Intel Peavey ReValver MK III manuel d'utilisation

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Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

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Tout d'abord, le manuel d’utilisation Intel Peavey ReValver MK III devrait contenir:
- informations sur les caractéristiques techniques du dispositif Intel Peavey ReValver MK III
- nom du fabricant et année de fabrication Intel Peavey ReValver MK III
- instructions d'utilisation, de réglage et d’entretien de l'équipement Intel Peavey ReValver MK III
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

Pourquoi nous ne lisons pas les manuels d’utilisation?

Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Intel Peavey ReValver MK III ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Intel Peavey ReValver MK III et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Intel en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Intel Peavey ReValver MK III, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Intel Peavey ReValver MK III, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Intel Peavey ReValver MK III. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    Doc revision 1.12[...]

  • Page 2

    T able of con tents Secon        P age Intr oducon/T echnical requir ements 2 R ecording the Guit ar 3 W orking with R eV alver® MK III 8 The Modules 10 Complete amplier s 10 Pre-amplier s 16 P ower ampliers 19 Stomp bo x es/Pedals 22 Speak ers/Cabine ts 27 Gener al E ?[...]

  • Page 3

    Intr oducon Congra tulaons on your purchase of ReV alver® MK III ! ReV alv er MKIII is a rev oluonary 64-bit amplier modeling soware that captur es the true characteris cs of vacuum tubes while allow - ing users unprecedent ed contr ol over their tonality and gain structures. ReV alver includes 65 incredible linkable sub modules [...]

  • Page 4

    Loading the VST or AU  plug-in into the DA W On a Mac, a plug-in in the VST or AU forma t is automacally located by the host and no acon needs to be tak en for the VST / AU host to nd the ReV alver® plug-in. It should be automacally list ed among the available plug-ins aer a rescan. In Windows, it is possi[...]

  • Page 5

    Connecng the Guitar to the sound card Here are three wa ys to connect your Guitar to the computer: 1) The simplest opon is to hook it up to the sound card Line-In jack using a suitable connector , usu ally a 1/4” to 1/8” adapter . The advantag e is that you don’t have to buy any addional gear (ex cept maybe the cabl[...]

  • Page 6

    3) The middle road, which probably won’t cost you anything, but could be almost as good as a DI box, is the use of an ordinary stomp box , which in fact is a sort of DI box. It could be a pedal of any kind; a distoron pedal, chorus, echo, etc., as long as: a) It is electrically power ed, and you actually use the baery or power source [...]

  • Page 7

    4) The best opon is, of course, to purchase a good quality Digital Audio Interf ace. There are sev - er al on the marke t made specically for Guitar for under $100. Look for a device with ASIO (audio stream input/output) drivers, which is an industry standar d and will work well with Re - V alver® MKIII. Aer you install the device, the Au[...]

  • Page 8

    Recor ding the Guitar with or without eects? Should you use hardwar e compressor s, distoron or other eects bef ore you recor d the signal? It is your personal pref erence. If you can’t live without “that special sound, “ then you should prob - ably recor d it that wa y . But when it comes to compression, EQ , rever[...]

  • Page 9

    W orking with ReV alver® MK III The tle module A t the top of the graphical int erface of the progr am is a module cont aining gener al setup funconal ity , including the Input volume +-16dB adjustment (with pre and post LED indica tors), Output volume -32dB adjustment (with post LED indicator). The adj[...]

  • Page 10

    Quality modes By pressing the gearwheel icon on the tle module you can select the Startup quality mode . The mix-down quality mode for ces 64-bit processing at 4x over sampling. This mode fully exposes the qualies of the progr am, whereas the normal “real me” mode may be a lile more noisy and is likely to cont ain some alia[...]

  • Page 11

    The Modules Complet e amps The modules in this category are int egrat ed preamps and power amps; thus, no module from the “preamp” or “power amp” categ ories is needed along with an “amp” in a ReV alver® MK III preset. Module name = Pea vey 6505® Descripon = Loud, mean and built f or the road, the 6505 was named in celebra on[...]

