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Korg PS60 manuel d'utilisation

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Un bon manuel d’utilisation

Les règles imposent au revendeur l'obligation de fournir à l'acheteur, avec des marchandises, le manuel d’utilisation Korg PS60. Le manque du manuel d’utilisation ou les informations incorrectes fournies au consommateur sont à la base d'une plainte pour non-conformité du dispositif avec le contrat. Conformément à la loi, l’inclusion du manuel d’utilisation sous une forme autre que le papier est autorisée, ce qui est souvent utilisé récemment, en incluant la forme graphique ou électronique du manuel Korg PS60 ou les vidéos d'instruction pour les utilisateurs. La condition est son caractère lisible et compréhensible.

Qu'est ce que le manuel d’utilisation?

Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Korg PS60 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Korg PS60 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Korg PS60
- nom du fabricant et année de fabrication Korg PS60
- instructions d'utilisation, de réglage et d’entretien de l'équipement Korg PS60
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

Pourquoi nous ne lisons pas les manuels d’utilisation?

Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Korg PS60 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Korg PS60 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Korg en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Korg PS60, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Korg PS60, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Korg PS60. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    1 E PS60 P arameter Guide[...]

  • Page 2

    ii About the Par ameter Guide This  document  (“PS60  Pa r a me t e r  Guide”)  explain s  the  parameters  that  can  be  quickly  edited  from  the  PS60  itself  or  from  the  PS60  Editor ,  in  addition  to  the  full  parameters  that  can  be  e[...]

  • Page 3

    iii T able of C ontents Performance Edit ... .............. .......... 1 Panel ............ ............................................... ............. 1 Keyboard, Wheels ................ .................. ............. 2 OverView ................ .................................. ............. 3 Main Timbres ...................................[...]

  • Page 4

    iv Effect Guide ......... .............. .......... 79 Overview ............ .................. .............. .................. 79 Dynamic modulation (Dmod) and Tempo Synchroniza- tion .............................................................................................. 80 Effect I/O ................................... ..................[...]

  • Page 5

    1 P er f ormance E dit Pa n e l The  upper  part  of  the  PS60  Editor  panel  simulates  the  main  buttons  an d  knobs  of  the  PS60 ʹ s  own  front  panel. Mode Select, Utility Mode button [PERF , PROG EDIT , GL OB] To  select  a  mode ,  click  the  button  for ?[...]

  • Page 6

    Pe r f o r m an c e Ed i t 2 EQ BASS knob [-18.0...+18.0] MID knob [-18.0...+18.0] TREBLE knob [-18.0...+18.0] These  parameters  adjust  th e  gain  of  the  bass,  mid,  and  tre ble  (high)  bands  (page  120). K eyboard, W heels This  area  shows  an  88 ‐ note  keyboard,  a  pitc[...]

  • Page 7

    OverView Main Timbres 3 Ov erV ie w In  this  area,  you  can  turn  on/off  each  timbre  of  the  selected  performance,  select  programs,  and  edit  the  sett ings  for  Easy  Setup,  master  effect,  and  EQ. Main T imbres Here  you  can  adjust  the  se[...]

  • Page 8

    Pe r f o r m an c e Ed i t 4 global  MIDI  channel.  This  message  is  transmitte d  on  the  MIDI  Channel  (page  7)  specified  for  each  timbre. IFX [Name] This  indicates  the  program ʹ s  insert  effect.  (The  program  of  the  STRINGS  timbre  does  n[...]

  • Page 9

    Timbre Param (Timbre Paramete rs) Scale 5 T imbre P aram ( T imbre P aramet ers) Scale This  specifies  the  scale  used  by  the  performance. Separately  from  this  sett ing,  you  can  choose  the ʺ Scale ʺ set ‐ ting  of  ea ch  timbre ʹ s  program  take  priority  if ?[...]

  • Page 10

    Pe r f o r m an c e Ed i t 6 Use  Equal  Te m p e r a m e n t  for  programs  whose  multi ‐ sample  ( ʺ Multisample  select, ʺ page  25)  is  set  to  mono:  0002,  00003,  0006,  00 07,  0009,  Stereo:  0001,  or  0003  (i.e.,  the  preload  programs  13:SoloS[...]

  • Page 11

    Timbre Param (Timbre Parameters) MIDI/OSC 7 MIDI/OSC Main Timbres (A. Piano–Synth): Sub Timbres ( A. Piano –Synth): Here  you  can  adjust  settings  for  ea ch  timbre ʹ s  MIDI  trans ‐ mission  status,  channel,  and  oscillator  mode. MIDI Status [INT , EX T , EX 2] This  parameter  sets ?[...]

  • Page 12

    Pe r f o r m an c e Ed i t 8 Wit h  the  MN  or  LGT  settings,  the  Program’ s  setting  will  determine  th e  priority  of  the  note  that  sounds  when  you  play  two  or  more  note s. OSC Select [BTH, OSC1, OSC2] This  parameter  specifies  whether  the ?[...]

  • Page 13

    Timbre Param (Timbre Parameter s) Tone 9 To n e Main Timbres (A. Piano–Synth): Sub Timbres ( A. Piano –Synth): Here  you  can  adjust  the  sound  of  ea ch  timbre ʹ s  program.  These  settings  are  saved  in  each  performance,  and  do  no t  affect  the  original  progr[...]

  • Page 14

    Pe r f o r m an c e Ed i t 10 MIDI F ilter Main Timbres (A. Piano–S ynth): Sub Timbres ( A. Piano –Synth): These  settings  allow  you  to  apply  filters  to  the  MIDI  data  that  will  be  transmitted  and  receiv ed  by  each  timbres.  For  example  even  if  tw o [...]

  • Page 15

    MFX/EQ (Master Effect/EQ) MFX&EQ Routing 11 MFX/EQ (Master E f fe c t/EQ ) On  this  page  yo u  can  adjust  the  settings  for  the  master  effects.  These  settings  consist  main ly  of  the  following. •S p e c i f y  the  routing  for  the  master  effects. • Sel[...]

  • Page 16

    Pe r f o r m an c e Ed i t 12 MFX1 Here  you  can  set  th e  effect  parameters  for  the  master  effect  1  you  selected  in  the  MFX  page  MFX  &  EQ  Routing.  ( ) “MFX1  (Mod.)  (Master  Effect1–Modulation)  List”  on  page 117) MFX2 Here  you [...]

  • Page 17

    UTILITY Command EQ 13 UTILITY C ommand Proc edure for utility c ommands 1. Click  the  UTILITY  button ,  and  choose  a  co mmand  from  the  menu  that  appears. 2. Adjust  settings  in  the  dialog  box. For  details  on  the  conten ts  of  each  dialog  box,  refer ?[...]

