Yamaha EL-100 Bedienungsanleitung

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Zur Seite of

Richtige Gebrauchsanleitung

Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Yamaha EL-100 an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Yamaha EL-100, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.

Was ist eine Gebrauchsanleitung?

Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Yamaha EL-100 die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.

Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Yamaha EL-100. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.

Was sollte also eine ideale Gebrauchsanleitung beinhalten?

Die Gebrauchsanleitung Yamaha EL-100 sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Yamaha EL-100
- Den Namen des Produzenten und das Produktionsjahr des Geräts Yamaha EL-100
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Yamaha EL-100
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen

Warum lesen wir keine Gebrauchsanleitungen?

Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Yamaha EL-100 zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Yamaha EL-100 und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Yamaha finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Yamaha EL-100 zu überspringen, wie es bei der Papierform passiert.

Warum sollte man Gebrauchsanleitungen lesen?

In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Yamaha EL-100, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.

Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Yamaha EL-100 widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.

Inhaltsverzeichnis der Gebrauchsanleitungen

  • Seite 1

    [...]

  • Seite 2

    2 (1)B-7 1/2 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a saf e place for future ref erence. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but a[...]

  • Seite 3

    3 (1)B-7 2/2 Location • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. •D o not use the instrument in the vicinity of a TV, radio, stereo equipment[...]

  • Seite 4

    4 GM (General MIDI System Lev el 1) is an addition to the MIDI standard that ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator , re gardless of maker . The GM mark is aff ixed to all softw are and hardware products that support the General MIDI standard. XG is a new MIDI format created by Y amaha[...]

  • Seite 5

    5 1 Voice Sections 2 Quick Introductory Guide Voice Controls and Effects 3 Rhythm and Accompaniment 4 Registration Memory 5 Music Disk Recorder (M.D.R.) 6 Footswitches and Expression Pedal 7 Transpose and Pitch Controls 8 MIDI 9 10 11 Accessory Jacks and Controls Appendix The Index on page 131 can be of your help in finding the functions and terms.[...]

  • Seite 6

    6 Main Features 1 Astoundingly True-to-life Sounds The new AWM (Advanced Wave Memory) tone generation technologies combined with authentic touch response make this Electone a truly expressive musical instrument. You can enjoy playing a total of 173 AWM voices using the touch response function. 2 Wide Variety of High Quality Effects Electone voices [...]

  • Seite 7

    7 MIDI Jacks (page 104) Jacks (page 104) Speaker Unit Left-Footswitch (page 97) Right-Footswitch (page 69) Expression Pedal (page 11) Upper Keyboard Front Panel (pages 8-9) Lower Keyboard Pedalboard Music Stand Panel Layout[...]

  • Seite 8

    8 REVERB MAX MIN MAX MIN MAX MIN MAX MIN MAX MIN MAX MIN BASIC REGIST . UPPER KEYBOARD VOICE STRINGS BRASS CLARI- NET SAXO- CHORUS HARMO- PHONE NICA ORGAN PIANO GUITAR VIBRA- COSMIC TUTTI PHONE SUST AIN UPPER LOWER PEDAL LOWER KEYBOARD VOICE SAXO- STRINGS BRASS CLARI- NET CHORUS HORN PHONE ORGAN PIANO GUITAR VIBRA- COSMIC TUTTI PHONE RHYTHM SEQ. 1 [...]

  • Seite 9

    9 D ATA CONTROL P AGE DISPLAY SELECT VO ICE EFFECT A.B. C. DISPLAY SET M.O.C. FOOT REGIST .P I TCH TREMOLO SW. SHIFT MIDI (FAST) REGISTRA TION MEMORY M ASTER VOLUME 12345678 D . M. /T O DISK RECORD PLAY UPPER UPPER LOWER PEDAL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD CUSTOM PLA Y SONG SONG DEL. REPEA T POWER MU SIC DISK[...]

  • Seite 10

    10 1 Quick Introductor y Guide 1 Getting Started 1 Plug the power cord in to an appropriate electrical outlet. Only use the voltage specified as correct for the Electone. The required voltage is printed on the name plate of the Electone. Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If y[...]

  • Seite 11

    11 Quick Introductory Guide 1 BASIC REGIST . 3 Set the MASTER VOLUME control. The MASTER VOLUME control is an overall control which affects the volume of the entire instrument. M ASTER V OLU ME 4 Press the Expression pedal down with your foot. Once you have set the MASTER VOLUME control to a suitable level, you can use the Expression pedal to chang[...]

  • Seite 12

    12 Quick Introductory Guide 1 Setting Registration Shift/F ootswitch Registration Set-up Select the v oice (V oice Menu) Finely adjust the v oice (V oice Condition) Add effects (Effect Set) Add reverb Select the rhythm (Rhythm Men u) Finely adjust the rh ythm (Rhythm Condition) Select the keyboar d to play * The Controls and Effects ma y be applied[...]

  • Seite 13

    13 Quick Introductory Guide 1 4 LCD DISPLAY This section introduces y ou the conv enient control functions of the LCD display . The LCD display lets y ou see at a glance the current settings and pro vides easy-to-understand graphic repr esentation of all parameters. Selecting a voice/rhythm 1 Press the panel voice/rhythm button which you want to us[...]

  • Seite 14

    14 Quick Introductory Guide 1 Function of the Data Control Buttons Strings1 Strings2 Pizz.Strs Syn.Strs1 1 1 D ATA CONTR OL D ATA CONTROL VOL.:24 PAN:C ¨1¤ REVERB:24 2 2 D ATA CONTR OL D ATA CONTR OL EFFECT:SYMPHONIC ¨1‹ ”SYMPHONIC ’CELESTE 3 3 D ATA CONTR OL D ATA CONTROL <R.SHIFT>[INS][DEL]¤ T _ ? ?????????????????? 4 4 D ATA CONT[...]

  • Seite 15

    15 Quick Introductory Guide 1 ● Selecting voices or setting up the Voice Condition ● Selecting rhythms or setting up the Rhythm Condition ● Setting the Reverb effect ● Setting the Sustain ● Setting the User Keyboard Percussion 1. To call up the LCD display 1) Pressing Panel Buttons ● Displaying Voice Display (Manual Balance) ● Setting[...]

