Koss Totem Mani-2 76 Bedienungsanleitung

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Zur Seite of

Richtige Gebrauchsanleitung

Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Koss Totem Mani-2 76 an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Koss Totem Mani-2 76, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.

Was ist eine Gebrauchsanleitung?

Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Koss Totem Mani-2 76 die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.

Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Koss Totem Mani-2 76. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.

Was sollte also eine ideale Gebrauchsanleitung beinhalten?

Die Gebrauchsanleitung Koss Totem Mani-2 76 sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Koss Totem Mani-2 76
- Den Namen des Produzenten und das Produktionsjahr des Geräts Koss Totem Mani-2 76
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Koss Totem Mani-2 76
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen

Warum lesen wir keine Gebrauchsanleitungen?

Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Koss Totem Mani-2 76 zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Koss Totem Mani-2 76 und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Koss finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Koss Totem Mani-2 76 zu überspringen, wie es bei der Papierform passiert.

Warum sollte man Gebrauchsanleitungen lesen?

In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Koss Totem Mani-2 76, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.

Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Koss Totem Mani-2 76 widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.

Inhaltsverzeichnis der Gebrauchsanleitungen

  • Seite 1

    L OU DSPE AKE RS: Does the T otem Mani - 2 st il l rate as one of t he w orl d ’ s tr uly grea t spea k ers? W e al so look at an economy spea k er from a n old fr iend, Cas tle. And a n af fordab le speaker wi th a Hei l t weeter . TH E COMPUT ER A S MUS IC SOU RCE: We get ou t hand s on th e newest Sq ueezebox, and f i nd tha t a comput er can [...]

  • Seite 2

    ASW Speak ers Q ED T arget V andersteen McCor mack Harmo ni x WB T Reimyo Apollo Gu tW ire FI M Accessories Goldring Milty P erfect Sou nd Nit ty Grit ty Gradient Speakers L A S T record care W A T T G ate Audiophile CD s Audiophile L P s DV D and SA CD J U S T M A Y A U D I O A S W G e n i u s 4 0 0 “I t has all th e v o l u m e y o u c o uld e [...]

  • Seite 3

    NU T S&B O L T S Spea ker Imped ance 1 8 by Paul Berg m an W h a t it mean s, how impeda nce af fe ct s per form ance , and how you ca n measu re you r spea kers’ ow n imp edance FE AT UR ES Montrea l 200 6 22 by G erard Rejskind A leisu rely tour of t he venerabl e Montrea l show , now in a new venue T our i ng t he N ew/ Old S how 2 5 by A [...]

  • Seite 4

    UH F Ma ga zin e No. 76 wa s pub lis hed i n May, 2 0 06 . Al l co ntents ar e copyr ight 2 00 6 by Broa dcast Canada. T hey may not b e r epro duce d o r t ransm itte d i n any for m, o r by any mean s, ele ctr onic o r mec hanic al, i nclud ing ph otoc opying, rec ordin g, or any info rmati on stor age or ret rieval syst em, wit hout wr itte n pe[...]

  • Seite 5

    D O G- E AR ED MAGA Z I N ES ? PH O O EY ! UL T R A HIGH FI DELIT Y , Bo x 65 085, Plac e Longu euil, LONGU EUIL , Qu é., Cana da J4K 5 J4 T e l.: ( 45 0) 65 1-5720 FAX: (45 0) 65 1-338 3 VIA T HE INTE RNET : h tt p ://w w w.uhfm ag.com /Subsc ript ion.h tml FOR 13 ISSUES: $62 .50 (Cana da ), U S$6 2.50 ( USA), C $ 1 18 ( elsew here, inc luding ai[...]

  • Seite 6

    The U HF Gu id e cos ts $14.95 (Ca nad a) plu s 7% GST (1 5% in N B, NS , NF), US $1 9.9 5 (USA) CA N$25 (el sew her e). The Worl d of High Fide lit y c ost s $ 21 .95 (Canad a) pl us 7 % GS T (1 5%HST in NB , NS , NF ), US $21.95 (U SA) o r CAN $30 (elsew her e). Se e ord er ing i nfor ma ti on on t he p revio us pa ge. A $5 d iscou nt applie s on[...]

  • Seite 7

    I’ d l ike to t ha nk you for publi sh ing t he componen t -by-component descr ip- t io n a n d e s p e c i a l l y t he p ho t o o f t he Omega s yst em on t he U HF W e b site. I have long been c ur ious to se e a photo of a ny of your t h ree sy stems , but si nce t hey a re work ing to ols I h ad a ssu med t hat t hey were, sh al l we say , l[...]

  • Seite 8

    Fee dback h ighl igh t i ng t heir t remendous i mag ing, dy na m ics a nd musica lit y . T o m N o r t o n , o f S t e r e o p h i l e a n d Ulti mate A V fa me, had a tota lly d if feren t opin ion of t he R C-7 0 t ha n you r te am. I n h is rev iew M r . Norton is quoted a s say i ng, “ t he R C-7 0 had superb over al l tona l bal ance” and[...]