  • Page 18

    Pe r f o r m an c e Ed i t 14[...]

  • Page 19

    15 Pro g ram E d it Selecting the program that y ou want to edit Here ʹ s  how  to  select  the  program  that  you  wa n t  to  edit. •I f  you ʹ re  using  Single  settings,  you ʹ ll  enter  the  progr am  edit  page  with  that  progra m  automati cally  selected. ?[...]

  • Page 20

    Progra m Edit 16 Quick Par ameters Yo u  can  edit  the  quick  parameters  either  from  Program  Edit  mode  on  the  PS60  it self,  or  from  the  editor ʹ s  Quick  page,  described  below . The  quick  parameters  are  organized  into  the  tone  parame[...]

  • Page 21

    Quick OSC Comm on 17 Oscillat or These  parameters  adjust  the  transpose,  hold,  and  reverse  settings  for  osci llators  1  and  2  at  the  same  time. PtchStr tch (Pitch Stretch) [–12...0...+12 (Rel)] This  special  control  increases  the  Oscillator  “T une”  pa[...]

  • Page 22

    Progra m Edit 18 OSC EG/LFO OSC EG Fil te r/A m p E G Here  you  can  adjust  the  settings  for  th e  filter  EG  and  amp  EG  of  oscillat ors  1  and  2. In  the  Filter/Amp  EG  group,  all  filter  EG s  and  amp  EGs  are  adjusted  simultaneously . ?[...]

  • Page 23

    Quick OSC1 19 OSC LFO Here  is  where  you  can  adjust  LFO  settings  for  oscillators  1  and  2. Each  oscillator  has  two  LFOs  (LF O1  and  LFO2).  There ʹ s  also  a  common  LFO  that  can  be  sh ared  by  the  tw o  oscillators.  LFO1 [...]

  • Page 24

    Progra m Edit 20 When  this  is  set  to  0,  playing  different  notes  on  the  key ‐ board  won’ t  change  the  pitch  at  all;  it  will  be  as  if  you ’ r e  always  playing  C4.  Thi s  can  be  useful  for  specia l  effects  sounds[...]

  • Page 25

    Quick OSC2 21 Filter LFO 2 Intensity to A (FltLFO2toA) [–9 9 . .. + 9 9] This  control s  the  depth  and  direction  of  Filter  A  cutoff  mod ‐ ulation  from  LFO2. ) “Filter  LFO1  Intensity  to  A  (FltLFO1t oA)”  on  page 20 Fi lter LFO2 Intens ity to B (FltL FO2toB) [–99...+9[...]

  • Page 26

    Progra m Edit 22 F ull Par ameters The  parameters  listed  in  the  pages  that  follow  are  the  full  parameters.  They  can  be  edited  only  from  the  editor . Basic This  page  contains  all  of  the  basic  settings  for  the  Program.  Among  oth[...]

  • Page 27

    Basic About Relative (R el) and Absolute parameters 23 Enable Half-Damper [ On, O ff ] On:  Half ‐ Damper  pedals,  normal  sustain  ped als,  and  MIDI  CC#  64  will  all  modulate  the  Amp  EG,  as  described  belo w .  Off:  the  pedals  and  MIDI  CC#64  will  sti[...]

  • Page 28

    Progra m Edit 24 Pr ogram Basic •S e t  the  Program  to  play  polyphonically  or  monophonically V oice Assign Mode V oice Assign Mode (Mode) [Poly , Mono] ( ) “V oice  Assign  Mode  (V oice  Mode)”  on  page 16) Poly Pol y Le g at o [O ff, O n ] Po l y  Le gato  is  available  when  the[...]

  • Page 29

    OSC/Pitch Program Basic 25 OSC/Pitch These  pages  control  the  first  and  most  basic  elements  of  sounds:  the  Multisamples  that  the  oscillators  play ,  and  th e  pitch  used  to  them.  For  instance,  you  can: • Select  Multisamples  for  Single [...]

  • Page 30

    Progra m Edit 26 Mid-High, Mid-Lo w , Low These  are  th e  settings  for  the  second,  third,  and  fourth  velo ci ty  zones.  The  parameters  fo r  Mid ‐ High  and  Mid ‐ Low  are  exactly  the  same  as  those  for  High,  as  described  above. The  par[...]

  • Page 31

    OSC/Pitch OSC1 Multisample 27 Range (Crossfade Range) [Off , 1...127] This  sets  the  range  of  vel oc iti es  over  which  High  will  fade  into  Mid ‐ High ,  going  up  from  the  “Bottom  Ve l . ” For  instance,  if  the  “Bottom  Ve l . ”  is  set  to ?[...]

  • Page 32

    Progra m Edit 28 OSC1 Pitch This  page  contains  all  of  the  settings  for  Oscillator  1’ s  pitch  modulation .  For  example,  you  can: •S p e c i f y  pitch  bend  controlled  by  the  joystick  X  (or  an  incoming  pitch  bend  message)  set  to [...]

  • Page 33

    OSC/Pitch OSC1 Pitch 29 AMS (Pitch EG) [List of AMS Sources] This  selects  any  AMS  modulatio n  source  to  scale  the  amount  of  the  Pitch  EG.  For  a  list  of  AMS  sources,  plea se  see  “A M S  (Alternate  Mod ‐ ulation  Source)  List”  on  pag[...]

  • Page 34

    Progra m Edit 30 OSC2 Multisample This  page  controls  the  basic  settings  for  Oscillator  2.  It  is  available  only  when  the  Oscillato r  Mode  is  set  to  Double;  if  not,  the  page  will  be  gray ed  out. The  parameters  are  identical  [...]

  • Page 35

    OSC/Pitch Pitch EG 31 When  you  select  Key  +  Da mper ,  note s  will  only  sound  if  the  damper  pedal  is  bein g  held  down.  When  the  damper  pedal  is  released,  all  notes  w ill  be  stopped–ev en  if  they  are  still  being  he[...]

  • Page 36

    Progra m Edit 32 Tim e Higher  valu e s  me an  longe r  times,  as  shown  below: Attack [00...99] This  sets  how  long  the  EG  takes  to  move  from  the  Start  level  to  the  Attack  level.  For  the  fastest  possible  attack  time,  you  can  s[...]

  • Page 37

    OSC/Pitch Pitch EG 33 Slope [0L (Linear), 1...9, 10E (Ex p/Log)] This  sets  the  curvature  of  the  Slope  segment ‐ the  transition  from  the  Break  level  to  the  Sustain  level  (which  for  the  Pitch  EG  is  always  0). Release [0L (Linear), 1...9, 10E (Exp/L[...]

