Korg music workstation manuel d'utilisation

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Un bon manuel d’utilisation

Les règles imposent au revendeur l'obligation de fournir à l'acheteur, avec des marchandises, le manuel d’utilisation Korg music workstation. Le manque du manuel d’utilisation ou les informations incorrectes fournies au consommateur sont à la base d'une plainte pour non-conformité du dispositif avec le contrat. Conformément à la loi, l’inclusion du manuel d’utilisation sous une forme autre que le papier est autorisée, ce qui est souvent utilisé récemment, en incluant la forme graphique ou électronique du manuel Korg music workstation ou les vidéos d'instruction pour les utilisateurs. La condition est son caractère lisible et compréhensible.

Qu'est ce que le manuel d’utilisation?

Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Korg music workstation décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Korg music workstation devrait contenir:
- informations sur les caractéristiques techniques du dispositif Korg music workstation
- nom du fabricant et année de fabrication Korg music workstation
- instructions d'utilisation, de réglage et d’entretien de l'équipement Korg music workstation
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

Pourquoi nous ne lisons pas les manuels d’utilisation?

Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Korg music workstation ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Korg music workstation et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Korg en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Korg music workstation, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Korg music workstation, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Korg music workstation. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    1 E[...]

  • Page 2

    ii IMPOR T ANT SAFETY INSTR UCTIONS 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this apparatus near water. 6) No objects filled with liquids, such as vases, shall be placed on the apparatus. 7) Clean only with dry cloth. 8) Do not block any ventilation openings, install in [...]

  • Page 3

    iii Data handling Incorrect operation or malfunction may cause the con- tents of memory to be lost, so we recommend that you save important data on a floppy disk or other media. Please be aware that Kor g will accept no r esponsibility for any damages which may result fr om loss of data. Also, when digitally recor ding copyrighted audio material f[...]

  • Page 4

    iv Thank you for purchasing the Korg TRITON STUDIO music workstation/sampler . T o ensure tr ouble-free enjoyment, please r ead this manual carefully and use the instru- ment as directed. About this manual The owner’ s manuals and how to use them The TRITON STUDIO come with the following owner ’s manuals. • Basic Guide • Parameter Guide •[...]

  • Page 5

    v T able of Contents Data handling...............................................................iii Handling of the internal hard drive .........................iii COPYRIGHT WARNING ..........................................iii About this manual ....................................................... iv Introduction........................ 1 Main[...]

  • Page 6

    vi Basic functions .................. 55 Saving data ............................................... 55 Types of data that can be saved ............................... 55 Writing to internal memory ...................................... 56 Writing a program or combination..................... 56 Writing global settings, user drum kits, and user arp[...]

  • Page 7

    vii Creating an audio CD from WAVE files sampled to hard disk ....................................................... 118 SMF (Standard MIDI File) playback ................. 120 The structure of Song Play mode ........................... 120 Playing SMF data...................................................... 121 Playback using the Jukebox functi[...]

  • Page 8

    viii[...]

  • Page 9

    Introduction Features Front & rear panel LCD screen Connections Basics 1 Introduction Main features Over view The TRITON STUDIO is a music workstation/sampler that features the HI (Hyper Integrated) synthesis system as its tone generator . It provides high-quality preset multisamples/programs/ combinations and an effect section, and functions s[...]

  • Page 10

    2 Sampling The TRITON STUDIO features an Open Sampling System that allows sampling and resampling to be performed not only in Sampling mode, but also in Program, Combina- tion, or Sequencer modes. Y ou can perform 48 kHz 16-bit linear mono or stereo sam- pling; 16 Mbytes of sample memory (RAM) as well as a hard drive are factory-installed. (For the[...]

  • Page 11

    3 Introduction Features Front & rear panel LCD screen Connections Basics Front and rear panel Front panel 1. [SW1] key , [SW2] key These keys are on/off switches, their function can be assigned in Program, Combination, Sequencer , Song Play , and Sampling modes. When on, the LED will light ( ☞ p.25). 2. Joystick This controls pitch and modula[...]

  • Page 12

    4 [SAMPLING] key Sampling mode will be selected. [S.PLA Y] key Song Play mode will be selected. [GLOBAL] key Global mode will be selected. [DISK] key Disk mode will be selected. 7. [COMP ARE] key Use this key when you wish to compare the sound of the program or combination that you are currently editing with the un-edited sound already in memory . [...]

  • Page 13

    5 Introduction Features Front & rear panel LCD screen Connections Basics 13. SEQUENCER [P AUSE] key In Sequencer mode, this key pauses the playback of the song or cue list. In Song Play mode, this key pauses SMF playback. When paused, the LED will light. Press [P AUSE] once again to resume playback; the LED will turn off. [<<REW] key In S[...]

  • Page 14

    6 17. Headphone jack A set of headphones can be connected her e (stereo 1/4" jack). This allows stereo monitoring of the same signal as the OUTPUT L/MONO and R jacks. 18. Floppy disk drive 3.5 inch 2DD (double-side double-density) or 2HD (dou- ble-side high-density) floppy disks can be inserted here, allowing you to save your edited data, or [...]

  • Page 15

    7 Introduction Features Front & rear panel LCD screen Connections Basics 5. S/P DIF OUT(MAIN) jack This is an optical type S/P DIF format (IEC60958, EIAJ CP-1201) digital output jack. It outputs a digital version of the same audio signal as the AUDIO OUTPUT (MAIN) L/MONO and R jacks, at sam- pling rates of 48 kHz or 96 kHz ( ☞ PG p.138). Use [...]

  • Page 16

    8 Names and functions of objects in the LCD screen The TRITON STUDIOuses Korg’s T ouchView graphical user interface. By touching on objects displayed in the LCD scr een, you can select pages, set parameter values, rename programs and combinations, write data, and perform many other operations. References in the TRITON STUDIO’s owner ’s man- u[...]

