Roland FR-3sb manuel d'utilisation

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Un bon manuel d’utilisation

Les règles imposent au revendeur l'obligation de fournir à l'acheteur, avec des marchandises, le manuel d’utilisation Roland FR-3sb. Le manque du manuel d’utilisation ou les informations incorrectes fournies au consommateur sont à la base d'une plainte pour non-conformité du dispositif avec le contrat. Conformément à la loi, l’inclusion du manuel d’utilisation sous une forme autre que le papier est autorisée, ce qui est souvent utilisé récemment, en incluant la forme graphique ou électronique du manuel Roland FR-3sb ou les vidéos d'instruction pour les utilisateurs. La condition est son caractère lisible et compréhensible.

Qu'est ce que le manuel d’utilisation?

Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Roland FR-3sb décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Roland FR-3sb devrait contenir:
- informations sur les caractéristiques techniques du dispositif Roland FR-3sb
- nom du fabricant et année de fabrication Roland FR-3sb
- instructions d'utilisation, de réglage et d’entretien de l'équipement Roland FR-3sb
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

Pourquoi nous ne lisons pas les manuels d’utilisation?

Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Roland FR-3sb ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Roland FR-3sb et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Roland en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Roland FR-3sb, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Roland FR-3sb, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Roland FR-3sb. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    r® Owner’s Manual[...]

  • Page 2

    WARNING – To reduce the risk of fire or electric shock, do not expose this device to rain or moisture. The technology used in the FR-3s, FR-3sb, FR-3 and FR-3b is covered by U.S. Patent No. 6.946.594. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: BROWN: As the colours of the wires in the mains l[...]

  • Page 3

    r Owner’s Manual ENGLISH ENGLISH ENGLISH ENGLISH Thank you for purchasing the Roland FR-3 V-Accordion. The FR-3 is an amazingly versatile electronic instrument that can emulate the sounds of a vast array of accordions. You may know that the term “accordion” refers to a portable musical instrument of the free reed family, that its sound is con[...]

  • Page 4

    | 4 r FR-3 V-Accordion[...]

  • Page 5

    V-Accordion r 5 1. Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 2. Important notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 3. Pa[...]

  • Page 6

    Features | Features 6 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion 1. Features Stand-alone electronic instrument Though the FR-3 is a fully electronic instrument, you do not need to connect the FR-3s/FR-3sb to an amplifier in order to produce sounds. Its onboard amplification sys- tem is powerful enough for small venues, restaurants, etc. (The FR-3/FR-3b [...]

  • Page 7

    Using the unit safely V-Accordion r 7 Using the unit safely • Before using this instrument, read the instructions below and the Owner’s Manual. ................................................................................................................................... • Do not open (or modify in any way) the unit or its AC adapter. ...[...]

  • Page 8

    Features | Using the unit safely 8 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion • Immediately turn the power off, remove the adapter from the outlet and request servicing by your retailer, the nearest Roland Service Center or an authorized Roland distributor, as listed on the “Information” page when: • The adapter’s cord or the plug has been dam[...]

  • Page 9

    Important notes V-Accordion r 9 2. Important notes In addition to the items listed under “Using the unit safely” on p. 7, please read and observe the following: Power supply • Do not connect the FR-3 to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machi[...]

  • Page 10

    Important notes | Important notes 10 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Precautions for optional batteries • The temperature range for use of the batteries depends on the battery type being used. Please see the documentation that came with the batteries. • Do not use or store batteries at high temperature, such as in strong direct sunlight, [...]

  • Page 11

    Panel descriptions V-Accordion r 11 3. Panel descriptions Treble control panel A POWER button Press this button to switch the V-Accordion on (the button lights) and off (button dark). B SORDINA switch This MELLOW/BRIGHT switch allows you to switch the simulation of the wooden resonance chamber on (“BRIGHT”) and off (“MELLOW”). C VOL knob Th[...]

  • Page 12

    Panel descriptions | Bass control panel 12 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion H METRONOME button Press this button to switch the metronome on and off (see p. 31). It can also be used to transmit Start/ Stop messages to external MIDI devices. I CHORUS knob Use this knob to set the level of the chorus effect (see p. 22). J REVERB knob Use this kno[...]