  • Page 38

    Progra m Edit 34 Threshold [–99...+99] This  sets  the  AMS  lev el  which  will  trigger  th e  EG  reset.  When  the  “Threshold”  is  positive,  the  EG  triggers  when  passing  through  the  thresho ld  moving  upw ards.  When  the  “Threshold”  is[...]

  • Page 39

    Filter Pitch EG 35 Fi l t e r Filtering  can  make  subtle  or  dramatic  changes  to  the  oscilla ‐ tor ’ s  ti mbre.  Each  oscillator  has  two  multimod e  resonant  fil ‐ ters,  A  and  B,  as  wel l  as  a  dedicated  filter  env e lope  and  keyboar[...]

  • Page 40

    Progra m Edit 36 Serial and Parallel Routing 12db/oct / 24db/oct Fil te r A Filt er T ype [LPF : Low Pass (12dB/oct), HPF: High Pa ss (12dB/oct), BPF: Ban d Pass (6dB/oct), BRF : Ba nd Re ject (6dB/ oct)] The  filter  will  produce  very  diffe rent  results  depending  on  the  selected  filte r  type.  The ?[...]

  • Page 41

    Filter Filter1 37 Fi l t e r 1 Set  the  cutoff,  resonanc e,  and  input  and  output  levels  of  each  filter ,  in cludin g  modulation  of  resonance  and  output  level. F ilterA Fil te r Bypass [Off , On] This  lets  you  bypass  Filter  A  completely . If  Bypass [...]

  • Page 42

    Progra m Edit 38 F ilter1 Modulation Here  you  can  edit  the  filter  keyboard  tracking  and  filter  modulation  for  oscillator  1.  These  settings  include  the  fol ‐ lowing. •S e t  up  complex  keyboard  tracki ng  shapes,  and  control  how  the  trac[...]

  • Page 43

    Filter Filter1 Modulation 39 the  keyboard,  and  positive  ramps  make  th e  output  go  higher . Center ‐ High  and  High ‐ To p :  negative  ramps  make  the  key ‐ board  tracking ’ s  output  go  down  as  yo u  play  higher  on  the  keyboard,  and ?[...]

  • Page 44

    Progra m Edit 40 When  “Intensity  to  A”  is  set  to  a  positive  (+)  valu e,  the  EG’ s  effect  will  m atch  its  shape.  When  the  EG  rises  abov e  0,  the  cutoff  frequency  will  increase. Wit h  negative  (–)  val u e s,  the  [...]

  • Page 45

    Filter Filter1 LFO Mod. 41 Fi l t e r 1 L F O M o d . LFO1,  LFO2,  and  the  Common  LFO  can  all  modulate  Filter  A  and  B’ s  cutoff  frequenc ies.  Yo u  ca n  control  the  st rength  of  each  LFO’ s  modulation  independently  for  ea ch  filter ,  in[...]

  • Page 46

    Progra m Edit 42 Fi l t e r 1 E G The  Filter  EG,  or  Envelope  Generator ,  lets  you  create  com ‐ plex,  time ‐ var y in g  chan ges  to  the  cutoff  fre quencies  of  Fil ‐ ters  A  and  B.  The  parameters  on  this  page  control  the  shape  of ?[...]

  • Page 47

    Filter Filter1 EG 43 Cur ve The  explanation  of  the  filter  EG  curve  is  same  as  for  pitch  EG  curve. Please  see  “Curve”  on  pa ge 32. Attack [0L (Linear), 1...9, 10E (Exp/ Log)] This  sets  the  curv ature  of  the  Attack  segment ‐ the  transition [...]

  • Page 48

    Progra m Edit 44 Fi l t e r 2 This  page  controls  Oscillator  2’ s  basic  filter  2  settings.  It  is  available  only  when  the  Oscillato r  Mode  is  set  to  Double;  if  not,  the  page  will  be  gray ed  out. The  parameters  are  identical ?[...]

  • Page 49

    Amp Filter2 EG 45 Amp Oscillators  1  and  2  have  separate  controls  for  vo lum e  (also  called  “amplitude,”  or  “amp”  fo r  short);  pan;  and  as  wel l  as  dedicated  amp  envelopes  and  keyboard  tracking  genera ‐ tors.  These  pages  [...]

  • Page 50

    Progra m Edit 46 Amp1 EG This  displays  the  Amp1  EG  env elope  specified  in  the  Amp1  EG  page. The  graphic  shows  the  shape  of  the  Amp1  EG.  Yo u  can  also  change  the  shape  by  using  the  mouse  to  drag  ea ch  of  the  squ[...]

  • Page 51

    Amp Amp1 Mod ulation 47 Differenc es from other Keyboard T racks There  are  seve ral  differences  between  the  Amp  keyboard  tracking  and  th e  Filter  and  Common  keyboard  tracking. For  ex ample,  the  results  of  the  Ramp  va l ue s  are  different.  As  show[...]

  • Page 52

    Progra m Edit 48 Amp1 EG These  parameters  le t  you  create  time ‐ vary in g  changes  in  th e  volu me  of  oscillator  1. En velope These  parameters  specify  how  the  amp  1  EG  will  change  over  ti me. Amp E G Level Start [0 0...99] This  sets  the  initial[...]

  • Page 53

    Amp Amp2 Mod ulation 49 Release [0L (Linear), 1...9, 10E (Exp/Log)] This  sets  the  curvature  of  the  Release  segment ‐ th e  transi ‐ tion  from  the  Sustain  level  to  the  Release  level. Lev el Modulation These  settings  let  yo u  use  any  AMS  source  to[...]

  • Page 54

    Progra m Edit 50 LFO Each  of  the  Osci llators  1,  2  has  two  LFOs,  which  you  can  use  to  modulate  th e  filter ,  amp,  pitch,  and  many  other  parame ‐ ters. The  two  Oscillators  also  shar e  a  single  Common  LFO,  simi ‐ lar  to [...]

  • Page 55

    LFO Amp2 EG 51 Random4–6  (Continuous)  are  smoothed  ve rsi on s  of  Ran ‐ dom  1–3,  with  ramps  inste ad  of  steps.  Yo u  can  use  them  to  create  more  gentle  random  variations. Fr equenc y [00...99] This  control s  the  speed  of  the  LFO, [...]

  • Page 56

    Progra m Edit 52 OSC1 LFO1 This  page  has  all  of  the  controls  for  the  first  LFO  of  Oscilla ‐ tor  1.  For  instance,  you  can: • Control  the  LFO’ s  frequ ency ,  and  assign  AMS  co ntrollers  to  modulate  th e  frequency . •U s e  the ?[...]

