Radio Shack 42-4058 manuale d’uso

42-4058 OWNER’S M ANUAL — Please read before using this equipment. © 2002 Rad ioShack Co rporati on. All Rights Reserv ed. RadioSh ack and RadioShack .com are tr ademarks used b y RadioS hack Cor pora tion. 32-Not e Pol ypho nic So und — lets you play and hear up to 32 notes at the same time, so you can play or cre ate almost an y type of mu[...]

The FCC W ants You to K now 2 6*'  (%%  9#065  ;17  61  -019 This equ ipment has bee n test ed and found to compl y w i th th e li mi ts f or a Class B digi tal device , pursu ant to Part 1 5 of the FCC Rules . These li mits are desig ned to provide reasonab le protection ag ainst harmful interf eren ce in a re si den tial insta[...]

Connecting Headphones Connecting Headphones 3 %100'%6+0)  *'#&2*10'5 To listen to your keyboa rd without disturbing other s, you ca n connec t an optional pa ir of stereo he adphones with a 1 / 4 -inch (6. 35 mm) plug. You r local Radio Shack sto re sells a wide sel ection of headp hones. Insert the headpho nes’ plug into P [...]

4 A Quick Look at Your K eyboard Tempo Control — lets you spee d up or slow down the tempo of any selected music patt ern. Split Functio n — lets you u se differe nt sounds for the low- an d high-end keys (see “Using S PLIT” on Page 8). Sustain/Assign able Ja ck — lets you connect a su stain pe dal (not suppl ied, availabl e at y our loca[...]

Basic Operation 5 $#5+%  12'4#6+10 1. Slide VO LUME to MIN (minim um) .  2. T o turn on the keyb oard, pre ss POWER . The POWER indicator lights and t he displ ay tu rns o n. ± 3. Slide MO DE to NORMAL . 4. Slide VO LUME toward MAX slightly and begin p l aying the key board. • T o select an auto-rhy thm, see “Us ing the Prese t Auto[...]

Using Reverb and Chorus 6 4. T o select a dif f e rent ton e, re pea t Step 2 while JED; JED; JED; JED; appea rs. 7 5+0)  #0  # &8#0%'&  6 10' The first 100 tones (numbers 0 0 to 99 ) hav e correspo nding adv anced tones. Th e advanc ed tones use variatio ns of standar d tones c reated b y program ming in effects (DSP) an[...]

DSP (Dig ital Signal Process or) 7 9^e 9^e 9^e 9^e :[fj^ :[fj^ :[fj^ :[fj^ ( &&& &&& &&& &&& to '(- '(- '(- '(- )—Sets the undulat ion depth of the ch orus sound. A higher v alue p roduce s deeper undulat ion. 3. Repe atedly pre ss + or – or use the number bu ttons t o input th[...]

Using SPLIT 8 2. Repeat edly press + or – or enter a number u s ing the numbe r button s to select the equ ali ze r type you want. The equa lizer type ( IjWdZWhZ IjWdZWhZ IjWdZWhZ IjWdZWhZ , 8Wii! 8Wii! 8Wii! 8Wii! , Jh[ X b [  ! Jh[ X b [  ! Jh[ X b [  ! Jh[ X b [  ! , BekZ d[i i BekZ d[i i BekZ d[i i BekZ d[i i , C[bb e [...]

Using the P reset Auto-Rhyt hms Using the P reset Auto-Rhyt hms 9 3. Repea tedly p res s SPLIT until th e SPLIT indica tor appears. 4. Enter the n u mber for the low-e nd base tone. 5. Repea tedly p res s SPLIT until th e SPLIT indica tor disappears. 6. Repea tedl y pres s LA YER until the LA YER indicator app ears. 7. Enter the numb er of the laye[...]

Using Auto Accompaniment 10 automati cally re sumes at the en d of th e current m easure. When yo u press another v ariation b utton ( V ARIA TION/FILL-I N 2 whi le you are pl aying variatio n 1, for ex ample), the keyb oard starts to play the newl y-sel ect ed variation and does no t inse rt a fill-in . 7 5+0)  (+..  +0  0':6 To swit[...]

Using Auto Accompaniment 11 The lowes t note you play determin es the key of the chord. For examp le, if the lowest note is C, the k eyboard p lays a C chord. ± 1. Set MO DE to CONCERT CHORD . 2. Enter a two-d igit a uto-rhythm number . 3. T o start the auto -rhythm before the auto accom paniment , press ST ART/STO P or I NTRO/ENDING 1 or 2 . Or ,[...]