  • Page 17

    9 Introduction Features Front & rear panel LCD screen Connections Basics f: Check box Each time you press a check box, a check mark will be added or removed. When checked, the parameter will function; when unchecked, the parameter will not function. g: Radio buttons Press a radio button to select one value from two or more choices. h: T ab Pres[...]

  • Page 18

    10 Connections Connections must be made with the power turned off. Please be aware that careless operation may dam- age your speaker system or cause malfunctions. AC power supply to an AC outlet Power cable (Option) Power Switch PHONES MIDI IN Mixer Powered monitors, etc. MIDI OUT DAMPER EXB-mLAN Option EXB-DI Option PEDAL SWITCH ASSIGNABLE MIDI ca[...]

  • Page 19

    11 Introduction Features Front & rear panel LCD screen Connections Basics 1. Connecting the power cable Connect the included power cable to the AC power supply inlet of the TRITON STUDIO , and then con- nect the other end of the cable to an AC outlet. 2. Analog audio output connec- tions Connect a set of amplified monitor speakers or your audi[...]

  • Page 20

    12 6. SCSI device connections By connecting an external SCSI device such as a hard disk drive or CD-R/RW drive to the SCSI connector , you can manage large amounts of data on devices other than the internal hard drive. If a hard disk drive is connected, it can also be specified as the destination when sampling. ☞ For details on connecting SCSI d[...]

  • Page 21

    13 Introduction Features Front & rear panel LCD screen Connections Basics Basic concepts Over view of the modes The TRITON STUDIO has a large number of functions that let you play and edit programs and combinations, recor d and play sequence data, record and play back sam- ples, and manage data on disk. The largest unit used to organize these f[...]

  • Page 22

    14 Sequencer mode • Use the 16-track sequencer to record and playback songs. • Sample or resample. Y ou can sample an external input source while listen- ing to the song play back. Y ou can also cause a corre- sponding note event to automatically be created at this time, allowing you to sample an external source just as if you were recor ding a[...]

  • Page 23

    15 Introduction Features Front & rear panel LCD screen Connections Basics About polyphony T one generators and oscillators The oscillators of the TRITON STUDIO are sounded by two T one Generators. Each tone generator is connected to the various PCM memories as shown in the diagram below . T one Generator 1 • ROM: Internal PCM ROM (32 Mbytes) [...]

  • Page 24

    16 Basic operation 1. Selecting modes In order to use a particular function on the TRITON STUDIO, you must first select the appropriate mode. Press one of the front panel mode keys ([COMBI] key – [DISK] key) to enter the corresponding mode. 2. Selecting pages Each mode has a large number of parameters, which are grouped into pages. These are fur[...]

  • Page 25

    17 Introduction Features Front & rear panel LCD screen Connections Basics 3. Setting a parameter The parameter value in the edit cell can be set by using the front panel V ALUE controllers ([V ALUE] slider , [ ][ ] keys, [V ALUE] dial, numeric keys [0]–[9], [–] key , [ENTER] key , and [./10’s HOLD] key). As necessary , you can also use th[...]

  • Page 26

    18 Popup buttons and popup menus Y ou can press a popup button to access a popup menu, and then set parameter values ( ☞ p.8). Keyboard input When inputting a note number or a specifi c velocity as the value of a parameter , you can use the keyboard to input the setting. Hold down the [ENTER] key and play the note that you wish to enter as a val[...]

  • Page 27

    19 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Quick Star t T urning the power on/of f Before you turn on the power , make sure that the desired connections have been made as described in “Connections” ( ☞ p.10). 1. T urning the [...]

  • Page 28

    20 Listening to a demo song Here’s how to listen to demo songs on the TRITON STU- DIO. This section explains how the demo song data can be loaded from the internal hard drive using the Disk mode, and played back in Sequencer mode. W e will explain how to play back songs individually , or consecutively using the Cue List function. 1. Loading the d[...]

  • Page 29

    21 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song 2. Selecting and playing a dem- onstration song in Sequencer mode 1 Press the [SEQ] key (the LED will light) . Y ou will enter Sequencer mode. 2 Access the P0: Play/REC, Program T01–08 p[...]

  • Page 30

    22 Selecting and playing a program In Program mode you can select and play a program from banks INT -A–EXB-G. Here we will show how to select preset programs. T ry selecting various programs and hear how they sound. Selecting a program 1 Press the [PROG] key (the LED will light) . Y ou will enter Program mode. Make sure that the upper line of the[...]

  • Page 31

    23 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Selecting programs by categor y Y ou can select programs by category such as keyboard, organ, bass, and drums. W ith the factory settings, the pr eloaded pr ograms and preseted program ar [...]

  • Page 32

    24 Selecting and playing a combination In Combination mode you can select and play a combina- tion from banks INT -A–EXB-G. T ry selecting various combinations and hear how they sound. Selecting a combination 1 Press the [COMBI] key (the LED will light) . Y ou will enter Combination mode. Make sure that the upper line of the LCD screen indicates [...]

  • Page 33

    25 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Using controllers to modify the sound The TRITON STUDIO provides various controllers – a joystick, the ribbon controller , the SW1 and SW2 switches, and the REAL TIME CONTROL [1], [2], [[...]

  • Page 34

    26 The Lock function Joystick 1 Select program bank INT -A001: Acoustic Piano, and play the keyboard. T o select a program, make sure that you are in Pr ogram mode, and press the BANK [INT -A] key , numeric key [1], and then the [ENTER] key . 2 Move the joystick toward yourself (the –Y direction). The modulation will deepen, and at the same time,[...]

  • Page 35

    27 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Adjusting the cutoff frequency of the high-pass filter will modify the fullness of the sound from which the low fre- quency range has been filtered out. Knob [3]: EG-INTENSITY Adjust the[...]