  • Seite 9

    F ir st , le t me say that I bo ug ht both of your book s o n high fi d elity an d l oved th em . I al so received a cop y of your magazine an d have s ubsc ribed for the n ext t wo year s. I al so orde red six of the mos t c ur rent back is su es. I got ba ck into hi-fi abo ut t wo years ago af te r 1 5 or so year s a nd find mys elf wonde r - [...]

  • Seite 10

    Fee dback Fre e A dvic e Planet 20 0 0, Refe rence 3a M M de Capo -i speaker s, a Mo on I - 3 amp, an In ouye line f il t e r , A tl a s N av iga t o r c ab l e s, G utW i r e power cables, and Puresonic Competition flat speaker cabl es. My ques tio n i s wh at to upg r ade now? I am thinking of t rading up t o a Moon I- 5. I s t he re a big e no [...]

  • Seite 11

    Fee dback Fre e A dvic e Fre e A dvic e Pr obabl y not , M ic hel , be cau s e t he V ee na i s not su bst a nt ia l ly l ar ger t h a n t he M M De Capo, a nd indeed its woofer is sm a l ler. T he n ot able d i f f ere nce , of cou rse, is t h a t t he V e ena doe sn ’ t need a st and. W e prefer t he De C apo, but since our rev iew Reference 3 [...]

  • Seite 12

    Fee dback Fre e A dvic e there’ s th e que st ion of speaker ca ble an d the connections between th e CD / amp. Is my little s yste m wo r th the really go od s t uf f ? I do n ’t want to s pen d mo re than I c an af ford, yet I want to get th e best res ults an d sound I can. Ever ybody I talk to has an opinio n, they’r e jus t all d if fere[...]

  • Seite 13

    Fee dback Fre e A dvic e Fre e A dvic e up r ad io-f requ enc y noi se a nd f eed i n g it i n to t he s ystem t h rough t he grou nd, a nd it a lso prevents cert ai n componen t s, pa r t ic u la rl y d ig it a l co mpone nts , f ro m rad iati ng d igit al noise where it c an get i n to place s it s hould n ’ t . Though some powe r cab les h ave[...]

  • Seite 14

    Fee dback Fre e A dvic e Fre e A dvic e may now , t herefore, ma ke sense. O r it may n ot. I t’ s your choice which horse to bet on. A t r ue te st wou ld requ ire havi ng t wo L P-12’ s t h at a re a b so lut e ly id en t ic a l, get t ing one of them mod ified, a nd then hav i ng bot h properly adjusted by some- one who did n ’ t have a v[...]

  • Seite 15

    Fee dback Fre e A dvic e I ju s t picked up yo ur m ag azine f or the fi rs t t ime a nd lo ve it . I es pec ially e njo yed The H igh Fidelit y Dig ita l Jukebox ( in U H F No. 7 4) and lo oke d up yo ur p reviou s ar ticl es on the CEC DA5 3 a nd the iP od. I w ou l d l ike t o k n o w wha t wo u l d b e necessar y to make a “h i-fi” sys te[...]

  • Seite 16

    Fee dback Fre e A dvic e familiar w ith m any of th e au diophile mag a- zines, and I think yo urs is th e mos t objec tive and infor m ative of all of th em. It makes me pro ud to kno w that s uch a g reat m ag azine com es f rom Ca nad a. No w o n t o the CE C DA5 3 co nver te r . Af ter read ing your re view i n U H F No. 72 , I pu rch ased a DA[...]

  • Seite 17

    Fee dback Fre e A dvic e Fre e A dvic e s ystem. The A udiomat Op éra, w it h its much larg er p ower s upp ly , wa s lis tened to o n t he O meg a s y st em , be c aus e we t h oug h t ( correct ly as i t tu rned o ut ) t hat i t co uld ha n dle o ur Re fer en ce 3 a Su p rem as, w i t h t heir pu sh-pull passive s ubw oofers. The C opland CT A- [...]

  • Seite 18

    Fee dback Fre e A dvic e vel ea feu iscipit do lorer ip eu f acin i m ing eni m zzr il lumsa n veraessecte v er sectem do lo bor auga i t, sed de liqua t, qu ism odion er c ip s u m sa nd r e t et a d ia m, s it ad ipi t luptat. Sa n d rem d olen i m volo rem dele s s e n ismolo re do loree t uer aest r ud t ate c on he nd re d it ip is c i l it la[...]

  • Seite 19

    Fee dback Fre e A dvic e zzr i liq u ipisis dolorem quat i ng exeriu re t e t u m i n h e n i m v e n t n o n s e q u a m e t ad ion s e qu at u ms a n h en it lo r i r i l iqu at pr ae s s eq u at . U l la or p er a l i sm ol u pt at . Bor a l iqui bla nd i t nost o eu facc u msa n v o l o r e v u l l a c o n s e q u i s l d o l o r i u s t i s a [...]