Using the Mixer 12 7 5+0)  # 761  * #4/10+<' When using auto-ac c om pan im ent in the fingered or concert chord modes, press AUTO HARMONIZE to auto matic ally add harmony to yo ur melodi es. The indicato r next to AUT O HARMONIZE l i ghts, and the keyboa rd adds har mony base d on the chord playing on the accomp animent key s ection.[...]

Using the Tone Synthesizer 13 units. A cent is one hun dredth of a semitone. There are 12 sem itones pe r octav e. Effect Parame ters HlX HlX HlX HlX (R everb ) I[dZ I[dZ I[dZ I[dZ ( &&& &&& &&& &&& to '(- '(- '(- '(- ) – controls how much re verb is ap plied. &&& &am[...]

Using the Registration Memory 14 When yo u store a tone with DSP line turned on , all th e DSP parame ters are recalled as you select the tone. 4. Repeat edly press + or – to chan ge the paramete r ’s s etting , or use th e number buttons to directly ente r a value f or the paramete r . If you w ant to change a nother paramete r , repeat Ste ps[...]

Special Features 15 the dis play is the num ber of “ce nts” to which th e keyboa rd is curre ntly tune d, compar ed to its default pitch. 2. Within 5 se conds, repe atedly pres s – or + to lowe r or rais e th e ke yb oard ’s pitch. Each tim e you pre ss the key , the number decrea ses or in creases by 1 cent. 7 5+0)  6 17%*  4 '5[...]

Using the Song Memory 16 75+0)  6*'  510)  /'/14; The key board lets you reco rd up to two separate songs (w ith up to about 3,500 notes) in memory for l a ter playback. You can use either of two methods to record a song — re al-time rec ordin g (you rec ord as you play) or step rec ordi ng (yo u enter note s and cho rds one -b[...]

Using the Song Memory 17 2 .#;+0 )  $ #%-  (4 1/  5 10)  / '/14; 1. Repea tedl y pres s SON G ME MORY until FbW o FbW o FbW o FbW o appears. 2. Within 5 s econds, repeated ly press + or – (or 0 or 1 ) to se lect a so ng num ber . 3. Withi n 5 secon ds, pre ss ST ART/STOP to play ba ck the s ong you selec ted. Y ou can us e TEMPO [...]

Using the Song Memory 18 ( EXIT ) to cancel the rewrite opera tion. ± 4 '%14&+0)  / 7.6 +2. '  6 4#%-5 In addit ion to Track 1, where you record auto accomp animent as well as keyb oard pl ay, there are f ive other tracks you can use to record m elody par ts only. Yo u can rec ord different tones on these t racks and buil d a f[...]

Using the Song Memory Using the Song Memory 19 &GNGVKPI  C  5QPI 1. Repea tedl y pres s SON G ME MORY until FbW o FbW o FbW o FbW o appears. 2. Repea tedl y pres s + or – to selec t the song nu mber . 3. Press G ( ENTER ). Ied]:[b5 Ied]:[b5 Ied]:[b5 Ied]:[b5 appears 4. Press YES . Ikh[5 Ikh[5 Ikh[5 Ikh[5 appea rs, prompti ng you to c on[...]

Using the Song Memory 20 / #-+0)  6*'  /+&+  % 100'%6+105 To conne ct your keyboa rd to anoth er MIDI- equippe d devi ce, you must us e a MIDI cable (availab le at Ra dioSha ck).     To send MIDI data from your k eyboard, u s e a MIDI ca bl e to c onn ec t the key boa rd’ s MIDI OUT termin al to th e other devic[...]

Using the Song Memory Using the Song Memory 21 Active Sense — This means the keyboa rd’s sou nd turns of f in the event th e connec tion cabl e to th e MIDI IN term ina l is accide ntally d isconnected. 7 5+0)  6*'  & #6#  & 190.1#&  5 '48 +%' Visit www.radiosha ck.com to downl oad the preset a c companime[...]

Troubleshooting 22 6417$.'5*116+0) %#4' Keep the k eyboard dry; if it g ets wet, wipe it dry immed i ately. Use and s tore th e keyboa rd only in normal temperat ure environm ents . Handle the keyb oard carefull y; do n ot drop it. Keep the keyboa rd away from dust and dirt, an d wipe it wit h a damp cl oth occasiona lly to keep it l ooki[...]