  • Page 36

    28 Foot pedals/Switch Damper Pedal An optional switch-type damper pedal such as the Kor g DS-1H can be connected to TRITON STUDIO. If a DS-1H is connected, it will function as a half-damper pedal. The half-damper function cannot be controlled by other ped- als. Assignable Foot Switch If an optional foot switch such as the Korg PS-1 is con- nected t[...]

  • Page 37

    29 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Using the arpeggiator while you play The arpeggiator is a function that automatically generates arpeggios (broken chords). Most arpeggiators produce an arpeggio when you play a chord on th[...]

  • Page 38

    30 The arpeggio playback speed is affected by the “Reso” setting (Program P0: Play , Arpeggio page), or “Resolution” (P7: Edit-Arpeggiator , Arpeg. Setup page). If “ MIDI Clock ” (Global P1: MIDI) is set to External MIDI or External mLAN , the display will indicate “  =” EXT . The tempo will be synchronized to an external MIDI de[...]

  • Page 39

    31 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Synchronizing the arpeggiator to your key- board timing Y ou can specify whether the arpeggio will begin at the moment you play the keyboard, or whether it will always play in synchronizat[...]

  • Page 40

    32 Checking the structure of a user arpeggio pattern Let’s see how combination INT-B097: T ry Some T ekno is constructed. Select combination INT -B097: T ry Some T ekno, and look at the Arpeggio Play A page and Arpeggio Play B page. • As you can see from the “Timbre Assign” table, arpeggiator A is assigned to timbre 7 and 8, and arpeggiator[...]

  • Page 41

    33 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Playing with the RPPR (Realtime Pattern Play/Recording) function TRITON STUDIO’s Sequencer mode provides an RPPR (Realtime Pattern Play/Recording) function . Using the RPPR function , ea[...]

  • Page 42

    34 Simple program editing By operating the performance editor and the realtime con- trollers you can easily and intuitively modify the sound of a program. Program editing refers to the process of modifying the parameters that make up a program, in order to modify the sound or change the controller , effect settings etc. More detailed editing can be[...]

  • Page 43

    35 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Simple combination editing A combination is a set of multiple (up to eight) pr ograms, and allows you to create complex sounds that could not be produced by a single program. Combination e[...]

  • Page 44

    36 If you wish to select a different program from the same category , press the desired program. That pro- gram will be highlighted. Press the scroll bar to see other programs in the same category . If you wish to select a program from a different cate- gory , press one of the tabs located to the left and right to select the desired category . The [...]

  • Page 45

    37 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Sampling (recording a sample) The TRITON STUDIO can record 48 kHz ster eo 16-bit samples. Sampling can be performed in Sampling, Pro- gram, Combination, and Sequencer modes. (Open Sam- pli[...]

  • Page 46

    38 3. Specify the recording method (Recording Setup) 1 Set “Source BUS” to L/R. Now you can sample the sound of the L/R channels, which is output from the headphones and from AUDIO OUTPUT (MAIN) L/MONO and R. 2 Set “T rigger” to Threshold, and set “Level” to –30. W ith this setting, recording will begin automatically when the audio in[...]

  • Page 47

    39 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song 6. Record a sample 1 Press the Recording tab to access the P0: Recording, Recording page. 2 Press the SAMPLING [REC] key . Press the SAMPLING [ST AR T/STOP] key to enter recor d-ready mode[...]

  • Page 48

    40 8 Press the SAMPLING [REC] key . Press the SAMPLING [ST AR T/STOP] key , and speak the word(s) that you want to sample. Speak the word that you want to sample. (Example: “It’s”) Recording will start when the input exceeds the “ Level ” –30dB level. Press the SAMPLING [ST AR T/STOP] key to stop. 9 Play the keyboard. When you play the [...]

  • Page 49

    41 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Saving sample data Here’s how to save a sample or multisample that you cre- ated. All samples and multisamples in the TRIT ON STU- DIO will be lost when the power is turned off. Sample d[...]

  • Page 50

    42 The converted program settings will automatically be stored in the internal memory , but the sample data you created will be lost when the power is turned off. In order to repr oduce the sound of the program after the power is turned on again, you must fi rst load the previ- ously-saved sample data back into the TRIT ON STU- DIO, using the Disk[...]

  • Page 51

    43 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Set the following parameters as shown. Input 1 : “Level” 127, “Pan” L000, “BUS” L/R Input 2 : “Level” 127, “Pan” R127, “BUS” L/R When you change the Bus setting fro[...]

  • Page 52

    44 1 Press the [MENU] key to access the page menu, and press P2: Loop Edit. The P2: Loop Edit page will appear . 2 Notice that 0000: LOOP1-140BPM-L is selected for “Sample (Sample Select),” and that the sample wave- form data is displayed. The selected sample is a stereo sample. The L and R waveforms will be shown in the upper and lower parts o[...]

  • Page 53

    45 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Resampling an arpeggiated phrase in Program mode Y ou can play a program or combination, using the arpeg- giator if desired, and resample your performance as audio data (sound). As an exam[...]

  • Page 54

    46 3 Press the SAMPLING [ST AR T/STOP] key to stop recording. Sampling will end automatically when the specifi ed “ Sample T ime ” is reached. 6. Listen to the sample and edit it 1 Press the Perf. Edit tab to select the P0: Play , Perfor- mance Edit page, and select the program into which the newly-recorded sample was converted. INT -E: 101 wa[...]

  • Page 55

    47 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song 2 Press the Sampling tab to access the Sampling page. 3 Set the parameters so that the signal from the AUDIO INPUT 1 jack will be sent to the L channel. Make the following settings. “Inp[...]

  • Page 56

    48 Examples of sampling settings Resampling only the sound of the TRITON STUDIO (e.g., arpeggiator and/or keyboard performance) “Input”: Analog Input1 “BUS Select”: Off Input2 “BUS Select”: Off “Source BUS”: L/R “Recording Level”: –12.0 “Auto +12dB On”: On (chacked) ☞ PG p.5, 57 Resampling the sound of the TRITON STUDIO [...]