  • Page 13

    Connection panel V-Accordion r 13 Connection panel P DC IN socket This is where you need to connect the supplied power adapter (PSB-4U). Note that you can also purchase 10 optional batteries and use the FR-3 without the adapter. Q MIDI OUT/IN socket This socket can be used to receive or transmit MIDI data. Its function depends on the setting of the[...]

  • Page 14

    Setting up | Setting up 14 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion 4. Setting up Connections The FR-3 has a compartment for 10 optional AA-type batteries. Consider purchasing such batteries when performing on stage, or to use the FR-3s/FR-3sb as a stand-alone instrument (taking advantage of its internal speakers). An FR-3/FR-3b with optional batterie[...]

  • Page 15

    Attaching the straps V-Accordion r 15 (2) Connect the small plug of the adapter cable to the DC IN socket and wind the cable around the guide: You can also connect the MIDI cable to the MIDI OUT/ IN socket and wind it around the guide like the adapter cable. (3) Reinstall the padding, taking care to secure the adapter cable and/or MIDI cable you ha[...]

  • Page 16

    Setting up | Switching the power on and of f 16 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion (8) Slide the lower end of one strap through the holder ring as shown. (9) Slide the strap end through the upper eyelet of its plastic buckle (see the illustration). (10) Turn the strap end around and insert it into the lower eyelet, then pull it tight. (11) Slide[...]

  • Page 17

    Using batteries and no external amplification (FR- 3s/FR-3sb only) V-Accordion r 17 (5) Press the FR-3’s [POWER] button to switch it on. (6) Switch on the receiving audio device. (7) Start playing (see “First steps” on page 19). Note: This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required[...]

  • Page 18

    Setting up | Switching the power on and of f 18 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Listening to the demo songs One of the most striking aspects of your V-Accordion may be that it can play all by itself! It contains a series of demo songs that illustrate its wide variety of sounds and applications. Here is how to listen to the demo songs: (1) Swi[...]

  • Page 19

    First steps V-Accordion r 19 First steps The sections of your FR-3 Before showing you how to use the FR-3, let’s briefly look at the various “sections” of your instrument, as that will help you understand how your V-Accordion works. The FR-3 is a “virtual” accordion. That term was borrowed from synthesizers that recreate the sounds of oth[...]

  • Page 20

    Setting up | First steps 20 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion How to read the display With the exception of the display and the additional buttons and knobs, the FR-3 looks like a conventional accordion. The display contains important clues about the settings that are currently in effect. What’s shown in the display depends on how you are usi[...]

  • Page 21

    T ouring the FR-3’ s sections V-Accordion r 21 Touring the FR-3’s sections It’s time we put the FR-3 through its paces, because that’s what you purchased it for. We’ll work section by section. Bellows resistance regulator Your FR-3 is equipped with a bellows resistance regula- tor knob that allows you to specify the bellows’ inertia (th[...]

  • Page 22

    Setting up | T ouring the FR- 3’ s sections 22 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion (6) Press one of the registers [1] ~ [0] to select another footage. The display now shows the number of the newly selected Treble register: The indications printed on the front panel refer to the octaves (vertical direction, ) and the number of slightly detuned r[...]

  • Page 23

    Bass section V-Accordion r 23 Chorus: This effect creates the impression that sev- eral instruments of the same type are playing at the same time (it is similar to detuning several reeds of a register). The [CHORUS] and [REVERB] knobs allow you to set the volume of these effects. Turn them all the way towards the left (the small dot) if you don’t[...]

  • Page 24

    Setting up | T ouring the FR- 3 ’ s sections 24 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion The “St” message starts flashing to signal that you need to press a register. The “Roland” logo now flashes in blue. (7) Press one of the registers [1] ~ [0] to select a Set memory. The “Roland” logo changes color and stops flashing. Playing in Free [...]

  • Page 25

    Using the orchestral sounds V-Accordion r 25 Using the orchestral sounds Your FR-3 contains PCM sounds (samples) of various instruments that are not related to accordion sounds. Those sounds allow you to expand your musical endeavours without using external MIDI devices. Of course, you are free to add exter- nal MIDI tone generators to your setup a[...]

  • Page 26

    Setting up | Using the orchestral sounds 26 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion HIGH [12] : Now it becomes a little more complicated – but very inter- esting indeed. If you select this mode and play just one note, you will hear the orchestral sound. If you keep holding that key/button while pressing another (lower) key/ button to its left, the [...]