  • Page 57

    LFO OSC1 LFO2 53 When  AMS  is  at  its  maximum  val ue  (for  example  by  mov ‐ ing  the  joystick  fully  aw ay  from  you rse lf ),  the  AMS  affects  the  frequency  as  shown  below: IntMod Sr c (Int ensity Mod AMS) [List of AMS Sources] This  sel e cts  a  s[...]

  • Page 58

    Progra m Edit 54 C ommon LFO Differenc es from LFO1/2 The  Common  LFO  starts  running  as  soon  as  you  select  the  Program,  and  only  resets  when  you  tell  it  to  do  so  explicitly  via  the  Reset  Source  control,  below .  This  is  differen[...]

  • Page 59

    AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) Common LFO 55 AMS Mix/C.K ey T rk (AMS Mix er/C ommon Keyboar d T rack) Each  Oscillator  has  two  AMS  Mixer s,  which  are  simple  but  powerful  tools  for  combining  and  modifyin g  AMS  signals. The  two  Oscillators  also  sha[...]

  • Page 60

    Progra m Edit 56 AMS Mixer2 Mix er T ype [ A+B, Am t AxB, O ffse t, Smoo thing , Shape, Quantize , G ate C ontrol] This  is  the  secon d  AMS  Mixer  fo r  Oscillator  1.  The  parame ‐ ters  are  exactly  the  same  as  those  for  AMS  Mixer  1. ) “A M S  Mixer1”  on  pag[...]

  • Page 61

    AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) OSC1 AMS Mix 57 Amt AxB AMS Mixer , T yp e =Amt A x B This  Mixer  Ty p e  uses  AMS  B  to  scale  th e  amount  of  AMS  A.  For  instance,  you  can  control  the  amount  of  LFO1  with  the  Filter  EG,  or  contr[...]

  • Page 62

    Progra m Edit 58 Offset [–19 9...+199] This  controls  the  amount  of  offset  for  AMS  A. Setting  Offset  to  +199  shi fts  an  AMS  input  of  –99  all  the  way  to  +99.  In  conjunction  with  high  AMS  A  Amount  va lu es ,  this  can  [...]

  • Page 63

    AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) OSC1 AMS Mix 59 AMS Mixer Shape ex am ples Quant ize This  Mi xer  Ty p e  changes  the  input  fr om  a  continuo us  signal  into  a  series  of  discrete  st eps.  Instead  of  moving  smoothly  between  val u es ,  it  will ?[...]

  • Page 64

    Progra m Edit 60 Gate O utput If  the  va lu e  of  the  Control  Source  is  less  than  the  “Thresh ‐ old,”  the  Gate  outputs  the  preset  val u e  or  AMS  source  selected  under  “Below  Threshold.” If  the  va lu e  of  the  Control  “Sou[...]

  • Page 65

    AMS Mix/C.KeyTrk (AMS Mixer/Co mmon Keyboard Track) Common KeyTrack (Common Key- 61 C o mmon Key T rack ( Common Key b o a rd T r a ck ) The  two  Oscillators  share  tw o  Common  keyboard  tracking  generators,  in  addition  to  each  Oscillator ’ s  dedicat ed  key ‐ board  tracking  for ?[...]

  • Page 66

    Progra m Edit 62 +Inf and –Inf ramps +Inf  and  –Inf  are  special  settings  which  cre ate  abrupt  changes  for  split ‐ like  effects.  When  a  ramp  is  set  to  +Inf  or  – Inf,  the  keyboard  tracking  will  go  to  its  extre me  highest  [...]

  • Page 67

    IFX (Insert Effect) Common KeyTrack (Com mon Keyboard Track) 63 IFX (Inser t Effec t) Here,  you  can  adjust  settings  for  the  insert  effects.  For  more  information,  please  see  “Effect  Guide”  on  page 79. The  [IFX]  and  [MFX/EQ]  tab  pages  al low  yo u  t[...]

  • Page 68

    Progra m Edit 64 IFX Insert Effect (IFX) Here  you  can  edit  the  parameters  of  the  insert  effect  that  you  selected  in  the  IFX  Rou ting  page. Effect  dynamic  modulation  (Dmod)  is  co ntrolled  on  th e  MIDI  channels  set  for  the  correspon[...]

  • Page 69

    MFX/EQ (Master Effect/EQ) IFX 65 MFX/EQ (Master E f fe c t/EQ ) Here,  you  can  adjust  the  settings  for  the  master  effects  and  EQ.  For  insta nce,  yo u  can: •R o u t e  a  so und  to  the  master  effects • Make  detailed  settings  for  th e  master  e[...]

  • Page 70

    Progra m Edit 66 MFX1 MFX1 Par ameters Here,  you  can  edit  the  parameters  of  the  master  effect  selected  in  the  MFX/EQ  page. For  more  information,  please  see  “Effect  Guide”  on  page 79. Effect  dynamic  modulation  (Dmod)  is  co ntrolled  on [...]

  • Page 71

    UTILITY Command EQ 67 UTILITY C ommand Proc edure for utility c ommands 1. Click  the  UTILITY  button ,  and  choose  a  co mmand  from  the  menu  that  appears. 2. Adjust  the  settings  in  the  dialog  box. For  details  on  the  conten ts  of  each  dialog  box, [...]

  • Page 72

    Progra m Edit 68 FX [All , Mod. Rev/Dly , EQ] Specify  whether  you  wan t  to  copy  effect  settings  and/or  EQ  settings. Load... Loads  the  PS60  Editor/Plug ‐ In  Editor  da ta  that  wa s  previ ‐ ously  saved  on  the  computer . Save ... Saves  data  from  the [...]

  • Page 73

    69 Global Pa n e l The  upper  part  of  the  PS60  Editor  panel  simulates  the  main  buttons  and  knobs  of  the  PS60 ʹ s  own  front  panel. These  cannot  be  edit ed  in  Global  mode. Softwa re Setu p Global  mode  Softwa re  Setup  lets  you  sp[...]

  • Page 74

    Global 70 Basic/MIDI C ontrollers Settings  in  the  Basic/MIDI  Controllers  –  Category  pages  are  remembered  while  the  PS60  Editor  /  Plug ‐ In  Editor  is  running,  but  will  return  to  the  settings  prior  to  start ‐ up  when  you  close[...]

