Roland FP-3 Bedienungsanleitung

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Richtige Gebrauchsanleitung

Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Roland FP-3 an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Roland FP-3, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.

Was ist eine Gebrauchsanleitung?

Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Roland FP-3 die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.

Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Roland FP-3. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.

Was sollte also eine ideale Gebrauchsanleitung beinhalten?

Die Gebrauchsanleitung Roland FP-3 sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Roland FP-3
- Den Namen des Produzenten und das Produktionsjahr des Geräts Roland FP-3
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Roland FP-3
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen

Warum lesen wir keine Gebrauchsanleitungen?

Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Roland FP-3 zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Roland FP-3 und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Roland finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Roland FP-3 zu überspringen, wie es bei der Papierform passiert.

Warum sollte man Gebrauchsanleitungen lesen?

In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Roland FP-3, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.

Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Roland FP-3 widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.

Inhaltsverzeichnis der Gebrauchsanleitungen

  • Seite 1

    Thank you, and congratulations on your choice of the Roland Digital Piano FP-3. Main Features Stylish, Light, Compact Design The refined design fits in anywhere; and since it is so lightweight and compact, it’s easy to take the instrument with you wherever you go. Authentic Piano Performances High-quality concert grand piano tones, along with the[...]

  • Seite 2

    2 IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: BROWN: As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which i[...]

  • Seite 3

    3 010 • This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you shoul[...]

  • Seite 4

    4 IMPORTANT NOTES In addition to the items listed under “USING THE UNIT SAFELY” on page 2 and 3, please read and observe the following: Power Supply 301 • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system). 302 • The AC adaptor will begin to ge[...]

  • Seite 5

    5 Contents USING THE UNIT SAFELY ............................................... 2 IMPORTANT NOTES ......................................................... 4 Contents ................................................................................. 5 Panel Descriptions ............................................................... 6 Before You Pl[...]

  • Seite 6

    6 Panel Descriptions Front Panel 1 [Volume] Knob Adjusts the overall volume level (p. 11). 2 [Brilliance] Knob Adjusts the tone brightness (p. 11). 3 [Split] Button Allows you to play different tones in the left and right sides of the keyboard (p. 16) and specify Rhythm chords with the left hand (p. 31). 4 Tone Buttons They are used to choose the k[...]

  • Seite 7

    7 Panel Descriptions Rear Panel 1 Pedal Jacks Accepts connection of the supplied pedal , or other suitable pedals (p. 10). 2 MIDI Connectors You can connect external MIDI devices to the FP-3 and exchange performance data among them (p. 42). 3 Line In Jacks Provide input of the audio signals. Used for connecting audio equipment and other such device[...]

  • Seite 8

    8 Before You Play Making Connections The FP-3 does not contain an amp or speakers. To hear sound, either connect an amplifier and speakers, or use stereo headphones. * MIDI cable and stereo headphones are not included. Consult your Roland dealer if you need to purchase accessories such as these. fig.00-01 1. Before you begin making connections, con[...]

  • Seite 9

    9 Before You Play 2. Connect the supplied AC adaptor to the FP-3, and then plug its other end into a power outlet. To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the DC In jack, anchor the power cord using the cord hook, as shown in the illustration. fi[...]

  • Seite 10

    10 Before You Play Connecting Pedals 1. Connect the pedal included with the FP-3 to one of the Pedal jacks. When connected to the Damper jack, the pedal can be used as a damper pedal. When connected to Soft, the pedal can be used as a soft pedal. * Unplugging a pedal cord from the unit while the power is on may cause the pedal’s effect to be appl[...]

  • Seite 11

    11 Before You Play ■ Turning Off the Power 1. Before switching the power off, turn the volume all the way down by rotating the [Volume] knob. Also completely turn down the volume of any connected audio device and other equipment. 2. Turn off the power to the connected external equipment. 3. Press the [Power] switch on the back of the unit. The po[...]

  • Seite 12

    12 Chapter 1 Playing the Keyboard Listening to Internal Songs Now, try listening to internal songs The FP-3 comes with fifty four internal songs. fig.01-01 1. Press the [Song] button, getting its indicator to light. The following appears in the display. fig.01-02 2. Press the [-] or [+] button to select the song. 3. Press the [Play] button. The son[...]

  • Seite 13

    13 Chapter 1 Playing the Keyboard When the following appears in the display If there is any performance data stored in the FP-3’s memory, the following appears in the display. fig.01-03 Until you erase the performance data, you cannot play back an internal song. To erase the performance data and play back the internal song, press the [Rec] button[...]