  • Page 27

    Orchestral sounds for the Bass section V-Accordion r 27 (4) Press and hold the [SET] register until the display looks as follows: (5) Press register [2/+] to save the settings. The display now looks as follows: If you don’t want to save your changes, press [1÷–] . In that case the display briefly shows the “No” message. If don’t save, yo[...]

  • Page 28

    Setting up | Using the orchestral sounds 28 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion ■ Setting the volume of the ORCH BASS sound There may be times when the orchestral bass sound is too loud or too soft with respect to the other avail- able sections. In that case, you can change its vol- ume: (1) Press and hold the [SET] register until the display s[...]

  • Page 29

    Orchestral sounds for the Chord section V-Accordion r 29 ■ Setting the volume of the ORCH CHORD sound There may be times when the orchestral chord sound is too loud or too soft with respect to the other avail- able sections. In that case, you can change its vol- ume: (1) Press and hold the [SET] register until the display shows a parameter name, [...]

  • Page 30

    Setting up | Using the orchestral sounds 30 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Orchestral sounds for the Free Bass section The orchestral Free Bass part can replace the accordion sound played by the button keyboard while Free Bass mode is active. In that case, all bass buttons play bass notes – no chords. There are no clever modes (DUAL, SOLO,[...]

  • Page 31

    Other practical functions V-Accordion r 31 5. Other practical functions After looking at the accordion and Orchestra functions, let’s have a look at the “purely electronic” functions of your FR-3. Your FR-3 is what we call a virtual instrument. Though its physical appearance is similar to that of its acoustic ancestor, it is based on an altog[...]

  • Page 32

    Other practical functions | Using the metronome 32 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion ■ Setting the tempo We’ll assume that you are still in “PARAM LIST” mode (and so didn’t press [SET] to leave it). To set this parameter at a later stage, repeat steps (1) and (2) above. (4) Press register [3÷√] (or [4÷®] ) to return to the name i[...]

  • Page 33

    Using the metronome V-Accordion r 33 Using the metronome After setting the metronome’s parameters to your lik- ing (or if you don’t need to change them), you can start using the metronome: (13) Press the [METRONOME] button to start the metro- nome (“Str”). (14) Press it again to switch the metronome back off (the display briefly shows “St[...]

  • Page 34

    Other practical functions | Pitch-related functions 34 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Pitch-related functions Transpose function The FR-3 contains a Transpose function that allows you to change the key of the music you are playing. The advantage of this system is that you can play a song in E major (for example), while using the fingering of[...]

  • Page 35

    T ransposing the Orchestra section in octave steps V-Accordion r 35 Transposing the Orchestra section in octave steps You can also transpose the Orchestra section (i.e. the currently selected orchestral sound) up or down. This can be interesting when you are using the Orchestra part in Dual mode (page 25) and want it to sound above or below the sel[...]

  • Page 36

    Editing settings | Editing settings 36 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion 6. Editing settings The FR-3 provides a whole series of specialized parameters you probably don’t need every day. They may come in handy, however, when you need to fine-tune the FR-3’s response to your playing style. This chapter discusses all parameters that are not r[...]

  • Page 37

    Selecting the desired function V-Accordion r 37 Selecting the desired function (1) Press and hold the [SET] register until the display shows a parameter name, then release it. (2) Use register [3÷√] or [4÷®] to select the desired parameter . (3) Use register [1÷–] or [2÷+] to set the desired value. Press registers [1] and [2] simultaneousl[...]

  • Page 38

    Editing settings | P ARAM LIST parameters 38 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion C-Griff Europe C-Griff 2 B-Griff Bajan Treble Mode (1/2)[...]

  • Page 39

    Orchestra Level V-Accordion r 39 Orchestra Level (–40~“Std”~40, Default setting: Std) This parameter allows you to create the desired “mix” (volume balance) between the Treble accordion and the Orchestra section. This is a relative parameter, which means that its value is added to or subtracted from the standard value (“Std”). Orchest[...]

  • Page 40

    Editing settings | P ARAM LIST parameters 40 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Treble Valve Noise (Off, –40~“Std”~40, Default setting: Std) You will probably agree that electronic sounds must not only reproduce the basic timbre of an existing sound, but also the original instrument’s behavior and typical “noises” in order to be perc[...]