  • Seite 20

    Fee dback Nu ts&B ol t s W h at is t he impeda nce of yo u r lo ud s pe a k er s ? I s it 8 ohm s? O r 4 oh ms? P erhaps you k now t hat it i s not ju st a si ngle nu mber , but wh a t di f ference does it ma ke any way? At t he ver y lea st you a re no doubt aw a re t hat a s p ea k er w it h a v er y lo w impe dance can present a p roblem for[...]

  • Seite 21

    Fee dback Nu ts&B ol t s R at her more fo rm id able i s t he h ig her par t of t he c ur ve, sp ecifica lly t he imped- a nce at 6 k H z. A s you ca n see, it r ise s well ov er 20 Ω . W hat w il l t hi s mean for t he poor a mp l ifier? L et u s c on s id e r f i r s t a s ol id s t at e ampl ifier , t he t y p e mos t p eopl e use. It is[...]

  • Seite 22

    Fee dback Nu ts&B ol t s do e u g a it l a mc o n e t u m i n i a m i ps u m zzr i lla f eui s au t num mol or sequat. Num san veliqu ipi t pr a t pra t. U t lam, vent et i n hen i m quat ad t ie er il utat ue mag n im il i l isci te do del iquatu m iu sto en i t nu llu m en im do eug ait er sequ isis d e l i s a l i q u i p i t p r a e s e d u[...]

  • Seite 23

    Go od e n o u gh UHF u s es t h e m ! Thi s remarkable c able is f rom A tlas. Unlik e so man y cab le companies, this Scottish company k eeps m arku ps reasonable. Nav igat or All- Cu i s made from strands of pure copp er , e ach draw n from a sing le cr y stal. So are the connectors. The Nav igat or All-Cu p assed a blind test in UHF No . 7 1 . C[...]

  • Seite 24

    I t se ems f orever t hat t he Mon t real show has b een at t he Del ta ho tel, r ig ht do w nto w n . T he D elt a w a s a g reat venu e for h i-fi compan ies look in g f or s ol idly-bu i lt r oom s w hose acoust ic s you could work wit h. It wasn’ t so g ood f or t hose ne ed i ng va st sp ace , a nd t he show had long spil led over i nto ad [...]

  • Seite 25

    Fee dback Feat u r e A u r u m A c o u s t i c s (f r o m New found land) wa s b ack w it h t he fin al version of i ts aston ish- ing t r i-amp li fied lou dspea ker (i t comes w it h its ow n amp s, fou r of wh ich are si ngle-ended t ube u n i t s). N ow t h a t t h e s y s t e m ( i n c l u d i n g t h e m a n i f e s t l y ex cel le nt C D p[...]

  • Seite 26

    Fee dback Feat u r e a rr ive i n store s s oon. T hat i nclude s t he A r t ik u la t spea kers ( sh own on page 2 7), a nd t he new M ajik st r ict ly t wo - cha n nel component ser ies. I’ve a lready aske d to rev iew t he Majik CD, wh ich w ill replac e bot h the Gen k i a n d I kemi, w it h a pr ic e s it u ate d ab out m idwa y . Before you[...]

  • Seite 27

    Fee dback Feat u r e “ L o o k a t t h e b e a u t i f u l t u b e s ,” s a i d a v i s ito r a s h e w a l k e d i nto t he r oo m, c a l l i ng h i s f rien d ov er to a tabl e display , completely obliv ious to t he music b ein g played. There it is . I th i nk I’ve cracked t he m y s te r y of w h y t he re a r e so f ew fe ma le aud ioph[...]

  • Seite 28

    Fee dback Feat u r e lo c k s a n d a pair o f l a r g e V i l l a - R e a l e s p e a k - ers. It was a l ivel y a nd won- der f u l ly s y ncop ated vers ion of the legendar y Brub eck composit ion. W e h a d a no t he r t re at o n L P s w it h My Fu n n y V alenti ne f rom t h e 7 0’ s direct -t o-disc album Th e Great Ja zz T rio Direc t f r[...]

  • Seite 29

    Fee dback Feat u r e ci n el i n velesto dit utat. Ut lu t a t amco - num velen is acc u m il isl eu feu m my nos a c c u m d i o d o l u m nost r ud t ie vel en im di am nonsec tet w is d io n s e q u i s m o d o - lore consed du isi. O d m o d i g n i m i nc i e x e a fe u m sa n hen im nos dolor t ie c o n s e v e l iq u i s i s i m v e l e s s [...]

  • Seite 30

    Fee dback Feat u r e t a t num du n t acc u m ip et um my nulpute vel ul la f acil isi. Du i psum quamcor e tatis acin hen dre ea con h enismo lo ree t aut luptat nu m qu ipsu m s and ign it a li s eu is dol oreet a met um al iqua m cor t io de l d olore d olum del ing ex eug ait aci bla core feu feug iat i pit, com mol o rp erost r ud euipit prat [...]

