Behringer Bass V-AMP manual

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Table of contents for the manual

  • Page 1

    Version 1.2 December 2005 User’s Manual BASS V-AMP/BASS V-AMP PRO BASS V-AMP PRO BASS V-AMP[...]

  • Page 2

    2 BASS V-AMP/BASS V-AMP PRO SAFETY PRECAUTIONS CAUTION: To reduce the risk of electric shock, do not remove the cover (or back). No user serviceable parts inside; refer servicing to qualified personnel. WARNING: To reduce the risk of fire or electric shock, do not expose this device to rain and moisture. This symbol, wherever it appears, alerts you[...]

  • Page 3

    3 BASS V-AMP/BASS V-AMP PRO BASSV-AMP/BASS V-AMP PRO BASS V-AMP/BASS V-AMP PRO BASS V-AMP/BASS V-AMP PRO The Ultimate Tone Toolbox for Bass, Acoustic/Electric Guitar and Keyboard Amp Modeling V 32 unsurpassed authentic amp models: 16 classic bass amps, 8 of the best V-AMP amp models, 4 typical keyboard amps and 4 acoustic models V 23 renowned cabin[...]

  • Page 4

    4 BASS V-AMP/BASS V-AMP PRO FOREWORD Dear Customer, welcome to the team of BEHRINGER users, and thank you very much for expressing your confi- dence in us by pur- chasing the BASS V-AMP/ BASS V-AMP PRO. Writing this foreword for you gives me great pleasure, because it represents the cul- mination of many months of hard work delivered by our enginee[...]

  • Page 5

    5 BASS V-AMP/BASS V-AMP PRO 1. INTRODUCTION Congratulations! By purchasing the BASS V-AMP/ BASS V-AMP PRO, you have selected a modern virtual bass amplifier that sets new standards in the world of bass preamps. Our primary goal was to achieve the classic sound of bass amps by using “Physical Modeling” and implementing the newest DSP effects. Fo[...]

  • Page 6

    6 BASS V-AMP/BASS V-AMP PRO Well-known floor effects units are simulated with these setups.  When the DRIVE function is activated, turning the EFFECTS MIX controls lets you also set up the Wah- Wah. The LEDs surrounding the EFFECTS MIX control show the position of the pedal. When the LED is not on, the Wah-Wah is inactive.  When the Auto Wah/[...]

  • Page 7

    7 BASS V-AMP/BASS V-AMP PRO 2. CONTROL ELEMENTS TREBLE control to regulate PRESENCE in a particular amp simulation. V “2 nd parameter”: The second effect parameter (regulated by the EFFECTS control) is accessed by keeping the TAP button pressed (see chapter 6 ). V “Amp models 17 - 32”: Keep the TAP key pressed and select the desired simulat[...]

  • Page 8

    8 BASS V-AMP/BASS V-AMP PRO 3. APPLICATION EXAMPLES/OPERATING MODES The stereo signal of the BASS V-AMP PRO without analog speaker simulations can be taken at the ANALOG LINE OUTPUTS . For example, this is how you connect an external stage amp when performing live. The POST DSP INSERT RETURN (IN) stereo jack pair is used for connecting to the outpu[...]

  • Page 9

    9 BASS V-AMP/BASS V-AMP PRO 4. PRESETS OF THE BASS V-AMP/BASS V-AMP PRO Naturally, your BASS V-AMP/BASS V-AMP PRO is in its best shape when its bass parts are immortalized on an analog or digital recording medium. Its advantages are most apparent when used in recording situations. Your BASS V-AMP/BASS V-AMP PRO gives you unsurpassed flexibility bec[...]

  • Page 10

    10 BASS V-AMP/BASS V-AMP PRO 5. AMP/SPEAKER SIMULATION 4.1 Recalling presets The most recently used preset is automatically recalled each time you power the unit on. The following example in fig. 4.1 shows the BASS V-AMP: preset D in the 25th bank was selected. In this case you can press the keys A, B, C or E to recall a different preset of the sam[...]

  • Page 11

    11 BASS V-AMP/BASS V-AMP PRO 5. AMP/SPEAKER SIMULATION 5.1 Amp descriptions BRITISH ’60s: A ’68 Marshall Super Bass Plexi with Vintage EL-34 tubes was the role model for this simulation. This amp has richer highs than the Marshall Major and sounds a bit like a fuzz box in the upper drive settings. This amp was a must in the ’60s, particularly[...]