  • Page 12

    Module name = P eavey V alveKing® Descripon = A true tone monster in its own right, The V alveKing deliver s a tone ranging from bluesy clean to crunchy and classic rock. The amp has a built -in spring rev erb and separat e ton - est acks for the Clean and Lead channels. The amp’ s preamp and power secons use 12AX7 and 6L6GC tubes, respec?[...]

  • Page 13

    Module name = Pea vey JSX® Descripon = Loaded with three independent channels and comprehensiv e tonal contr ol, the Joe Satriani signature JSX puts the full spectrum of Guitar tones at your ngerps, starng with a prisne clean channel, the perf ect founda on for lay ering outboard e ects, and including the ex clusive F A T swit[...]

  • Page 14

    Module name = Basic 100 Descripon = With one channel for Guitar and one for bass, this “100 wa ” amp has a lot of bo om and is fa vored for it ’ s clean tones. The Guitar and bass channels have di erent gain and tone stack s. The bass channel even has a “Deep” switch that shis the frequency response of the Bass knob. On the[...]

  • Page 15

    Module name = Fo x ACS-45 Descripon = This amp has three channels, all running at the same me; a Normal, Brilliant and T remolo channel. The T one controls (Bass & T reble) only work on the Brilliant channel. The T one Cut control remo ves some high treble (on all channels), and works lik e a rev ersed presence contr ol. Module name = Hom[...]

  • Page 16

    Module name = ‘62 BluesMaker Descripon = Loosely based on a 1962 classic, this amp has 2 channels, normal and tremolo. The original amp did not have a “Drive” contr ol, but we put one here to modu late the distoron in the power amp. Module name = ACM 900 Descripon = This amp is modeled aer a “Rock & Roll” amp built with bo[...]

  • Page 17

    Preamplier s A module from this category is pref erably placed befor e a module from the “power amp” categ o - r y. Module name = Pea vey 6505® preamp Descripon = The preamp from the 6505 amplier . All the tonal contr ol without the power amp secon. Module name = Pea vey Classic 30® preamp Descripon = The preamp secon of the[...]

  • Page 18

    Module name = Pre-HB Descripon = Simple preamp for clean and slightly over driven sounds. The preamp goes easily into over drive, but distorts gen tly and rela vely cleanly . Module name = Pre-02 Descripon = This preamp has 2 parallel channels: a triode tube path and a diode clipping path. The tube sound mix ed with diode distoron mak e[...]

  • Page 19

    Module name = Basic 100 Guitar channel preamp Descripon = This is the Guitar channel preamp from the Basic 100. It is ra ther clean due to it ’ s dual 2 triodes, neither of which typically satur ates. Module name = ACM 900 preamp Descripon = This is the preamp secon from the ACM 900. The two gain knobs contr ol the gain in two places in [...]

  • Page 20

    Po wer ampliers A module from this category is pref erably placed aer a module from the preamp categ ory . Module name = Pea vey 6505® power amp Descripon = The 4 x 6L6GC power amp secon from the Pea vey 6505 amplier . Module name = Pea vey Classic 30® power amp Descripon = The Classic 30’ s power amp secon is pure EL84 [...]

  • Page 21

    Module name = M-998 Descripon = This simple power amp, uses 2 triodes in series for extr a gain, and also uses a pair of tonal charact er lter s, that can be tweak ed in the T weak GUI. Module name = Standar d Pow er Amp #2 Descripon = This power amp has a standard push-pull end stag e, but not driven by the usual Long T ail Pair (L TP). I[...]

  • Page 22

    Module name = Basic power amp Descripon = This power amp is tak en directly out of the Basic 100. Just like the original amp, the power secon has only a master contr ol. The Negav e Feedback Loop (NFB) shapes the distoron char acter , and can be adjusted in the T weak GUI. For an explanaon of the T weak GUI, see page 35. Module name [...]