  • Seite 14

    14 Chapter 1 Playing the Keyboard Performing with a Variety of Sounds The FP-3 features 40 different internal sounds, allowing you to enjoy performing with sounds suitable for many different types of music. These onboard sounds are called “Tones.” The Tones are divided into six different groups, each of which is assigned to a different Tone but[...]

  • Seite 15

    15 Chapter 1 Playing the Keyboard Performing With Two Layered Tones (Dual Play) You can play two different sounds from a single key at the same time. This method of performance is called “Dual Play.” Example: Try Layering Piano and String Tones fig.01-09 1. Press the [Piano] button and the [Strings/Pad] button at the same time. The indicators f[...]

  • Seite 16

    16 Chapter 1 Playing the Keyboard Performing With Different Tones in the Left and Right Sides of the Keyboard (Split Play) Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play,” and the point at which the keyboard is divided is called the “split point.” In Split Play, you can have a d[...]

  • Seite 17

    17 Chapter 1 Playing the Keyboard ■ Changing Tones fig.01-13 1. Hold down the [Split] button and press the Tone button for the tone you want to change, whether the Upper or Lower Tone. The indicators for the [-] and [+] buttons light in the same color as the indicator of the selected tone button. When orange, it indicates that the Upper Tone can [...]

  • Seite 18

    18 Chapter 1 Playing the Keyboard Changing the Volume Balance for Dual Play and Split Play You can change the volume balance of the Upper and Lower Tones in Dual Play (p. 15) and Split Play (p. 16). When the instrument is turned on, this is set to “5–5” (“Lower Tone volume”–“Upper Tone volume”). fig.01-15 1. Hold down the [Song] but[...]

  • Seite 19

    19 Chapter 1 Playing the Keyboard Changing the Keyboard’s Touch You can change the touch sensitivity, or response of the keys. When the instrument is turned on, this is set to “Normal.” fig.01-17 1. Hold down the [Song] button and press the [Reverb] button. The indicators for the [Song] and [Reverb] buttons flash in red. fig.01-18 2. Press th[...]

  • Seite 20

    20 Chapter 1 Playing the Keyboard Adding Breadth to the Sound (Chorus Effect) You can apply a chorus effect to the notes you play on the keyboard. By adding the chorus effect, you can give the sound greater dimension, with more fatness and breadth. The settings of the chorus effect are memorized independently for each sound, and remain in effect un[...]

  • Seite 21

    21 Chapter 1 Playing the Keyboard fig.01-20 2. Press the [-] or [+] button to change the depth of effect. 3. Press the [Chorus] button once more. The button’s indicator returns to its previous state. The next time you choose the same tone, the chorus effect with the depth you’ve selected here is applied. Adding Reverberation to Sounds (The Reve[...]

  • Seite 22

    22 Chapter 1 Playing the Keyboard Transposing the Key of the Keyboard (Key Transpose) You can transpose the key of a performance without having to shift the position of your fingers on the keyboard. This feature is called “Key Transpose.” This lets you take a song in a difficult key with lots of sharps ( ) and flats () and play it in a key with[...]

  • Seite 23

    23 Chapter 1 Playing the Keyboard Using the Metronome Here’s how you can make use of the metronome. fig.02-01 1. Press the [ (Metronome)] button to have the metronome sound. The [Tempo/Rhythm] button’s indicator flashes in red and green in time with the beat selected at that time. The indicator lights in red on the downbeats, and in green on we[...]

  • Seite 24

    24 Chapter 1 Playing the Keyboard ■ Changing the Beat of Metronome 1. While holding down the [Tempo/Rhythm] button, press the [-] or [+] button. The [Tempo/Rhythm] button’s indicator flashes in red. The currently selected beat is displayed. fig.02-03 2. Press the [-] or [+] button to select the beat. You can select from the following beats. 3. [...]

  • Seite 25

    25 Chapter 2 Playing Along with Rhythms What is Session Partner? “Session Partner” Lets You Enjoy Playing with a Session-Like Feel “Session Partner” is a function that lets you select the On/Off status of the two Rhythm buttons along with the “Rhythm,” making it easy to add accompaniment. You can play intros, endings, and fill-ins (shor[...]

  • Seite 26

    26 Chapter 2 Playing Along with Rhythms Performing Along With Rhythms fig.02-05 ■ Performing Along With Drum Sounds Now, try performing as the sound of the Rhythm’s Drum Part plays. Since a wide variety of musical genres is provided, be sure to use a Rhythm that best suits the song you are performing. Please refer to “Selecting a Rhythm” (p[...]