  • Seite 31

    Fee dback Feat u r e U t a t n u l l a n d r e mo d ip it w i s mo do lob ore m od it u l l a feum v eri t a u te fa c- c u m m o d o l o r e e t iusc il e x eliquat. C i l i q u a t u e r a d eu i blam , sis si t isi blamcon ul lum mo lutate et , su m a lit non hendip eu ipit al iq u ismod dol essis er iusto exeriure conum ex et dig ni m do lo- bo[...]

  • Seite 32

    Fee dback Li st e ni ng Room W e r e w e t h e v e r y f i r s t ever to rev iew a T otem loudspea ker? W e t h i nk so. It w as of cour se t he or i g i n a l T ote m , t he Mo de l O ne . W e were i mpressed w ith it, as we st il l are, a nd we eagerly a wa i ted t he M odel T wo. This wa s t he Model T wo, wit h a clever pu n ident if y i ng it [...]

  • Seite 33

    Fee dback Li st e ni ng Room t h at it wou ld b e a l l r ig ht if w e d id n ’ t t u r n u p t he v ol u me t o o h i g h ( lo o s e t r a n s l at i on : o n Ne w Y ea r s ’ Ev e k ee p t he i nebr iat es aw ay f rom t he s y st em). How ever we did have to r u n the sy stem loud er t ha n us ua l, because t he Ma ni-2 ’ s 85 dB s en sit i [...]

  • Seite 34

    Fee dback Li st e ni ng Room eros dolore d i pisi m dolu- t a te m a g n a a d d ol ob o re mol or peros et ut al it n on- s e q u at a c c u m n u l l u p t at ac i l l aore et ut at lut e m i n hendre core dolore f eum d ip eu m a l is ci n ci l it e u m acipisi m dipisi. D u i s i e x e n i m e s s e du nt do lut d olor e d u ip it e u m m o d t[...]

  • Seite 35

    Fee dback Li st e ni ng Room facc u m ver su st r ud dig n ibh e n t e r o o d o l o r e m d u i e r si s ad ig n a fe ui s el it l a con hendion se ctem in eug ia mc o n se q u i s de l i t , s u m s a n e t nonsequ is n ibh eug ait nos- t i n i at ut at . D u i b la or s i m dolob or e ve n is se m i n e u is ni m i nci p enibh enit il digna at l[...]

  • Seite 36

    Fee dback Li st e ni ng Room D o es t he n a me r i ng a b el l? M e n t i o n E L A C a n d w e t h in k of t u rntables of long a g o , o r m o r e r e c e n t l y o f phono c a r t r idge s. I nde ed, E L A C ( t he na me is a c on t rac t ion of El ect roa cu st ic ) was t he fi r st to ma ke a rel a t ively inex- pens ive phon o ca rt r idge [...]

  • Seite 37

    Fee dback Li st e ni ng Room sum augue co n h en t u lla feuguer ci eu faci ent al is nonse feugia m d ion eni am qu am vol essi b lam quisc in cil iqua t a metu msa n heni m dolore du is ad er at ad io eug iam nis nulla con um dip exer sim qu i psus cip- su scipis n ia m, qua met ut pat ir i t velenit, se feu fe uga it la ad e ssequ at. U t aut a [...]

  • Seite 38

    Fee dback Li st e ni ng Room S o he re ’ s Cas tle again… w i th a n ew Ca nad ian d ist ributor , but t hen agai n new o w n ership too. Castle was fo unded many years ag o by a g rou p of for mer W ha r fedale exec ut ives, wh o ha d l eft wh en t he a ptly -name d Ran k org a n iz at ion h ad b ought W ha r fed a le. Thos e e xecs are n ow r[...]

  • Seite 39

    Fee dback Li st e ni ng Room gett ing the ton e w ro ng on a co up l e of t h e rea lly la rge dr u ms. But be cause t he b ass response is necessar ily li mited, t he pro b- lem wasn’ t more t ha n detec table. Much more not iceabl e wa s t he f ur ious rhy t h m a nd t he energ y . T hat odd scraped gourd in the i n t roduct ion came on w ith p[...]

  • Seite 40

    Fee dback Li st e ni ng Room G ot an a mpli fier ? G ot head- phon es? No w how d o you p l u g t h e s e c o nd i n t o t h e fi rst? Head pho nes have long been a n alter- nat ive l isten i ng met hod for t hose whos e par t ners don ’ t share t heir mu sical t aste s. Or t hose wit h t h in w al ls. I n re cen t yea rs t he idea of li sten i[...]

  • Seite 41

    Fee dback Li st e ni ng Room complicated t h i ngs . Here ’ s how we solved t he problem. The sou rce we selec ted for t hese t est s was a combinat ion of our CEC TL5 1X be lt-d r iv en t ra n s po r t a nd t he Be nc h- m a r k DA C 1 c o n v e r t e r r e v i e w e d i n our la st iss ue. W e d id t h a t bec ause t he Benchmark ’ s head ph [...]

