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Sony NEX-FS700E manuale d’uso - BKManuals

Sony NEX-FS700E manuale d’uso

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Un buon manuale d’uso

Le regole impongono al rivenditore l'obbligo di fornire all'acquirente, insieme alle merci, il manuale d’uso Sony NEX-FS700E. La mancanza del manuale d’uso o le informazioni errate fornite al consumatore sono la base di una denuncia in caso di inosservanza del dispositivo con il contratto. Secondo la legge, l’inclusione del manuale d’uso in una forma diversa da quella cartacea è permessa, che viene spesso utilizzato recentemente, includendo una forma grafica o elettronica Sony NEX-FS700E o video didattici per gli utenti. La condizione è il suo carattere leggibile e comprensibile.

Che cosa è il manuale d’uso?

La parola deriva dal latino "instructio", cioè organizzare. Così, il manuale d’uso Sony NEX-FS700E descrive le fasi del procedimento. Lo scopo del manuale d’uso è istruire, facilitare lo avviamento, l'uso di attrezzature o l’esecuzione di determinate azioni. Il manuale è una raccolta di informazioni sull'oggetto/servizio, un suggerimento.

Purtroppo, pochi utenti prendono il tempo di leggere il manuale d’uso, e un buono manuale non solo permette di conoscere una serie di funzionalità aggiuntive del dispositivo acquistato, ma anche evitare la maggioranza dei guasti.

Quindi cosa dovrebbe contenere il manuale perfetto?

Innanzitutto, il manuale d’uso Sony NEX-FS700E dovrebbe contenere:
- informazioni sui dati tecnici del dispositivo Sony NEX-FS700E
- nome del fabbricante e anno di fabbricazione Sony NEX-FS700E
- istruzioni per l'uso, la regolazione e la manutenzione delle attrezzature Sony NEX-FS700E
- segnaletica di sicurezza e certificati che confermano la conformità con le norme pertinenti

Perché non leggiamo i manuali d’uso?

Generalmente questo è dovuto alla mancanza di tempo e certezza per quanto riguarda la funzionalità specifica delle attrezzature acquistate. Purtroppo, la connessione e l’avvio Sony NEX-FS700E non sono sufficienti. Questo manuale contiene una serie di linee guida per funzionalità specifiche, la sicurezza, metodi di manutenzione (anche i mezzi che dovrebbero essere usati), eventuali difetti Sony NEX-FS700E e modi per risolvere i problemi più comuni durante l'uso. Infine, il manuale contiene le coordinate del servizio Sony in assenza dell'efficacia delle soluzioni proposte. Attualmente, i manuali d’uso sotto forma di animazioni interessanti e video didattici che sono migliori che la brochure suscitano un interesse considerevole. Questo tipo di manuale permette all'utente di visualizzare tutto il video didattico senza saltare le specifiche e complicate descrizioni tecniche Sony NEX-FS700E, come nel caso della versione cartacea.

Perché leggere il manuale d’uso?

Prima di tutto, contiene la risposta sulla struttura, le possibilità del dispositivo Sony NEX-FS700E, l'uso di vari accessori ed una serie di informazioni per sfruttare totalmente tutte le caratteristiche e servizi.

Dopo l'acquisto di successo di attrezzature/dispositivo, prendere un momento per familiarizzare con tutte le parti del manuale d'uso Sony NEX-FS700E. Attualmente, sono preparati con cura e tradotti per essere comprensibili non solo per gli utenti, ma per svolgere la loro funzione di base di informazioni e di aiuto.

Sommario del manuale d’uso

  • Pagina 1

    N E X- FS 70 0 R Han db o o k[...]

  • Pagina 2

    The NE X-F S 7 00R is a dedic ated video c amera featuri ng a power ful 4K Exmor Super35 C MOS sens or in addition to: Less moiré patterning and false coloration, more sensitivity in lo w -light settings The dedicated video sensor eliminat es line skipping during read pr ocessing and pr ovides increased sensitivity that helps to minimize noise suc[...]