  • Seite 27

    27 Chapter 2 Playing Along with Rhythms Playing Only the Bass Sound of the Chord Part A Rhythm’s Chord Part not only contains its fundamental bass sound, but may also include the sound of instruments other than the bass. However, you can have just the bass sound of such Chord Parts play. You can also change the settings while the Rhythm is being [...]

  • Seite 28

    28 Chapter 2 Playing Along with Rhythms Selecting a Rhythm Now, try changing the Rhythm being performed. fig.02-09 1. Press the [Tempo/Rhythm] button so that the Rhythm number appears in the display. Rhythm numbers are indicated by an “r” before the number. When a Rhythm is displayed, the [-] and [+] buttons light in green. fig.02-10 2. Press t[...]

  • Seite 29

    29 Chapter 2 Playing Along with Rhythms Changing a Rhythm’s Tempo You can change the tempo of the selected Rhythm. Furthermore, you can change the tempo as the Rhythm is being played. fig.02-08 1. Press the [Tempo/Rhythm] button to have the tempo displayed. Pressing the [Tempo/Rhythm] button alternately displays the tempo and the currently select[...]

  • Seite 30

    30 Chapter 2 Playing Along with Rhythms Selecting a Rhythm’s Chord Progression When playing the Chord Part while performing, the chord progression is automatic. You can change the chord progression pattern if you want. These settings cannot be memorized independently for each Rhythm. 1. Hold down the [Chord] button and press the [-] or [+] button[...]

  • Seite 31

    31 Chapter 2 Playing Along with Rhythms Performing With the Chord Progression Specified in the Left Hand (Rhythm Split Play) Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play.” When using the Rhythm while Split Play is in effect, you can specify the chords with the keys in the left par[...]

  • Seite 32

    32 Chapter 2 Playing Along with Rhythms Changing the Volume Balance Between the Keyboard and the Rhythm When using Rhythms in a performance, you can change the balance between the Rhythm volume and the volume of the performance played on the keyboard. When the power is turned on, the volume balance is set to “5–5” (“Keyboard volume” – ?[...]

  • Seite 33

    33 Chapter 3 Recording a Performance You can easily record your performances. You can play back a performance you have recorded to check what and how you played, and play melodies on the keyboard along with prerecorded accompaniment using the Rhythm. Notes Regarding Recording • Only one song can be recorded. With second or later recordings, the p[...]

  • Seite 34

    34 Chapter 3 Recording a Performance ■ Recording a Performance Using Rhythms You can also easily record session performances to the internal Rhythms and chord progressions. fig.03-02 1. Select the Tone or Rhythm to be played. Also set the Rhythm tempo to one that is easier to play (p. 29). 2. Press the [Rec] button. The [Rec] button’s indicator[...]

  • Seite 35

    35 Chapter 3 Recording a Performance ■ Recording a Performance Using Rhythms (in Split Play) Specify the chord progression yourself to record session performances with even greater freedom. By prerecording only the Rhythm (accompaniment) using your preferred chord progressions, you can then use the entire keyboard in session performances as you p[...]

  • Seite 36

    36 Chapter 3 Recording a Performance ■ Recording Selected Track buttons FP-3’s Recorder has three Track buttons. When you press the [Rec] button, all Track buttons are set to be recorded, but by selecting Track buttons that are not to be recorded, you can then record only on the specific Track buttons you want. For example, you can record each [...]

  • Seite 37

    37 Chapter 3 Recording a Performance Erasing Recorded Performances You can erase recorded performances. fig.03-04 1. Hold down the [Song] button and press the [Rec] button. A confirmation message appears in the display. fig.03-05 2. Press the [Rec] button. The recorded performance is erased. If you do not want to erase the performance, press the [P[...]

  • Seite 38

    38 Chapter 4 Other Functions Changing the Damper Pedal’s Resonance On an acoustic piano, depressing the damper pedal makes the notes you play resonate with other strings, adding rich reverberations and fatness to the sound. The damper pedal on the FP-3 recreates this resonance (Sympathetic Resonance) when depressed. You can select from ten levels[...]

  • Seite 39

    39 Chapter 4 Other Functions Changing How the Pedal Effects Are Applied When the pedal is pressed in Dual Play (p. 15) or Split Play (p. 16), the pedal’s effect is applied to both the Upper Tone and the Lower Tone, but you can change the settings for the tone to which the effect is applied. When the instrument is turned on, the setting determinin[...]

