t o com p le me nt and en ha nc e t he un iq u e c ha ra c ter is ti c s of e ac h mod e l. N ec k p r of il e s c a n be “ rou nd e d ’5 0s” or “ sl im ’6 0s” ( or a s li gh t V -s ha p e ava il ab le onl y on th e Bl ues H aw k) . Sc al e le ng th (s tr in g le[...]

  • Page 17

    15 w it ho u t th e “d o g ear s” are n ick n am ed “s oa p ba r” b ec aus e th e or ig in al cr e a m - c o l o r e d p la st i c c ov er s on th e 19 52 Le s Pa ul Mo de l re se m ble d bar s o f s oa p. Wh en th e P- 90 wa s in tr o d u c e d i n 194 6, i t wa s th e mo s t pow e rf u l pi ck up of its k ind . An d it st il l is . Am on [...]

  • Page 18

    16 V ol ume co nt r o l s : Th e tw o k nob s c lo s est to th e fi ng e rb oa rd co nt ro l the v ol um e o f th e pi ck u ps . T he vo l um e k no b n e ar es t t h e b ri dg e c o nt ro ls th e “f r ont ” or ne c k p ic ku p; t he k nob n ea re st t he e dg e of t he gu it ar co nt ro ls th e “b a ck ” o r b ri dg e p ic ku p. T on e con[...]

  • Page 19

    17 T he T un e- o-m at ic Br idg e . Th e T un e- o- ma ti c b r id g e a llo w s fo r a dj us tm e nt i n o ve ra ll br i dg e h e ig ht a nd in di vi d ual s tr in g le ng th . He ig ht is adj u st abl e up and d own b y mea n s o f th um b wh ee ls u nd er t he b ri dg e a t e it he r e nd . E ac h st ri n g s a dd le i s adj u st ab le f or w a[...]

  • Page 20

    18 T he t un e- o- ma t ic br id ge wa s d esi gn e d to ad ju st f or st ri ng ch a ng es (ga u ge or ty pe ) an d ot he r p hy sic a l c h ang es b ut n ot fo r p rob l em s w it h in to na t ion du e to st ri n g w ea r . S ho uld a st r ing l os e i ts int o na tio n d u e to w ea r , we st ro ng ly rec o mm en d cha ng i ng th e st rin g a nd [...]

  • Page 21

    19 C ARE AND MA IN TEN AN CE F i n i s h . A Gi bs o n in st ru m ent al wa ys a tt ra ct s att e nt ion , w het h er i t is on a con ce r t st ag e be fo r e t hou s a nd s or on a gu i ta r st a nd in a ho me st ud io . Aft er th e cla ss ic bo dy li ne s o f a Gi bso n , t he f in is h m ak es th e st r on ge st im pr e s s i o n . P er sp ir at[...]

  • Page 22

    20 H ea t a n d c ol d: G i b s o n ’ s n i tro c ell u l ose f in is h c a n e xp a nd or co n tra ct t o a d ju st t o e xt re me t em - p e r a t u r e s an d hu mi dit i es —b ut not to su dd e n c ha ng es i n te mp er at ur e or hu m idi ty . Ju st a s a h ot d rin k wi ll c rac k a c h ill e d g l ass , t he f in i sh of a Les P au l w i[...]

  • Page 23

    21 A v oi d s ha r p b lo w s to any p ar t o f yo u r i ns tr um e nt . B e p a rti c ul ar ly al e rt t o p os si b le bl ow s t o th e b ac k of th e h ea ds toc k, mac h in e he ad s (t un er s) , an d in th e ne ck he el are a. Man y he ad st o ck b r ea ks ar e th e res ul t of a gu it ar bei n g kno ck ed ov er or dr opp e d wh ile it ’ s [...]

  • Page 24

    22 W he n ch a ng in g st r ing s , we re co mm en d ch a ng in g on e s t rin g at a t im e in or de r t o ma in t ai n te n- s io n o n t he nec k an d br id ge . T he p r e s s u r e o f th e s tr in gs hol d s t he br id ge a n d sa d dle s i n p la ce , a nd rem o vi ng al l t he st ri ng s c ou ld ne ce ss it a te a ne w s et up . U se hig h [...]

