Art DMV Pro manuel d'utilisation

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Un bon manuel d’utilisation

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Qu'est ce que le manuel d’utilisation?

Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Art DMV Pro décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Art DMV Pro devrait contenir:
- informations sur les caractéristiques techniques du dispositif Art DMV Pro
- nom du fabricant et année de fabrication Art DMV Pro
- instructions d'utilisation, de réglage et d’entretien de l'équipement Art DMV Pro
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

Pourquoi nous ne lisons pas les manuels d’utilisation?

Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Art DMV Pro ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Art DMV Pro et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Art en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Art DMV Pro, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Art DMV Pro, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Art DMV Pro. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    - i - 7K H $ 57 TA BLE OF CO NTEN TS Introduction .................................................................................................................. .................................................. 1 Installation ..............................................................................................................[...]

  • Page 2

    - ii - Routing LEDs .................................................................................................................. ......................................... 8 Unloaded Pres et Indica tor ..................................................................................................... ................................... 9 Pre[...]

  • Page 3

    - iii - Modulated Ef f ec ts ............................................................................................................. ................................ 40 Chorus ....................................................................................................................................................... 40 Flanger .....[...]

  • Page 4

    [...]

  • Page 5

    - 1 - INTRODUCTION Thank you for purch asing a DMV-P RO and c ongratu lations! You no w own one of the m ost sophisticat ed pieces of audio si gnal-proc essin g technol ogy ava ilable. T he DMV-PR O uses state- of-the- art DSP t echniqu es com bined with A R T’s proprie tary D ynamic Engine A llocati on (DEA™) soft ware to g ive you contro l ov[...]

  • Page 6

    - 2 - INSTALLATION The DMV-PRO may be used in a var iety of setups including wit h mixer c hannel inserts , mixers with reverb send an d return f aciliti es, and i n the ef fect s loop of an instr um ent or P.A. am plif ier. Se lf- contained in an a ll-ste el, s ingle- height 19” rack -mount enclosur e, the DMV-PRO is des igned f or conti nuous p[...]

  • Page 7

    - 3 - QUICK START INSTRUCTIONS You’ve unpack ed your DMV -PRO and you’re i n a hurr y to get it u p an d r un ni ng. You pr o bab l y would r ather pl a y wit h it than read t he m anual. Fair enough. Fir st, ch eck out the basic s, outl ined her e, jus t to get your DMV-PRO on- line. It should tak e only a c ouple of minutes f or you to rea d [...]

  • Page 8

    - 4 - called Dr y Kill that wil l convenient ly turn off the dry signal p ath inside the u nit. Each pres et’s Mix v alue is st ill retained, ev en though all dry sou nd is elim inated. To enable Dr y Kill, turn on the DM V-PRO and pr ess the MIDI/Util but ton. T urn the Pr eset Enc oder (the k nob on the far right of the unit) until th e top lin[...]

  • Page 9

    - 5 - TRY IT OUT: Turn on your am p or m ixer and m onitor am plifier . Make s ure that your m ixer’s or am p’s send le vel c ontrol is turne d up a nd that a signal is bein g s ent to the DMV-PRO. W atch the Meters on the front of the un it. Most of the l ights (LEDs ) shou ld be on, except f or the +6 LED, which sho uld only glo w when a real[...]

  • Page 10

    - 6 - DMV-PRO FRONT PANEL CONTROLS & INDICATORS PROCESSORS (A ) AND (B) The DMV-PRO conta ins two a udio proc essors , labele d Proces sor (A) and Proc essor (B). Eac h can b e operated indepe ndentl y from the other. The c ontrols for each proces sor op erate sim ilarl y and are outlined below.  & POWER The Power switc h turns the D [...]

  • Page 11

    - 7 - the Encod er’s f unction b etween se lecti ng param eters and c hang ing valu es. For m ore inf ormation on param eters, see pag e 28.  ) PROCESSORS (A) & (B) ENCODER / SWITCH The firs t two Encoders are used separ ately to vie w and modif y their c orrespo nding pr ocess or’s param eters and ef fects . The Enc oders can be turn[...]

