AOC 2217V manual

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A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of AOC 2217V, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

What is an instruction?

The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of AOC 2217V one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of AOC 2217V. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of AOC 2217V should contain:
- informations concerning technical data of AOC 2217V
- name of the manufacturer and a year of construction of the AOC 2217V item
- rules of operation, control and maintenance of the AOC 2217V item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of AOC 2217V alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of AOC 2217V, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the AOC service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of AOC 2217V.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the AOC 2217V item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    22 17 V Us er’ s M anu al A b o u t T h is G u id e T h is g u id e d e s c r ibe s th e m o n it o r's fe a tu re s, s e tu p , a nd o pe ra tio n . ln fo r m a tio n in th is d o cu m e n t is s u b je c t to c h an g e w i th o u t n o tic e . T h e s e ctio ns a re a s fo llo w s:  S a fe ty In s tr u ct ion s : l is ts s a fe ty in f[...]

  • Page 2

    FCC No tice F C C C la ss B R a d io F re q u e n c y In te rfe re n c e S t ate m e n t W A R N IN G : (F O R F C C C E R T IF IE D M O D E L S ) N O T E : T h is e qu ip m e n t h a s b e e n te s te d a n d fo u n d to c o m p ly w ith t h e li m its fo r a C la ss B dig ita l d e v ic e , p u rs u a n t to P a rt 1 5 o f t he F C C R u le s. T [...]

  • Page 3

     D o n o t p la c e the mo n ito r o n a n u n s ta b le c a rt , s ta n d , o r ta b le . If th e mo n ito r fa lls , i t c a n in ju re a p e rs on a nd c a u se s e rio u s d a ma g e to th e a p p lia n c e . U se o nl y a c a rt o r s ta n d re co m me n de d b y th e m a nu fa ctu re r o r s o ld w ith th e m o n i to r. I f yo u m o u n t[...]

  • Page 4

    S e tu p th e s ta n d a n d b a se P le a se s e tu p o r re m o ve th e b a s e fo ll o w ing b e lo w s te ps . A d ju st in g V ie w in g A n g le  F o r o p t im al v ie w in g it is re co m m e n de d to lo ok a t the fu ll fa c e of th e m on ito r, t h e n a dj us t th e m o n ito r' s a n g le to y ou r o w n p re fe re n ce .  [...]

  • Page 5

    C a b le C o n n e c tio n s O n B ac k o f M o n i to r a n d C o m pu te r 1 . P o w e r 2 . D V I 3 . A n a lo g T u rn o f f yo u r c o m p u te r b e fo re p e rfo r m in g th e p ro ce d ure b e lo w . 1 . C o nn e c t th e p o w e r c ab le t o th e A C p o rt o n th e b a c k o f th e m o ni to r . 2 . C o nn e c t o ne e n d o f th e 1 5 -[...]

  • Page 6

    T h is m on i to r c a n b e a tta ch e d to a w a ll m ou n t in g a rm y ou p ur c h as e s e pa ra te ly . D is co n ne c t p ow e r b e fo re th is p ro c e d ure . F o llo w th e se s te ps : 1 . R e m o ve th e b a se . 2 . F o llo w th e m an u fa c t u re r' s in s tru c tio n s to a s s e mb le t he w a ll m o u nt in g a r m . 3 . P [...]

  • Page 7

    S e tt in g th e O p ti m a l R e so lu t io n T h e re c o m me nd e d r e so lu t io n fo r th is mo n ito r is 1 6 8 0 b y 1 0 5 0 . T o se tu p th e m o n ito r to th is re s olu tio n , fo llo w th e s te p s b e lo w . 1 . C li c k S T A R T . 2 . C li c k S E T T IN G S . 3 . C li c k C O N T R O L P A N E L . 4 . D o ub le c lic k D IS P L [...]