  • Page 23

    Stomp box es / pedals A module from this category is usually placed bef ore an amp module. They are designed to shape the sound bef ore it is colored by the amp. Module name = OverDriver Descripon = This stomp box is wired somewhat lik e a Guitar amp, in that it uses 3 stag es of diode distoron. The “ T urbo” acts lik e a “Mast[...]

  • Page 24

    Module name = Slow Grow SG-1 Descripon = An auto swell e ect tracks the notes you play and removes the transients to mak e the music sound lik e it ’ s being play ed backwar ds. Module name = Octapus Octa ver Descripon = Behind every grea t tone is another tone waing to come out. With Octapus you can release this sub octa ve, tak en f[...]

  • Page 25

    Module name = The Sher ’ Descripon = The Sher ’ stomp pedal is a tough but versa le distoron e ect. Loosely modeled aer a 1980s-era cousin it ’ s perf ect for blues and rock either by itself or with a clean amp channel. Module name = Re-La y 2 delay Descripon = The Re-Lay 2 is a double delay with a lot of opons. Y o[...]

  • Page 26

    Module name = Driver Descripon = This is a very versa le stomp bo x that delivers anything from smooth overdriv e (with “Blues” turned up) to a heavily distort ed and overloaded sound (“Gain” and “Muer ” turned up high). The module uses a modied amp tone stack that allows for heavy mid scooping, grea t for blues and rock &am[...]

  • Page 27

    Module name = W ow-W ah! Descripon = A Wah pedal is a low-, high-, or band-pass lter with adjustable frequency . At the point of cut o , there is a peak with adjustable resonance, making the Guitar sound “waaaoooow - wwoooaaa” . The resonance has similaries with the human mouth, hence the name. The fre - quency can be contr olled ei[...]

  • Page 28

    Speak ers / cabinets A module from this category is usually placed aer any amp module. Module name = Conv oluon speak er simulaon Descripon = This module uses real-me convoluon to mimic actual speak er and cabinet setups. Convoluon can be very CPU-intensive so there are 2 opmiza on opons, “Resample” and “Hi[...]

  • Page 29

    Gener al eects Module name = 8Q Descripon = An eight band parametric lter with adjust able frequency , gain and Q in seven types: high shelf , low shelf , high pass, low pass, band pass, notch and peak. Each band can be either a rs t order or second order IR lter . (Please note that rst -order lter s cannot represen t EQ , b[...]

  • Page 30

    Module name = ACS R2 Stereo Rev erb Descripon = Stereo reverb designed to be placed last in the chain to give ambience or width to the sound, with adjust able pre-dela y and room siz e. Three lter s can be progr ammed to shape the character of the wet signal. This rev erb is thicker than the Rev erb R1; it also has dier ent def ault lte[...]

  • Page 31

    Module name = Ster eo widening e ect Descripon = This module with combines ambience, ster eo widening and ex citer/ enhancer e ects to give your tone a wider , fuller sound with more presence. The enhancer opera tesby the delaying the lower frequencies to allow the high frequencies to come rs t, giving the sound a touch of presence and [...]

  • Page 32

    Module name = CS3 T ube Compressor Descripon = A compressor is used to even the volume so that the lower levels do not com pletely disappear . Many music prof essionals believe that a tube compressor sounds “warmer ” than a solid-st ate variant due to the slight satura on of the tubes and because the transf ormer adds a subtle touch of ?[...]

  • Page 33

    Miscellaneous ulies Module name = Signal splier Descripon = The signal splier divides the signal into 2 streams. E ach runs in parallel using it ’ s own set of modules. In the “signal merg e” module, these two streams are mixed int o one signal again. Y ou can only use signal splier once per preset. Module name = Frequenc[...]