  • Seite 16

    16 Quick Introductory Guide 1 Language on the LCD LCD display can be shown in two languages, English and Japanese. How to select the langua ge: 1. Press the VOICE DISPLAY button in the DISPLAY SELECT section. The page 1 will be displayed. DISPL A Y SELECT VO ICE EFFECT A .B. C. DISPLA Y SET M.O.C . FOOT REGIST . PITCH TREMOLO SW . SHIFT M IDI (FAST[...]

  • Seite 17

    Voice Sections 2 17 2 V oice Sections The EL-100 features 173 differ ent high quality A WM v oices. Each of the A WM voices can be used on the Upper k eyboard, Lower keyboard and P edalboard. Ther e are tw o voice sections f or the Upper keyboard, one voice section f or the Lower keyboard and P edalboard, respecti vely . Each voice section can, of [...]

  • Seite 18

    18 V oice Sections 2 (page 2) ¨¤Strings1 M.BAL: 0¤ Ò¤Strings1∏¤ContBs.1 D ATA CONTR OL D ATA C O NTROL PA G E UPPER KEYBOARD VOICE 2 Volume Balance between UPPER and LOWER (Page 20) LOWER KEYBO ARD V OICE 2 PED AL V OICE 2 In addition to the four panel voice groups such as Upper K eyboard V oice, Lower Ke yboard V oice, Pedal V oice and Lea[...]

  • Seite 19

    Voice Sections 2 19 2 Press one of the Data Control buttons that corresponds to the voice you wish to select. (Pop Organ 1, in this case) Organ1 JazzOrgan1 PopOrgan1 Accordion D ATA CONTR OL D ATA CONTROL The first letter of the selected voice will start blinking. You have selected Pop Organ 1 for the Upper Keyboard Voice. 3 If you wish to, you can[...]

  • Seite 20

    20 V oice Sections 2 5 Now select voices for the Lower keyboard and Pedalboard as you did for the Upper keyboard above. Also set the volumes of the voices. 6 Adjust the volume balance between the Upper and Lower Voices with the Balance Control provided on the Voice Display. To adjust the v olume balance: 1. Press the VOICE DISPLAY button in the DIS[...]

  • Seite 21

    Voice Sections 2 21 About TO LOWER - Playing (Upper) Lead Voice and Pedal Voice from the Lower keyboard: When the TO LOWER button is turned on, the Lead voices and Pedal voices cannot be played on the Upper keyboard and Pedalboard, respectively. 3 Selecting Voices from the Dotted Buttons The EL-100 has a wide variety of voices fr om which you can c[...]

  • Seite 22

    22 V oice Sections 2 To select voices from the dotted buttons: 1 Press one of the dotted buttons in any of the voice sections. Select Honky Tonk piano, for example, to the Dotted button 1 in Upper Keyboard Voice. MAX MIN UPPER KEYBOARD VOICE STRINGS BRASS CLARI - NET SAXO- CHORUS HARMO- PHONE NICA ORGAN PI ANO GUIT AR VIBRA- COSMIC TUTTI PHONE STRI[...]

  • Seite 23

    Voice Sections 2 23 4 Voice Menus The follo wing chart lists the voices that ar e shown by pressing the panel v oice b uttons. The other v oices that are only a vailable when using the Dotted buttons ar e shown on pages 24 - 26. The details for each voice such as octave (feet) setting and effect on/off status are shown in the list on pages 24 - 26.[...]

  • Seite 24

    24 V oice Sections 2 1. Upper/Lower ● 01: Strings 1 8' - Large strings ensemble. STRINGS ● 02: Strings 2 8' - Relatively small strings ensemble for contemporary music. 03: Strings 3 8' - Small strings ensemble. 04: Strings 4 8' - Having specific harmonics for layering other voices. 05: Strings 5 8' - For legato playing.[...]

  • Seite 25

    Voice Sections 2 25 9. Lead ● 01: Oboe 1 8' - Softer oboe. OBOE ● 02: Oboe 2 8' - Rounder tone with characteristic tonguing. For fast phrases. ● 03: English Horn 8' - Cor Anglais. ● 04: Bassoon 1 U16'/L8' - For legato playing. 05: Bassoon 2 U16'/L8' - For staccato playing. 10. Upper/Lower ● 01: Clarinet [...]

  • Seite 26

    26 V oice Sections 2 18. Upper/Lower ● 01: Guitar 1 U16'/L8' - Folk guitar. Steel string. GUITAR ● 02: Guitar 2 U16'/L8' - Acoustic jazz guitar. Tone varies depending on the touch. 03: Guitar 3 U16'/L8' - Classic guitar. Suitable to backing for bossanova. 04: 12Str. Guitar U16/L8 - 12-string classic guitar with gor[...]

  • Seite 27

    Voice Sections 2 27 To select the “hidden” voices (Upper Keyboard Voice 2, Lower Keyboard Voice 2 and Pedal Voice 2): You can call up the “hidden” voices on the LCD display and select them. This function allows you to layer the voices on each keyboard to make the sound thicker. The procedure is explained with the selection of Upper Keyboard[...]

  • Seite 28

    28 V oice Sections 2 3. Set the volume for the Upper Keyboard Voice 2. Pressing the same Data Control button corresponding to the selected voice calls up the Voice Condition display. Use the Page buttons to select page 2, which contains Volume setting. INIT.T: 8 ¨2⁄ FEET:PRESET D ATA CONTR OL D ATA C O NTROL PA G E Use the top left side Data Con[...]

  • Seite 29

    Vo ice Controls and Ef fects 3 29 3 V oice Controls and Effects The Electone is equipped with two general kinds of functions that can be used to change the sound of the voices: V oice Controls and Effects. Certain effects may ha ve been applied to some of the voices, b ut can be modif ied as you lik e. All built-in effects are digital. The chart be[...]

  • Seite 30

    30 Vo ice Controls and Ef fects 3 1 Selecting from Voice Condition Pages To call up the V oice Condition P ages: Choose a voice on the panel, then press that v oice’ s panel button again. The V oice Condition Choose a voice on page appears on the LCD display . MAX MIN LEAD V OICE VIOLIN FLUTE OBOE TRUM - PET TO LOWER Each voice group’ s V oice [...]