  • Page 12

    - 8 - option is availa ble as a n effec t param eter. See the param eter desc riptions o n page 28 for m ore inform ation on bypass ing in di vidua l effe cts .  . PRESET ENCODER / SWITCH The Pres et Encoder is used to ch ange presets . As you turn it, the n um ber in the Pres et Displ ay changes , as does the inf orm ation in bot h LCDs and [...]

  • Page 13

    - 9 -  2 UNLOADED PRESET INDICATOR W hen you turn the Preset Encoder to vie w presets, th e DMV-PRO ’s s ound won’ t change unt il you pr ess the Preset Encod er to lo ad the pr eset. The Un loade d Preset I ndicator is a rem inder th at you ar e view ing an un loaded pr eset.  3 PRESET DISPLA Y The Pres et Displa y sho ws 3 alphan [...]

  • Page 14

    - 10 - Dry Kill and Global Mix Dry Kill a nd Glob al Mix ar e two r elated f unctions t hat al low you to quic kl y alter the rat io of wet (proc essed) and dry (unproces s ed) soun d com ing out of the un it. Nor m ally, the Mix param eter s ets this r at io s e parat el y for each preset , but b y using Dry Kill or Glo bal Mix, you can c hange t [...]

  • Page 15

    - 11 - Setting Dry Kill and Global Mix : To adjust Dr y Kill or G lobal Mix , pres s the MIDI/U til bu tton. T urn the Pres et Enco der unti l [ ] appears on the top li ne of LCD (A). Turn Enco der (A) t o s witch the bo ttom line of LCD ( A) bet ween ON an d OFF. If Dr y Kill is o n, the eff ect’s dr y path is dis abled. If Dry Kill is off, dr y[...]

  • Page 16

    - 12 - DMV-PRO REAR PANEL CONNECTIONS Despite th e DMV-PRO ’s sophis ticatio n, it’s eas y to interf ace the unit with other equipm ent. Al l inputs and outputs are located o n the rear panel. Standar d ¼” inp uts an d outputs m ake patching s imple. Note: For bes t aud io qualit y, alwa ys use h igh-qua lity cab les. The DMV-PRO is des igne[...]

  • Page 17

    - 13 -  & OUTPUTS #1–4 All four Outp uts are single- ended (unbal anced) ¼” jac ks with low im pedanc e. A pres et’s r outin g determ ines the use of each Output jac k . For exam ple, Cas c ade and Mu lt i FX Rout ings do not us e O ut puts # 3 an d # 4. For mor e inform ation on the differ ent configur ations of the D MV-PRO ’s [...]

  • Page 18

    - 14 - TUTORIAL The best wa y to unders tand the DM V-PRO is just to j ump in a nd edit som e presets. It do esn’t take lo ng and you’ll see how eas y edit ing is d ue to the DM V-PRO ’s intu itive la yout. T his s ection consis ts of f our tut orials: Starting from Sc ratch and Chan ging Effects , Editing Effec t Paramet ers , MI DI , and Ad[...]

  • Page 19

    - 15 - Cascad e Cascade ro uting a lso has two eff ects with two linked engi nes, but t he outpu t of the f irst gr oup is fed into the second. In this routi ng, you ha ve t wo stack ed, true-stereo ef fec ts. Only Inputs and Outputs # 1 and #2 ar e us ed. The first effec t (Engines #1 a nd #2) is e dited in Proc essor (A), and the seco nd eff ect [...]

  • Page 20

    - 16 - TUTORIAL 1: ST ARTING FROM SCRATCH AND CHA NGI NG EFFECTS Edit the Routing: By editi ng an y preset ’s rout ing, you are ess entia lly bui lding a new preset fr om s cratc h. W hen routings are cha nged, the D MV-PRO rec onfigures its int ernal arc hitecture and lo ads in default eff ects. T he preset’s f orm er eff ects, class, and p ar[...]

  • Page 21

    - 17 - Repeatedl y press th e Routin g button u ntil t he Disc rete 4 Rout ing LED is lit. O bserve b oth LCDs. Again, the DMV-PRO has loaded def ault eff ects for Disc rete 4 routing, but notice that t here are no w two effec ts in each LCD. Look at LCD ( A). T he top line now cor responds t o Ef fect #1 (at Inp ut a nd Out put #1) a nd t he bott [...]