  • Pagina 3

    Chapte r SEN SOR AND L ENS Chapte r AUT OMA TED FUNCTIONS Chapte r Per formance features Chapte r FI LE- B A SED Chapte r PICT URE PROFILE Chapte r R AW reco rding[...]

  • Pagina 4

    2 A UTOMA TED FUNC T IONS Video Set t ings AUTO EXPOSURE (AE) function lets you control image brig htnes s automatic ally Moving the AU TO /MANUA L switc h to AUTO enable s automa tic adjus tment s of th e iris , gain, shut ter s pee d and white b alanc e set t ings. You can st ar t sho oting rig ht away wit hout ch ecking those settings. AUTO E XP[...]

  • Pagina 5

    3 AE SHIF T for aut omat ically shootin g video a little brighte r or dark er AS SIGN The A E SHIF T func tio n enable s you to sho ot at an exp osure l evel that i s a lit tle hi gher or l ower than the A E func tion no rmally s elec t s. Usage examples ■ Wh en the subj ect i s darker th an the bac kg round, suc h as when shoo ting a per so n ag[...]

  • Pagina 6

    WHT B AL but ton (one pus h) button WHITE BALANCE MEMORY switch 4 A UTOMA TED FUNC T IONS WB TEMP SE T ( whit e balance tem perature set ) lets you directly set color temperat ure This f unct ion enable s you to s pec if y the c olor te mpera ture in number s, suc h as 3,20 0K and 6 ,50 0K . White B alance ( WB) T o sh oot imag es in c orrec t co l[...]

  • Pagina 7

    WB ( White Balance ) preset Cl ea r sk y li gh t Br ig ht ove rc as t sk ylight Ov erc as t sk y li gh t Daylight fluorescent lamp (K) 30 ,000 25, 000 1 0,000 8, 000 7 , 000 6, 000 5, 000 4, 000 3,20 0 3, 000 1, 5 0 0 Daylight Noon 2 hours after sunrise 1 hour after sunrise 10 0 W tungsten lamp 1 5, 000K WB T EMP S E T (U nit: 100 K ) WB O UT DO OR[...]

  • Pagina 8

    A at mono mix of CH 1 and CH2 in th e headphon es c an be us ed to c heck t he balanc e be twee n lef t and ri ght ch annels whil e rec ording. To switch to th e mono mix , use t he menu sy stem to n avigate to [ AUDIO SET ] [ HEADPH ONE OUT ] and selec t [ MONO ] . 6 A UTOMA TED FUNC T IONS The audio t rack c an be mo nitore d throug h headpho [...]

  • Pagina 9

    7 Adjusting the input level for external micr ophones TRIM i s use d to adjus t the micro phone inpu t level in ac cordan ce wit h the s ound volume. In the menu s ys tem, naviga te to [ AUDIO S ET ] [ XLR S ET ] [ INPUT1( 2) TRIM ] , then s elec t the re quired tr im value (- 1 8 dB, -12 dB, - 6 dB , 0 dB, +6 dB and + 12 dB). For high - sen siti v[...]

  • Pagina 10

    8 SENS OR AND LENS 11 .6 mi llion pix el 4K E xmor HD CMOS sensor The NE X- F S 7 00 R feature s a large image s enso r that pro duce s power f ul “bokeh” effe ct s and br ings subje ct s to life w hile providing excelle nt sen siti vit y for c lear image s wit h minimal nois e in low- lig ht set t ings in bo th st andard an d Full HD 1 0 x sup[...]

  • Pagina 11

    The gain and I SO set t ings can al so be modi ed vi a the menu sy stem. N avigat e to [ CAM ERA SET ] then either [ GA IN SE T ] or [ ISO S ET ] . 9 How to se t/ o per ate 1. S et t he AUTO/MANUA L swi tch to [ MANUAL ] . 2. Pre s s the GAIN/I SO b ut ton to displ ay the g ain or I SO valu e. 3. Se t the gain sw itch t o H, M or L as re quired.[...]