  • Page 75

    Basic/MIDI Controllers 71 Octave [-3...+0...+3] This  shifts  the  pitch  of  the  performance  or  progr am  in  one ‐ octave  steps  across  a  range  of  six  octaves. V elocity Curve ( V el Curve) [1...9] This  specifies  the  wa y  that  the  vol um e  and/or  tone ?[...]

  • Page 76

    Global 72 overall  sound,  or  to  back  off  the  high  range  to  soften  the  sound. Memor y Protect Progra m [O ff , On ] This  setting  prote cts  the  internal  program  memory . On:  Internal  program  memory  will  be  protected,  and  the  following  write [...]

  • Page 77

    Basic/MIDI Controllers 73 PostMIDI:  Ve l o c i t y  Curve,  aftertouch  Curve,  and  T ranspos e  will  be  applied  to  da ta  before  it  enters  the  tone  genera tor . This  means  that  th e  V elocity  Curv e,  aftertouch  Curve,  and  T ranspose  settings  w[...]

  • Page 78

    Global 74 Cont rollers JS Lock [X, Y , +Y , - Y , XY ] Yo u  ca n  switch  the  joystick  betw een  Lock  an d  Unlock  states  (the  LED  wil l  light  when  the  joystick  is  locked). If  you  turn  the  Lock  function  on  while  usi ng  th e  jo ystick,  the[...]

  • Page 79

    User Scale 75 U ser Sc ale Here,  you  can  select  the  settings  for  four  differen t  User  Octave  Scales  and  one  User  All  Notes  Scale. The  user  scales  you  create  here  can  be  sele cted  from  the  fo l ‐ lowing  pages. •P e r f :  Timbre[...]

  • Page 80

    Global 76 Catego r y Programs  are  organized  into  sub ‐ categories. Yo u  can  assign  a  Program  to  a  category  and  sub ‐ catego ry  during  the  utility  command  Wr i t e  process.  To  save  changes  to  sub ‐ category  names,  you ’ll  need  to ?[...]

  • Page 81

    UTILITY Command 77 UTILITY C ommand Proc edure for utility c ommands 1. Click  the  UTILITY  button ,  and  choose  a  co mmand  from  the  menu  that  appears. 2. Adjust  the  settings  in  the  dialog  box. For  details  on  the  conten ts  of  each  dialog  box,  re[...]

  • Page 82

    Global 78[...]

  • Page 83

    79 Effec t Gu ide Ov ervi ew The  PS60 ʹ s  effects  co nsist  of  one  insert  effect  fo r  the  program  of  each  timbre  (except  for  the  Strings  ti mbre),  two  master  effects  use d  by  the  entire  perfor mance,  and  EQ  settings. Yo u  ca n [...]

  • Page 84

    Effec t Gui de 80 Effect swi tch •I n  th e  Global  page,  yo u  can  switch  effect s  on/off  as  a  whole  for  the  performance  or  program.  This  is  useful  when  you  wan t  to  use  an  ou tboard  effect  processor  to  apply  an  effect [...]

  • Page 85

    Inser t Effec ts (IFX) 81 Synchronizing LFOs Most  effe cts  with  LFOs,  such  as  S11:  St.W ah,  can  be  synchro ‐ nized  to  tempo.  This  applies  to  th e  individual  effects  LFOs.  To  set  up  LFOs  to  synchronize  to  tempo:  1. Set  “MIDI  Sy[...]

  • Page 86

    Effec t Gui de 82 Yo u  ca n  also  use  “Effect  SW”  to  turn  IFX  on  and  off.  This  MIDI  control  is  performed  on  the  global  MIDI  channel  (page  72) .  (See  “Effect  SW ”  on  page  49  of  the  Owner ’ s  manual) Mix er For [...]

  • Page 87

    IFX (Insert effec ts) List 000: No Effect 83 IFX (Inser t effects) List 000: No Effect Select  this  opti on  when  you  do  not  use  any  effects.  The  Insert  Effect  sec tion  outputs  unprocessed  signals  an d  the  Master  Effect  section  mutes  the  output. 001: St.C [...]

  • Page 88

    Effect Guide 84 003:St. Limitr (Stereo Limiter) The  Limiter  regulates  the  input  signal  level.  It  is  similar  to  the  Compressor ,  except  that  the  Limiter  compresses  only  signals  that  ex ceed  the  specified  lev el  to  lower  unnecessary  peak ?[...]

  • Page 89

    IFX (Inser t effects) List 004: MulLimitr (Multiband Limiter) 85 T rigger Monitor Tu r n i n g  this  pa rameter  On  will  cause  the  trigger  signal  to  be  output,  ins tead  of  th e  effect  sound.  Us e  this  parameter  to  check  the  trigger  signal  with  EQ ?[...]

  • Page 90

    Effect Guide 86 Thre sh old Attack Release “Threshold”  spec ifies  the  level  where  gating  occurs  when  “Envelope  Selec t”  is  set  to  L/R  Mix,  L  Only ,  or  R  Only . “A t t a c k ”  and  “Relea se”  specify  th e  attack  time  and  release[...]

  • Page 91

    IFX (Insert ef fects) List 008: St.G7EQ (Stereo Graphic 7-Band EQ) 87 Q These  parameters  set  the  bandwidth  of  ea ch  equalize r .  The  higher  the  val u e ,  the  narrower  the  band  becomes. Band2 Dynamic Gain Source Amount [dB] Yo u  ca n  control  the  gain  of  Ba nd [...]

  • Page 92

    Effect Guide 88 Exciter Blend This  parameter  sets  the  de pth  (inten sity)  of  the  Exciter  effect.  Po s it i v e  va l ue s  give  a  frequency  pattern  (t o  be  emphas ized)  different  from  negative  va lu e s . Emphasis Fr eq This  parameter  sets  the  freq[...]

  • Page 93

    IFX (Insert effects) List 012: St.VtgW ah (Stereo Vintage/C ustom Wah) 89 Frequency Bottom Frequency T op The  sweep  width  an d  direction  of  the  wa h  filter  are  determined  by  the  “Frequency  To p ”  and  “Frequency  Bottom”  se ttings. Sw eep Mode This  parameter  chang[...]

  • Page 94

    Effect Guide 90 Shape This  parameter  specifies  the  sw eep  curve  of  the  wah .  It  applies  to  all  control  via  auto ‐ wah ,  modulation  source,  and  LFO,  and  lets  you  adjust  subtle  nuances  of  the  wa h  effect. Mode Frequency Bottom Frequen[...]

  • Page 95

    IFX (Inser t effects) List 014: St.R ndFlt (Stereo Random Filter) 91 Phase [deg] Offsetting  the  left  and  right  phases  alters  how  modulation  is  applied  to  the  left  and  right  chan nels,  creating  a  swelling  affect. LFO W aveform LFO Freq [Hz] Step F req [Hz] When  “LF[...]