  • Page 57

    49 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Producing a song This section explains how to use the TRIT ON STUDIO’s internal sequencer . The example procedures described here will cover realtime r ecording and step recording, as we[...]

  • Page 58

    50 3 When you play the keyboard, you will hear the drum program for track 1 of the template song. 4 Press the popup button located at the left of “T rack Select,” and select T rack 02: Bass. When you play the keyboard, you will hear a bass sound. “T rack Select” is the track that will be used to record/ play song data. Normally , the track [...]

  • Page 59

    51 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song Y ou can use the Quantize and Resolution functions to correct the timing of your performance as it is recor ded. For example during realtime recording, suppose that you input eighth notes [...]

  • Page 60

    52 5. Recording other tracks 1 As described in “Recording the bass track,” use “T rack Select” to select T rack03: Elec. Piano, and record about 16 measures. 6. Step recording The TRITON STUDIO provides two main methods of recor ding a song. The first is realtime recording , in which your performance on the keyboard and operation of the jo[...]

  • Page 61

    53 Quick Star t Power on/off Demo song Playing programs Playing combinations Using controllers Arpeggiator RPPR Program editing Combination editing Sampling Song When you begin step recording, all data that follows the measure where you began recor ding will be erased from that track. Y ou need to be aware of this if you begin step record- ing from[...]

  • Page 62

    54 Saving the song Remember to save the song you created. Begining on page 88 is a description of how you can perform further editing on the song you created here in “Quick Start” and how you can assign it to a cue list, so we recommend that you save the song you cre- ated here for further use. On the TRITON STUDIO, this data will be lost when [...]

  • Page 63

    Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 55 Basic functions Saving data T ypes of data that can be saved On the TRITON STUDIO, there are thr ee ways to save data: [...]

  • Page 64

    56 About preloaded data and preset data “ Preloaded data ” refers to the data that is loaded in the TRITON STUDIO when it is shipped from the factory . Y ou are fr ee to rewrite this data, and with the exception of the demo songs, the data will be written to the location listed in “W riting to internal memory .” This data is also stored in [...]

  • Page 65

    57 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions In the case of a combination, the category you specify here will be used when you select a combination by category in C[...]

  • Page 66

    58 About the Edit Buffer When you select a program or combination in Program P0: Play and Combination P0: Play , the program or combi- nation data is called into the “edit buffer .” When you modify the parameters in P0: Play or in the Edit pages P1–P9 of Program mode or Combination mode, the changes you make will affect the data in the edit b[...]

  • Page 67

    59 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Using the (SEQUENCER) [REC/WRITE] key to write 1 In the following pages, press the SEQUENCER [REC/ WRITE] key . A dialo[...]

  • Page 68

    60 Formatting media Y ou can format a floppy disk, the internal hard drive, external SCSI media, or CD-R/RW media. Newly purchased media or media that has been used by another device cannot be immediately used by the TRI- TON STUDIO. In order to use such media on the TRITON STUDIO, you must first format it. For the formatting procedure, refer to [...]

  • Page 69

    61 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 9 Press the OK button to execute the Save operation. If the data fits on one volume of media The data will be saved on[...]

  • Page 70

    62 Cautions when handling fl oppy disks When handling floppy disks, please observe the following points. Data loss may occur if a fl oppy disk is handled improperly . Floppy disk type and format The TRITON STUDIO can use 2HD or 2DD 3.5 inch floppy disks. Floppy disk handling • Do not open the shutter of a floppy disk or touch the magnetic sur[...]

  • Page 71

    63 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Loading data and restoring the factor y settings Loading data T ypes of data that can be loaded The types of data that [...]

  • Page 72

    64 2 Enter Disk mode, and touch the LCD screen to make the TRITON STUDIO detect the disk. 3 Press the Load tab to access the Load page. The LCD screen will display file information. 4 Use “Drive select” to select the FDD. 5 Select the PRELOAD.PCG file. The selected file will be highlighted. 6 Select the page menu command “Load Selected.”[...]

  • Page 73

    65 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Loading data by individual item or bank The TRITON STUDIO lets you load programs and combi- nations individually or by [...]

  • Page 74

    66 1 If you have modified the program settings or the order of the programs in banks INT -A or INT -B, load banks I-A and I-B from the internal hard disk or the included floppy disk. Combinations (except for those of the EXB-PCM03) ar e created using the EXB-PCM programs and the bank INT -A and INT -B preloaded programs. This means that when load[...]

  • Page 75

    67 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Program settings Program editing is performed in Program mode, just as programs can be selected and played in Program m[...]

  • Page 76

    68 The three elements of sound Sound can be broken down into three elements: pitch , tone , and volume . On TRITON STUDIO, these elements correspond to the Pitch , Filter , and Amplifier settings of a program. In other words you would adjust the Pitch settings to modify the pitch, the Filter settings to modify the tone, and the Amplifier settings[...]

  • Page 77

    69 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Additional multisamples can be added by installing EXB- PCM series options. Data sampled on the TRIT ON STU- DIO can al[...]

  • Page 78

    70 V elocity Zone page Here you can specify the range of velocities for each oscil- lator . In the example shown above, the velocity ranges ar e as follows. • OSC1 will sound at all velocity values. • OSC2 will sound only on strongly played notes (64 and above). • You can use Velocity Multisample Switching in addition to this parameter ( ☞ [...]

  • Page 79

    71 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions “ Intensity (AMS Intensity)” specifi es the depth of vibrato that will be applied by the LFO when an AMS (Alternat[...]

  • Page 80

    72 High pass fi lter This type of filter allows the high frequency range to pass and cuts the low frequency range. Use this when you wish to make the sound thinner . However if the cutoff fre- quency (Frequency) is raised excessively high, the volume will become very low . Resonance When “ Resonance ” is set to a higher value, the overtones i[...]