  • Seite 31

    Vo ice Controls and Ef fects 3 31 Voice Condition [PAGE 2] Press the Page b uttons to select P A GE 2. VOL.: 0 PAN:C Î ¤ REVERB:24 12 3 D ATA CONTR OL D ATA CONTROL PA G E 1 Volume Fine adjustment of the voice v olume. See page 20 for more information. Range: 0 - 24 2 Panning Determines the position of the voice in the stereo image. Se ven pan po[...]

  • Seite 32

    32 Vo ice Controls and Ef fects 3 Voice Condition [PAGE 3] Press the Page b uttons to select P A GE 3. EFFECT:PRESET Î ‹ PRESET OFF TREMOLO SYMPHONIC DELAY FLANGER DISTORTION 1 -1 1 -2 1 -3 1 -4 1 -5 1 -6 1 -7 D ATA CONTR OL D ATA CONTROL PA G E 1 1 Effect Determines the effect type applied to each v oice section. Each press of top left F Data C[...]

  • Seite 33

    Vo ice Controls and Ef fects 3 33 Voice Condition [PAGE 4] Press the Page b uttons to select P A GE 4. VIB:PRESET Î › VIB:USER DEPTH: 0Î › DELAY: 0 SPEED: 0 D ATA CONTR OL D ATA CONTROL PA G E D ATA CONTR OL D ATA CONTROL 1 -1 1 -3 1 -2 1 -4 1 Vibrato V ibrato function vibrates the voices to create softer image. Applied to each v oice group. [...]

  • Seite 34

    34 Vo ice Controls and Ef fects 3 Voice Condition [PAGE 5] Press the Page b uttons to select P A GE 5. TUNE: 0 Î fi SLIDE:OFF S.TIME: 0 D ATA CONTR OL D ATA CONTROL PA G E 1 2 -1 2 -2 1 Tune Determines the pitch of the Lead voice. This control lets you detune the Lead v oice relati ve to the other v oices of the Electone, for producing a richer s[...]

  • Seite 35

    Vo ice Controls and Ef fects 3 35 EFFECT:PRESET ¨1 PRESET OFF TREMOLO SYMPHONIC DELAY FLANGER DISTORTION 1 2 3 4 5 D ATA CONTR OL D ATA CONTROL PA G E Selecting V oice Group Y ou can select the voice section to which the ef fect should be applied, by pressing the Page b uttons. The acron yms indicate each v oice group. ¨1 : Upper K eyboard V oice[...]

  • Seite 36

    36 Vo ice Controls and Ef fects 3 3 Delay Delay is a pronounced echo effect, with distinct delayed repeats of the original sound. Independently applied to each voice section. Time Adjusts the delay interval using TIME parameter Adjust the number of repeated sounds using FEEDBACK par ameter Signal Delay ed Signal Adjusts the lev el balance using BAL[...]

  • Seite 37

    Vo ice Controls and Ef fects 3 37 3 -4 Balance Determines the volume of the delay effect, relative to the original sound. Higher settings produce a louder delay. EFFECT:DELAY ¨1 ÚÆBAL.----60.6% D ATA CONTR OL D ATA CONTROL Range: 0% - 100% 3 -5 Mode Selects the delay type from Mono, ST (Stereo) 1, 2, 3. Selecting one of the Stereo Delays produce[...]

  • Seite 38

    38 Vo ice Controls and Ef fects 3 4 Flanger Flanger introduces a swirling, animated modulation ef fect to the sound. Independently applied to each voice section. Flanger Effect Time Signal Changes the pitch using SPEED parameter Intensifies the pitch change using FEEDBACK parameter Sets the depth using DEPTH parameter EFFECT:FLANGER ¨1 ÚÆSPEED--[...]

  • Seite 39

    Vo ice Controls and Ef fects 3 39 5 Distortion Distortion adds a distorted image to the sounds usually found in electric guitars. Independently applied to each voice section. Distortion Effect Signal Determines the depth using LEVEL parameter Changes the timbre using HIP ASS parameter EFFECT:DISTORTION ¨1 ÚÆLEVEL---16.4dB LEVEL HI PASS 5 -2 5 -3[...]

  • Seite 40

    40 Vo ice Controls and Ef fects 3 3 Selecting from the Panel Reverb, Sustain and T remolo/Chorus pages ar e called up by pressing the r espectiv e panel buttons. 1 Reverb Rev erb adds an echo-like ef fect to the sound, giving the impression of a performance in a large room or concert hall. Re v erb effect can be applied to the entire system or to e[...]

  • Seite 41

    Vo ice Controls and Ef fects 3 41 2 Sustain The Sustain ef fect, selectable for the Upper , Lo wer and Pedal voices, causes v oices to gradually f ade out when the keys are released. The sustain on/of f and sustain length settings are independent for each ke yboard, providing maximum e xpressi ve control. Press one of the SUST AIN buttons, located [...]

  • Seite 42

    42 Vo ice Controls and Ef fects 3 3 Tremolo/Chorus T remolo recreates the rich, swirling sound of the popular rotating speaker ef fect. Just as with a con ventional rotating speak er , you can switch between slo w and f ast speeds. And like a motor-dri ven speaker , the characteristic tremolo effect gradually changes speed after it is switched. Y o[...]

  • Seite 43

    Vo ice Controls and Ef fects 3 43 1) Turning on the Tremolo effect (set to standby): Y ou cannot use the T remolo effect only by turning on the TREMOLO (F AST) b utton. First, you need to turn the ef fect on in the desired v oice section(s). Independently applied to each voice section. Select (turn on) T remolo 1 Press the desired voice button on t[...]

  • Seite 44

    44 Vo ice Controls and Ef fects 3 2) Setting the Tremolo Effect T remolo setting made here are global; in other words, they are applied the same to all voices for which T remolo has been turned on (set to standby). To turn on the T remolo effect and call up the T remolo Control page: Press the TREMOLO (F AST) button in the DISPLA Y SELECT section. [...]

  • Seite 45

    Rhythm and Accompaniment 4 45 NOTE: The chord/bass patterns matching with the designated rhythm will be selected automatically when the A.B.C. function is turned on. (Refer to the Auto Bass Chord section, page 52, for details on Auto Bass Chord and Memory.) NOTE: In addition to 10 different rhythm styles, four types of metronome sounds, simple metr[...]

  • Seite 46

    46 Rhythm and Accompaniment 4 3 Turn the rhythm on. You can use one of three buttons to turn on the rhythm: INTRO . ENDING RHYTHM ST ART ST ART SYNCHRO FILL IN 1 2 3 1 START This button does as its name indicates; the rh ythm begins as soon as the button is pressed. T o stop the rhythm, press this button again. 2 SYNCHRO START This button puts the [...]