  • Page 96

    Effect Guide 92 016: St.SubOsc (Stereo Sub Oscillator) This  effe ct  adds  ve ry  low  freque ncies  to  the  input  signal.  It  is  very  useful  when  simulating  emphasizing  powerful  low  range.  This  effect  is  different  from  the  equalizer  in  that [...]

  • Page 97

    IFX (In ser t effects ) List 018: St.Deci mt (Stereo Deci mator) 93 Vo i c e Top V oice Center V oice Bottom These  parameters  assign  vowels  to  the  top,  center ,  and  bottom  position  of  the  con troller . E.g.:  When  “V oice  T op”=A,  “V oi ce  Center ”=I,  and  “V oi[...]

  • Page 98

    Effect Guide 94 019: St. Record (Stereo Analo g Recor d) This  effect  simulat es  the  noise  caused  by  scratches  and  dust  on  analog  records.  It  also  reproduces  some  of  the  modulation  caused  by  a  wa r pe d  turntable. Flutter This  parameter  enables ?[...]

  • Page 99

    IFX (Insert ef fects) List 021: St.Gt Cab (Stereo Guitar Cabinet) 95 Wa h The  Wa h  parame ter  switches  the  wah  effect  on/off. Swit ch M od e This  parameter  sets  how  the  wa h  effect  is  switched  on  and  off  via  the  modulation  source. When  “Switch  Mode” [...]

  • Page 100

    Effect Guide 96 022: St.Bs C ab (Stereo Bass Cabin et) This  simulates  the  acoustica l  character  of  a  bass  amp’ s  speaker  cabinet. 023: Bass Amp This  simulates  a  bass  amp. F ull parameter Quick parameter V alue Explanation T r im 0...100 Sets t he input level Cabine t Type Cab Selects the cab[...]

  • Page 101

    IFX (Inser t effects) List 025: T rebleBST ( T reble Booster) 97 024: B.Amp C ab (Bass Amp Model+Cabinet) This  simulates  a  bass  amp  and  speaker  cabinet. Amp T ype Cabinet T ype Recommended Co mbinations of Bass Amp Models and Cabinet s: 025: T rebleBST ( T reble Booster) This  effect  models  a  famous  bo[...]

  • Page 102

    Effect Guide 98 026: T ube Pre ( T ube PreAmp Modeling) This  effect  simulat es  a  two ‐ stage  vac u u m  tube  preamp.  Yo u  can  make  individual  setti n gs  for  two  vac u u m  tubes  connected  in  series.  This  lets  you  create  the  wa r m  sound  typic[...]

  • Page 103

    IFX (Inser t effects) List 029: Stereo Phaser 99 Mic Position This  expresses  the  effec t  that  the  mic  position  has  on  the  sound.  The  Close  set ting  is  the  closest  mic  position,  and  the  Far  setting  is  the  farthest. 029: Stereo Phaser This  effe[...]

  • Page 104

    Effect Guide 100 031: OrangePhs ( Orange Phaser) This  models  a  standard  model  of  analog  phaser  that  achieved  great  popularity .  It  gives  a  sense  of  mov ement  to  electric  piano  sounds,  adding  a  rich ‐ sounding  phase  shift  effect. 032: BlackP[...]

  • Page 105

    IFX (Insert effec ts) List 035: St.EnvPhs (Stereo En velope Phaser) 101 035: St.En vPhs (Stereo En velope Phaser) This  stereo  phaser  uses  an  envelope  generator  for  modulation.  Yo u  will  obtain  the  same  pattern  of  phasing  each  tim e  you  play .  Yo u  can  also ?[...]

  • Page 106

    Effect Guide 102 Con t rol M od e V oice 1 Resonance V oice 2 Resonance This  parameter  determines  the  resonance  intensit y . When  “Con trol  Mode ”  =  Manual,  the  “Resonance”  parameter  sets  the  inte nsity  of  resonance.  If  the  “Re sonance”  parameter  has[...]

  • Page 107

    IFX (Insert effects) List 038: TEX T reml (TEXTREM) 103 LFO W aveform This  parameter  sets  the  basic  shape  of  the  LFO.  The  V i ntage  wav ef o r m  models  classic  guitar ‐ amp  tremolo.  LFO Phase [deg] This  parameter  determines  the  difference  between  the  left [...]

  • Page 108

    Effect Guide 104 0 40 : St .Au t Pan (S te r eo Au to Pa n) This  is  a  stereo ‐ in,  stereo ‐ out  auto ‐ panner .  The  Phase  and  Shape  parameters  lets  you  create  var i o us  panning  effects,  such  as  making  the  left  and  right  inputs  seem  to  [...]

  • Page 109

    IFX (Insert ef fects) List 042: St.Ring M (Stereo Ring Modulator) 105 Ty p e LFO Phase [deg] Select  the  type  of  phaser  LFO  and  tremolo  LFO  for  the  “T ype”  parameter .  How  the  effect  sound  moves  or  rotates  depends  on  th e  type  of  LFO.  Selectin[...]

  • Page 110

    Effect Guide 106 Fixe d Fr eq [H z ] This  parameter  sets  the  oscillator  freque ncy  when  “OSC  Mode”  is  set  to  Fixed. Note Offset Note Fine These  parameters  for  the  oscillator  are  used  when  “OSC  Mode”  is  set  to  Note  (Key  Follow).  Th[...]

  • Page 111

    IFX (Insert effects) List 045: P4EQ -Phaser (Par ametric 4- Band EQ - Phaser) 107 045: P4EQ-Phaser (Par ametric 4- Band EQ - Phaser) This  effect  combines  a  mono  four ‐ band  parametric  equalizer  and  a  phaser . Output Mode Routing When  We t  Invert  is  selected,  the  right  channel [...]

  • Page 112

    Effect Guide 108 047: Co mp-Amp (C ompressor - Amp Simulation) This  effect  co mbines  a  mono  compressor  and  an  amp  simulation.  Yo u  can  change  the  order  of  the  effec ts. 048: C omp- OD ( Compressor - Overdriv e/Hi.G ain) This  effect  combines  a  mono  compressor [...]

  • Page 113

    IFX (Insert effects) List 049: Comp-P4EQ (Compr essor - Parametric 4-Band EQ ) 109 049: C omp -P4EQ ( Compressor - Pa ra m e t ri c 4 - B a n d EQ) This  effect  combines  a  mono  compressor  and  a  four ‐ band  parametric  equalizer .  Yo u  can  change  the  order  of  the  effects. 050: C[...]