  • Seite 40

    40 Chapter 4 Other Functions Tuning to Other Instruments’ Pitches (Master Tuning) When playing ensemble with other instruments and in other such instances, you can match the standard pitch to another instrument. The standard pitch generally refers to the pitch of the note that’s played when you finger the middle A key. For a cleaner ensemble so[...]

  • Seite 41

    41 Chapter 4 Other Functions The display is as follows: fig.Chart3 When playing with tuning other than equal temperament, you need to specify the keynote for tuning the song to be performed (that is, the note that corresponds to C for a major key or to A for a minor key). If you choose an equal temperament, there’s no need to select a keynote. 3.[...]

  • Seite 42

    42 Chapter 4 Other Functions Connecting MIDI Devices About MIDI MIDI stands for “Musical Instrument Digital Interface,” and is a worldwide standard for the exchange of performance data (MIDI messages) and other information among electronic instruments and computers. The FP-3 features a MIDI connector and a computer connector to allow performanc[...]

  • Seite 43

    43 Chapter 4 Other Functions ■ MIDI Settings MIDI Send Channel Settings MIDI features sixteen MIDI channels, numbered 1–16. Simply connecting a cable is not enough for communication to take place. The connected devices must be set to use the same MIDI channels. Otherwise, no sound will be produced, and no sounds can be selected. Select the tran[...]

  • Seite 44

    44 Chapter 4 Other Functions Setting the MIDI Out Mode By setting the MIDI Out Mode, you can select to have a more suitable (to the external MIDI device) selection of MIDI data be output from the MIDI Out connector when you make tone changes on the FP-3. Three settings for the MIDI Out Mode are available. “MIDI Out Mode 1” is the power-up defau[...]

  • Seite 45

    45 Troubleshooting Case Cause/What to do No P ower Is the power cord pr operly connected? (p. 8) No Sound Is the volume level of the FP-3 (p. 1 1) or con- nected device turned all the way down? No Sound (With a MIDI Device Con- nected) Is the power to all devices turned on? (p. 10) Is the MIDI cable connected and plugged in correctly? (p. 42) Does [...]

  • Seite 46

    46 Troubleshooting P edal Has No Effect, or Eff ect “Sticks” Is the pedal connected correctly? Connect the pedal securely to the Pedal jack (p. 10). Unplugging a pedal cord fr om the unit while the power is on may cause the pedal’s effect to be applied nonstop. Be sure to switch of f the power to the unit before attempting to disconnect or co[...]

  • Seite 47

    47 Error Messages/Other Messages * Error messages are indicated by an “E.” before the number When the Error message appears, the [-] and [+] button indicators flashes in red. Press the [-] or [+] button, and you can cancel the error message. Display Meaning USr User . Stores r ecorded Performances. (p. 12, p. 33) Usr . The “.” in the displa[...]

  • Seite 48

    48 Tone List Piano 1 Grand Piano 1* 2 Grand Piano 2* 3 Rock Piano 4 Honky-tonk 5 Upright Piano* 6 Harpsichord * indicates a tone with sympathetic resonance (p. 38). E.Piano 1 Stage Rhodes 2 Dyno Rhodes 3 E.Piano 4 Suitcase 5 Wurly 6 Clavi 7 Vibraphone 8 Vibra Bell Organ 1 Jazz Organ* 2 Rock Organ 3 Full Organ* 4 Lower Organ* 5 Church Organ 6 Nason [...]

  • Seite 49

    49 Rhythm List No. Genre Name Recommended T empo Beat r01 Pop Cutting Guitar 1 90 ~ 120 4/4 r02 Pop Cutting Guitar 2 90 ~ 120 4/4 r03 Pop EP Pop 1 80 ~ 1 10 4/4 r04 Pop EP Pop 2 80 ~ 1 10 4/4 r05 Pop Acoustic Pop 1 80 ~ 1 10 4/4 r06 Pop Acoustic Pop 2 80 ~ 1 10 4/4 r07 Pop Piano Pop 1 85 ~ 1 15 4/4 r08 Pop Piano Pop 2 85 ~ 1 15 4/4 r09 Latin Bossa [...]

  • Seite 50

    50 Chord Progression Pattern List Recommended Rhythm Genre: All Pattern 1 Recommended Rhythm Genre: All Pattern 2 Recommended Rhythm Genre: Jazz Pattern 3 Recommended Rhythm Genre: Pop, Ballad Pattern 4 Recommended Rhythm Genre: Pop Pattern 5 Recommended Rhythm Genre: Ballad, Jazz Pattern 6 C Am Dm7 G7 I VIm IIm7 V7 Am G F E7 Im VII VI V7 CM7 Am7 D[...]