  • Page 25

    23 2 . Be certain the string is wrapped around the tuner post an adequat e n um be r of tim e s. Fo r un wo un d s tr i ng s, at l ea st f iv e t ur ns a ro un d th e m ac hi ne h ea d s te m a re n ec es s ar y . F or w ou nd st ri ng s, two o r t hr ee tu rn s a re ad eq ua te . W ha t g aug e str i ng s sh o ul d be use d? Y ou r Gib so n gui t [...]

  • Page 26

    24 NE W TEC H NOLO G Y - THE GIB SO N RO BO T G UIT A R T he I m po ss ib le is No w Po s si bl e. I n t r o du ci ng th e G ib so n R ob ot Gu it ar , th e w or ld ’ s f irs t gui ta r wit h rob ot te ch n ol og y . G i b s o n ’ s Ro b ot Gu it ar is the o nly g ui tar av a il ab le wi th th e au to - tu ni ng sy st em d esc ri b ed h e r e i[...]

  • Page 27

    25 T HE M ASTE R C ONT R OL KN OB (M CK ) T he M as ter Con tr ol Kno b not on ly ser ves as the mas te r co nt ro l for all as pec ts o f th is a maz i ng , se lf - tun i ng sy s tem , bu t it wi l l com m un ic at e wi th yo u as you le ar n it s “la n gu ag e .” T he MCK is qui t e pow er fu l an d has ma n y u se s, an d we bel i eve yo u w[...]

  • Page 28

    26 c ha nge d to yo ur li kin g , bu t you c an al wa ys r e s t o r e t he fa ct or y d e fa ult s as l a ter de sc r ib ed i n th i s Ow ne r ’ s Ma n ual . T he M C K’ s L ED di s pla y w i ll s h ow v ar i ou s s ym bol s an d c ol o rs an d th e se wil l be e x pl ai ne d i n t he var iou s m o des of oper a ti on a vai la b le to y ou . D[...]

  • Page 29

    27 PR EC AUT I ON S: • Nev er tr y to m a nu ally tur n t he tu ni ng p e gs on th e P ow er he ad s u nl es s t hey a re in th e dis e ng ag ed p osi ti on (p u ll ed o ut an d a way f rom the peg h ead ) . • Do not at te m pt to ope n t he co ve r of the p e gh ea d e le ct ron i c s, t he P owe rh e ads , or th e bod y CP U a s th i s w ill [...]

  • Page 30

    [...]

  • Page 31

    [...]

  • Page 32

    30 GU ID E TO FU NC TIO NS AND DI SPL A Y MO DES DU RIN G TU N IN G OP ER A T I O N S F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s Instantly Activated T uning (440Hz, EADGBE is factory default) Regular T uning 440Hz, EADGBE E major T uning 440Hz, EBEG#BE Pull MCK out MCK out and turned all the way down to “0” (co[...]

  • Page 33

    31 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s DADGAD T uning 440Hz, DADGAD Dropped D T uning 440Hz, DADGBE De lt a Blu es T unin g 44 0Hz, DG DGB D Pull MCK out and tur n to A LED Pull MCK out and tur n to D LED Pu ll MC K o ut and t urn to G LE D A LED shining blue D LED shining blue G L ED s hini ng b lu e Enter [...]

  • Page 34

    32 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s E F lat T uni ng 4 4 0 H z , E b A b D b G b B b e b Do ubl e D r o p p e d D T uni ng D A D G B D Pul l MC K ou t and tur n to B LED Pul l MC K ou t and tur n to e L ED B L ED s hin in g blu e e LED s hin ing blu e Enter by pressing the display once— b, #, and all st[...]

  • Page 35

    33 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s R e f e r en ce T unin g ( T une to s ele cte d r e f e r ence p itc h) Pu ll MC K o ut an d t u r n t o I LE D I L ED s hini ng r e d Pu ll o ut (d ise nga ge) the peg of the Power h e a d yo u ch oos e to t une t o a r e f e r e nce p itc h. No w tu ne th is st rin g to m atch your ch[...]

  • Page 36

    34 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s Cu st om A lter e d T un in g Pu ll MC K o ut an d t u r n t o Peg LED T o c rea te yo ur ow n ”Cu sto m Al ter e d T un ing ,” d isen ga ge eac h P ower hea d of t he st rin g r e q u i r ed and tune it man ual ly to the pitch yo u wa nt. Then pr e s s th e dis play on ce, and th e[...]