  • Page 81

    73 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions For example, the volume of a piano note begins at a high volume the instant you play the note, and then decreases gradu[...]

  • Page 82

    74 LFO settings P5: Edit-Common LFO For each oscillator , you can use two LFO (Low Frequency Oscillator) units: LFO1 and LFO2. Y ou are fr ee to select the type of each LFO and set its speed. The depth of the LFO1 and LFO2 that you specify her e is adjusted by the settings of the P2: Edit-Pitch, P3: Edit-Fil- ter and P4: Edit-Amp pages. OSC1 LFO1, [...]

  • Page 83

    75 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Combination settings Combination editing is performed in Combination mode, just as combinations can be selected and pla[...]

  • Page 84

    76 Layer , split, and velocity switch W ithin a combination, you can use key position and veloc- ity to determine which program will sound. The programs assigned to each timbre can sound in three ways: as part of a layer , a split , or a velocity switch . A combination can be set to use any one of these methods, or to use two or more of these metho[...]

  • Page 85

    77 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Settings for status, MIDI channel, and pitch parameters P2: Edit-T rk Param MIDI Ch page Status Here you can specify th[...]

  • Page 86

    78 Adjusting the BPM of multisamples or samples cre- ated in Sampling mode If a timbre’s program uses multisamples or samples that you created in Sampling mode (or loaded in Disk mode) at a specific BPM value, you can use the page menu com- mand “Detune BPM Adjust” to call up a new BPM value. This changes the BPM by adjusting the playback pi[...]

  • Page 87

    79 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Y ou can also enter these values by holding down the [ENTER] key and playing a note on the keyboard. Key Zone Slope Her[...]

  • Page 88

    80 Producing songs TRITON STUDIO contains a 16-multi track MIDI sequencer . The sequencer acts as a hub, integrating TRI- TON STUDIO’s numerous functions, allowing it to be used in a variety of situations including music production and live performance. Sampling or resampling can be performed in Sequencer mode ( ☞ p.1 15). Y ou can also apply t[...]

  • Page 89

    81 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions The str ucture of Sequencer mode The following describes the structure of Sequencer mode. ( ☞ diagram below) Songs A [...]

  • Page 90

    82 Preparations for recording On the TRITON STUDIO, “recording” is the pr ocess by which your performance on the keyboard and controllers is written into the tracks and patterns of a song as data. This section explains how to make preparations for recor ding a song, such as assigning a program to each track, and setting the volume. By loading a[...]

  • Page 91

    83 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions The display will change from “PLA Y” to “MUTE,” and the playback of track 1 will no longer be heard. In this wa[...]

  • Page 92

    84 2 Set the “Recording Mode” to Over W rite. 3 In “Location,” specify the location at which you wish to begin recording. 4 Press the SEQUENCER [REC/WRITE] key , and then press the SEQUENCER [ST AR T/STOP] key . If the “Metronome Setup” is still set to the default set- tings, the metronome will sound for a two-measure pre-count, and the[...]

  • Page 93

    85 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions • Loop All T racks This method lets you continue recording as you add musical data. The specified region can be reco[...]

  • Page 94

    86 9 When the song ends, stop the external sequencer. TRITON STUDIO’s sequencer will receive the MIDI Stop message transmitted by the external sequencer, and will automatically stop recording. Y ou can also press the SEQUENCER [ST ART/ST OP] key on TRI- TON STUDIO itself to stop recording. 0 Playback. In the Global P1: MIDI page, set “ MIDI Clo[...]

  • Page 95

    87 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 9 If you want to delete specific data while you continue pattern recording, you can press the SEQUENCER [REC/WRITE] ke[...]

  • Page 96

    88 Song editing methods A variety of editing operations can be performed on a song. Here we will give some examples of how you can use various editing operations on the song you created in “Producing a song” ( ☞ p.49), to prepare for cr eating a cue list as described in the next section. Load the SEQ_DM1.SNG file that you saved on p.54. For [...]

  • Page 97

    89 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions A dialog box will appear . Input the number of measures for the song. For this example, select 008 (8 measures) and pre[...]

  • Page 98

    90 About editing Song editing In addition to copying and renaming a song, other opera- tions such as Delete can be performed from the Utility menu commands in pages such as Sequencer P0: Play/ REC ( ☞ PG p.52). T rack editing Event Editing allows you to edit or insert data in a recor ded track. In addition, commands such as Cr eate Control Data ([...]

  • Page 99

    91 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 4 In “Repeat,” specify the number of times that the song for that step will be repeated. For this example, set Step[...]

  • Page 100

    92 Conver ting a song Although it is not possible to record additional material onto tracks in a cue list, you can convert a cue list to a song, and then record solos etc. on vacant tracks. Y ou will also need to convert a cue list to a song if you wish to save it on a floppy disk etc. as SMF data. 1 Select the page menu command “Convert to Song[...]

  • Page 101

    93 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions By using “ REVER T ” in this way , you can work effi- ciently when the patterns to be assigned have consec- utive [...]

  • Page 102

    94 If you want RPPR pattern playback to begin at the moment that song playback begins, it is a good idea to insert an empty measure containing no musical data before the song playback begins. If the song is stopped, the pattern will synchronize to the timing of the arpeggiator function. Realtime-recording an RPPR per formance An RPPR performance ca[...]

  • Page 103

    95 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions If you press a key during the pre-count before r ecord- ing, the pattern playback and arpeggio performance will begin s[...]

  • Page 104

    96 In the Sequencer P0: Play/REC, Preference page, the “Multi REC” check box will be checked. If you are using the arpeggiator , press the ARPEGGIA- TOR [ON/OFF] key to turn it off, and then turn it on again. 3 Begin recording. Press the [LOCA TE] key to set the location to 001:01.000. Press the SEQUENCER [REC/WRITE] key , and then press the SE[...]

  • Page 105

    97 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Depending on the combination settings, it may also be necessary to change the track settings as well. In the screens sh[...]