  • Seite 42

    Fee dback Li st e ni ng Room T his h e a d p h on e am p is from th e sa me Ger ma n company t hat m a k e s t h e p h on o p r e a m p o f n e a r l y t h e s a m e n a m e . I t i s , a s y o u w i l l h a v e o b s e r v e d , n e i t h e r black nor a c ube, but o h w e l l . T h e p o w e r supply is b u ilt in, and so it has a st a ndard IEC [...]

  • Seite 43

    CONN OISS EUR SIN GLE- ENDE D AMP Conno isseur SE-2 single -en ded 30 0B integrated tube amp lifie r . Thi s is the latest version up graded by the fac tor y and featured in UHF 72. H igh curre nt with lots of drive. Per fect c ondition wit h low hours. New: $ 345 0, Selling: $ 1 80 0. Contac t: burekp@mc master . ca or (9 05)29 6. 1 203. TOTEM MA [...]

  • Seite 44

    Fee dback Li st e ni ng Room n a t u r a l , p r o v - i n g o n c e a g a i n t h at t he s ibi l a nt ar t if act s we of ten hear are t he res ult of p r ob le m s i n t he playback , n ot t he or ig i- na l recordi ng. But it’ s no t e ven t he voice t h at s t r i k e s y ou fi r s t . R at he r it’ s t he p er fec t b al a nce of voice ,[...]

  • Seite 45

    EAC H ISSU E co sts $ 6.4 9 (in Ca nad a) plu s ta x (1 5.0 3% in Qu éb ec, 15% in N B, NS a nd NF , 7% in o the r Provi nce s), US$6 .49 i n th e USA , CAN $1 0.75 els ewh ere (ai r mai l inc lud ed) . THE A NNI VE RSARY CO LLECT IO N (iss ues 7- 19 exce pt 1 1, 1 5, 17 and 18) in clu des 9 i ssu es bu t cos ts li ke 5. Fo r VIS A or Ma ste rCa r[...]

  • Seite 46

    Fee dback Li st e ni ng Room I n U HF No. 7 5 we explai ned h ow to use A ppl e’ s iT u nes prog ra m ( f ree for W i ndow s a nd M ac O S X ) t o get i nst a n t acce ss to a va st music l i bra r y . W hat wa s not ev iden t was how to li sten wit hout t ak ing a huge p erfor- ma nce h it. A ver y f ew c ompu ters have d i g i t a l o u t pu t [...]

  • Seite 47

    Fee dback Li st e ni ng Room we k no w well, and li stened to t hem on our t wo-box player: a CEC b el t -d r iven t ra nsp ort a nd our Cou n ter point D AC. W e t h e n c o n ne c t e d t h e S q u e e z e b ox to t he D A C usi ng t he sa me coa x ial d ig it a l c a ble (a n A t l a s O p u s, i n a 1.5 m l en g t h). L is te n i n g w a s done[...]

  • Seite 48

    Fee dback Li st e ni ng Room eraese n d ion um zz ri ll a feu ipis modolut adip eu is dolessi. Iq uametuera t n ulla m c ommo l ore con utat uer ost i nit nos eug iam n os adionse d eu isi ex eri l il ismod te te mod et adionse q u i s s ent a l i qu i s i t e d ol up t at i n g e n i t ea a l i s ac c u m sa n v ele ss ec t em do lor pe rost r ud [...]

  • Seite 49

    Fee dback Li st e ni ng Room tet lor e t io e ug ait ad m ag n it ut pat la feu m ni sl exerci l luta- t io con sed t atem z zr i l it a l iq- ua m quat ut pat wi sit praest ie feu isi m num do od exer auga i t du is s e et lu m sa n e t u er ci l is it nonsec tet wis si blamcon utpat ver os t io et w i si te t ue ros no s autat lutat prat , c ommy[...]

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    Fee dback Li st e ni ng Room Li st e ni ng Room veli sl ing el er sus ci ll utpat i n henibh ese du is al it, su sci l dolesto coreet et vel et nummy nul la adi t lo rp er o odo d ol upta t ie verost i ng . A ltern ati ves T he c heap e s t we k now o f i s f ro m Apple. The A i rp ort Ex pre ss looks l ike t he l itt le power s upply t hat comes w[...]

  • Seite 51

    Fee dback Li st e ni ng Room I t st r uck u s when we were pack i ng up t o g o t o V eg a s f or C E S a n d T . H. E . Show : e ac h ye a r we ne ed m o r e a n d m o r e c h a r g e r s t o g o a ny where. Not a ll of ou r ch arg ers a re related to aud io , t o b e s u r e, t ho ug h s ome o f t h e m a r e . T wo o f u s w e n t a l o n g t o [...]