  • Page 37

    35 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s St rin g U p Mod e St rin g D own Mo de Pul l MC K ou t and tur n to R evol vi ng A rrow LE D Pul l MC K ou t and tur n to R evol vi ng A rrow LE D Re vo lvin g Ar ro w and # L ED s hin e gr e e n Re vo lvin g Ar ro w and # L ED s hin e gr e e n Activate String Up Mode [...]

  • Page 38

    36 T O RE STR IN G YO UR ROB OT GU IT A R F ir st en s ur e th at all Pow e rh ea ds ar e d is en ga ge d by pu lli n g th e peg s a wa y fr om the peg he ad . T his i s ve r y i mpo r ta nt ! G uid e ea ch str in g th ro ug h yo ur tai lp i ece , ov er the cen te r of ea ch sa d dl e (w her e con ta ct is e ss en ti al ), an d t hr ou gh th e n ut[...]

  • Page 39

    37 N ow y ou ar e re ady to en gag e S t ri ng Up Mod e . MCK s ho ul d be on the gr een re v ol vi ng a r r o w a s d e scr ib e d on th e pr ev io us p age . A ft er t he di sp la y is p res s ed fo r 3 s e con ds , al l st r ing s wil l w in d th e mse l ves cl os e to th eir cor r ec t pi tc hes , wh ere u po n yo u mu st fi ne tu ne yo u r gu [...]

  • Page 40

    38 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s In to nati on Mode Activate Intonation Mode by pressing the display for 3 seconds. Strum one of the strings until the accor ding LED shines green. For example, D. After 2 seconds b LED turns off and # LED shines green Pick the same string now in the 12th fret and strum [...]

  • Page 41

    39 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s In to nati on Mode For each green LED turn the screw half turn clockwise For each red LED turn the screw half turn counter - clockwise Now a color ed blink code displays the appropriate cor r ection for the intonation scr ew . For example: = 5 half turns clockwise For e[...]

  • Page 42

    40 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s C a l i b r a t i o n M o d e Pu ll MC K o ut an d t u r n t o C L ED C L ED s hine s r e d Ac ce ss Cal ib rati on Mo de b y pre ss ing the di spl ay f or 3 s ec ond s. Th e C LE D wi ll shi ne bl ue. Now t urn th e MC K to sel ect your fun da- men ta l fr equ enc y fr o m th e fol low[...]

  • Page 43

    41 PL E ASE NOT E: O nce y ou h av e s el ec te d y our de si r ed f un d amen tal , p re ss th e d isp l ay d ow n f or thr e e se co nd s. N ow ch o os e a tu n in g and s tr u m t he s tr ing s. T he G lob a l C al i br at io n O f fs et is ap pli ed to ea ch s el ec te d t un in g. T o c h e ck t he s e l ec t e d G lo b a l Ca l i br at i on O[...]

  • Page 44

    42 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s En te r Set up M ode Pul l MC K ou t and tur n all the way down to “0” ( c o u n t e r - c l o c k w i s e ) b a nd # shi ne r e d Press display for 3 seconds. When the display tur ns blue, r elease the display button. Now press the display again for 3 seconds. It w[...]

  • Page 45

    43 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s Ex it S etu p M ode with out s avi ng ch ang es Ex it S etu p M ode; s avi ng ch ang es Pus h MCK bac k in Dep end en t on S etu p Mod e fu ncti on las t u t i l i z e d Setup Mode switches of f Setup Mode function applied Y ou can exit Setup Mode at any time Y our Setu[...]

  • Page 46

    44 R e s t o r e F a c t o r y D ef ault s Di spl ay S of twa re R e l e a s e En ter S et up Mo de a nd t u r n t o LED D En ter S et up Mo de a nd t u r n t o E LE D a n d p r e ss En ter L E D D s hini ng b lue , Pe g LED sh in es wh ite Pe g LED fla shi ng seq uen c e indi cat es s o f t w a r e r e l e a s e e d i t i o n Res tor ing Fact ory [...]