  • Page 106

    98 Operations for which Compare is not available • Editing song parameters • Page menu commands other than those listed above (in Operations for which Compare is available) Memor y Protect Before you recor d a track or pattern, or edit the musical data, you will need to turn off the memory protect setting in Global mode. ( ☞ p.57) About MIDI [...]

  • Page 107

    99 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Sampling settings Features of sampling on the TRITON STUDIO • You can perform 48 kHz 16-bit linear mono or stereo sam[...]

  • Page 108

    100 • The waveform can be viewed in the LCD screen, and edited by a variety of waveform editing commands that include rate convert (down-sampling) and reverse playback. • Start, loop start, and end addresses can be specified in units of a single sample. Loop tune, reverse playback, and loop lock functions are also supported. • The Use Zero fu[...]

  • Page 109

    101 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Samples and Multisamples Samples The data that is recorded (sampled) into internal memory or loaded from a file is re[...]

  • Page 110

    102 Preparations for sampling The multisample and sample data in the sample memory (RAM) is not backed up when the power is turned off. If you wish to keep this data, you must save it onto a floppy disk, internal hard drive or external SCSI device before turning off the power . When the power is first turned on, memory will not contain any multis[...]

  • Page 111

    103 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions If “ Input ” is set to S/P DIF or mLAN , an “Obey Copyright Rules” dialog box will appear . Carefully read “[...]

  • Page 112

    104 3. Specifying the recording method (Recording Setup/Sampling Setup) 1 In “Source BUS,” select the source that you want to sample. The sound being sent to the bus you select here will be sampled. L/R: The sound being sent to the L/R bus will be sam- pled. Indiv .1/2: The sound being sent to the Individual 1, 2 bus will be sampled. For exampl[...]

  • Page 113

    105 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions by one after you sample, so that the next sample you recor d will be assigned to the next higher note. Press the OK bu[...]

  • Page 114

    106 Sampling and editing in Sampling mode In Sampling mode, you can record samples, and edit sam- ple data that you sampled or loaded from media (includ- ing W A VE and AIFF formats). Y ou can also assign the edited samples to indexes (zones) to create a multisample. For an example of sampling, refer to p.37–. Here we will explain sampling operat[...]

  • Page 115

    107 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 2 Record a sample. The recorded sample will automatically be assigned to the index you created in step 1 . 3 Repeat st[...]

  • Page 116

    108 In “Sample Select,” assign the sample that you will resample, and set “Resample” to Manual. Set “T rig- ger” to Note On, and set “Sample Mode” to Stereo as desired. Then set the bus and effect as described in steps 3 and 4 , press the SAMPLING [REC] and then the [ST ART/ST OP] key , and then press the C2 key to start resampling.[...]

  • Page 117

    109 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Select DISK if you want to rip the sample to hard disk. Use drive select to select the drive, and use the Open and Up [...]

  • Page 118

    110 Loop settings Using the default settings after the TRIT ON STUDIO is first turned on, the sounds you sample will automatically be looped (P0: Recording, Preference page “Auto Loop On” On) T o edit the loop and other playback address settings for the sample, use the P2: Loop Edit page. 1 Select the sample for which you wish to make loop set[...]

  • Page 119

    111 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions The grid display will be based at “LoopS (Loop Start)” if looping is on. If looping is off, the grid will be based[...]

  • Page 120

    112 1 Select the P3: Multisample. 2 Use “Multisample (MS)” to select the multisample that you wish to edit. 3 Select the “Index.” Y ou can also select an index by holding down the [ENTER] key and playing a note on the keyboard. 4 Press the buttons to modify the number or order of the indices, and edit them. T o delete the selected index, pr[...]

  • Page 121

    113 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 3 Select the page menu command “Time Slice.” The Set Sample T empo dialog box will appear . 4 Specify the number o[...]

  • Page 122

    114 • P0: Play/REC page Song: 000, Meter: 4/4, T empo: 120 • P0: Play/REC, Program T01–08 page T rack01 Program: INT -E101 • P5: Track Edit, Track Edit page T rack01: track data: 8 measures (D2–) Press the SEQUENCER [ST AR T/STOP] key to start playback. As an example, set “  (T empo)” to 100. Notice that the pitch does not change w[...]

  • Page 123

    115 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Sampling in Program, Combina- tion, or Sequencer modes External audio sources can be sampled from the various input ja[...]

  • Page 124

    116 8 Begin sampling. Press the SAMPLING [REC] key , and then the SAM- PLING [ST ART/ST OP] key to enter recor ding-standby mode. Press the [LOCA TE] key to reset the song playback location to the beginning of the song, and press the SEQUENCER [ST ART/STOP] key to play back. If you want to verify the location, press the Prog.9–16 tab to access th[...]

  • Page 125

    117 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 7 When the song finishes playing back, press the SAM- PLING [ST AR T/STOP] key to stop sampling. Use the page menu co[...]

  • Page 126

    118 Creating an audio CD from W A VE fi les sampled to hard disk This section explains how you can create an audio CD by specifying the desired order of W A VE files on the hard disk. As described in “Resampling the song playback to create a W A VE file on the hard drive” ( ☞ p.1 16), a song you cre- ated in Sequencer mode can be sampled t[...]

  • Page 127

    119 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 4 Select the page menu command “W rite to CD” to access the dialog box, and specify how the CD will be written. Us[...]

  • Page 128

    120 SMF (Standard MIDI File) playback In Song Play mode, you can play back Standard MIDI Files (SMF) directly from media such as floppy disk or hard disk. Y ou can select this mode if you simply want to play back the SMF without editing it. If the EXB-MOSS is installed, the special bank INT-F can be used in Song Play mode as well. For details on t[...]

  • Page 129

    121 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Playing SMF data Direct playback from external media such as a floppy disk When you wish to playback SMF data that is[...]