  • Page 22

    - 18 - Follow the instruc tions: Us e the Preset Enc oder to s elect t he pres et num ber that you want to over write (you don’t hav e to tur n t he enc od er if you jus t wa nt to o ver writ e th e c urr ent pr eset) . W hen you are r ea d y, pres s th e Store button to conf irm the opera tion. If you press any button other than S tore, or if St[...]

  • Page 23

    - 19 - As you can see, the editin g operation is sim ple: T urn the enc oder to select a param eter, pres s and tur n the encoder t o change the param eter’s value, press and turn to s elect an other par ameter , press and turn to change the new param eter’s value, and so on . The num ber of availabl e param eters is depende nt on th e current [...]

  • Page 24

    - 20 - this orderin g. You could, for exam ple, set a received program change val ue of 1 t o reca ll DMV-PRO prese t #40, a pro gram change valu e of 2 to reca ll DM V-PRO pr eset #5, a nd a progr am change val ue of 3 t o a lso recall DM V-PRO prese t #5. Like MIDI Ch annel, th e DMV-PRO ’s MIDI Map is s et in MID I/Util Mode a nd is automatic [...]

  • Page 25

    - 21 - Next, turn Encoder ( A) to sel ect an incom ing MIDI pr ogram change num ber that you wis h to map. T his control’s rang e is f r om 1 to 128. T urn Encod er ( B) to s et th e c or res pon di ng D MV- PRO pr eset num ber that wi ll be recalle d when t he progr am c hange num ber in LCD ( A) is receive d. The rang e of DMV-PRO pr eset numbe[...]

  • Page 26

    - 22 - control ler’s value l inearl y correspon ds to t he ke y, veloc ity, or aftertouc h va lue bein g pla yed. For ex am ple, if MIDI CC Num ber was s et to Not e On and Mode was set to C ontinu ous, t hen the controll er’s value would equal the k e y number pla yed. Key, Velocit y, or A T Value If Mode is set to Toggle, a secon d param eter[...]

  • Page 27

    - 23 - TUTORIAL 4: ADVANCED APPLICATIONS The Smart Encoder : The Sm art Encoder™ functions allo w you to p erf orm real-tim e task s, such as tappin g in new dela y tim es or spinning up and do wn the r otar y eff ect, b y pressing t he Ed it and Enc oder bu ttons. Us ing the enc oders this way is ca lled “sm art ” becaus e param eters can be[...]

  • Page 28

    - 24 - Rotary The Rotary Spin High/L ow option allows th e Encoder to toggle t he rotar y speed be tween a hi gh and low spin rate (alter nating with eac h Encod er press ). Smart Encoder Programming: Smar t Encoder oper ation is set with an eff ect’s param eters. To program Process or (A)’s Sm art Encoder, first select a preset with a Pr ocess[...]

  • Page 29

    - 25 - Smart Encoder Functions while Editing Reverb, Delay , and Rotary Effects: Smar t Encoder functions are aut om aticall y set up to work whil e editing reverb, del ay, and rotar y effec ts. For Reverb effects , a reverb impulse can be trigg ered while adjusti ng any of the rever b’s p aram eters; this he lps you hear the rever b changes as y[...]

  • Page 30

    - 26 - THE DMV-PRO’s ADJUSTABLE PARAMETERS DESCRIPTION OF ROUTINGS AND ENGINES The DMV-PRO co ntains four engi nes that can be routed in four diff erent wa ys. Our propr ietar y Dynam ic Engine Allocat ion (DE A™) techno log y ensures th at all DSP hor sepower is eff ortlessl y configure d f or your rout ing c hoice. Repeatedl y press th e Rout[...]

  • Page 31

    - 27 - Discrete 4: This routing configur es the D MV-PR O as four m ono signal process ors. Each Input f eeds its c orrespo nding O utput. However, if any Input (except #1) does not hav e a jack inserted , its input will be taken fr om the c losest prev ious input that h as a p lug inser ted. For ex ample, if the u nit is i n Discrete 4 m ode and ?[...]

  • Page 32

    - 28 - DESCRIPTION OF CLA SSES Each eff ect has six classes , which ar e effec t variatio ns. The c lass nam e general ly denotes the app licatio n for which the c lass was optim ized. For ex am ple, The Vocal class of rever bs is designed to en hance voice- ty p e inputs. Des cript ions of all eff ects and the ir class es begin o n page 31. The fo[...]