  • Page 12

    12 BASS V-AMP/BASS V-AMP PRO 5. AMP/SPEAKER SIMULATION BRIT. HI GAIN: Compare this model with a Marshall JCM 800. Even though the original caused a furry mostly due to its distorted sound, this model produces a similar effect even with moderate gain. You get excellent Steve Ray Vaughan/Michael Landau sounds. When distorting, it is ideal for produci[...]

  • Page 13

    13 BASS V-AMP/BASS V-AMP PRO 6. EFFECTS PROCESSOR - BYPASS (N O SPEAKER SIMU LATION) 1 AMPEG SVT 8 x 10 " '97 2 TRACE ELLI OT 4 x 10" 3 SW R GOLIATH 4 x 10" 4 AMPEG 4 x 10" 5 GALL IEN KRUEGER B120 6 68 MARSHALL 4 x 12" 7 AMPEG B15 1 x 15" CLO SED BACK C OMBO 8 POLYTONE A101 1 x 15" CLOSED BA CK COMBO 9 VOX AC[...]

  • Page 14

    14 BASS V-AMP/BASS V-AMP PRO ACOUSTIC SHIFT [TONE] DEEP [SPLIT] ROC K JAZZ TONE CALIFORNIAN GOLD PANEL RED PANEL WHITE PANEL SILVER PANEL BRIT. HI ORGAN CLASSIC BLACK T WIN PIEZO EQ MAGNETIC EQ MIC SIM. PIEZO SIM. BOTTOM END BRITISH CLASSIC CLASSIC 600Hz 41Hz 470Hz 58Hz 362Hz 84Hz 251Hz 121Hz 174Hz 531Hz 49Hz 416Hz 70Hz 209Hz 145Hz 301Hz 101Hz Fig.[...]

  • Page 15

    15 BASS V-AMP/BASS V-AMP PRO 8. INSTALLATION 6.3.4 Virtual analog bass synth SYNTH: This effect gives you a rad three-voice synthie bass and has many parameters that are pre-configured in 9 variants and can be selected via TAP and EFFECT. The TAP key can be used to control the envelope (ADSR) of the synthie sounds (short tap = short tone, slow tapp[...]

  • Page 16

    16 BASS V-AMP/BASS V-AMP PRO Fig. 8.1: XLR connections Fig. 8.2: 1/4" TS connector Fig. 8.3: 1/4" TRS connector Fig. 8.4: Stereo headphones connector 8.4 MIDI connections The MIDI standard ( M usical I nstruments D igital I nterface) was first developed at the beginning of the ’80s, with the goal of enabling mutual communication between[...]

  • Page 17

    17 BASS V-AMP/BASS V-AMP PRO 9. SPECIFICATIONS 9. SPECIFICATIONS BASS V-AMP BASS V-AMP PRO AUDI O INPUTS INST RUMENT IN PU T Input impedance Max. input level AUX IN 1/4" TRS connec tor, balanced - Input impedance 50 k Ω - PRE DSP RETURN LINE IN - 1/4" TS connector, unbalanced Input impedance - 45 k Ω Max. input level - +9 dBu POST DSP[...]

  • Page 18

    18 BASS V-AMP/BASS V-AMP PRO BEHRINGER constantly strives to maintain the highest quality standards. Modifications may be made, if necessary, without prior notice. The specifications and appearance of the equipment may therefore differ from those listed or illustrated. 9. SPECIFICATIONS BA SS V- AMP BA SS V-A MP PRO DIGITAL SIGNAL PROCESSI NG Conve[...]

  • Page 19

    19 BASS V-AMP/BASS V-AMP PRO 10. APPENDIX 10. APPENDIX T ab. 10.1: MIDI implementation T ab. 10.2: MIDI controllers of the delay/loop effect MIDI Controller 55 56 57 58 59 60 Fu ncti on REC PLAY STOP SPEED REVERSE PLAY ON CE Controller value REC GAIN PLAY GAIN / PLAY SPEED DIRECTIO N / Range 0-127 0-127 / 0=off,1=hal f,2=normal 0=off,1=rew / Functi[...]

  • Page 20

    20 BASS V-AMP/BASS V-AMP PRO 11. WARRANTY T echnical specifications and appearance subject to change without notice. The information contained herein is correct at the ti me of printing. The names of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their u[...]