23 Tone List 610'  .+56 2 #0'.  6 10'5[...]

24 Tone List 2 #0'.  6 10'5  %106+07'& [...]

25 Tone List # &8#0%'&  6 10'5[...]

26 Tone List # &8#0%'&  6 10'5  %106+07' & [...]

27 Tone List )/  6 10'5[...]

28 Tone List )/  6 10'5  %106+07'& [...]

29 Tone List & 47/  5 17 0&5 7 5'4  6 10'5[...]

30 Tone List & 47/  # 55 +)0/' 06  . +56[...]

31 Tone List ( +0)'4 '&  % *14&  % *#4 6[...]

Effect List 32 '(('%6  .+56 4 '8'4$ % *1475 &52[...]

33 Effect List &52  %1 06+ 07' & [...]

34 Effect List &52  # .)14+ 6*/  . +56 0WODG T 0COG (WPEVKQP 2CTCOGVGTU 00 Auto Pan Continually performs left-right panning of the input signal in accordanc e with an LFO. 0: Rate (0 to 127) – Adjusts the panning rate. 1: Depth (0 to 127) – A djusts the panning depth. 01 Tre mo lo – Adjusts volume of input s ignal in accordance with[...]

35 Effect List 09 Stereo Phaser This is a stereo phaser that modulates the phase in accordance with a sine wave LFO. 0: Resonance (0 to 127) – Adjusts the resonance of the sound. 1: Manual (-64 t o 0 to +63) – Adjusts the p haser shift v olume, which is used for reference. 2: Rate (0 t o 127) – Adjusts the rat e of the LFO. 3: Depth (0 t o 12[...]

36 Effect List 21 Stereo Del ay 2 This is a cross feedbac k delay of s tereo input and output. 0: Delay Time (0 to 127) – Adjusts the delay time . 1: Wet Level (0 to 127) – Adjust s the level of t he effect sound. 2: Feedback (0 to 127) – Adjusts the repeat of the delay . 3: High Damp (0 to 127) – Adjusts damping of the high-range delay sou[...]

37 Effect List The foll owing “Multi” a lgorithms are us ed in co mbina tion wit h the a lgorithms describ ed previ ous ly in thi s sec tio n. Pa ram et er s are sh ar ed by both t ype s of al gor ith ms. 0WODG T 0COG (WPEVKQP 2 CTCOGVGTU M00 Multi00 (Sin 2-Phase Chor us — 2-T ap Delay) This is a multi effector that is relat ed to Sin 2-Phase[...]

38 Effect List M08 Multi08 (Sin 2-Phase Chorus — Flanger) This is a multi effector that is related to Sin 2-Phase Chorus — Flanger . 0: Chorus LFO Rate 1: Chorus LFO Depth 2: Chorus Feedback 3: Chorus Wet Level 4: Flanger LFO Rate 5: Flanger LFO Depth 6: Flanger Fe edback 7: Flanger Wet Level M09 Multi09 (Sin 2-Phase Chorus — Tremolo) This is[...]

39 Effect List M17 Multi17 (Rotary — Reflection) This is a multi ef f ect or related to Rotary — Reflection. 0: Rotary Speed 1: Rotary Br eak 2: Rotary Slow Rate 3: Rotary Fas t Rate 4: Reflection Wet Level 5: Reflection Feedback 6: Reflection T one M18 Multi18 (Compressor - Enhanc er — 2-T ap Delay) This is a multi effector that is relat ed [...]

40 Effect List M26 Multi26 (Auto Wah - Distortion — 2-T ap Delay) This is a m ulti effector that is related to Auto Wah - Distortion — 2-T ap Delay . 0: Wah Manual 1: Wah Depth 2: Distortion Gain 3: Distortion T one 4: Distortion Level 5: Delay T i me 6: Delay Wet Level 7: Delay Feedback M27 Multi27 (LFO Wah - Distortion — 2-T ap Delay) This [...]

41 MIDI Implementation Chart / +&+  +/2.'/'06#6+10  %*#46[...]

Specifications 42 52'%+(+%# 6+105 Number of Key s ......... .... ....... ...... .......... ..... ..... 61 Polyphonic Sound ....................... 32-note (Max.) Preset T ones ........................................... ...... 348 (100 panel tones, 128 General MID I, 10 drum sounds, 10 user , 100 advanced tones) with Layer and Split Rhythm Ins[...]

Notes Notes 43 0 16'5[...]

42-4058 MA0206-A 04A02 Printed in Malaysia Radi oSha ck Corp ora tio n Fort Worth, Texas 76102 MD1 121E-1 Limited On e-Y ear W arranty This pro du ct is war ran ted by R a dioS h ack ag ain s t ma nuf actu ring def ects in ma ter ial and wor kma nsh ip un der nor - mal use for on e ( 1) yea r fr om the da te o f p urch ase fro m Radi o S hack com p[...]