  • Seite 47

    Rhythm and Accompaniment 4 47 5 Set the rhythm tempo using the T empo button in the rhythm section. 1 2 (TEMPO Display: shows current tempo) BAR / BEA T BAR / BEA T TEMPO 1 TEMPO Button F or adjusting the speed of the rhythm. Pressing the right b utton increases the tempo and pressing the left button decreases it. 2 TEMPO Display (BAR/BEAT Indicato[...]

  • Seite 48

    48 Rhythm and Accompaniment 4 NOTE: The Auto Variation function is not applied to some of the rhythms. 2 Rhythm Condition Pages The Rhythm Condition includes the f ollowing tw o pages: the Rhythm Condition page used to adjust the rhythms and the Instrument page used to make up each drum/per cussion instrument, each of which comprises the rhythms an[...]

  • Seite 49

    Rhythm and Accompaniment 4 49 Rhythm Condition [PAGE 2] ACC.VOL.: 0 ”ON’OFF¤ ACC.REV.:24 TYPE:1 D ATA CONTR OL D ATA CONTROL The settings related to Accompaniment are av ailable on this page. See page 54 for the details. 3 Dotted Buttons and User Rhythms The Rhythm section also has, lik e the voice sections, dotted buttons fr om which rhythms [...]

  • Seite 50

    50 Rhythm and Accompaniment 4 3 Select the desired rhythm using the Data Control buttons. <SWING> ‚‹ 07:JazzBallad D ATA CONTR OL D ATA CONTROL 2) To call up the User rhythms: Yo u can call up the rh ythms created by the other Electone that has Rhythm P attern Programming function and those on optional P attern Disks. 1 Press Page buttons[...]

  • Seite 51

    Rhythm and Accompaniment 4 51 March1 Polka1 Country1 Broadway Waltz1 Waltz2 J.Waltz1 Bolero Swing1 Swing2 J.Ballad Dixieland1 Bounce1 Bounce2 Reggae1 Reggae2 SlowRock1 SlowRock2 SlowRock3 Tango1 Tango2 Tango3 ChaCha Rhumba Beguine Mambo Samba1 Samba2 Bossa.1 Bossa.2 8Beat1 8Beat2 DancePop1 DancePop2 MARCH SWING SLOW ROCK 8 BEAT WALTZ BOUNCE TANGO L[...]

  • Seite 52

    52 Rhythm and Accompaniment 4 5 Automatic Accompaniment - Auto Bass Chord (A.B.C.) The A uto Bass Chord (A.B.C.) function works with the Rh ythm section of the Electone to automatically produce chord and bass accompaniment as y ou play . There ar e three modes to obtain A utomatic Accompaniment patterns. To select the A.B.C. function: Press the A.B[...]

  • Seite 53

    Rhythm and Accompaniment 4 53 2 Memory When you start a rhythm with this memory function on, A.B.C. automatic accompaniment keeps playing e ven after you release your f ingers from the Lo wer keyboard. 2 -1 Lower Use the bottom right E Data Control b utton to turn on the Lower ke yboard Memory function (Solid box indicates the function is ef fectiv[...]

  • Seite 54

    54 Rhythm and Accompaniment 4 3) Chords Recognized in the Fingered Chord Mode (Ke y of C) C Cm C7 Cm7 Cmaj7 C+5 Cm maj7 C7+5 Cdim C7sus4 C-5 Cm7-5 C7-5 C6 Cm6 6 Accompaniment Controls The Accompaniment function described in this section is independent of the A.B.C. accompaniment. When rhythms ar e used, A.B.C. provides rhythmical chords and bass, w[...]

  • Seite 55

    Rhythm and Accompaniment 4 55 2 Press the Page buttons to select PAGE 2. ACC.VOL.: 0 ”ON’OFF¤ ACC.REV.:24 TYPE:1 D ATA C O N T R O L D ATA C O NTROL PA G E Rhythm Condition [PAGE 2] ACC.VOL.: 0 ”ON’OFF¤ ACC.REV.:24 TYPE:1 12 34 D ATA CONTR OL D ATA CONTROL 1 ACCOMPANIMENT Determines the volume of the Accompaniment. Range: 0 - 24 2 On/Off [...]

  • Seite 56

    56 Rhythm and Accompaniment 4 NOTE: Pressing the KEYBOARD PERCUSSION button call up the Menu display. You can select from Preset (LK/PK preset) or User (one of the eight Users you created). LK Preset/PK Preset is selected as the defaults. If not, select the Preset. 7 Preset/User Keyboard Percussion The keyboard P ercussion function featur es a tota[...]

  • Seite 57

    Rhythm and Accompaniment 4 57 Preset Keyboard Percussion Preset P ercussion Assignments f or the Lower Ke yboard (43) Preset P ercussion Assignments f or the Pedalboar d (18) NOTE: You can rearrange the key assignments of the drum and percussion sounds using the following User Keyboard Percussion function. Hand Clap Agogo High Agogo Low Wood Block [...]

  • Seite 58

    58 Rhythm and Accompaniment 4 2) To use the User Keyboard Percussion: A total of 120 different drum and percussion sounds can be assigned to an y ke y or pedal, and your original setups can be sav ed to eight memory locations: User 1 through User 8. (For this e xample, use User1) 1 Turn on the Keyboard Percussion function by pressing the LOWER/1 bu[...]

  • Seite 59

    Rhythm and Accompaniment 4 59 3 Press the Page buttons to select PAGE 2. The page 2 allows you to assign the instruments to each key/ pedalboard. ‚⁄CYMBAL [SET] ¤ 01:Crash Cym1[CLEAR] 13 24 D ATA CONTR OL D ATA CONTROL 1 Group Lets you select the percussion group you want using the top left Data Control buttons. The percussion groups are 12, 0[...]

  • Seite 60

    60 Rhythm and Accompaniment 4 Category LCD 01 CYMBAL 01:Crash Cym1 02:Crash Cym2 03:CrashCym M 04:Ride Cym1 05:Ride Cym2 06:RideCymCup 07:Orch.Cym1 08:Orch.Cym2 09:Orch.Cym M 10:Cym March 11:Cym BrShot 12:T am-T am 02 HI-HA T 01:HH Open 02:HH Close 03:HH P edal1 04:HH P edal2 05:AnalogHH O 06:AnalogHH C 03 SNARE DRUM 01:SD Light 02:SD Heavy 03:SD R[...]