  • Page 114

    Effect Guide 110 051: Lmtr-P4EQ (Limiter - Pa ra m e t r ic 4 - B a n d EQ) This  effect  co mbines  a  mono  limiter  and  a  four ‐ band  parametric  equalizer .  Yo u  can  change  the  order  of  the  effects. Rati o Threshold [dB] Gain Adjust [dB] This  parameter  sets  the  s[...]

  • Page 115

    IFX (Inser t effects) List 053: Xctr- Comp (Ex citer - Compressor) 111 053: X ctr- Comp (Ex citer - C ompressor) This  effect  combines  a  mono  exciter  and  a  compressor .  Yo u  can  change  the  order  of  the  effects. 054: Xctr- Lmtr (Ex citer - Limiter) This  effect  combines  a  [...]

  • Page 116

    Effect Guide 112 055: Xctr- Phsr (Ex citer - Phaser) This  effect  co mbines  a  mono  limiter  and  a  phaser . 056: OD-Amp ( Overdr ive/Hi.Gain - Amp Simulation) This  effect  combines  a  mono  overdriv e/h igh ‐ gain  distortion  and  an  amp  simulation.  Yo u  can  change  th[...]

  • Page 117

    IFX (Insert effects) List 058: Wah-Amp (W ah - Amp Simulation) 113 057: OD-Phsr (Overdriv e/Hi.G ain - Phaser) This  effect  combines  a  mono  ov erdrive/high ‐ gain  distortio n  and  a  phaser .  Yo u  can  change  th e  order  of  the  effects. 058: W ah-Amp (W ah - Amp Simulation) This  e[...]

  • Page 118

    Effect Guide 114 059: Deci-Amp (Decimator - Amp Simulation) This  effect  co mbines  a  mono  decimator  and  an  amp  simulation.  Yo u  can  change  the  order  of  the  effec ts. 060: Deci-Comp (Decima tor - Com p re s so r ) This  effect  combines  a  mono  decimato r  and [...]

  • Page 119

    IFX (Insert effec ts) List 061: Amp- Trml ( Amp Simulation- T remolo) 115 061: Amp - T rml (Amp Simula tion- Tr e m o l o ) This  effect  combines  a  mono  amp  simulation  and  a  tremolo. 062: Organ V ib/Chorus (Organ Vi b r a t o / C h or u s) This  effect  simulates  the  chorus  and  vibrato  ci[...]

  • Page 120

    Effect Guide 116 Con t rol M od e Preset T ype Cus to m M ix Cus to m De p th Custom Speed If  Control  Mode=Preset,  you  can  use  Preset  Ty p e  to  select  the  effect.  In  this  case ,  the  Custom  Mix/Depth/Speed  settings  are  ignored.  If  Control  Mode=Custom,  the[...]

  • Page 121

    MFX1 (Mod.) (Master Effect1–Modulation) List No Effect 117 MFX1 (Mod.) (Mast e r Effect1–Modulation) List No Effec t Select  this  if  you  don ʹ t  wa nt  to  use  an  effec t.  If  selected  for  a  master  effe ct,  the  output  will  be  muted. St.C horus (Stereo C horus) This [...]

  • Page 122

    Effect Guide 118 St.Phaser (Ster eo Phaser) This  effect  cre ates  modulation  by  shiftin g  the  phase  of  the  sound.  It  is  effective  when  applied  to  sounds  such  as  electric  piano.  This  is  a  stereo  effe ct,  in  which  opposite ‐ phase  [...]

  • Page 123

    MFX2 (Rvb/Dly) (Master Effect2–Revreb/Delay) List No Effect 119 MFX2 (Rvb/Dly) (Master Ef fec t2–Revreb/Delay) List No Effec t Choose  th is  if  yo u  don ʹ t  wa nt  to  use  an  effect.  Wh en  selected  for  the  master  effect,  this  mutes  the  out put. Hall This  is  a  [...]

  • Page 124

    Effect Guide 120 EQ (Equalizer) EQ Choose  this  if  yo u  don ʹ t  wa nt  to  use  an  effe ct.  When  selected  for  the  master  effect,  this  mutes  the  output. F ull parameter Quick parameter V alue Explanation Tr i m ← 0...100 Input le vel Bass Gain [dB] BassGain –18.0...+18.0 Lo[...]

  • Page 125

    121 App endices Alterna te Modula tion Sourc e ( AMS) Alternate Modula tion Overview Alter nate Mo dulat ion S ource s Alternate  Modulation  lets  you  use  controller s,  envelopes,  LFOs,  etc.  to  modulat e  Program  parameters.  Yo u  can  use  one  controller  to  modulate  multiple[...]

  • Page 126

    Appe ndices 122 JS X This  is  the  horizontal  movement  of  the  main  joystick.  It  also  receives  MIDI  Pitch bend. JS+Y : CC#01 This  is  the  ver t ic al  movement  of  the  main  joystick,  upwards  from  the  center .  It  also  receiv es  MIDI  CC#0[...]

  • Page 127

    Alternate Modulatio n So urce (AMS) Alternate Modulation settings 123 AMS operations and their result Notes for the table *1 EXT(+–):  JS  X,  Ribbon:CC#16,  Knob  Mod1  (CC#17),  Knob  Mod2  (CC#19),  Knob  Mod3  (CC#20),  Knob  Mod4  (CC#21) *2 When  Te m p o  is  selected  as  an  [...]

  • Page 128

    Appe ndices 124 The eff ect s of AMS on various param- eters, and example applications We ’ l l  describe  some  examples  of  using  alternate  modula ‐ tion. Note:  The  parameter  names  and  va lu e s  used  in  these  expla ‐ nations  can  be  viewed  and  edited  in  m[...]

  • Page 129

    Alternate Modulatio n So urce (AMS) Alternate Modulation settings 125 Filter LFO1/2 Intensity (p age 41) The  LFO  1/2  filter  modulation  intensity  can  be  controlled  by  the  EG,  Common  LFO,  keyboa rd  tracking,  controller ,  or  tempo  etc.  Yo u  can  use  Intensity ?[...]

  • Page 130

    Appe ndices 126 LFO Frequency (page 51) The  frequency  of  LFO  1,  2  or  Common  LFO  can  be  con ‐ trolled  by  the  EG,  keyboard  tracking,  controllers,  or  tempo  etc.  Yo u  can  also  use  the  LFO2  frequency  to  modulate  LFO1,  or  use [...]