  • Pagina 12

    10 SENS OR AND LENS How to set/ operate 1. S et the AU TO /MANUA L swit ch to [ MANUAL ] . 2. Pre ss t he IRIS bu t ton to dis play the ir is se tt ing. 3. Adjus t the ir is se tt ing using t he iris r ing. * A lower iri s set ting o pens t he lens an d increa se s the available light vo lume. T o engage auto control temporarily 4. Pre ss an d hold[...]

  • Pagina 13

    11 Interna l ND lter ND lter correction The 1 / 4 ND filter reduce s the light volume to 25 %, e quivalen t to cl osing the aper tur e two st ops (e.g., fro m F2.8 to F5.6) or increa sing the shu tt er spe ed by two in crement s (e.g., fr om 1/125 to 1/50 0). The 1/ 16 ND filt er i s e quivalen t to four ap er ture stop s, while th e 1 / 16 i[...]

  • Pagina 14

    12 How to se t/ o per ate 1. MEN U [ DISPL A Y SE T ] [ ZEBR A ] 2. Sele ct O N or OFF . 3. Se lec t a brig htne s s level (70 , 75, 80, 85, 90, 95, 100 or 10 0+ ). Pre ss t he SEL /PUS H E XEC dial to enter t he new set t ing. How to se t/ o per ate 1. MEN U [ DISPL A Y SE T ] [ HISTOGR AM ] 2. Sele ct O N or ON [ ZEBR A POI NT ]. Pre ss t he SEL [...]

  • Pagina 15

    13 How to se t/ o per ate 1. S et the FO CU S switc h to MAN . 2. Pre ss t he PUS H AUTO but ton t o engage Au to Focu s. Rele ase the bu t ton to rever t to m anual focus . When lming in manual foc us mode, pre s s and hold th e PU SH AUTO but ton to tempor arily eng age Au to Focus . Releas e t he but ton to rever t to manual fo cus . Swit chi[...]

  • Pagina 16

    14 A UTOMA TED FUNC T IONS How to se t/ o per ate 1. MEN U [ DIS PL A Y SE T ] [ PE AKIN G ] [ ON ] 2. Sele ct t he [ color ] and the [ level ] of accentuation requir ed. Pre ss t he SEL /PUS H E XEC dial to con rm the s et tings . The p eaking dis play is u sed to c heck w hich area s of the image are in fo cus . Area s in focu s are denote d b[...]

  • Pagina 17

    Cu stomiz ing the A S SIG N but tons AS SI GN but tons 1 through 6 can be individually as sig ned to dif ferent func tion s. Six func tions have been as sig ned by default . The following pr oce dure shows how t o change the a s signe d func tion. How to se t/ o per ate 1. MEN U [ OTHE RS ] [ AS SIGN BUT TON ] Cho ose an A S SIGN b ut ton ( 1 throu[...]

  • Pagina 18

    16 Steady Shot mode s Focu s T ran sit ion shif t s th e focus au tomat icall y bet ween t wo pre - de ned p oint s. ( * Focu s T ran sit ion is onl y available during v ideo c apture and re quires an E- Mount le ns.) Focus T ransition — us ing rack focus to transition bet ween two points How to se t/ o per ate 1. MEN U [ CAM ERA S ET ] [ STEA[...]

  • Pagina 19

    The foll owing tran siti on set t ings are availabl e under MENU [ CAM ERA S ET ] [ FOCUS TRANSITION ] : The fo cus tr ansi tion tim e can be s et in th e range 3. 5 – 90 se cond s. The foc us tran siti on can be del ayed af ter pre s sing but ton 5 or 6 by 5, 1 0 or 20 seco nds . Focu s tran siti on st ar t s when re cording c ommenc es (choic e[...]

  • Pagina 20

    E- Mo un t syst em — bri ngin g out the best in e ve r y lens E-M ount len se s are comp atibl e with au tomate d func tion s such a s Auto Foc us, S tead y Shot and Au to E xp osure t hat are par t icular ly use ful for zooming in on a s ubjec t using s hallow dept h of eld in l ow- light c ondit ions . The SEL 35F18 is a wide - aper ture E-M[...]