  • Page 8

     S o u rc e h o t k e y : W h e n th e O S D is c lo se d , pre s s A u to /S o u rc e b u t to n w ill b e S o u rc e h o t ke y f u n c tio n (O n ly fo r th e m o de ls w ith d ua l o r m ore inp u ts ) .P re ss S ou r ce b ut to n co n ti nu o us ly to se le ct t he in pu t s o ur c e s h o w e d in th e m e s s a ge b a r , p re s s M e nu [...]

  • Page 9

    F u ll E n h an c e: Wh e n " F ul l E nh a nc e " is tu r ne d on , th e c ol o r s atu ra t io n o f the e nti re sc re e n is fu lly e n ri ch e d , th u s a ll c o lo rs b e c o me m o re v ib ra n t. N a tu re S k in : Wh e n " N a tu ra l S k in" is t urn e d o n , th e re d a n d y e llo w c o lo rs a re e n ric h e d a u[...]

  • Page 10

    S k y B lu e: W h e n" S k y B lu e " is tu rn e d o n , th e co lo r b lu e is b e ing f ine -tu n e d s o th a t th e s k y o r o c e an la nd s c ap e w ill lo ok m o re v iv id a n d in -d e pt h . " S ky B lu e " s e tt in g is id e al fo r vie w in g s ky a nd o ce an i m a ge s. A u to D e te c t: Wh e n “A u to D e te [...]

  • Page 11

    a dju s te d. " P ic tu re B o o s t" is lo ca te d in th e fif th i co n la be le d " P ic tu re B o o st" in the O S D me n u . T u rn o n " B rig h t F r a me " t o se le ct a z o n e o n t h e s c re e n to b e e nh a n c e d . P le a s e n o te w h e n a d ju st o r tu r n o n a n y o n e o f th e D C B fe a tu re[...]

  • Page 12

    w il l b e d is a ble d . D C R D e mo s : D i s cl a i m e r: D C R a fte re ffe c ts a re s ub j e ct to th e r es o l u ti o n a n d q ua l i ty o f th e d i sp l a y c on te n t, he n c e m ay l oo k di ffe re n t t h a n th e a b o ve i ll u s tra ti o ns . F u n c t io n C o n tro l I llu s t ra t io n L u m in an c e A d ju s t R a n ge D e [...]

  • Page 13

    G a me G a me M o de M ov ie M o vie M od e S p o rt s S p o rts M o d e G a m m a G a m m a 1 A d ju s t to G a m ma 1 G a m m a 2 A d ju s t to G a m ma 2 G a m m a 3 A d ju s t to G a m ma 3 D C R O ff D isa b le d y n a m ic c o n tra st ra tio O n E na b le d y n a mic c o n tr a st ra tio I ma g e S e tu p C lo ck 0 -1 00 A d ju s t p ic tu r[...]

  • Page 14

    O S D S e tu p H .P o s itio n 0 -1 00 A d ju s t th e ve rt ica lp o s it io n o f OS D V .P o s it ion 0 -1 00 A d ju s t th e h o riz on t al p o s itio n o f O S D T im e ou t 5 -1 20 A d ju s t th e O S D T i me o u t T ra ns p a re n ce 0 -1 00 A d ju s t th e tra ns p a re n ce o f O S D L an g ua g e S e le c t th e O S D la n g u a ge E x [...]

  • Page 15

    U s in g “ i - m e nu ” 1 . L u m in an c e L u m in an c e A d ju s t R a n ge D e s crip tio n C o ntr a st 0 -1 00 C o ntr a st f ro m D ig ita l-r e g is te r. B rig h tn e ss 0 -1 00 B a c kl igh t A d ju s tm e n t E c o m o de S ta nd a rd S ta n d a rd M o de T e x t T ex t M od e In te rn e t In te rn e t M o de G a me G a me M o de M [...]

  • Page 16

    R e se t R e se t th e c u rre n t p ag e R e m ar k s: 1 ) If D C R is se t to “o n ”, th e o th e r 4 i te ms o f L u m in a n ce ca n no t b e a d jus te d . 2 ) If a n y o ne o f D C R , C o lo r B oo s t a n d B r igh t F ra me of P ic tu re B o o s t is se t to “o n ” , th e o th e rs a re s e t to “o ff ” a u to m a tic a lly . 3[...]