  • Seite 61

    Rhythm and Accompaniment 4 61 4 To assign an instrument to a particular key or pedal: Simultaneously hold down the Data Control button corresponding to [Set] and press the key (or pedal) to which the instrument is to be assigned. The currently displayed instrument will be assigned to the key you press down as a part of User 1. ‚flBASS DRUM [SET][...]

  • Seite 62

    62 Rhythm and Accompaniment 4 3) Other User Keyboard Percussion Functions Additional operations in the User mode include copying of Lo wer/Pedal Preset Ke yboard Percussion to one of the Users, and copying from one User location to another . To copy the Lo wer Preset Ke yboard P ercussion to one of the Users: The following operation allows you to c[...]

  • Seite 63

    Rhythm and Accompaniment 4 63 5. Press any of the bottom left Data Control buttons (corresponding to [Copy] in the display) to copy the data. When [Copy] is selected, a ‘Completed’ message momentarily appears on the display. Press any of the bottom right Data Control b uttons (corresponding to [Cancel] in the display) to abort the operation. ?[...]

  • Seite 64

    64 Rhythm and Accompaniment 4 4. Select the User number from which you want to copy using the top left Data Control buttons. ≥ ÚÆUSER1 Copy? ≥ ≥ [COPY] [CANCEL]≥ D ATA CONTR OL D ATA CONTROL In this case, the destination User number will not be displayed as the source number , or selectable on the display . 5. Press any of the bottom left[...]

  • Seite 65

    Rhythm and Accompaniment 4 65 M.O.C. [PAGE 2] <MOC> ¤ MODE:OFF OFF 1 2 3 2 3 4 5 1 D ATA CONTR OL D ATA CONTROL 1 Mode Y ou can select one of three automatic accompaniment functions here. Each press of bottom left F Data Control button selects Of f, 1, 2 and 3, in order . Each press of bottom left E Data Control button selects in the re vers[...]

  • Seite 66

    66 Rhythm and Accompaniment 4 About the Rhythm Sequence Rhythm Sequence is built up with various different rhythm patterns, and can be programmed by the other Electone such as EL-900. The EL-100 doesn’t have Rhythm Sequence function, but it can read and load the rhythm sequence data recorded on the MDR (a floppy disk) to its four SEQ buttons in t[...]

  • Seite 67

    Registration Memor y 5 67 5 Registration Memor y Registration Memory allows y ou to store virtually all the settings y ou make on the panel and LCD, providing a con venient way to instantly change all v oice settings and rhythms while y ou’ re playing, with the simple touch of a single button on the Registration Memory panel. REGISTRA TION MEMOR [...]

  • Seite 68

    68 Registration Memor y 5 <SONG NAME> ⁄ 01: 2 Selecting Registrations Simply press the number ed b utton that corresponds to the r egistration you wish to select. NOTE: The settings, can be disabled, are: ■ Current rhythm pattern ■ Rhythm Condition ■ Tempo ■ A.B.C./M.O.C. settings 3 Saving the Registration Data to Disk 1 Insert a fo[...]

  • Seite 69

    Registration Memor y 5 69 3 While holding down the RECORD button on the M.D.R., press the M (Memory) button in Registration Memory. CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PE DAL CONTROL LOWER PED AL CONTROL S HIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO RMAT REGISTRA TION MEMOR Y[...]

  • Seite 70

    70 Registration Memor y 5 1 Off T urns of f the Registration Shift assignment. <R.SHIFT> MODE:OFF D ATA CONTR OL D ATA CONTROL 2 Shift Selects the Shift mode. In the Shift mode, each press of the Right Footswitch selects the Registration Memory presets in their numerical order . The numbered buttons light up as the y are selected. <R.SHIFT[...]

  • Seite 71

    Registration Memor y 5 71 4 User Selects the User mode. In the User mode, each press of the Right Footswitch selects registrations according to the order you specify . 1. When you select the User mode, the Shift End selector function, how the Registration Shift function acts when it reaches to the end, will be added to the right side of the display[...]

  • Seite 72

    72 Registration Memor y 5 2 Data (Data Controls) The pair of the top right Data Control b uttons is used to enter or delete registration numbers in the re gistration ro w . Mov e the cursor to the desired position and edit the registration data. 2 -1 [INS] Insert Fo r initially entering a registration or inserting a registration number just before [...]

  • Seite 73

    73 Music Disk Recorder 6 6 Music Disk Recorder (M.D.R.) The Music Disk Recorder (M.D.R.) lets y ou store the registration data and load back to the Electone as well as r ecord y our perf ormance and play back the data. Moreo ver , the M.D.R. allo ws you to execute song copy operation and play back commercially a vailable XG song data. 1 Precautions[...]

  • Seite 74

    74 Music Disk Recorder 6 Cleaning the Disk Drive Read/Write Head ● This instrument employs a precision read/write magnetic head. The magnetic head will pick up a layer of magnetic particles from the disks for an extended period of time. The stained magnetic head will eventually cause read and write errors. ● To maintain the disk drive in optimu[...]

  • Seite 75

    75 Music Disk Recorder 6 DEL. CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SON[...]

  • Seite 76

    76 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG[...]

  • Seite 77

    77 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG[...]

  • Seite 78

    78 Music Disk Recorder 6 Outline of M.D.R. Operation Though the M.D.R. is as easy to operate as a cassette tape recorder, it is far move versatile. Since it records all Electone settings and control movements as well as the notes you play as digital data, it allows you much more flexibility and control than even the most sophisticated tape recorder[...]

  • Seite 79

    79 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T 2) To record each part separately: Y ou can also record the parts of your performance independently; for e xample, f irst record[...]

  • Seite 80

    80 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SON[...]

  • Seite 81

    81 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T 8 Press the CUSTOM PLAY button to start recording of the new part or parts (Upper part). Playback of the previously recorded pa[...]

  • Seite 82

    82 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SON[...]

  • Seite 83

    83 Music Disk Recorder 6 5 Recalling Recorded Registrations (and Bulk Data) The registrations (and b ulk data) r ecorded to song numbers in the above operation can be loaded back to the Electone by simply selecting the appropriate song number and pr essing the PLA Y b utton. When the operation has been completed, the M.D.R. retur ns to STOP status.[...]