  • Seite 51

    51 Chord Progression Pattern List Recommended Rhythm Genre: Blues, Rock, Pop Pattern 7 Recommended Rhythm Genre: Jazz Pattern 8 Recommended Rhythm Genre: Latin, Pop Pattern 9 C7 F7 C7 I 7 IV7 I 7 F7 C7 IV7 I 7 G7 F7 C7 G7 V7 IV7 I 7 V7 CM7 Cdim I M7 I dim Dm9 CM7 IIm9 I M7 CM7 Cdim I M7 I dim G7 Dm9 V7 IIm9 Dm9 G7 CM7 IIm9 V7 I M7 C Am7 I VIm7 Dm7 [...]

  • Seite 52

    52 Chord Fingering List ● symbol: indicates the constituent notes of chords. ★ symbol: Chords shown with an “ ★ ” can be played by pressing just the key marked with the “ ★ ”. → “Performing With the Chord Progression Specified in the Left Hand (Rhythm Split Play)” (p. 31) Cm7 ( 5 ) CC # DE EF CM7 C#M7 DM7 E M7 EM7 FM7 C7 C#7 D[...]

  • Seite 53

    53 Chord Fingering List F# G A A B B F#M7 GM7 A M7 AM7 B M7 BM7 F#7 G7 A 7 A7 B 7 B7 F#m Gm A m Am B m Bm F#m7 Gm7 A m7 Am7 B m7 Bm7 F#dim Gdim A dim Adim B dim Bdim Gm7 ( 5 ) Am7 ( 5 ) Bm7 ( 5 ) F#aug Gaug A aug Aaug B aug Baug F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4 F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4 B m7 ( 5 ) A m7 ( 5 ) F#m7 ( 5 ) G6 G[...]

  • Seite 54

    54 Internal Song List → “Listening to Internal Songs” (p. 12) Song No. Song T itle Composer Copyright d. 1 Jobs For The Boys J. Maul © 2000 John Maul d. 2 Howz It Feel? S. W ilkie © 2000 Scott W ilkie (ASCAP) d. 3 Bop on the Rock J. Maul © 1992 Roland Corporation d. 4 Y esterday’s Dream J. Maul © 1992 Roland Corporation P. 1 Arabesque N[...]

  • Seite 55

    55 Internal Song List * All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws. * No data for the internal songs that is played will be output from MIDI OUT connector. ■ Profile P .31 Spinnerlied Op. 14-4 A. Ellmenreich © 1994 Roland Corporation P .32 “Berceu[...]

  • Seite 56

    56 Easy Operation List No. Y ou want to Buttons Page Hold down the [Song] button and press the [ ● ] button. V olume balance between the Lower and Upper T one [Song] + [Split] p. 18 Octave Shift [Song] + [Piano] p. 39 Pedal works [Song] + [E.Piano] p. 38 How the pedal effects ar e applied [Song] + [Or gan] p. 39 MIDI send channel settings [Song] [...]

  • Seite 57

    57 Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Prog Change System Exclusive System Common System Real Time Aux Message Notes Transmitted Recognized Remarks Default Changed Default Messages Altered True Voice Note ON Note OFF Key’s Ch’s 0, 32 7 10 11 64 66 67 91 93 : True Number : Song Pos : Song S[...]

  • Seite 58

    58 Main Specifications <Keyboard> 88 keys (Progressive Hammer Action Keyboard) Touch Sensitivity Light/Normal/Heavy/Fixed Keyboard Mode Whole Dual Split (adjustable split point) <Sound Source> Max.Polyphony 64 voices Tones 6 groups 40 variations (including 2 drum sets) Effects Reverb (10 levels) Chorus (10 levels) Sympathetic Resonance [...]

  • Seite 59

    59 Index A AC adaptor ....................................................................... 9 All Song Play .................................................................. 12 B Beat .................................................................................. 24 Brilliance ..................................................................[...]

  • Seite 60

    60 Index S Sequencer ....................................................................... 42 Session Partner .............................................................. 25 Soft ................................................................................... 10 Soft Pedal .............................................................. 8, 10,[...]

  • Seite 61

    MEMO[...]

  • Seite 62

    Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of January 1, 2002 (Roland) ARGENTINA Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700 BRAZIL Roland Brasil Ltda Rua San Jose, 780 Sala B Parque Industri[...]

  • Seite 63

    For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipm[...]

  • Seite 64

    02349012 ’02-7-AE2-61N This owner’s manual is printed on recycled paper.[...]