  • Page 41

    Orchestra T ouch V-Accordion r 41 Orchestra Touch (1~10, Default setting: 6) This parameter allows you to specify the velocity sensi- tivity of the Treble keys/buttons when they are used to play an external MIDI tone generator via the Orchestral section (on the Orchestra section’s MIDI channel). The FR-3’s Treble Orchestra sounds are not veloci[...]

  • Page 42

    Editing settings | P ARAM LIST parameters 42 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Free Bass Mode ([1] Minor 3rd, [2] Bajan, [3] Fifth, [4] N. Europe, [5] Finnish, Default set- ting: 1) This parameter allows you to choose the note system used in Free Bass mode. We already mentioned that there are a vast number of accordion varieties. The same is tr[...]

  • Page 43

    Auto Power Off V-Accordion r 43 FREE BASS ORC FREE BS ORCH CHORD ORCH BASS FREE BASS ORC FREE BS ORCH CHORD ORCH BASS FREE BASS ORC FREE BS ORCH CHORD ORCH BASS FREE BASS ORC FREE BS ORCH CHORD ORCH BASS N. Europe FREE BASS ORC FREE BS ORCH CHORD ORCH BASS Finnish Ab2 Eb2 Bb2 F2 C3 G2 D3 A2 E2 B2 F#2 C#3 Ab2 Eb2 Bb2 F2 C3 G2 D3 A2 E2 B2 F#2 C#3 Ab2[...]

  • Page 44

    Editing settings | P ARAM LIST parameters 44 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Roland Logo Color (Off, 1~26, Default setting: 2) You may have noticed that the Roland logo above the Treble control panel lights when you switch on the FR-3. If you haven’t changed this setting yet, the color of that logo changes each time you switch on the FR-3. [...]

  • Page 45

    MIDI parameters V-Accordion r 45 MIDI parameters Your FR-3 can also transmit or receive MIDI data. In this section, we’ll look at what MIDI is and does and which MIDI functions are available on the FR-3. IMPORTANT REMARK : The FR-3 only has one MIDI socket that can be used to either send (“OUT”) or receive (“IN”) MIDI data. Connect the FR[...]

  • Page 46

    Editing settings | P ARAM LIST parameters 46 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion used. There are actually two kinds of master keyboards: those that only transmit MIDI data and contain no tone generator, and those that can also be used for playing back music (synthesizers, digital pianos, organs, etc.). Sequencers do not record the audio of the no[...]

  • Page 47

    MIDI parameter list V-Accordion r 47 MIDI parameter list Memorized Display indication Full name Setting range Default See page POWER MId MIDI Out/In Out, In Out 48 OK trb Treble TX/RX channel Off, 1~16 1 48 OK trO Treble Octave Tx –3~0~3 0 49 OK bfr Bass/Free Bass TX/RX Channel Off, 1~16 2 49 OK bfO Bass/Free Bass Octave TX –3~0~3 0 49 OK CHd C[...]

  • Page 48

    Editing settings | P ARAM LIST parameters 48 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Selecting the desired MIDI LIST function (1) Press and hold the [SET] register until the display shows a parameter name, then release it. (2) Use register [5÷√] or [6÷®] to select the desired MIDI LIST parameter . (3) Use register [1÷–] or [2÷+] to set the d[...]

  • Page 49

    T reble Octave Tx V-Accordion r 49 Treble Octave Tx (–3~0~3, Default setting: 0) This param- eter allows you to transpose the Note- on messages transmitted by the Treble section up to three octaves up or down. This can be used for songs where an accordion register of the Treble section (for example) should be doubled by a piccolo flute played by [...]

  • Page 50

    Editing settings | P ARAM LIST parameters 50 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Orchestra Free Bass Octave TX (–3~0~3, Default setting: 0) This param- eter allows you to transpose the Note- on messages transmitted by the ORCH FREE BS part. Basic Channel TX/RX (Off, 1~16, Default setting: 13) This parameter allows you to set the basic MIDI chan[...]

  • Page 51

    Sending program change messages when necessary V-Accordion r 51 Sending program change messages when necessary ( bPC , C00 , C32 ) Though each register or Set can transmit a program change/bank select cluster when pressed (see “Program Change TX” on p. 50), you can also transmit sound select messages on the fly – without changing registers on[...]