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    Fee dback Ci n em a A s we w rite t h is (and probab ly as you rea d t h i s ), t he for mat batt l e for t he next silver au dio/ v i deo disc is st ill on. Y e s, i t w il l af fec t audio as well a s v ideo. Let ’ s rec api t u late. O n o n e s i d e a r e T os h iba , N E C , a nd — p e r h a p s m o r e i m p o r - ta nt — the D V D F o[...]

  • Seite 53

    Fee dback Ci n em a T h at c ou ld ju s t me a n mor e c ha n nel s (8 .1 c h a n ne l s u r r ou nd i s on e o f B lu - R ay’ s opt ions ), or i t could a lso mea n les s compress ion. Or no compression. Bu t h er e w e’r e t a l k i n g a b o ut t h e v i deo disc. Could one of the new formats al so be tomorrow ’ s higher fidelit y a udio [...]

  • Seite 54

    T he fir s t tim e w e ever met Vin ce B r u z z e s e h e w a s s h o w i n g a prototype of a ver y small speak er with what seemed at the t ime like an abs urdly high pr ice. W e'r e gla d to say that we e nc ou rag ed hi m t o pe rse ve re, and the r es t is h is to r y : the tiny “ove rpr iced” speaker tu rned out to be the T otem Mo[...]

  • Seite 55

    Fee dback R en de zvous t h a t , w i t h t h e r i g ht e q u i p me n t , t h e Ma n i- 2 rem ai ns to day one of t he mo st f or m id ab le a nd mo s t c om mu n i c at iv e spea kers av ai labl e. U H F : I nsi de the M ani-2 , the t wo woofer s are facing each other? Br u zz e se : N o, t h e y ’ re b ac k-t o -b ac k . T h e y' r e c o[...]

  • Seite 56

    Fee dback R en de zvous T et lup tat lu ptatem iurem iusci ncin is nos dia m quisi bla feuga i t ip et, con vel in vercil i t ad et lum my ni m zzr iustr ud eu is amcorem ve lesto do conse de lit ut aliquipsum do l or eros t i e d ol ut lo re mi n h enis ad mod o lo r susti ni m nulla feug iat, sectet lore d ol oreet ea adionsed et, qu is ea auguer[...]

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    55 THE A UDIO PH I LE STORE ww w .uhfmag.com/Audio phileSto re.html The un ique WB T phono plugs have a col lar w hich you tu rn so th at the plug t ighten s arou nd and int o the jack ! The ca ble would te ar befor e the plug would come out. The Topline s erie s (heav iest con str uction, 5-layered gold plat ing ) , includes t he 0 1 08 (above) , [...]

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    THE A UDI OP HI LE STORE 56 ww w .uhfmag.com/Audio phileSto re.html R EGA FO NO We can’t get over how good it is… and how af forda ble. The Re ga Fono is a superb wa y to a dd vi nyl to your s yst em. MM ve rsion a nd high s ensiti vit y MC version for c ar trid ges wit h low output. W hi le stock s la st. OR DER: R F - MM Phono prea mp, $3 95 [...]

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    57 TH E A U DI OP HI LE STORE ww w .uhfmag.com/Audio phileSto re.html SUPER A N T EN NA Unli ke a wh ip, a dipole is bid irec tiona l, so you ca n orient it. O urs ha s no sw itch to muck th ings up, a nd with a 1.8m low -loss 75 ohm cable a nd gold -plated push-on F connec tor, i t ha s low inte rna l loss. It s broa dba nd design c overs the ch a[...]

  • Seite 60

    THE A UDI OP HI LE STORE 58 ww w .uhfmag.com/Audio phileSto re.html T ENDER F EET Mach ine d cones a re wonderf ul th ings t o put under sp eak ers or othe r audio equipme nt. The y anchor it mec han ical ly a nd decouple it a coustic al ly at t he sa me tim e. T ender feet come i n var ious ver sions: ta ll (as show n ) or flat tene d, in eit her[...]

  • Seite 61

    59 THE A UDIO PH I LE STORE ww w .uhfmag.com/Audio phileSto re.html Just Li ke Love (SACD /L P )  The ne west f rom Er ic Bibb, les s orient ed to G ospe l and more t o Blues. Bibb’s group, Need ed Tim e, is not he re, but he’s surrou nded by h al f a doze n fine musici an s. A nice r ecord ing. Hy brid di sc, w ith a CD l ayer and a Sup er[...]

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    THE A UDI OP HI LE STORE 60 ww w .uhfmag.com/Audio phileSto re.html Bes t of the Red A r my Chor us (CD )  The 1989 L P is fina ll y on CD: Da rk Eye s, the Volga Boa t Song, Mos cow Night s, and e ven the old S oviet a nthe m. By fa r the b est-soundi ng di sc of th is lege ndar y en semb le. A los a ncest ros (CD ) Cuba n-born Ca rolos Pla ce[...]