  • Page 33

    - 29 - Effect Cla ss: Classes ar e eff ect variations and are nam ed after the appl ications th ey are optim ized for . Each eff ect has six classes and their names , sounds, a nd adjus table par ameter s var y based on th e eff ect. (See p age 31 f or a descripti on of all eff ects and the ir class es.) Mix This param eter sets the ratio of unproc[...]

  • Page 34

    - 30 - T re b le C o n tro l -20 -15 -10 -5 0 5 10 15 20 100 1000 10000 10 0000 Fre quency i n H z ( Log Scal e) B o o s t (d B ) MIDI Paramet ers Eff ects can have up to f our contro ller as signm ents (desig nated a, b, c, an d d) that c an m odif y an y of its param eters in r eal-tim e. Eac h of the four assig nm ents has s eparat e settings fo[...]

  • Page 35

    - 31 - &+$0 %( 5 5(9( 5% The Cham ber Reverb s im ulates a ref lectiv e enclos ure (per haps m ade of wood or co ncrete) with a soun d sour ce at one end and a microphon e near the other. B y varying the Size param eter from sm all to large, you can s imulat e spaces as sm all as a s hower stall a nd as large as an ele vator sh aft. This rev[...]

  • Page 36

    - 32 - Instrument The Instrum ent Reverb is tail ored for mos t solo instrum ents to mainta in the ir tonal q ualit y. High fr equenc y decays are not l imited a nd lo w frequ encies are c ontrolle d to preve nt m uddines s. An aux iliar y gat e is a vailab le to dynam icall y process the sound. Concert The Concert Re verb has a neutr al high f req[...]

  • Page 37

    - 33 - (greater th an 3 sec onds) are usual ly used f or “bigger than l ife” s pecial ef fects . Both the Deca y and S ize param eters should be us ed together to set t he over all im press ion of the s imulated s pace. Decay En abled: In the Dyna mic Class, this control sets the input lev el rang e that s witches th e Decay am ount f rom the p[...]

  • Page 38

    - 34 - Length: Sets the l ength of th e gated r everb, f rom 50 to 500 m illisec onds. Motion: Sets the m ovem ent of the r everbera tion t ail. This contro l is us ed to he lp m ak e long dec ay tim es sound mor e natural. When turned on, th is control’s range is fr om 1 to 9 a nd is norm ally set at 1, produc ing a ver y subtle eff ect. A setti[...]

  • Page 39

    - 35 -   C a b i n e t S i z e M i c D i s t a n c e M i c S e p e r a t i o n M i c P o s i t i o n T o l e f t o u t p u t T o r i g h t o u t p u t ',*,7 $/'( /$< Thes e algor ithm s dela y a signa l in t im e. T he max im um dela y le ngth , per c h ann el, is 1. 25 s ec o nds . U p to twe lve de la y taps are availab le a[...]

  • Page 40

    - 36 - Dy nam ic The D ynamic Dela y uses input le vel to switch t he Reg eneratio n am ount between its pres et valu e and 0 . DUCKING CLASSIC CONCERT GA TED MIC PLACEMENT DYNAMIC Dela y ±1ms Delay ± 1ms Dela y ± 1ms Delay ±1ms M ic Distance Dela y ±1ms Delay ± 50ms Delay ± 50ms Delay ± 50ms Delay ± 50ms Cabinet Size Delay ± 50ms Regener[...]

  • Page 41

    - 37 - starting from the bottom -left speak er. An ‘S’ at the end of the line ind icates t hat both mic s pick up s ound from both speaker s as with norm al Stereo m i k ing. An ‘M’ at the e nd of the line indicates that both m ics are acting in Mo no and are sonic all y isolated f rom the opposite s peak er. In other words, the left m icr [...]

  • Page 42

    - 38 - 3,7& + 7 5$ 1 63 2 6( 5 The Pitch Trans poser (PT ) algorithm can chan ge the bas e-pitc h of a sou nd. Each PT cl ass contai ns an aux iliary digital d ela y that feeds back into the pitc h-sh ift to cr eate falli ng or ris ing pitch ef fec ts. Som e classes also h ave dynam ics sens ing, whic h can use input l evel to s witch th e e[...]