  • Page 17

    3 . C o lo r T e m p e ra tu re C o lor T e mp . A d ju s t R a n ge D e s crip tio n P re se t W a rm R e c all Wa r m C o lo r T e mp e ra ture fr o m E E P R OM . N o rm a l R e c all N o r m a l C o lo r T e mp e ra tu re fro m E E P R OM . C o ol R e c all C o o l C o lo r T e mp e ra t u re f ro m E E P R O M . s R G B R e c all S R GB C ol o[...]

  • Page 18

    4 . C o lo r B o o s t C o lor B o o st A d ju s t R a n ge D e s crip tio n F u ll E n h a nc e on o r o ff D is ab le o r E n a b le F u ll E nh a n ce M od e N a tu re S k in o n o r o ff D is a b le o r E na b le N a tu re S k in M o de G re e n F ie ld on o r o ff D is ab le o r E n a b le G re e n F ie ld M o d e S k y -b lu e o n o r o ff D [...]

  • Page 19

    5 . P ic tu re B o o s t P ic t u re B o os t A d ju s t R a n ge D e s crip tio n B rig h t F ra me o n o r o ff D is ab le o r E n a b le B r ig h t F ra me F ra m e S iz e 14 -1 0 0 A d ju s t F ra me S iz e B rig h tn e ss 0 -1 00 A d ju s t F ra me B rig h tne s s C o ntr a st 0 -1 00 A d ju s t F ra me C o n tra s t H . p o s it io n 0 -1 00 [...]

  • Page 20

    6 . S e tt in g 7 . E x tr a[...]

  • Page 21

    8 . H e lp O n th is p a ge , y o u ca n f ind th e in fo rm a tio n o f t h e m on ito r . We lc o me to lin k o u r w e bs ite a n d s e n d e ma il to u s if y o u h a ve a n y pr o ble m . C o mp a tib il ity : i- me nu s u p po r ts m a jo r g ra ph ic c a rd s o f A T I, N v id ia , In te l, V IA (S 3) . P le as e c on t a ct w ith u s if y o[...]

  • Page 22

    S p ec if ic a ti o n s L C D P an e l M od e l n u m b e r 2 21 7 V D riv ing s y ste m T F T C o lo r L C D V ie w a ble I m a g e S iz e 5 58 m m d ia go a n l P ix e l p itc h 0 .2 82 m m (H ) x 0 .2 82 m m (V ) V id e o R , G , B A n a lo g ln te rfa c e & D ig i ta l In te rf a ce S e p ara te S y n c . H /V T T L D is p lay C o lo r 1 6.[...]

  • Page 23

    P re s et D i sp la y M o d es S T A N D R E S O L U T I O N H O R IZ O N T A L F R E QU E N C Y (k H Z ) V E R T IC A L F R E QU E N C Y (H z ) D o s- m od e 6 40 ¡ Á 4 00 @ 7 0 H z 3 1 .4 6 9 7 0 .0 87 V G A 6 40 ¡ Á 4 80 @ 6 0 H z 3 1 .4 6 9 5 9 .9 40 M ac - m o d e 6 4 0¡ Á 48 0 @ 6 7 H z 3 5.0 00 6 6 .6 6 7 V G A 6 40 ¡ Á 4 80 @ 7 2 H [...]

  • Page 24

    P in N o . S ig n a l N a m e P in N o . S ig n al N a m e P in N o . S ig n al N a m e 1 T M D S D a ta 2 - 9 T M D S D a ta 1 - 17 T M D S D a ta 0 - 2 T M D S D a ta 2 + 1 0 T M D S D a ta 1 + 18 T M D S D a ta 0 + 3 T M D S D a ta 2 /4 S h ie ld 1 1 TM D S D a ta 1 /3 S h ie ld 1 9 T M D S D a ta 0 /5 S h ie ld 4 T M D S D a ta 4 - 1 2 TM D S D[...]