  • Page 130

    122 Playback using the Jukebox func- tion The TRITON STUDIO provides a Jukebox function that can be used to playback SMF data. This function allows you to specify the order in which files in the same directory will be played. Any jukebox list you create will be erased when the power is turned off, and cannot be recovered. If you wish to keep your [...]

  • Page 131

    123 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Playing along with SMF data Do not subject the TRITON STUDIO to physical shock or vibration while playing back data fr[...]

  • Page 132

    124 Settings for the entire TRITON STUDIO (Global settings) In Global mode you can make settings that affect the entire TRITON STUDIO, such as master tune, key trans- pose, effect global switch, global MIDI channel, and sys- tem clock. In this mode you can also make settings for the damper pedal, assignable foot switch/pedal, and edit the program/c[...]

  • Page 133

    125 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Recalling the last-selected mode and page at power -on The state of TRITON STUDIO when the power is turned on will dep[...]

  • Page 134

    126 Creating original scales Y ou can create your own original scales. Y ou can create sixteen different User Octave Scales in which the pitch of each note of the octave is repeated for all octaves, and one User All Note Scale in which the pitch of each of the 128 notes can be specified independently . By adjusting the pitch of each key in the ran[...]

  • Page 135

    127 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Dr um kit settings This section explains how to edit a drum kit. When you play the keyboard in Global mode, the TRITON[...]

  • Page 136

    128 Editing a dr um kit Before editing a drum kit, uncheck the Memory Pro- tect ( ☞ p.57). 1 In Prgoram P0: Play , select the program that you wish to use while editing the drum kit. Select a drum kit program from the preload pr ograms etc. If the drum kit that you will be editing is already being used by a program, select that program. (In the s[...]

  • Page 137

    129 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions A Set the “Exclusive Group.” The “Exclusive Group” setting is used when you wish to group drumsamples of the s[...]

  • Page 138

    130 Arpeggiator settings This chapter describes the procedure for making arpeg- giator settings in each mode. For details on the arpeggia- tor function, refer to “Using the arpeggiator while you play” ( ☞ p.29). Arpeggiator settings for a pro- gram Arpeggiator on/of f Each time you press the ARPEGGIA TOR [ON/OFF] key , the arpeggiator will be[...]

  • Page 139

    131 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 4 Adjust the settings of the various parameters. “Octave”: Selects the octave range in which the arpeg- gio will b[...]

  • Page 140

    132 Arpeggiator settings in Combina- tion and Sequencer modes In Combination, Sequencer and Song Play modes, the TRITON STUDIO provides dual arpeggiator functionality that lets you use two arpeggio patterns simultaneously . The settings in each of these modes are made in the simi- lar way . As an example, the following explanation shows how to make[...]

  • Page 141

    133 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 0 The “Status,” “MIDI Channel” and “Assign” settings shown in the LCD screen of steps 2 and 3 can be made [...]

  • Page 142

    134 Creating an user arpeggio pat- tern About user arpeggio patterns The patterns that can be selected on the TRIT ON STU- DIO’s arpeggiator are called “arpeggio patterns.” There are two types of arpeggio patterns: preset arpeggio pat- terns and user arpeggio patterns. Preset arpeggio patterns: There are five patterns; UP , DOWN , AL T1 , AL[...]

  • Page 143

    135 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions • T one: At each step, a chord consisting of up to 12 tones (Tone No. 00–11) can be sounded. T o input tones, sele[...]

  • Page 144

    136 Other examples of creating a user arpeggio pat- tern Melody pattern 1 Set “Step No.” to 01, and press the [0] key . Set “Pitch Offset” to +00. 2 Set “Step No.” to 02, and press the [0] key . Set “Pitch Offset” to +10. 3 Set “Step No.” to 03, and press the [0] key . Set “Pitch Offset” to +00. 4 Set “Step No.” to 04, a[...]

  • Page 145

    137 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions 4 Make settings for “T one No.” and “Fixed Note No.” Select “ T one No. ,” and set “ Fixed Note No. ” [...]

  • Page 146

    138 Synchronizing the arpeggiator The note timing of the arpeggiator will differ depending on the state of the arpeggiator “ Key Sync. ” check box. If this is checked , the arpeggiator will operate at the tim- ing of the first note-on you play from a state in which all keys are released. If this is unchecked , the arpeggiator will operate in s[...]

  • Page 147

    139 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Ef fects settings The effect section of the TRITON STUDIO provides five insert effects , two master effects , one mas[...]

  • Page 148

    140 Routing settings and ef fect set- tings The insert effects, master effects, and master EQ have the same structure in all modes, but the routing settings will determine how the oscillators of a program or the timbres of a combination or track of a song will be sent to each insert effect or master effect. In the pages that follow , we will explai[...]

  • Page 149

    141 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Master effects The input levels to the master effects are set by the “Send 1, 2” levels (step 3 or 8 ). If “Send[...]

  • Page 150

    142 Master effects Master EQ These settings can be made in the same way as in “Ef fect settings for a program” ( ☞ p.141). Ef fect settings in Sampling mode In Sampling mode, you can apply an insert effect to an external audio source that is input from AUDIO INPUT 1, 2, S/P DIF IN, or mLAN (if the EXB-mLAN option is installed), or to audio fr[...]

  • Page 151

    143 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Ef fect settings for AUDIO INPUT In Program, Combination, Sequencer , Song Play , and Disk modes, external audio sourc[...]

  • Page 152

    144 About dynamic modulation (Dmod) Dynamic modulation (Dmod) is a function that lets you use MIDI messages or the TRITON STUDIO’s controllers to control specific effect parameters in realtime. BPM/MIDI Sync is another function that controls effect parameters, and is used to synchronize the LFO speed of modulation-type effects or the delay time [...]

  • Page 153

    145 Basic functions Saving data Loading data Program settings Combination settings Producing songs Sampling settings Creating a CD SMF playback System settings Drum kit settings Arpeggiator settings Effects settings Other functions Other functions Setting the function of [SW1] and [SW2] Y ou can specify the function of the [SW1] and [SW2] keys ( ?[...]