  • Page 43

    - 39 - PITCH PARAMETERS: Buffer Si ze : This c ontrol sets the loop lengt h and sp licing ch aracter istics of the PT . T wo of the four settings , Sm ooth- Long and Sm ooth-S hort, ar e optim ized f or the sm oothest soun d, but n eed a fix ed am ount of trans port delay. T he other t wo settin gs, Sm art-Long and Sm art-Shor t, utili ze a loop in[...]

  • Page 44

    - 40 - 02'8 /$7( ' ())( & 76 Chorus, flanger , phaser, trem olo, and pa nner are m odulat ed ef fects . They use a Low Fr equenc y Osci llator (LFO ) to sweep certa in aspects of the effect’s sound. LFO Spe ed determ ines the m ovement (sweep) rate and the LFO Shape determ ines the s weep patter n. Som e of the c lasses h ave d y[...]

  • Page 45

    - 41 - Classic, Jaz z Chorus, M XR “Grey,” and MXR “ Phase 90,” These c lasses r ecreate th e sound of the “c lassic” effec ts. T he LFO param eters and som etim es Bandwidth are controlled to produce the char acterist ic soun d and con trol ac tion. For exam ple, as LFO S peed is increase d, W idth is autom aticall y adjusted within a [...]

  • Page 46

    - 42 - 5-Notch Ducking MXR “Pha se 90” MX R “Phase 1 00” Gated “Boston” Phaser D y namic Dela y ±1ms Dela y ±1ms Dela y ±1ms Dela y ±1ms Dela y ±1ms Del ay ±1ms Delay ± 50ms Delay ± 50ms Delay ± 50ms Delay ± 50ms Delay ± 50ms Delay ± 50ms LFO Rate LFO Rate LFO Rate LFO Rate LFO Rate LFO Rate LFO W idt h LFO W idth LFO W idt [...]

  • Page 47

    - 43 - Effect En abled : In Ducking and Gated class es, this c ontrol se ts the aud io input leve l that con trols th e g ating action of the eff ect. Signals that f all wit hin its s ettin g (for exam ple, above –10 d B) are heard and on es that are not ar e muted. LFO Offset: Controls the LFO ph ase dif ferenc e (in 30° increm ents) bet ween t[...]

  • Page 48

    - 44 - 527 $5< The Rotar y eff ect s imulates a 2- wa y rotating-s peak er c abinet with a bu ilt in cros sover net work . Rotat ing speak ers are tradition all y used with electric organs , but contem porary uses inc lude wit h guitars, voca ls, drum s, and just about an y sound that needs s om e added motio n. Since this ef fec t creates a s t[...]

  • Page 49

    - 45 - Auto Switch Wood Cabinet Concert Gated Stereo Split Dy namic Spin Up Time Spin Up T ime Spin Up Time Spin Up Time Spin Up Time Spin Up T ime Spin Down T ime Spin Down T ime Spin Dow n Time Spin Down Time Spin Dow n Time Spin Down Time Low/High M i x Low/High M i x Low /High M ix Low/High Mix Low /High Mix Low/H igh Mix Speed Adju st Speed Ad[...]

  • Page 50

    - 46 - MIDI/ UTI L PARAMETERS The MIDI/Ut il Param eters affec t the whole unit are set in MID I/Util Mode. T o access this m ode, press the MIDI/Uti l button, then turn t he Preset Encod er to scr oll both LCDs thr ough their separate list of param eters. T o change th e value of any param eter, tur n its c orrespo nding Pr ocessor Encoder. C hang[...]

  • Page 51

    - 47 - internal ly change patches wh en th is happe ns; it jus t sets LCD (A)’s program change n um ber to the num ber that it receive s. DRY KILL / GLOBAL MIX Dry Kill Dry Kill is used when runnin g the DM V-PRO with a mix ing board in a sen d/return fashion. (For a c om plete descripti on, see p age 10.) T o enabl e or dis able Dr y Kill, turn [...]

  • Page 52

    - 48 - REFERENCE: DMV - PRO Factor y Preset List # Name Routing In/Out 1 In/Out 2 In/Out 3 In/Out 4 TOP 19 1 Big Ster eo Re verb Twi n St ereo Concert H all Instrum ent Plate 2 Tight St ereo Reverb Tw in S ter eo Instrum ent Plate Gated Plate 3 Gate d Ster eo Re verb Tw in S ter eo Gated Pl ate Concert H all 4 Sidewa y s Rev erb Discrete 4 Reverb 1[...]