  • Pagina 21

    The SEL 10 18 is a sup er wide ang le E-M ount t yp e zoom len s with a zoom rang e from 15 mm super w ide angle (conver te d to 35 mm format) to 27 mm st andard w ide angle . The opt ic al sys tem, featuring a c ombinat ion of t hree asp heric al lens g roup s and super ED g las s, c orre ct s aber rat ions at t he super wi de angle e nd to ensure[...]

  • Pagina 22

    Sensor Flange back 18 mm Camera body Lens So ny E-Mount lenses LA-EA2 So ny A-Mount lenses Non-Sony lenses Non-Sony mount adapt ors 20 The L A - E A 2 mount adaptor bo ast s the f aste st auto fo cus in the A - Mount cla ss , wi th a built-in A F drive motor linked to a 15 - point AF sy st em with t hree cros s s ensor s for high - preci sion focu [...]

  • Pagina 23

    21[...]

  • Pagina 24

    ■ How super slow motion w orks 22 SHOOTING S T Y LE S Super slow moti on mod e The sup er slow mot ion sy stem o n the NE X- FS7 00 R repre sent s a tec hnolog ical evo lutio n from conven tional sl ow and quick mot ion func tion s, allowing sl ow- motio n reco rding at up to 10 x normal s pee d (i.e., max imum 2 40 fp s ) in Full HD resolu tion.[...]

  • Pagina 25

    [60i] FRAMERATE 960 480 240 120 2.5% slow 5% slow 10 % slow 20 % slow REC FORMAT 1080/24p 3.125% slow 6.25% slow 12.5 % slow 25 % slow 1080/30p 6.25% slow 12.5% slow 25 % slow 50 % slow 1080/60p [50i] FRAMERATE 800 400 200 100 3.125% slow 6.25% slow 12.5 % slow 25 % slow REC FORMAT 1080/25p 6.25% slow 12.5% slow 25 % slow 50 % s[...]

  • Pagina 26

    [60i] FRAMERATE 60 30 15 8 4 2 1 40% slow 80% slow 160% quick 300% quick 600% quick 1200% quick 2400% quick REC FORMAT 1080/24p 50% slow 100% (normal speed) 200% quick 375% quick 750% quick 1500% quick 3000% quick 1080/30p 100% (normal speed) 200% quick 400% quick 750% quick 1500% quick 3000% quick 6000% quick 1080/60p [50i] FRAMERATE 50 25 12 6 3 [...]

  • Pagina 27

    25 1. No t available in AUTO mo de. 2. When lming in HD, slow & qui ck moti on func tion s are available in pro gre ss ive mode o nly. 3. T o pres er ve con tinuit y, the time co de is re cord ed in [ REC RUN ] . 4. Audio will b e rec orded onl y at norm al playb ack sp eed s et ting s. 5. The fr ame rat e set ting c annot b e altere d while[...]

  • Pagina 28

    Rear Side Grip Fro n t 26 Modu lar design t o support dif feren t shootin g cong uratio ns The NEX- F S7 0 0R ha s a detac hable handle, gr ip and view nder as well a s 1 / 4" and 3/8" s crew holes for acc es s orie s suc h as mudbox and follow fo cus. The ri gid handl e and grip pr ovide exce llent s tabili t y for the larg e sens [...]

  • Pagina 29

    27 Time co de Editing in format ion such a s time c ode and us er bi t is rec orde d as time da ta. T here are t wo time co de mod es: [ Rec Run ] and [ Free Ru n ] . REC RUN Rec Run is t he st andard mo de, where t he time c ode adv ance s only wh en rec ording. T he time c ode als o con tinue s during splic es , thereb y providing a han dy guide [...]

  • Pagina 30

    Recording f ormats Recording mode Recorded pix els Aspect ratio Frame rat e Recording time (min) on 128 GB flash memory unit Dolby Digital Linear PCM 1920×1 080 60p/50p 600 640 2 460 3200 - 1910 700 750 940 1030 1560 1830 60i/50i/30p/25p/2 4p 60p/50p 60i/50i/30p/25p/2 4p 60p/50p 60i/50i 60p/50p 60i/50i 60i/50i PS mode: maximum 28 Mbps FX mode: max[...]