  • Seite 84

    84 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SON[...]

  • Seite 85

    85 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG [...]

  • Seite 86

    86 Music Disk Recorder 6 About XG The EL-100 allows you to play back the commercially available XG song data using the M.D.R. Also, the XG Easy Converter function of the EL-100 lets you convert the data to the XG compatible data. NOTE: The XG song data created with EL-100 conforms to the SMF format 0 or 1. Playing back the XG Song Data This functio[...]

  • Seite 87

    87 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PEDAL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T XG Easy Converter This function allows you to convert the EL-100 song data to the XG format data. You can then play back the data[...]

  • Seite 88

    88 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SON[...]

  • Seite 89

    89 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG [...]

  • Seite 90

    90 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SON[...]

  • Seite 91

    91 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG [...]

  • Seite 92

    92 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK R ECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG[...]

  • Seite 93

    93 Music Disk Recorder 6 CUSTOM PLA Y MUSIC DISK RECORDER RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP P LAY SONG SELECT RECORD SONG FROM SONG DEL. TO REPEA T SONG COPY TEMPO FO R MA T CUSTOM PLA Y MUSIC DISK RECO RDE R RECORD PLAY UPPER UPPER LOWER PED AL CONTROL LOWER PEDAL CONTROL SHIFT PA USE STOP PLAY SONG[...]

  • Seite 94

    94 Music Disk Recorder 6 ( LEAD ) REM.MEM. ( K.PERC. ) ( LEAD ) ( K.PERC. ) RECORD PLAY SHIFT PA USE 9) Checking the Remaining Memory Y ou can check the amount of memory av ailable for additional recording in a disk by pressing P A USE button while holding down SHIFT b utton. The amount of av ailable memory will be displayed on the LED. The maximum[...]

  • Seite 95

    95 Music Disk Recorder 6 4 If you want to save the current pattern to a User Rhythm space, select the “SAVE” with the corresponding Data Control buttons. The following display appears. ≥ ÚÆSave to USER1-A≥ ≥ [SAVE] [CANCEL]≥ D ATA CONTR OL D ATA CONTROL Selects the destination (User Rhythm) number Execute save 5 Select the User number[...]

  • Seite 96

    96 Music Disk Recorder 6 Messages on the M.D .R. LED Displa y Display Description of the Messages No disk is installed. Install a disk. 1) The installed disk is write-protected, so the Record, Song Cop y , and Song Delete jobs cannot be performed. Set the disk’ s Write-protect tab (page 74) to OFF . 2) If you are using a copy-protected playback-o[...]

  • Seite 97

    97 Footswitches and Expression Pedal 7 7 Footswitches and Expression Pedal 1 Footswitch The Electone has two F ootswitches on the expr ession pedal that can be used to control v arious functions. The Right F ootswitch is used for the Registration Shift function. (See page 69 for the details of the Registration Shift function.) The Left F ootswitch [...]

  • Seite 98

    98 Footswitches and Expression Pedal 7 2 Rhythms Selection of Left Footswitch control o ver rhythm functions. When this is chosen, the follo wing items appear at the bottom of the display: <FOOT.SW>MODE:RHYTHM ”STOP ’ENDING ’FILL 2 -1 2 -2 2 -3 D ATA CONTR OL D ATA CONTROL 2 -1 Stop Functions as an on/of f switch for the rhythm or the r[...]

  • Seite 99

    99 Footswitches and Expression Pedal 7 3 -1 Upper 1, 2, Lower 1, 2, Lead The Glide function can be applied to any or all of the v oice sections shown in the display . Select the desired voice section(s). 3 -2 Time Determines the speed of the Glide function, or in other words, ho w gradually the pitch returns when the Footswitch is released. Higher [...]

  • Seite 100

    100 Footswitches and Expression Pedal 7 2 Expression Pedal Y ou can choose the function of the Expression P edal from three settings. 1 Press the PITCH/MIDI button in the DISPLAY SELECT section. Transpose/Pitch function, the first page, will be displayed. DISPL A Y SELECT VO ICE EFFECT A .B. C. DISPLA Y SET M.O.C . FOOT REGIST . PITCH TREMOLO SW . [...]

  • Seite 101

    101 T ranspose and Pitch Controls 8 8 T ranspose and Pitch Controls There ar e two pitch-r elated controls on the Electone: T ranspose and Pitch. T ranspose allows you to change the k ey of the instrument and Pitch lets y ou f inely adjust the tuning. These featur es make it easy to change the key of a song to accommodate a vocalist’ s range or t[...]

  • Seite 102

    102 MIDI 9 9 MIDI MIDI (Musical Instrument Digital Interface) is a kind of communication system f or electronic musical instruments. It is built into most e very moder n digital musical instrument and allows differ ent instruments to “talk” to each other and control each other’ s functions. For example, the Upper keyboard of y our Electone co[...]

  • Seite 103

    103 MIDI 9 Receive Channels When using another MIDI device to play the Electone’s voices, you must set the MIDI transmit channel(s) of the connected device to match the receive channel(s) of the Electone. The MIDI receive channels of the Electone are fixed to the following values: Upper Keyboard: 1 Lower Keyboard: 2 Pedalboard: 3 MIDI IN Page <[...]

  • Seite 104

    104 Accessor y Jacks and Controls 10 10 Accessor y Jacks and Controls On the underside of the Electone keyboard is a separate panel equipped with various input/output terminals and miscellaneous controls, the functions of which ar e described below . HOST SEL ECT TO HOST OUT IN MIDI MIDI Mac PC - 2 PC - 1 HEADPHONES AUX. OUT RL 1 2 4 3 5 1 AUX. OUT[...]

  • Seite 105

    105 Appendix 11 11 Appendix MIDI On the right underside of the Electone keyboard y ou will f ind the MIDI IN/ OUT jacks and TO HOST terminal. MIDI is an acronym that stands f or Musical Instrument Digital Interface, which allows electr onic musical instruments to communicate with each other , by sending and receiving MIDI messages. If y our Electon[...]