  • Page 53

    - 49 - Chorus 50 Wide Rhode Multi FX Chorus → T remolo → Stereo Hall 51 MXR "Y ellow" Tw in Ste reo Stereo Ch orus Stereo Ch orus 52 Tri-Chorus Mult i FX Chorus → Chor us → St. C horus 53 Direct Strat Multi FX Chor us → Chorus → Stereo Hal l 54 Warm Sp ace Cascade Chorus → Reverb 55 Chorus Spread Discrete 4 Chorus 1 L Chorus[...]

  • Page 54

    - 50 - LFO SH A PES ( tw o cycles each) EXPONENTIAL The Expone ntial wavefor m is not available on Trem olo and P anner ef fects. SINE TRIANGLE RECTIFIED SI NE These graphs are of the avail able LFO sh apes for Chorus , Fanger, Phaser, T rem olo, and Pa nner ef fects . The large ch oice of wavef orms will all ow you to selec t the b est poss ible s[...]

  • Page 55

    - 51 - INVERTED RECTI FIED SINE SQUA RE RA MP INVERTED RAMP MIDI IMPLEMENT A TION IN THE DMV-PRO Channel Voice M essages The DMV-PRO ca n respond to N ote On, Co ntrol Cha nge, Pro gram Change, Ch annel Pr essure, a nd Pi tch Bend mes sages. In order to respond to these m es sages, the MIDI Base C hanne l mus t be set eith er to the same c hannel o[...]

  • Page 56

    - 52 - By t e Nu mber Value (in hex) Descript ion 1 F0 Start of SysEx m essage. 2 1A A R T m anufactur er’s ID. 3 0x MIDI channe l (00 to 0F). 4 22 DMV-PRO pr oduct ID. 5 ?? Function ID. ... ?? (data, zero or m ore b ytes) (last) F7 End of S ysEx m essage. The Function ID is one of the fol lo win g v al ues an d is f ollo wed b y zer o or m ore b[...]

  • Page 57

    - 53 - MIDI CONTROLLERS AND NUMBE RS Here’s a list of MIDI C ontro llers and their n um bers, which m a y hel p to a void conflic ts if you c ontrol the DMV-PRO and other MIDI gear in the s am e setup. The D MV-PR O displ ays co ntroller n umber s as decim al number s. The follo wing table lists hex adecim al num bers, their equivalent decim al n[...]

  • Page 58

    - 54 - W A RR ANTY INFORM ATION Limited Warranty Applied Res earch and Tec hnolog y, Inc. will provide warr anty and Ser v ice f or this unit in ac corda nce with the following war r ants: Applied Res earch and Tec hnolog y, Inc. (A R T) warrants to the or iginal pur chaser that th is produc t and th e components thereof will be f ree f rom def ect[...]

  • Page 59

    - 55 - 4) Pack the un it in its origi nal car ton or a re asonabl e substi tute. T he pack ing box is no t recom m ended as a shipping carton. Put th e pac k aged un it i n a noth er box f or s hi ppi ng. Pri nt th e R A num ber c learl y on the outsi de of the shi pping box . Print your retur n ship ping addr ess o n the outs ide of the box. 5) In[...]

  • Page 60

    - 56 - DMV-PRO SPECIFIC A T IONS: A/D convert ers: 20 bit, 64 t im es oversam pled, de lta sigm a, X4 D/A convert ers: 20 bit, 128 tim es oversam pled, d elta sigm a, X4 Sample Rat e: 46.875 k Hz Bandwidth: 10 Hz – 20 k H z +0, -2 dB Dynam ic Range: >93dB Total Harm onic Distortion: < .01% @ 1kH z Audio In/O ut: ¼” unbal anced, +4 / - 10[...]

  • Page 61

    - 57 - A R T m aintains a polic y of cons tant prod uct im provem ent. A R T r eserves the right to m ake changes in design or mak e additions to or im provem ents upo n this prod uc t witho ut a n y ob lig ati on to ins ta ll t he s am e on pro duc ts prev i ous l y manuf actured. T heref ore, specif ications ar e subj ect to ch ange with out not [...]