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Behringer Ultramatch Pro SRC2496 manual

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Table of contents for the manual

  • Page 1

    U ser Manual UL TR AM A T CH PRO S RC2 496 A ud i oph i le 2 4 -Bi t/96 kHz A/D -D / A & Sa mpl e Ra te C on v er t er[...]

  • Page 2

    2 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual T able of C on tents Important Safet y Instructions ...................................... 3 Legal Disclaimer ............................................................. 3 Limited warranty ............................................................ 3 1 . Int roduc tion .............................[...]

  • Page 3

    3 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual Impor tant Safety Instructions LEGAL DISCLAIMER LIMITED W ARR ANTY T erminals marked with this symbol carry electrical current of su cient magnitude to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. Allo[...]

  • Page 4

    4 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual 1. Introduc tion The BEHRINGER UL TR AMA TCH PRO is a fully dig ital signal proce ssor integrat ing 2 4 -bit A /D and D /A converter s. With it s wide range of feat ures, it provide s a power ful st ate-of-the -art inter face b etween th e physical realit y of music and it s record ing in digital fo r[...]

  • Page 5

    5 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual 2 .1.1 Monitor and input sections (4) (5) (7) (9) (11) (13) (15) (16) (8) (10) (12) (14) (19) (18) (21) (20) (23) (25) (22) (24) (26) (27) (28) (17) (6) Fig. 2 .2: Inpu t sec tion c ontro l eleme nts (4) Use the G AIN control to adapt th e signal level per fec tly to the circui try of your UL TR AMA T[...]

  • Page 6

    6 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual (18) The S A MP LE R AT E s witch sele cts t he sampling rate to wh ich the input signal is to be conver ted or made available at t he output s. For this purp ose, theSRC24 9 6 must be se t to internal mode, i.e. it has to func tion as a mas ter unit (see se ction s (20) and (21) ). (19) The LEDs 3[...]

  • Page 7

    7 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual (29) (30) (31) (36) (37) (38) (32) (35) (33) (34) Fig. 2 .7 : Wor dcloc k conne cto r (30) T he BNC connec tor WORDCLO CK is a high-imp edance connec tor with no internal ter minating impedance (75 Ohms) . Use it to conne ct equ ipment for ex ternal s ynchroniz ation of your UL TR AMA TCHPRO. Pleas[...]

  • Page 8

    8 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual DA T-Recorder BEHRINGER EURORACK UB2222FX-PRO Channel input Microphone BEHRINGER XM1800S Subgroup outputs Analog inputs/L+R UL TRAMA TCH PRO Digital input/Sound card Digital Audio Workstation Digital outputs Fig. 3.1 : E xampl e: A/D co nversi on of a mic roph one sign al Fig. 3. 1 show s a typic al s[...]

  • Page 9

    9 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual 3. 2 Sample rate con version No mat ter what ty pe of digital audi o signal you feed into th e UL TRAMAT CH PRO, it will conver t it to a common s tandard for mat. Numerous conversi on examples can be f ound in daily stu dio prac tice: • Conversion of 4 8 kHz DA T recordi ngs to the CD standar d [...]

  • Page 10

    10 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual So much for the theory. In practice, a lit EMPHASIS LED does not necessarily show that the emphasis function has really been applied. In several situations the emphasis bit was set during the mastering and editing process due to defective hardware/software—without any treble boost applied. This err[...]

  • Page 11

    11 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual applic ation. Theref ore, programmer s continue to ex periment with t he most varie d of algorithms, end ing up , however , always having to make a comp romise bet ween comput ation eor ts and s ound qualit y . By proce ssing data in real tim e , th e processor u sed in the BEHRINGER UL TR AMA TCH[...]

  • Page 12

    12 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual ◊ When usi ng the XLR connec tor s in an unbala nced conf igurati on, pins 1 and 3 on th e connec tors in serted m ust be inter connec ted! shield signal ow sleeve tip mixing console subgroup output UL TRAMA TCH PRO analog input 1 2 3 Fig. 5.1 : Unb alance d trans missio n to the ULTRA MA TCH PR[...]

  • Page 13

    13 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual signal ow Wor d clock output device A Wor d clock input UL TRAMA TCH terminating resistor Fig. 5.6: U nbalan ced conn ect ion (ter minati on ) of th e wordc lock in put to th e UL T RAMATCH PRO When the ULTRAMA TCH PRO is use d as part of a c hain of wordcloc k devices, it is also supplie d with a[...]

  • Page 14

    14 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual Analog Inputs T yp e XLR, balanced Input imp edance 20 kohms Converter 2 4 -bit /96 kHz 1 28/64 times oversampling delta-sigma AKM A /D converter Input level -4 dBu to + 22 dBu f or 0 dBFS, adjust able S/N-R atio > 105 dB Analog Outputs T yp e XLR, balanced Outp ut impedance 1 6 0 ohms Converter 2[...]

  • Page 15

    15 UL T RAMA TC H PRO SRC2 496 U s er Man ual FEDERAL C OMMUNICA TIONS C OMM IS SIO N C OMPLI ANCE INF ORMA TI ON Responsible Par ty Name: MUSIC G roup Se rvice s US Inc. Address: 1 891 2 Nor th Cree k Parkway, Suite 2 00 Both ell, WA 980 1 1 , USA Phone/Fax No .: Phone: + 1 425 6 72 081 6 Fax: + 1 425 67 3 7647 UL TRAM A TCH PRO SRC2496 complies w[...]

  • Page 16

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