  • Seite 63

    6 1 TH E A UDI OPH I LE STORE ww w .uhfmag.com/Audio phileSto re.html Burgos , who conduct s the Ne w Phil ha rmon ia. B eauti fu lly r ema ster ed fr om the or igin al 1963 ta pe. Audio phile Re feren ce I V ( SACD )  A st unn ing sa mpler, with re cogn iz able aud iophi le selec tion s you have never h eard s ound th is goo d! Ca fé Blue (HDC[...]

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    THE A UDI OP HI LE STORE 62 ww w .uhfmag.com/Audio phileSto re.html VI NYL A LBUM S Beac hco mber RR- 62 35.0 0 Bla zing Redhe ads RR-26 25.0 0 Clar inet Co ncer tos 8801 20.00 Dic k Hyman — Fats Wall er RR-33 25.0 0 Fennell Favor ites RR- 4 3 25.0 0 Go od Stuf f (2 LP) LP1 9 603 55.0 0 Hol st RR-3 9 25.0 0 Jaz z at the Paw nshop 7 778 -79 65.0 0[...]

  • Seite 65

    Fee dback Sof t w a r e W e are in Peterbo rough, in the P r ov in ce o f O nt ar i o, C a n a d a . T h i s e v e n i n g the re i s a b en e fit co n cer t for the vic tim s of severe fl ooding, an d the lo cal hockey are na has bee n t ur ned i nto a con cer t h all . The mood i s fever ish, for to nig ht mark s the retu r n of a hero. F or th[...]

  • Seite 66

    Fee dback Sof t w a r e h is w i n n ing per for ma nce at T oronto’ s fabled Mas sey H al l. I naug u rated i n 1 894 a nd renovated s e v e r a l t i m e s s i n c e , M a s s e y H a l l i s al ready celebrated for t he a r t ist ic e ven t s held t here. Ou r you ng a r t ist w i ll ma ke si ng ing t here a habit. I n t he mea nti me, to h is[...]

  • Seite 67

    Fee dback Sof t w a r e Elv is P resley a nd Barbra St reisa nd. A n d o h y e s…b y B ob D y l a n , w ho hol ds Light foot in t he h ighest e steem. A h istor ical i nterlud e F o r som e Ligh tfoot is a pai n ter , u sing h is g uit ar for a br ush. He says a s much i n one song: If you want to kn ow my sec ret Do n ’ t com e ru nnin ’ af [...]

  • Seite 68

    Fee dback Sof t w a r e major A meric an con cer t ha lls ( Car negie H a ll a nd t he L i nc ol n Ce nte r ), a cr os s Canada, a nd to t h e vario us sum m er festi- val s. He is by now a v i rt uoso g u itar ist on both t he six a n d t wel ve str ing g uita r . H is rec ord col lec t ion g row s to pr od ig ious propor t io ns , and m any of t [...]

  • Seite 69

    Fee dback Sof t w a r e Big 707 set to go But I ’m st uck here in the grass W here the cold win d blows A d isa ster , a homel ess ma n look ing for hu ma n w ar mt h, a wom an he r u n s acro ss i n h is t r avels… we fol low da il y l ife t h rough hi s eyes . Li ke ma ny a t rou- badour who h as t rod t he ro ads of here a nd e ver y where, [...]

  • Seite 70

    Fee dback Sof t w a r e W h a t about t he Ligh t foot st yle? He ha s been ca l led a c rooner , a nd I leave it to you to judge. W hat I hear is a superb barit on e v oi ce , o nly m ode ra te ly powe rf ul but a lway s i mpres sive , a nd s omet i mes t roubli ng . W hen he si ngs , he seem s t o si ng for you alone. The a r tis t hono red G o r[...]

  • Seite 71

    The Gramophone 8724-109 Street Edmonton, Alberta T6G 1E9 T el: 780-428-2356 www .gramophone.ca Y ou can now see and hear the entir e awar d winning line of loudspeak er s fr om in Edmonton But only at… The T ot em Ma ni- 2 has be en called on e of the world’ s g reatest loud speaker s regardle ss of size or price . Y o u’ ve seen th em, and y[...]

  • Seite 72

    Fee dback Sof t w a r e Beet hoven: Ham merk lav ier Sonata s A nton Kuer t i Anal ekta F L 2 3 1 87 Les sar d: H amm erklavie r is t he G er ma n ter m for pianofor te — it w as or igi na lly c a l le d t h e “ h a m me r k e y b o a r d . ” T h e ex pres sion dates from a t i me of g row in g G e r m a n r e si s t a n c e t o t h e i n c r[...]

  • Seite 73

    Fee dback Sof t w a r e pay i ng f or it, a deta il t hat subsequent ly t o o k o n a c e r t a i n i m p o r t a n c e). T h e reas on I hadn’ t heard t hem: Doria n had rei nven ted public relat ions, apparent ly usi ng N ort h Korea as a mod el, and wh en was t h e last t ime y ou r eceiv ed a CD from P yong ya ng? But wit h t he bac k cata lo[...]