  • Page 52

    Editing settings | P ARAM LIST parameters 52 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion You probably noticed that each entry represents a group of 128 possibilities. By selecting an entry, you tell the FR-3: “Whenever I select a memory number between 257 and 384 on the ‘SPC’ page, please con- vert that to a program change number 1~128, and add the[...]

  • Page 53

    Restoring the factory defaults V-Accordion r 53 “dMP” is short for “Dump TX”. (9) Start recording on your sequencer/computer. Wait until the count-in (one or two measures) is fin- ished, then… (10) Press register [1÷–] or [2÷+] on the FR-3 to start the transmission of the bulk data. (Press the [SET] register if you do not want to tran[...]

  • Page 54

    Using optional batteries | Using optional batteries 54 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion 8. Using optional batteries Your FR-3 has a compartment that contains a special holder unit into which you can install 10 optional AA-type batter- ies. You can therefore play your instrument without connecting the supplied adapter. What can you do with batt[...]

  • Page 55

    Note about rechargeable batteries V-Accordion r 55 (4) Use the tab to pull the battery case out of the compartment and turn the case around. The battery case is connected to the FR-3 by means of a cable with a padded connector strip. You can disconnect the cable from the battery case by pulling off the padded connector strip. Note that this is unne[...]

  • Page 56

    T r oubleshooting | T roubleshooting 56 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion 9. Troubleshooting This section provides an overview of points to check and actions to take when the FR-3 does not function as you expect. Feel free to contact your Roland dealer if your issue remains unsolved after reading through this section. No sound ■ Did you turn [...]

  • Page 57

    Specifications V-Accordion r 57 10. Specifications ■ Keyboards ■ Bellows Real pneumatic detection of bellows pressure (high-resolu- tion pressure sensor) Bellows resistance regulator: 4 positions ■ Sound source Max polyphony: 64 voices Wave ROM: 32MB of waveforms Tones: 10 accordion Sets, each including: 12 Treble registers, 7 Bass registers[...]

  • Page 58

    Appendix | Appendix 58 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion 11. Appendix Factory Sets Demo Songs # SONG TITLE* [*] Copyright ©2006 Roland Europe Spa. All rights reserved. All rights reserved. Unauthorized use of the demo songs for purposes other than private enjoyment is a vio- lation of applicable laws. Note : The performance data of the demo so[...]

  • Page 59

    MIDI implementation V-Accordion r 59 MIDI implementation 1. Received data ■ Channel Voice Messages ● Note off ● Note on ● Control Change • The value specified by a Control Change message is not reset by a Program Change, etc. ❍ Bank Select (Controller number 0, 32) • Only for Free Bass. ❍ Expression (Controller number 11) • This a[...]

  • Page 60

    Appendix | MIDI implementation 60 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion ■ System Exclusive Messages The System Exclusive Messages transmitted by the FR-3 are messages related to Data Set (DT). ● Data Set 1 DT1 (12H) • The amount of data that can be transmitted at one time depends on the type of data, and data will be transmitted from the spec[...]

  • Page 61

    MIDI Implementation Chart V-Accordion r 61 MIDI Implementation Chart [V-Accordion] Date: April 2006 Model: FR-3s/FR-3sb/FR-3/FR-3b Version: 1.00 Function... T ransmitted Recognized Remarks Basic Channel Default Changed 1~16 1~16, Off 1~16 1~16, Off 7 Parts: 1= T reble , 2= Bass/Free Bass, 3= Chord, 4= Orchestra, 5= Orchestra Bass, 6= Orchestra Chor[...]

  • Page 62

    Information | Information 62 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion 12. Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. . As of April 1, 2006 (ROLAND) EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, [...]

  • Page 63

    V-Accordion r 63 13. Index A Adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Alpine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 American . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 APO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Auto Power Off . . . . . . . . . . . . . . . . . .[...]

  • Page 64

    Index | 64 r FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Bass Level . . . . . . . . . . . . . . . . . . . . . . . . . 28 Bass TX/RX Channel . . . . . . . . . . . . . . . . 49 Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Chord Level . . . . . . . . . . . . . . . . . . . . .[...]

  • Page 65

    [...]

  • Page 66

    R® 602.00.0142.01 RES 520-06 FR-3s/FR-3/FR-3sb/FR-3b Owner's Manual - E[...]