  • Page 34

    Module name = Ster eo Levels adjust Descripon = Same as “Leveler ” module, but with a contr ol knob for each channel. This ulity module can be inserted wherever you wish to monitor or change the volume levels. The module monitor s both the le & right channels. This module has a volume adjust and a “Learn” buon to automac [...]

  • Page 35

    Module name = Single tonestack Descripon = This module only cont ains one tone stack with Bass, Mid and T re ble knobs to adjust the lter aspects of any of the included tone st acks of ReV alver® MK III. (The Fo xy tonestack does not use the Mid knob.) Module name = Single triode Descripon = This module contains a single triode tub e with[...]

  • Page 36

    T weaking modules One of the most powerful fea tures of ReV alver® MK III is the ability to tweak each parame ter of a module other than the usual knobs and buons on the fron t of the module. In an eort to explain the T weak mode in ReV alver , we’ve wrien some short explanaons of each tweak in the tube tw eak GUI. TheT weak mode [...]

  • Page 37

    The T otal Harmonic Distoron (THD) analyzer display s the relaonship between the input sound and the distort ed output sound. The Oscilloscope view illustra tes how a module alters the sine wa ve. It is av ailable for each module as a whole, and for any tube component thereof . 36[...]

  • Page 38

    Y ou can save the Impulse Response (IR) of a module to a .w av le in 44.1 kHz stereo. The impulse response is praccally the same view as the frequency analyz er , but this tool allows you to save the response to disk. This IR can be used in the convoluon speak er module (or any other IR plug-in by third party manufacturer s) and can be [...]

  • Page 39

    The T ube Tw eak GUI One of the most powerful fea tures of ReV alver® MK III is the detail and number of parame ters that can be used to ne tune any tube circuit in a module. In the module’ s T weak GUI, click on a tube icon to bring up the tube T weak GUI. 38[...]

  • Page 40

    On the tube T weak GUI, the editable paramet ers are divided into two groups, the Phy sical and the Non-Phy sical (which has no mean ing in reality but can be used to enhance the sonic properes, anyw ay). Depending on which tube you wish to tweak, you can choose between triodes or pentodes. A power pentode is a tube type oen used to drive the[...]

  • Page 41

    The coupling capacitor remo ves the high voltag e DC oset from the output si gnal of the tube st age. This high-pass frequency is usually between 5-10 Hz, but if it is set higher then a user can change the tonal and dynamic properes of the stage. The grid resist or value is an all-in-one resist or used to calculate the eects of the s[...]

  • Page 42

    MIDI contr ol and automa on In the stand-alone ver sion, all knobs, fader s and buons can be controlled by MIDI. The VST and AU plug-in can be contr olled using nave automa on, but not all paramet ers can be automat ed. MIDI T o setup MIDI contr ol in the standalone version, please select your MIDI interf ace from the menu (Fil[...]

  • Page 43

    Plug-in automation parameters T able 1: VST name AU name Description Ped Bass Distpedal Bass Distpedal Bass control Ped Mid Distpedal Mid Distpedal Mid control Ped Treb Distpedal Treble Distpedal Treble control Ped T one Distpedal T one Distpedal T one control Ped Mix Distpedal Mix Distpedal wet/dry mix Pre Gain Preamp Gain Preamp Gain Pre 1 Gain t[...]

  • Page 44

    Plug-in automation parameters T able 1: VST name AU name Description Amp Out Power amp Output level Output adjust knob on amp or poweramp- module Pre Out Preamp Output level Output adjust knob on preamp module Finding a great sound: F AQ Q.  What can I do to improve the frequency response of a pres[...]

  • Page 45

    Q.  I have some very cool Impulse Response (IR) les. Can I use them with ReV alver MK III? A. Y es. The speaker con voluon modeler (RIR) can load les in . wav forma t, provided they are reasonably short. RIR is using a real-me engine that requir es no parcular sample chunk size, s[...]