  • Seite 74

    Fee dback Sof t w a r e lo w ing t heir secret marr iage. Eliz abe t h ’ s let ters to her si ster i n spire d compo ser Dom i n ick A rge n to to w r ite t hes e fi ve song s for t he wonde r f u l mezz o- sopra no Fr ed e r i c a v on St ad e : C a sa G u i d i , t he Italia n Cook and the English Mai d, Ro ber t Bro wning, The D eath of Mr . [...]

  • Seite 75

    Fee dback Sof t w a r e large or chest ra and a choir o f 1 5 0 voices, a s we l l a s t h re e h a nd- pic ke d s oloi st s , t e n o r H u g h S m i t h , m e z z o s o p r a n o St eph a n ie Bl y t h e, a nd ba r it one M a rk Os wald. T hey a re accompa nied b y t he enti re fa mi ly of str i ngs and woodw inds , bra ss and percu ssion of a ll[...]

  • Seite 76

    Fee dback Sof t w a r e And the daylight o ’ er the p avem ent quite has faded , And the s tr ong [ death- m arch ] enw r aps me. The moo n gives you light And the bugles a nd dr um s give you m usi c, And my hear t , O my soldie rs, My heart g ives you lo ve. Th at tex t is f rom renow n poet W a lt W h it ma n. Now l isten to t he ba ritone i n[...]

  • Seite 77

    Fee dback Sof t w a r e On t he ot her ha nd, he wa s able to hear t he folk music idiom of h is nat ive la nd t h rough f resh ear s. I ndeed “nat ive la nd” i n t h is c a se d oe s n’ t me a n wh at one m i ght a ss u me. T o ot he r Eu rop e - a ns “ Spa n ish mu sic” mea nt t he mu sic of A n d a lu s i a. I f a nu mb er o f Fr en c [...]

  • Seite 78

    Fee dback Sof t w a r e Poetics Cor poron / Nor t h T ex as W ind Sy mph. K l avier K1 1 1 5 3 Rejski nd: Th is is one of a long-r u n ni ng ser ies of w ind re cordi ngs on K lav ier by t h is fir st -rate orchest r a. I t h in k t he t itle may have been chose n at ra ndom, but what it conta i ns is wor t hy of a nyone’ s at t e nt i on f or b[...]

  • Seite 79

    I s h i-fi — o r c ons u mer elec t ro n ics i n gene ra l — get t ing tougher to su r v ive i n? C ha nge has cla imed a nother v ict im , a major Can adia n d ist r i butor . T he c om p a n y i s K o rb o n t r ad i n g, wh ich was al ready fi ve yea rs old when U HF was created in 1 9 82 . Ken Simpson had worked at t he company impor t in[...]

  • Seite 80

    Fee dback Gos sip&New s Gos sip&New s Y ou h ave to be int r ig ued by t he ad: “Home stereo. Reinvented. ” W e li ke t he way home s tereo has b een mov ing ju st fi ne, t h an k s ver y much , but does Apple C o mp ut e r (w ho s e o n -l i ne a d t h i s i s) act u al ly have a bet ter idea? It do es n ’ t look t h at wa y . T he [...]

  • Seite 81

    Fee dback Gos sip&New s Gos sip&New s Almarr o . . . . . . . . . . . . . . . . 1 6 Ap p l a use A u di o . . . . . . . . . . . . 1 2 A rt e c h El ectr o ni c s . . . . . . . . . . 9 , 1 3 ASW . . . . . . . . . . . . . . . C o v e r 2 Atl as . . . . . . . . . . . . . . . . . . . 2 1 Au di o ma t . . . . . . . . . . . . . C o v e r 3 Au di o[...]

  • Seite 82

    I s music i mport a n t to a ll hu ma ns? I would say so, a nd it ex plai ns why t he fi r st hu ma n s b eg a n t o m a k e music even before t hey di scovered fi re, or weapons w it h wh ich to k i ll ot her huma n s. W e k now , becau se we’v e fou nd rema in s of thei r in st r u men ts . W e a lso k now t h at music is not l is- tened to t[...]

  • Seite 83

    Br oad cast Canad a publ ishe r o f U HF in v i t es y ou t o i ts o ther on l ine bou ti que that o ffers luxury audi o ele ctronic s of uni que val ue a t unique pr ic es. The leg endary V a n den Hul ampl iers and pr eamps The in ter na tiona l ve rsiono f an a c cla imed tube headphone ampl ie r . And more. w w w .a ud i oph i l eb ou t i[...]

  • Seite 84

    T h e n e w R o k s a n M S e r i e s - 1 Justice A udio 1 1 1 Zenw a y Blv d., Un it 9 WOODBR IDGE, ON L4H 3H9 T el . : ( 905 ) 2 65- 8675 • F ax : ( 9 05) 265- 85 95 w w w .j ustice aud io .c om sales @ jus t ice audi o .c om S E E A N D H E A R T H E M A T T H E S E R O K S A N D E A L ER S A C R O S S C A N A D A S p i n n e r s S o u n d K a[...]