  • Page 154

    146 Sounding a beep when the LCD screen is pressed If the Global P0: Basic Setup, System Preference page “Beep Enable” check box is turned on, a beep will sound when you press an object in the LCD screen. Uncheck this if you do not want a beep to be sounded. Using the TRITON STUDIO as a data fi ler MIDI exclusive data transmitted from an exter[...]

  • Page 155

    147 Appendices T roubleshooting Specifications & options MIDI implementation chart Index Appendices T roubleshooting If you experience problems, r efer to the relevant item and take the appropriate measur es. Power supply Power does not turn on Is the power cable connected to an outlet? ☞ p.11 Is the [POWER] switch turned on? → T urn on the[...]

  • Page 156

    148 Are the Key Zone and Velocity Zone set so that sound will be produced when you play? ☞ PG p.11, 42, 66 Notes do not stop In Program P1: Edit Basic, select the Program Basic page, make sure that the “Hold” check box is unchecked. ☞ PG p.7 In Global P2: Controller, make sure that “Damper Polarity” or “Foot Switch Polarity” is set [...]

  • Page 157

    149 Appendices T roubleshooting Specifications & options MIDI implementation chart Index Noise or oscillation is heard When using an effect on the external audio source being input from AUDIO INPUT 1 and 2, oscillation may occur depending on the type of effect or on the parameter settings. Please adjust the input level, output level, and effect[...]

  • Page 158

    150 → If you are sampling to har d disk, select a differ ent hard disk. ☞ PG p.7, 37, 57, 96 → Delete unneeded samples. ☞ PG p.92 → Save samples you want to keep, and then delete them. ☞ PG p.167, 92 Is the “Trigger” setting correct? ☞ PG p.4, 37, 56, 97 In Sampling mode if you are resampling with “Resample” set to Auto, has t[...]

  • Page 159

    151 Appendices T roubleshooting Specifications & options MIDI implementation chart Index → Select an effect other than 000: No Ef fect for “IFX1– 5” or “MFX 1, 2.” Are the “IFX 1–5 Off,” “MFX1 Off,” or “MFX2 Off” (Global P0: Basic page) settings checked? ☞ p.140 If you are in Combination, Sequencer, and Song Play, an[...]

  • Page 160

    152 Can ’ t write Was the drive subjected to physical shock or vibration while data is being written? If you are unable to save data such as PCG or SNG files, has the disc been formatted? If you are writing audio tracks to cr eate an audio CD, it is not necessary to format the disc. Are you using the recommended media for your drive? If you are w[...]

  • Page 161

    153 Appendices T roubleshooting Specifications & options MIDI implementation chart Index Speci fi cations and options Speci fi cations System HI (Hyper Integrated) synthesis system Modes Combination, Program, Sequencer , Sampling, Song Play , Global, Disk T one generator HI (Hyper Integrated) synthesis system P olyphony 60 voices (60 oscillat[...]

  • Page 162

    154 Options * Appearance and speci fi cations of this product are subject to change without notice. (March/ ’ 02) User interface T ouchView graphical user interf ace (320 × 240 pixel LCD displa y) [V OLUME] slider Mode ke ys [COMBI], [PROG], [SEQ], [SAMPLING], [S.PLA Y], [GLOBAL], [DISK] V alue controllers [V ALUE] slider , [V ALUE] dial, [ ][ [...]

  • Page 163

    155 Appendices T roubleshooting Specifications & options MIDI implementation chart Index MIDI implementation char t MIDI Implementation Chart Date : 2001. 11. 6  TRITON STUDIO Basic Channel Default Changed Aftertouch Pitch Bend **************  **************  Polyphonic (Key) Mono[...]

  • Page 164

    156 Index Numerics 10’s Hold 4 , 23 , 24 24 dB/oct low pass filter with resonance 71 A After Touch 26 , 27 , 124 Allocation 20 , 42 Alternate Modulation 74 Amp 68 , 73 Amp EG 72 , 73 Amp Level 34 , 73 Amp Mod. 73 Keyboard Track 73 LFO 73 Amp EG 27 , 34 , 73 Amplifier 34 , 68 , 72 AMS (Alternate Modulation Source) 71 , 72 , 73 , 74 Append 20 , 66 [...]

  • Page 165

    157 Appendices T roubleshooting Specifications & options MIDI implementation chart Index Keyboard, Arpeggiator 31 , 131 .KMP 41 , 55 , 61 , 63 .KSC 21 , 42 , 55 , 61 , 63 .KSF 41 , 55 , 61 , 63 L L/MONO, R jacks 6 , 11 , 38 , 140 Layer 76 , 78 LCD screen 4 , 8 Contrast 7 , 145 , 147 Level Amp Level 34 AUDIO INPUT 6 , 102 Drum Kit 128 Multisampl[...]

  • Page 166

    158 Send AUDIO INPUT 143 Combination, Sequencer, Song Play 141 Drum kit 129 Program 140 Sequencer 5 , 14 , 16 , 21 , 33 , 49 , 80 , 81 , 99 , 102 , 11 2 , 11 5 , 138 , 139 Shortcut 146 SIMM 5 , 19 .SNG file 55 , 61 Solo 82 , 121 Song 21 , 33 , 49 , 80 , 81 Convert a cue list 92 Copy 88 Create a WAVE file 11 6 Edit 88 In-Track Sampling 11 5 Naming 5[...]

  • Page 167

    K ORG INC. 15 - 12, Shimotakaido 1 - chome, Suginami-ku, Tokyo, Japan.  2002 KORG INC. 1403 FTH Printed in Japan IMPORTANT NOTICE TO CONSUMERS This product has been manufactured according to strict specifications and voltage requirements that are applicable in the country in which it is intended that this product should be used. If you have purc[...]