  • Seite 106

    106 Appendix 11 Using MIDI IN/OUT jacks MIDI Interface MIDI OUT MIDI IN MIDI OUT MIDI IN PC MIDI OUT MIDI IN EL-100 HOST SELECT Mac PC-1 PC-2 MIDI HOST SELECT Mac PC-1 PC-2 MIDI HOST SELECT Mac PC-1 PC-2 MIDI MIDI IN MIDI OUT MIDI Keyboard EL-100 EL-100 MU80 etc. MUSIC SYNTHESIZER REALTIME CONTROL EXTENDED SYNTHE SIS Controls an external device usi[...]

  • Seite 107

    107 Appendix 11 The MIDI Messages of the EL-100 The MIDI messages can be di vided into two groups: the Channel Messages and System Messages. The Channel Messages are the data related to the performance on the ke yboard for a specific channel. Each time you play the ke yboard on the EL-100, the channel messages, which ke ys are played and how hard t[...]

  • Seite 108

    108 Appendix 11 System Messages System Exclusive Messa ges System Exclusiv e messages are used to exchange the system and v oice/ registration data. These allow you to e xecute b ulk dump operation, sending and receiving all the data of the EL-100 including re gistrations to and from an e xternal de vice. This is especially useful for you to b uild[...]

  • Seite 109

    109 Appendix 11 Send the Registration Data from your PC to the EL-100 and Change the Registration Memory Buttons Send the data stored in the PC back to your Electone. Also, select a Registration Memory b utton and then play the upper ke yboard using PC. Receiving the Registration Data 1 Send the Request-to-Receive all RAM message, “F0, 43, 70, 70[...]

  • Seite 110

    110 Appendix 11 Use the EL-100 as an XG Tone Generator Y ou can also use the EL-100 as an XG tone generator since the EL-100 is compatible with the XG format. Y ou can play back the commercially av ailable XG song data with the Electone’ s M.D.R., and also play them using an external sequencer (or sequencing software) and the internal XG tone gen[...]

  • Seite 111

    111 Appendix 11 MIDI Data Format 1. Channel Messages 1.1 EL Mode Code (Hexadecimal) Function Transmit Receive Remarks 8n,nn,00-7F Note Off ˛ 1ch UK ˛ 2ch LK ˛ 3ch PK ˛ (4ch)* LEAD ˛ 5-14ch XG ˛ 15ch Keyboard Percussion 9n,nn,00 Note Off (1ch)* 1ch UK 9n,nn,01-7F Note On (2ch)* 2ch LK (3ch)* 3ch PK (note on transmit velocity=50H) ˛ (4ch)* LEA[...]

  • Seite 112

    112 Appendix 11 Code (Hexadecimal) Function Transmit Receive Remarks Cn,nn Program Change ˛ 1ch UK ˛ 2ch LK ˛ 3ch PK ˛ 5-14ch XG 16ch 16ch Control Dn,00-7F After Touch ˛ 5-14ch XG En,00-7F,00-7F Pitch Bend ˛ 5-14ch XG * Can be changed in the MIDI settings. 1.2 XG Mode Code (Hexadecimal) Function Transmit Receive Remarks 8n,nn,00-7F Note Off ?[...]

  • Seite 113

    113 Appendix 11 Code (Hexadecimal) Function Transmit Receive Remarks Bn,78,00 All Sounds Off ˛ 1-16ch Bn,79,00 Reset All Controllers Bn,7B,00 All Note Off Bn,7C,00 Omni Off Bn,7D,00 Omni On Bn,7E,00 Mono Bn,7F,00 Poly Cn,00-7F Program Change 16ch Control 1-16ch Dn,00-7F After Touch ˛ 1-16ch En,00-7F,00-7F Pitch Bend ˛ 1-16ch * Can be changed in [...]

  • Seite 114

    114 Appendix 11 Electone Exclusive Code (Hexadecimal) Message Transmit Receive F0,43,70,70,00,...(Data)...F7 Bulk Dump Data ˛ Ø 78 ØØ ID ˛Ø F0,43,70,ID,00,F7 Model ID Data Ø ˛ F0,43,70,70,nn(*1),F7 Request-to-Send Data ˛ Ø 78 ˛Ø ID ˛Ø F0,43,70,70,nn(*2),F7 Request-to-Receive Data ˛ Ø 78 ˛Ø ID ˛Ø F0,43,70,70,30,F7 Request-to-Send[...]

  • Seite 115

    115 Appendix 11 *4 Switch Codes Selectors Code Switch Transmit Tx Range Receive Rx Range Remarks 02 UK Voice 1 Ø [00-0D] Ø [00-0D] Switch Number 03 LK Voice 1 Ø [00-0D] Ø [00-0D] Switch Number 04 UK Voice 2 Ø [00-01] Ø [00-0D] Switch Number 05 LK Voice 2 Ø [00-01] Ø [00-0D] Switch Number 06 LEAD Voice Ø [00-04] Ø [00-04] Switch Number 07 [...]

  • Seite 116

    116 Appendix 11 Ø Ø ˛ ˛ Ø Ø Ø Ø Ø Ø Ø Ø ˛ Ø ˛ Ø Ø ˛ Ø 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 04, 06, 07 04 04 04 00-07 00, 01, 04, 06, 07 00-04 00-0D 10 11 12 14 15 [...]

  • Seite 117

    117 Appendix 11 Ø ˛ ˛ Ø Ø Ø Ø 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 00-04, 06, 07 3F 40-42 48-4A 50 58-5B 60-62 68-69 1 1 1 1 1,2 1 1 00-05 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F Effect Select Rev erb Tr emolo Symphonic Delay Flanger Distortion 00:Preset 01:[...]

  • Seite 118

    118 Appendix 11 Rhythm Sequence 03 00:OFF 01:ON Rhythm Sequence P arameters ˛ 01 00-03 1 00-01 [00] [01] Ø [00] [01-7F] Parameter Content T ransmit Tx Range Rx Range Remarks Receive Address Size Data 00:T ype1 01:T ype2 02:T ype3 03:T ype4 00:OFF 01:MUTE 00:MIN 7F:MAX 00:MIN 7F:MAX 00:OFF 01:SingleFinger 02:Fingerd 03:CustomABC 00:OFF 01:ON 00:OF[...]