  • Pagina 31

    29 Connec ting a non - Sony e xternal rec ording device The NE X- F S7 0 0R suppo r t s Rec C ontrol s ignal for b oth S DI and HDMI . This allow s rec ording onto an ex te rnal devic e sy nchronized wi th in - cam era rec ording and the tim e code in Re c Run or Free Run mode s. T he time c ode ( TC) can als o be super po sed onto HD MI sign al ou[...]

  • Pagina 32

    Wha t is PICTURE PROF ILE? PICTURE PROFILE butto n PIC T URE P ROF ILE p re se ts PI C T U RE PROF IL E 30 PI C T U RE PROF IL E PI C T U RE PROF IL E PIC TURE PRO FILE is a me nu for adjust ing and changing p aramete rs th at deter mine image chara cter ist ic s. The re are many param eter s that c an be adjus ted an d changed, b ut they c an be g[...]

  • Pagina 33

    31 BLACK LEVEL As t he name indic ate s, thi s set t ing adjust s th e black leve l of the image. A s an image e f fec t, you c an emphas ize black to c reate a t yp e of image t hat would g ive a hard impre s sion, or yo u can weaken bl ack to g ive the imag e a sof t impre s sion. Shif t ing BL ACK L E VEL toward t he minus direc tion e mphasize [...]

  • Pagina 34

    BL AC K GA MM A ( + 7 ) BL AC K GA MM A (0) BL AC K GA MM A ( –7) High Middle +7 –7 0 Low 32 PI C T U RE PROF IL E High Middle +7 –7 0 Low BL ACK GAMMA The BL ACK GAM MA se tt ing let s you al ter the sh ape of th e gamma cur ve and adju st gr adati ons in dar k areas in th e image. ■ This c ontr ols th e luminance r ange that B L ACK G AMM[...]

  • Pagina 35

    33 10 9 10 0 50 10 0 600 Video signal output (%) Luminance (%) White clip point Knee slope ( – ) Knee point ( +) Knee point KNEE MODE AUT O SE T MANUAL SET This c hanges t he tone ex pres si on in high br ight nes s are as. In gene ral, th e KNEE po int is s et roug hly b et ween 8 5% and 100% , which i s sai d to matc h the luminan ce leve ls of[...]

  • Pagina 36

    34 PI C T U RE PROF IL E Color Range R – 7 (Sh allowe r red) t o + 7 (De epe r red) G – 7 (Shallo wer gr een) to + 7 (De ep er gr een) B – 7 (S hallow er blu e) to + 7 (Dee per b lue) C –7 ( Shal lower c yan) to + 7 (D eep er cy an) M – 7 (Sh allowe r mage nt a ) to + 7 (D eep er mag ent a) Y – 7 (Shallo wer yel low) to + 7 (D eep er ye[...]

  • Pagina 37

    35 DE TAIL / OFF DE TAIL / ON DE T AIL As d es crib ed in “Infor matio n es sen tial for making t he mo st of PI CTU RE PROFIL E,” DETAIL is a func tion t hat empha sizes imag e edge s. By al tering th e following manual s et ting s, image p roc es sing c an be var ied to cr eate di f ferent impre s sion s from the s ame subje ct . Be caus e se[...]

  • Pagina 38

    36 PI C T U RE PROF IL E V - D E TA I L H - D E TA I L 7 0 0 7 BL ACK LIMIT WHITE LIMIT V /H BALAN CE ■ Change s the b alance b et ween Ver tic al ( V) D ETAIL and Horizo ntal (H) DE T AIL . ■ Vert ical ( V ) DE T AIL b oos t s image edg es by ex panding the m upward and downward. H orizont al (H) DETAIL emphas izes image o utline s by thic ken[...]