  • Page 131

    Dynamic Modulation Sour ce (Dmod) Alternate Modulation settings 127 Dynamic Modulation Sourc e (Dmod) Yo u  ca n  control  certain  effect  parameters  using  the  joystick,  realtime  control  knobs,  etc.  “on  the  fly .”  For  progra ms  of  the  Organ  category ,  yo u  c[...]

  • Page 132

    Appe ndices 128 Gate2, Gate2+D mpr (Gate2 , Gate2+ Dampe r) This  is  essentiall y  the  same  as  for  Gate  1  or  Gate  1  +  Dmpr .  Howe ver  when  Gate  2  or  Gate  2  +  Damper  are  us ed  as  a  dynamic  modula tion  source  for  the  EG  of[...]

  • Page 133

    Foot Pedal Assign Alternate Modulation settings 129 F oot Pedal Assign Here  you  can  specify  the  function  that  will  be  controlled  by  an  assignable  pedal  (separately  sold  XVP ‐ 10,  EXP ‐ 2)  con ‐ nected  to  the  DAMPER/P EDAL/SW1  or  PEDAL/ SW2  jack. ?[...]

  • Page 134

    Appe ndices 130 MIDI transmission when the PS60’ s controllers ar e used The  following  tables  show  the  relation  be twee n  the  MIDI  messages  that  are  transmitted  when  the  PS60’ s  controllers  are  used,  and  the  AMS  (alternate  modulation  source)  or ?[...]

  • Page 135

    PS60 and MIDI CCs Response s to standard MIDI controllers 131 PS60 and MIDI C Cs Responses to standar d MIDI controll ers The  followin g  table  shows  how  the  PS60  responds  to  MIDI  control  change  messages,  and  the  relation  betwee n  settings  and  controller  mo veme nts  [...]

  • Page 136

    Appe ndices 132 *1 Bank  select  messages  are  normally  specified  as  program  change  ev ents.  Howev er  in  some  cases  this  will  be  insuffi ‐ cient  when  you  wish  to  change  banks  on  an  external  device.  In  such  cases,  you  can ?[...]

  • Page 137

    PS60 and MIDI CCs Parameters controlled by MIDI CCs #70-79 133 P arameters c ontrolled b y MIDI C Cs #70-79 CC#70–79  correspond  to  the  P S60’ s  program  parameters  listed  below . When  a  performance  receiv es  CC#70–79  messages  for  a  tim ‐ bre  whose  MIDI  channel  ma[...]

  • Page 138

    Appe ndices 134 MIDI applications About MIDI MIDI  stands  for  Mu sical  Instrument  Digital  Interface,  and  is  a  wor ld ‐ wide  standard  for  exchanging  var i o u s  types  of  musical  data  betw een  electronic  musical  instruments  and  computers.  When  MID[...]

  • Page 139

    MIDI applications Messages tr ansmitted and received by the PS60 135 •I n  Performance,  transmission/reception  can  be  switched  on/off  for  each  timbre.  Switching per formanc es Yo u  ca n  use  program  change  messages  to  switch  perfor ‐ mances. • Performances  000–019 [...]

  • Page 140

    Appe ndices 136 C ontrolling por tamento Portamento tim e (C C#05) [Bn, 05, vv] If  you  assign  the  above  CC#  to  an  assi gnable  pedal  on  the  PS60  and  use  it,  portamento  time  messages  will  be  transmit ‐ ted,  changing  the  ti me  over  wh ich  the [...]

  • Page 141

    MIDI applications Messages tr ansmitted and received by the PS60 137 Using v a rious contr ollers Here  we  will  explain  typical  ways  to  use  th e  var io u s  co n ‐ trollers.  Y Foot pedal (C C#04) [B n, 04, vv ] If  the  CC#  above  is  assigned  as  the  Assignable  Peda l  f[...]

  • Page 142

    Appe ndices 138 Resetting all contr o lle rs on a specific channel Reset all contr ollers (C C#121) [Bn, 79, 00] (value 00) When  this  is  receiv ed,  the  va l ue  of  all  controllers  on  that  channel  w ill  be  reset.  How ever ,  notes  that  are  playing  at  the  time  t[...]

  • Page 143

    MIDI applications Messages tr ansmitted and received by the PS60 139 Inquir y message re quest [F0, 7E, nn, 06, 01, F7] Inquiry message [F0, 7E, nn, 06, 02, (nine byt es), F7] When  an  inquiry  message  request  is  received,  the  PS60  will  respond  by  transmitting  an  inquiry  message  that [...]

  • Page 144

    Appe ndices 140 Consult your local Korg dealer for more infomation on MIDI System Exclusive implementation. 1 1 . TR ANS MI TTE D DA TA 1-1 CHA NNE L ME SSA GES [H] :Hex, [D] :Decimal |Status| Second Third | Description ( Transmitted by ....) |ENA | |[Hex] | [H][D] [H][D] | | | | 8n kk (kk) 40 (64) | Note Off ( Key Off ) *1| A | | 9n kk (kk) vv (vv[...]

  • Page 145

    MIDI Implemen tation 141 1 1 -2 SYSTEM REALTIME MESSAGES Status[Hex] Description ( Transmitted when ... ) F8 Timing Clock ( Always in Performance/Prog Edit) *3 FE Active Sensing ( Always ) *4 *3 Transmits these messages when MIDI Clock in Global mode is Internal. *4 Transmits these messages when MIDI Clock in Global mode is External. 1 1 -3 SYSTEM [...]

  • Page 146

    Appe ndices 142 2 2 .RECOGNIZED RECEIVE DATA 2-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal |[Hex] | [H][D] [H][D] | | | Status Second | Third | Description ( Use ..... ) |ENA | [Hex] [H] [D] | [H] [D] | 8n kk (kk)| xx (xx) | Note Off A | 9n kk (kk)| 00 (00) | Note Off A | 9n kk (kk)| vv (vv) | Note On (vv) = 1-127 A | An kk (kk)| vv (vv) | Poly Key P[...]

  • Page 147

    MIDI Implemen tation 143 AMS : Alternate Modulation Source FX Dmod Src : Effect Dynamic Modulation Source n : MIDI Channel No. (0 - 15) •••••• Usually Global Channel. When in Performance, each timbre's channel.(Status is INT) g : Always Global Channel No. (0 - 15) x : Random ENA T : Enabled when Enable After Touch in Global mode is[...]

  • Page 148

    Appe ndices 144 4015-2 Y anokuchi, Inagi-city, T ok yo 206-0812 Japan © 2010 K ORG INC. IMPORT ANT NO TICE TO C ONSUMERS This  product  has  been  manufactured  ac cording  to  strict  specifications  and  voltage  requirements  that  are  applicab le  in  the  country  in  which  it  [...]