  • Seite 119

    119 Appendix 11 00-01 3A-46 00-0B 00-03 3C-4F 00-04 34-4C 00-01 00-01 Address Size Data Overall System Parameter s Effect P arameters (Overall) ˛ Ø ˛ Ø Ø Ø Ø ˛ ˛ Ø Ø ˛ ˛ ˛ ˛ 04 04 04 04 04 04 04 04 04 04 04 04 04 04 04 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 02 03 04 05 06 07 09 0A 40-42 48-4A 50 58-5B 60-62 68-69 1 1 1 1 1 1[...]

  • Seite 120

    120 Appendix 11 Transmit Function Receive Remarks Basic Channel Note Number Velocity After Touch Pitch Bend Control Change Program Change System Exclusive System Common System Real Time Aux Messages Notes Mode Default Changed Note ON Note OFF Key's Ch's 0, 32 1, 5, 7, 10 4 6, 38 11 96, 97 64-67 71-74 84, 91, 93, 94 98-99, 100-101 120, 121[...]

  • Seite 121

    121 Appendix 11 0, 32 1, 5, 7, 10 4 6, 38 11 96, 97 64-67 71-74 84, 91, 93, 94 98-99, 100-101 120, 121 True Voice 1, 2, 3, 16 1-16 Ø 9nH, v=1-127 Ø 9nH, v=0 ˛ ˛ ˛ ˛ ˛ ˛ Ø ˛ ˛ ˛ ˛ ˛ ˛ Ø 0-15 , 112-116 ************************ ˛ ˛ ˛ Ø Ø ˛ ˛ Ø ˛ *11 The same as the one in the EL Mode Mode3 ˛ ************************ 36-96 ***[...]

  • Seite 122

    122 Appendix 11 Troubleshooting Problem Possible Cause and Solution GENERAL OPERATION A cracking noise is sometimes heard. Noise may be produced when either an electrical appliance is turned on or off, or an electric power tool (such as drill) is used in the proximity of the Electone. If this occurs, plug the Electone into an electrical outlet loca[...]

  • Seite 123

    123 Appendix 11 Problem Possible Cause and Solution VOICES/RHYTHMS The volume of Upper keyboard is louder than that Manual Balance is wrongly set to the either side, Upper or Lower. Open the of Lower keyboard, or vice versa. Voice Display by pressing the VOICE DISPLAY button in the DISPLAY SELECT section, and select page 2 to display the Manual Bal[...]

  • Seite 124

    124 Appendix 11 Problem Possible Cause and Solution REGISTRATION MEMORY Certain functions have not been memorized to Some functions will not be memorized. Registration Memory. (See page 67 for more information.) An error occurs and the registration data is not Your operation may be wrong or the Write-protect tab of the floppy disk is set recorded t[...]

  • Seite 125

    125 Appendix 11 YAMAHA Electone EL-100 ASSEMBLY INSTRUCTIONS Carefully read these instructions BEFORE assembling the Electone. ■ Precautions Be careful not to confuse parts, and be sure to install all parts in the correct direction by following the procedures given below. Be sure to assemble the Electone with two or more people. Don’t use the s[...]

  • Seite 126

    126 Appendix 11 3. Mount the Sideboards onto the Pedalboard unit. Be sure not to confuse the Right and Left Sideboards. 3 -1 Raise the Pedalboard as shown in the illustration below. 3 -2 Position each screw hole on both the Pedalboard and Sideboards as shown in the illustration and mount the Sideboards onto the Pedalboard using the 4 Short/ black s[...]

  • Seite 127

    127 Appendix 11 5 -2 Use the 4 Long/black screws to fasten the Main unit to the Sideboards as shown in the illustration. 1 Long/blac k screws 1 Long/blac k screws 6. Fit the Grill Net onto the Speaker. First, align the bottom line and then fix it. Hook up the Grill Net by inser ting the protrudents into the holes. 7. Connect the Pedalboard cord and[...]

  • Seite 128

    128 Appendix 11 9. Connect the AC Power Cord plug to the AC Inlet of the Main Unit. 10 . Place the Music Stand. 11 . Turn on the Electone’s power switch and confirm that the Electone can be played, or that the assembly is successful. BENCH ASSEMBLY Reverse the bench board and place one of the legs to the corner of the bench board, then tighten th[...]

  • Seite 129

    129 Appendix 11 EL-100 Specifications KEYBOARD Upper: 49 keys (C – C), Lower: 49 keys (C – C), Pedal: 20 keys (C – G) Initial Touch Upper 1, 2, Lead, Lower 1, 2, Pedal 1, 2 (Available only when it is played by external MIDI control) VOICE Tone Generation AWM Upper Keyboard Voice Strings 1, 2, 3, 4, 5, 6, 7, Pizz. Strings, Tremolo Strings, Syn[...]

  • Seite 130

    130 Appendix 11 RHYTHM Rhythms March 1, 2, 3, Polka 1, 2, Country 1, 2, Broadway, Baroque; Waltz 1, 2, 3, 4, 5, Jazz Waltz 1, 2, 3, Bolero; Swing 1, 2, 3, 4, 5, 6, Jazz Ballad, Dixieland 1, 2; Bounce 1, 2, 3, Reggae 1, 2; Slow Rock 1, 2, 3; Tango 1, 2, 3; Chacha, Rhumba, Beguine; Mambo, Salsa, Samba 1, 2, 3, Bossanova 1, 2, 3; 8Beat 1, 2, 3, 4, 5, [...]

  • Seite 131

    131 Appendix 11 A A.B.C. ............................................................ 52 A.B.C./M.O.C. .......................................... 52, 64 ACC. Reverb ................................................. 55 Accompaniment ...................................... 45, 54 Auto Bass Chord (A.B.C.) ............................. 52 Auto Varietion[...]

  • Seite 132

    132 Appendix 11 S Selecting Voice Group .................................. 35 SEQ. ............................................................... 66 Set (Keyboard Percussion) ........................... 59 SHIFT ............................................................. 75 Shift (Registration Shift) ................................ 70 Shift End[...]

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    133 Appendix 11[...]

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    134 Appendix 11[...]

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    For details of products, please contact your nearest Yamaha or the authorized distributor listed below. CENTRAL & SOUTH AMERICA MEXICO Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33 BRAZIL Yamaha Musical do Brasil LTDA. Av. Reboucas 2636, [...]

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    M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2002 Yamaha Corporation Printed in Indonesia Yamaha Manual Library (English versions only) http://www2.yamaha.co.jp/manual/english/ V788820 ???MW???.?-01A0[...]