  • Pagina 39

    37 TYP E : LB - CC CC M CC G LB A LB B ‒9 ‒9 +9 +9 Ori ginal C C+ Ori ginal LB– ■ Set ting s for corr ec ting white b alance WB SHIF T Fine - tunes w hite bal ance or c reate s an ef fe ct t hat is simil ar to using a color l ter . Two t yp es o f adjus tment me tho ds — LB - C C and [ R- B ] — are available. We rec ommend yo u st ar[...]

  • Pagina 40

    38 PI C T U RE PROF IL E FILTER T Y PE R- B (R=+ 9) FILTER T Y PE R- B (±0) FILTER T Y PE R- B (B =+9) ■ Al ters t he R (Red) or B (Blue) level in the vi deo sig nal. PIC TURE PROFILE S etting s F I LT E R T Y P E R-B –9 (Lowest level) to +9 (Highe st l evel)[...]

  • Pagina 41

    39 BL AC K LE V EL - 1 5 ~ + 15 GAMM A ST ANDARD/ STILL / CINEMA TONE1 / CINEMA TONE 2/ITU7 09 BL AC K G AMM A RANGE LOW / MIDDLE / HIG H LE VEL - 7 ~ + 7 KNEE MODE A UTO / MA NUAL AUTO S E T MA X P OINT 90% ~ 100 % SENSITIVIT Y HIGH / MIDD LE / LOW MANUAL SET POINT 75% ~ 10 5% SLOP E - 5 ~ +5 COLOR MODE T Y PE ST A NDARD /STILL /CINEMA TONE1/CINEM[...]

  • Pagina 42

    Dif fer ence fr om image pr oce s sing u sing nonlinear vi deo edi ting sof t ware PIC TURE PRO FILE adjus t s color s and the v ividne s s of the imag e upon re cording . You can make similar adjus tmen ts by u sing nonline ar edit ing sof t ware af te r shoot ing. B ut ther e are the following di f ferenc e s. T o f it ma ss ive amount s of image[...]

  • Pagina 43

    Video Gamma = 1/ 2 . 2 = 0.45 CRT Gamma = 2.2 10 0 % 10 0 % Output Input Gamma Curve and Knee Point Gamma cur ve and k nee po int are two e lement s tha t exer t gre at inuenc e over image ch arac teris tic s . By unde rs tanding t hes e, you’ll be able t o utilize PI CTU RE PROFIL E ef ci ently. Gamma cur ve s show t he relat ionship b et [...]

  • Pagina 44

    10 9 % CCD/CMOS Ce nso r Satu rated L evel Kne e poi nt Kne e slo pe Input Output Without Knee function With Knee function What is knee c orrection? Came ras are no t good a t clearl y cap turing a sc ene tha t con tains ex t remely di f ferent luminanc e levels , such a s one obje ct under b righ t sunlight and ano ther in the s hade. If yo u adju[...]

  • Pagina 45

    De tai l = OFF Luminance (a) (c) (b) Luminance De tai l = ON Luminance Sa tur ati on Hue Color Spac e The NE X- F S7 0 0R’s PICT URE PROF ILE us es t he conc ept of a c olor s pace b ase d on thre e element s — Hue, S atura tion and Lumin ance. This c olor sp ace c an be rep res ented a s a shape t hat re sembl es t wo cone s joine d at the ir [...]

  • Pagina 46

    44 S - Log2 gamma curve The S - Lo g2 g amma cur ve has b een add ed to the N E X-F S7 0 0R as the P P7 picture p role. The S - Log 2 gamm a cur ve is opt imized to the s ensi tivi ty char acter ist ic s of the E x mor Super 3 5 CMO S sen sor. In order to b ring out t he highlig ht s as much a s po ss ible, the s ensor o utpu t has be en ex tend[...]

  • Pagina 47

    45 The F S7 0 0R mimi cs t he IT U7 0 9 gamm a cur ve thro ugh to h alf ton es whi le usin g the IT U7 09 (80 0%) gamma cur ve w ith 8 00 % ex tende d dy namic ran ge for bri ght re gion s. T his is a go od op tion f or enhanc ing the d ynamic r ange of br igh t regi ons wi th a minimum of co lor g rading wor k. * S - Log 2 has b een d esi gne d sp[...]