  • Page 47

    45 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s G l o b a l C a l i b r a t i o n O f f s e t On / Of f Ent er S etup Mo de t u r n to L ED C an d p r e ss dis pla y o nce L ED C s hin in g blu e, Pe g L ED sh ine s wh ite T urn MCK left (Counterclockwise) to switch of f Global Calibration r ed B LED indicates OFF T [...]

  • Page 48

    46 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s I n s t a n t l y A c t i v a t e d L ast T u n i n g In st antl y Ac ti vate d P r e set T u n i n g Ent er S etup Mo de and turn to LED and pre ss En te r Ent er S etup Mo de and turn to LED and pre ss En te r T urn MCK to I and press Enter T urn MCK to one of the Pre[...]

  • Page 49

    47 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s Sp eed / A c c u r a c y S e t t i n g s En ter S et up Mo de a nd t urn to A LE D Pe gs sh in es w hite , A sh in es bl ue P r es s di spl ay on c e. C u r re nt S pee d / Ac cur acy sett in g wi ll be ind ica ted by fl ash in g gre en LE Ds (a s de scr ibe d be low) Th e Powe rt un e [...]

  • Page 50

    48 Dy nam ic R un time C o n t r ol On / O ff e F u n c t i o n C o r r e c t i o n On / Of f En ter S et up Mo de t u r n t o G LED an d p r e ss En ter En ter S et up Mo de an d tur n to B LED , p r e ss di spl ay # wi ll be sh in ing g r e e n or b wil l b e shi nin g r e d , G L ED s hine s b lue , Peg LE D sh ine s whi te # wi ll be sh in ing [...]

  • Page 51

    49 C A L I B R A TI NG PO WER HEA DS T he Rob ot Gui t ar wi ll b e p re- ca li br a ted f or a s t and ar d .0 10 -.0 4 6 set o f st r ing s . If you c h ang e s tr in g ga uge s , r e s t o r e fac t or y de fa ult s, or are i ns ta ll i ng the s ys te m yo u rs elf , y ou m a y f ir st wan t t o cal i b rat e th e Po we rh e ads in di vid u al l[...]

  • Page 52

    50 CH AR GI NG AND BA T T E R Y I NFO RMA T I O N T he R o bo t G ui tar c ome s wi th a b att e ry pa ck c on t ai nin g tw o r e c h a r gea b le b a tt er ie s. A spe c ia l c ha rge r is al so inc l ud ed wit h th e sy s tem . T he ba tter y c h ar ge l e vel is in dic at ed ea ch t im e y ou a ct iv at e yo u r sy st e m, a s in d ic at ed b e[...]

  • Page 53

    51 C h a r ge Mo de Pu ll MC K o ut, turn to C L ED an d pr e s s d i s p l a y Y our c urre n t cha r g e le ve l wil l be d isp la yed fo r a bou t 3 sec on ds. T he le vel of c har g e wi ll b e in dic at ed by ho w ma ny g ree n LE Ds y ou se e (b et weeen 1 a nd 1 0). Fo r op tim um pe r f o r m a n c e , y ou wi ll wa nt a ch a r g e le ve l [...]

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    EMERGENCY CHARGE MODE Th e sys tem has an Em ergen cy Charge Mod e (ECM) if it s r e c h a r ge able bat ter y pack goes c omplet ely ‘dead’ or too low in char ge to run the nor mal Char ge Funct ion . Pull out MCK a nd tu rn it to r ough ly the midd le posit ion . I t’ s OK if th e light s don ’t come on, ECM w ill fix th at. Put all the o[...]

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    53 Note: It is r ecommended not to store the guitar with the MCK out, as this will fully drain the battery eventually and Emergency Charge Mode must be employed. SHORT CIRCUIT W ARNING I n th e ev en t of a shor t ci r cu it f ro m n eg at iv e to g rou n d (S tr in gs E o r A to D o r G ) the whi t e peg s ymb o l wil l fl ash . Th is can be cau s[...]

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    55[...]

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    56[...]

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    57 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _[...]

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    58 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _[...]

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    59 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _[...]

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    60 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _[...]

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    7[...]

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    6 30 9 Plu s Park Boul eva rd Nashv ille , T N 37 217 U SA 1. 800. 4GI BSO N www . g i b s o n . c o m[...]