  • Pagina 48

    RAW recording modes 24p , 25p , 30p , 50p , 60p 24p , 25p , 30p , 50p , 60p 100p , 120p , 200p , 240p Unlimited* 100p , 120p 4sec 4K ( 4096×2160 ) 2K ( 2048×1080 ) * Maximum clip recording time is 24 hours time code equivalent. Super slow motion Standard Approx. recording time 46 PI C T U RE PROF IL E RA W reco rd i n g m od e ■ RAW data The im[...]

  • Pagina 49

    47 System conguration The op tional ex te rnal R AW record er sys tem c onnec t s to the NE X- F S7 00 R via a sing le 3G - SD I cable. I t can b e at tac hed dire ctl y to the rig or c arrie d sep aratel y as require d. The p ower sourc e is the B P- FL7 5 li thium ion b at ter y pa ck or XLR4 pin w ired DC1 2V . ■ Component s lithium ion bat[...]

  • Pagina 50

    Gamma curve Dynamic range STD 400% STILL 400% CINE1 460% CINE2 460% CINE3 460% CINE4 460% ITU709 400% 709 ( 800% ) 1300% S-log2 1300% 48 Recommended c amera s ettings • Set t he AUTO/MANU swi tch to [ M ANUA L ] . • Set S DI out put to [ R AW ] . (SDI sign al outp ut swi tche s to R AW mode. Thi s is autom atic ally det ect ed by the I FR5. ) ?[...]

  • Pagina 51

    Simultaneou s A VCHD recor ding Cho os ing the ga mma cur ve • The dy namic rang e of the R AW data d epend s on the s elec ted g amma cur ve on th e FS7 0 0R . • The [ S - Log2 ] and ITU 80 0% gamma cur ve s pro duce a d ynamic r ange of 130 0% wi th co nsider able la titud e, but noi se level s can b e a proble m. Nois e reduc tio n may be re[...]

  • Pagina 52

    50 PL AV-RW1 pl ugin The PL AD -RW1 editing plugin c an be used to impor t R AW da ta into Adob e Premier CS 6/ C C and Avid Media Co mpos er , providing a simp le means o f adjust ing gamma and c olor s et ting s. ■ Ins talling the plug - in The plug - in allows R AW video d ata to b e impor ted direc tly fr om the edi ting app licat ion. D ownl[...]

  • Pagina 53

    ■ Source s ettings/ gamma adjustment In Adob e Premiere, t he proje ct wind ow is disp layed onc e the S ony RAW MX F file h as fini shed imp or ting . Right- c lick the s ource thumbnail and c hoo se [ So urce Se t tings ] from th e list , then s elec t the ap propri ate se tt ing under [ T one Se tt ings ] . * The de fault so urce se t ting is [...]

  • Pagina 54

    Post proces sing RAW Vie wer for color adjustment and outpu t conv ersion The RW V-10 RAW Viewer app licat ion pe r forms fo ur key functi ons on S ony RAW MX F fil es: vi ewing, t rimming, g rading and output conversion. ■ Installing the [ RW V-1 0 ] RAW View er The R AW Viewer i s available for dow nload fro m : htt p:/ /w ww.sonycreatives oft [...]

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    53 RA W recording Col or gra ding on DaVin ci Res olve 10 DaVinci Re solve 10 fro m Black magic D es ign prov ide s a suite of p ower ful co lor co rrec tion fe ature s to enable c olor gr ading that har nes s es th e full poten tial of all th e image inform ation p res ent in R AW video da ta. Timelin e dat a edite d on Ado be Premie re Pro is wr [...]

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    © 201 3 S ony C orp ora tio n. All ri ght s rese r ved. Rep rodu cti on in w hole o r in pa rt w itho ut wr it ten pe rmi ssio n is pr ohib ited. Features and specifications are subject to change without notice. Sony and Sony logo ar e trademarks of Sony Corporation . NXC AM an d NXCA M log o are t rade mar ks of S ony Co rp orat ion. Ex mor, Ste[...]